4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Today is the birthday of one of our greatest filmmakers, Paul Thomas Anderson! This edition of 4 Shots From 4 Films is dedicated to him and his brilliant career!
4 Shots From 4 Paul Thomas Anderson Films
Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Will Be Blood (2007, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Master (2012, dir by Paul Thomas Anderson, DP: Mihai Mălaimare Jr.)
Phantom Thread (2017, dir by Paul Thomas Anderson)
Today’s scene that I love comes from 2012’s The Master, written and directed by Paul Thomas Anderson (who is celebrating his birthday today).
Philip Seymour Hoffman and Joaquin Phoenix were never better than they were in Anderson’s enigmatic story of two very different men who become unlikely friends. Phoenix plays Freddie Quill, a World War II veteran who has never figured out how to adjust to life during peacetime. Hoffman plays Lancaster Dodd, a writer who claims to have all the answers but who is actually a charlatan. In this scene, Freddie and Dodd meet for one last time and, though they are both characters about who most viewers will have mixed feelings, there’s something undeniably poignant about their final moments together. Both of them realize that the time they had is over. And indeed, watching this scene today is all the more difficult because it reminds us of what a talent we lost when we lost Philip Seymour Hoffman.
I started out hoping against hope that the Titanic submersible would be found. Of course, by the time it was found, it was already too late. A lot of people online took seemed to take a ghoulish joy in the tragedy, reminding me of just how awful some people can be.
(I have to be honest. Whenever I heard about the submersible in the past, I assumed that it was built and equipped with state-of-the-art equipment and that it was being guided by grizzled but competent Navy veterans. I didn’t realize it was basically just something that someone made in their back yard.)
I then got caught up in the Russian “coup,” which turned out to be a big nothing. On Saturday afternoon, I tweeted this:
I'm going to the store. I assume that, by the time I get back, this Russian thing will have been resolved.
— Lisa Marie Bowman (@LisaMarieBowman) June 24, 2023
And, by the time I returned, it was all over!
And now, today, people are sending me pictures of RFK Jr. without his shirt on and it’s true that, for a 70 year-old, he looks about 10 years younger. But I kind of yearn for a world where presidential candidates stay off twitter and keep their shirts on. It’s just shaping up to be a weird year and 2024 is obviously going to be a lot stranger.
As for this week, I continued to work on my reviews for this year’s Horrorthon. I’m getting an early start so I can enjoy October this year as opposed to spending all of my time playing catch-up. I finished watching all of the religious films and now I’m watching movies about serial killers. It’s a strange world.
Anyway, here’s what I watched, read, and listened to this week!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1971’s A Tattered Web! It can be viewed on YouTube!
Sgt. Ed Stagg (Lloyd Bridges) is a good cop and an overprotective father. Ever since his wife left him, Ed has been determined to make sure that his daughter, Tina (Sallie Shockley), has a good life. So, as you can probably guess, Ed is not amused when he finds out that Tina’s husband, Steve (Frank Converse), has been cheating on her with Louise Campbell (Anne Helm). Ed has never liked Steve and would love it if his daughter left him. But, Ed still doesn’t want want Tina to have to go through the pain of knowing that her husband is seeing another woman.
Ed decides to drop by Louise’s apartment and talk to her himself. Louise, however, is not willing to let some old stranger tell her how to live her life. After all, she’s heard from Steve about what a terrible and judgmental father-in-law Ed is. Ed gets frustrated and shoves Louise. Louise stumbles back, hits her head, and …. uh-oh. Louise is dead! To be honest, it didn’t really look like she hit her head that hard. In fact, I had to rewatch the scene to see if she actually hit her head at all. But no matter. Louise is dead and Ed’s responsible.
The next morning, when Ed and his partner, Joe (Murray Hamilton), are called in to investigate Louise’s homicide, Ed is approached by Louise’s neighbor (John Fiedler), who gives him a description of a young man who he says he frequently saw going up to Louise’s apartment. The description perfectly describes Steve. The police sketch artist draws a picture that looks like just like Steve. Joe thinks that Steve is responsible. Not wanting his daughter to think that her husband’s a murderer, Ed decides to frame Willard Edson (Broderick Crawford), an alcoholic who frequently comes into the station and confesses to crimes so that he can have a place to sleep for the night.
Yes, it’s a tattered web indeed. Ed is able to talk Edson into confessing to the crime but then Steve does his own detective work and realizes that Edson couldn’t be the murderer. Ed tells Steve that he should just let the police arrest Edson because, otherwise, they’re going to come after Steve. Steve, however, says that he would rather be arrested and be given a chance to prove his innocence than just stand by idly while an innocent man goes to jail. Being a veteran cop, Ed wasn’t expecting everyone to be so damn honest!
A Tattered Web isn’t bad for a 70-minute made-for-TV movie. The film’s main strength is the cast, with Lloyd Bridges, Murray Hamilton, and especially Broderick Crawford giving strong performances. The scene where Ed talks Edson into confession is especially well-done, with Crawford giving a performance of growing desperation while Bridges himself appears to be on the verge of tears as Ed realizes what his life has become. Like his sons Jeff and Beau, Lloyd Bridges is such a likable actor that it’s hard not to care about what happens to the characters that he’s playing, even when he’s playing a murderer. A Tattered Web is an effective thriller that reminds viewers that guilt cannot be escaped.
I finished up Andor this week and I was surprised by not only how intelligent the show was but also how much I enjoyed it. Usually, Star Wars stuff tends to bore me to tears but Andor was full of interesting characters, exciting action, and even a few memorable exchanges of dialogue. The show took itself seriously without ever becoming dull. Diego Luna gave a strong performance in the title role and really, the entire cast impressed. On a personal note, one reason why I enjoyed it is because it didn’t get bogged down in all of the usual Star Wars mythology. As such, even an outsider like me could follow what was going on.
Beavis and Butt-Head (Thursday, Paramount Plus)
“Those boys sure do die a lot,” I thought as I watched last week’s episode of Beavis and Butt-Head on Thursday. The first segment on that episode, which featured Beavis and Butt-Head becoming hoarders, ended with their skeletons being discovered on their couch and then dumped into a dumpster without anyone bothering to even ask who they had been in life. The second segment ended with Beavis finding inner peace via acupuncture. Beavis enjoyed having the needles in his face so much that he ended up sticking a bunch of thumb tacks and sewing needles everywhere else on his body. The episode ended with Beavis apparently castrating himself. Fortunately, that happened offscreen.
This week’s episode featured even more hardship for Beavis. Jealous because Butt-Head got to wear a stupid costume at work, Beavis made his own stupid uniform and eventually got beaten up. (It’s too complicated to explain in a capsule review but it was all Butt-Head’s fault.) This was followed by one of Tom Anderson’s stories about the Korean War and a segment in which Old Beavis and Butt-Head got a job working at a warehouse that was owned by a company that was totally not Amazon. Needless to say, the warehouse burned down by the end of the day.
Bubblegum Crisis (NightFlight+)
As usual, I can’t truthfully that I was able to follow the plot of the episode of Bubblegum Crisis that I watched on Saturday morning. But the explosions were plentiful and the animation was stylish. Sometimes, you don’t have to know what’s going on.
I’m not sure why I missed the 31st season of Dancing With The Stars when it originally aired but, with the Emmys approaching, I finally watched it this week. It was pretty good, though I think Gabby and Val should have won.
I watched an episode on Sunday night. It was from the Robin Givens years. Parents demanded that their out-of-control teens sign a contract promising to no longer be out-of-control. One teen signed and the others dramatically ripped the contracts into little pieces. Robin yelled at all of them. I doubt it made much difference in the long run but it probably made the parents feel better (or worse as the case may be.)
I Think You Should Leave With Tim Robinson (Netflix)
I binged the latest season on Wednesday night. “This guy is trying to start a pay it forward chain!” made me laugh so hard that I nearly fell off my couch.
On Friday night, I watched an episode of this 1984 episode of this show. It was all about music videos based on movies. Among the videos that they showed was the one for Relax from Frankie Goes To Hollywood. From what I’ve seen, it appears that the people behind Night Flight were always looking for an excuse to show that video.
U.S. Open Golf (Sunday, NBC)
Congratulations to Wyndham Clark! As always, I thought the course looked lovely.
So You Think You Can Dance (Fox/Tubi)
At the same time that I was binging the latest season of Dancing With The Stars, I was also watching what might be the last season of So You Think You Can Dance. As always, I enjoyed the dancing but everything was pretty much overshadowed by the whole Matthew Morrison thing. Personally, I always found Matthew Morrison’s performance to be the most annoying thing about Glee so I wasn’t particularly sad to see him step down as a judge on this show.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!
This week, Freddie wants to get married and Epstein loses his confidence.
Episode 1.7 “Classroom Marriage”
(Dir by Bob LoHendro, originally aired on October 21st, 1975)
In their cluttered little apartment, Julie is shocked to discover that Gabe is not only awake at midnight but that he’s also sitting out on the fire escape with a basketball. Gabe explains that he’s depressed. He knows that there’s something going on with the Sweathogs but none of them trust him enough to come to him. In a perfect example of “Be careful what you wish for,” the phone rings.
Julie answers the phone and tells Gabe, “It’s Boom Boom.”
“Boom Boom who?” Gabe replies.
Of course, it’s Freddie “Boom Boom” Washington. Freddie says that he and his girlfriend need Gabe’s advice and that they’re on their way over. No sooner has the call ended then someone knocks on the door. Julie answers it and Vinnie, wearing a trench coat, rushes into the apartment.
After explaining that he can’t afford to be seen talking to a teacher, Vinnie explains that Freddie is planning on getting married. Suddenly, someone else knocks on the door. Vinnie hides in the bathroom.
Rosalie Tosty (Debralee Scott) enters the apartment, wearing a trench coat because she doesn’t want anyone to see her talking to a teacher. She explains that Freddie is getting married. Someone knocks on the door. Rosalie says she’ll hide in the bathroom.
“Vinnie’s in there!” Julie says.
Rosalie smiles and says that’s fine before joining him.
Kotter opens the door and Epstein, wearing a trench coat and a fake mouth on the back of his head, enters the apartment. Epstein says that Freddie is getting married and Vinnie is driving everyone crazy with his attempts to talk Freddie out of it. Someone knocks on the door. Epstein hides in a closet.
Again, Kotter opens the door. Horseshack enters, wearing a gorilla mask. He explains that he’s fine with Freddie getting married because he thinks it’s very romantic. Someone knocks on the door. Horseshack ducks out the window and hides on the fire escape.
Once again, the door is opened. Freddie enters, accompanied by his girlfriend Vernajean (Vernee Watson). Freddie explains that they’re getting married because Vernajean’s father is moving to Staten Island and Freddie can’t stand the thought of her living in a different borough. Gabe attempts to talk them out of getting married by talking about how difficult it would be for them to even find someone in New York City to marry them. “I mean,” Gabe says, “you could lie about your age and go to Maryland but….”
Freddie smiles. “We could lie about our age and go to Maryland!” Freddie thanks Gabe for the advice and then leaves.
This whole sequence is an example of the first season of Welcome Back, Kotter at its best. Yes, it’s very busy and frantic but the entire cast shows off perfect comedic timing, from John Travolta and Debralee Scott to Robert Hegyes and Ron Palillo. Robert Hegyes is especially funny as he captures Epstein’s mix of earnest eccentricity. And, to top it all off, the expression of Gabe’s face when he realizes that he’s accidentally convinced Freddie to get married is simply priceless.
Fear not. The next day in class, Gabe has Freddie and Vernajean do an exercise where they pretend to be married. They’re able to handle having Horseshack as their son but the pretend marriage pretty much falls apart as soon as Gabe shows up and demands that they pay him the rent. In the end, Freddie admits that he only asked Vernajean to marry him because he was afraid that she would forget about him after she moved to Staten Island. Vernajean assures him that could never happen. Awwwwww!
This was a sweet and funny episode. When Gabe ended the episode with a corny joke about his astronaut uncle, Buzz Kotter, you couldn’t help but feel that Gabe had earned the right to make his little joke. He did a good job.
Episode 1.8 “One Of Our Sweathogs Is Missing”
(Dir by Bob LoHendro, originally aired on October 28th, 1975)
Gabe tells Julie a rather macabre joke about his uncle who is marrying his fourth wife. Julie asks about the other three wives. Gabe explains that the first and second wives died from eating poisoned mushrooms and the third died from a fractured skull “because she wouldn’t eat the poisoned mushrooms.” Yikes! It’s hard not to feel that Gabe was warning Julie about rolling her eyes at any more of his jokes.
Meanwhile, at the school, the Sweathogs are excited when Todd Ludlow (Dennis Bowen) challenges Epstein to a fight. However, they are shocked when Epstein — voted most likely to take a life — is easily beaten by Ludlow. After Vinnie, Freddie, and Horseshack have a good laugh over Epstein and his black eye, Epstein runs off and disappears for three days.
Feeling guilty, Barbarino sets up Epstein Central in the classroom:
Mr. Woodman comes by, searching for his red phone. When the phone rings, Woodman insists on answer it himself.
It turns out that Julie is calling for Gabe, in order to tell him that Epstein has shown up at their apartment and locked himself in the bathroom. While Gabe heads home, Julie asks Epstein if he wants anything to drink. Epstein replies that he’s not worthy of anything good to drink but he would happily accept a flat and warm beverage.
Fortunately, Gabe shows up. Epstein agrees to come out of the bathroom as long as Gabe promises not to look at him. While Gabe stares at the lamp, Epstein explains that he only came by the apartment to say goodbye. He feels that his fearsome reputation was the only thing that Epstein had going for him. (Awwwww! Poor Epstein!) Gabe finally looks away from the lamp and tells Epstein that he’s a smart and energetic young man with a lot of potential. Seriously, this scene was so achingly sincere and well-acted by Gabe Kaplan and Robert Hegyes that it was impossible not to be touched by it.
Anyway, it all works out in the end. The other Sweathogs show up on Gabe’s fire escape and they declare their friendship for Epstein. Epstein agrees not to run away. He calls home and tells his mother that he’s okay. His mother tells him to have dinner with the Kotters because his family has already eaten that day. The audience laughs but that’s actually one of the saddest things I’ve ever heard.
With everything resolved, Gabe tells Julie a story about his Uncle Bernie, who never took a bath.
Like the one that preceded it, this was a funny and surprisingly sweet episode. Welcome Back, Kotter is turning out to be a lot better than I was expecting.
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, Tim Buntley will be hosting 2013’s The World’s End!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime. I’ll probably be there and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Here’s the trailer for Drive-Away Dolls, which is Ethan Coen’s first non-documentary feature film as a solo director. Apparently, Ethan and his wife, Tricia Cooke, wrote the script for this film back in the early 2000s. For a while, it was expected that Allison Anders would direct the film but, for whatever reason, it didn’t happen and the project was put on hold. Coen and Cooke apparently returned to the script during the COVID lockdowns, using the time to update and refine the story.
Drive-Away Dolls will be released on September 22nd.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Master, which ran on NBC from January to August of 1984. The show can be found on Tubi!
This week, Lee Van Cleef gets a chance to show off what he can do!
Episode 1.7 “Juggernaut”
(Dir by Gordon Hessler, originally aired on March 16th, 1984)
This week’s episode of The Master opens with Max’s totally groovy van driving across what appears to be farmland. Judging from the mountains in the background, it appears that they are back in California. (If they did mention their specific location during this episode, I missed it.) Last week, as you may remember, Max and McAllister were looking for McAllister’s daughter in Louisiana. Now, they’re apparently just hanging out in California again. It’s odd that McAllister left behind his life in Japan so that he could come to America to find his daughter but, now that he’s actually in America, there doesn’t really seem to be any sense of urgency when it comes to actually tracking her down.
Inside the van, McAllister informs Max that he’s concerned about the way that Max is always losing his temper and starting fights. Max promises that there will be no more unprovoked fights on his part. When they stop in front of a local bar, Max says he’s going to get a beer but he also promises McAllister that he will not be getting tossed through the bar’s window.
Five minutes later:
Now, in all fairness, it isn’t totally Max’s fault that he got thrown through that window. Max went in the bar and saw Alan Kane (veteran TV and movie bad guy William Smith) harassing Cat Sinclair (Tara Buckman). When Max told Alan to back off, Alan challenged Max to a fight. Max was forced to explain that he’s not allowed to fight. Cat rolled her eyes and then Alan tossed Max through the window. Seeing that his protegee is in trouble, McAllister enters the bar, beats up Alan, and saves Max and Cat.
Even though Cat is not impressed with Max’s refusal to fight, she still gets in his van and allows him to give her a ride home. It turns out that Cat and her mother, Maggie (Diana Muldaur), are farmers but an evil land baron named Hellman (Stuart Whitman) is trying to intimidate them off their land. Alan works for Hellman and, because of him and his thugs, none of the farmers have been able to get their crops to market.
Both Cat and Maggie refuse to accept any help from Max and McAllister so our heroes get back in their totally happening van and try to leave town. However, when one of Hellman’s truckers runs the love van off the road, the engine is damaged and the local mechanic informs Max that it will take 48 hours to fix it. Stranded in town, Max searches for proof that Hellman’s trucker was the one who ran them off the road. Meanwhile, McAllister returns to the farm and, turning on some of that Lee Van Cleef charm, proceeds to fall in love with Maggie.
If any of this sounds familiar, it’s because, with the exception of McAllister falling in love, it’s pretty much the same thing that happened in not only the first episode but also the third episode. Max and McAllister have an uncanny talent for randomly wandering into towns that are controlled by evil businessmen. Just as the first and third episodes featured Max giving impassioned speeches about the rights of the workers, this episode features McAllister giving a speech at a meeting in a barn.
While McAllister is giving his speech, Max is getting arrested for snooping around Hellman’s property. Fortunately, McAllister puts on a fake beard and breaks him out of jail. McAllister then directs the farmers to form a convoy and to work together to get their crops to market. Though Alan attempts to set off a bunch of explosives on the way, McAllister uses a cropduster to fool Alan into setting off the explosions early. Then, Lee Van Cleef’s stunt double beats up Hellman. McAllister and Max congratulate each other on a job well done.
Having saved the farmers and beaten up the bad guys, it’s time for Max and McAllister to once again continue their journey across America. McAllister may love Maggie but he still needs to (eventually) find his daughter so he gets in the Chevy van and waves goodbye.
As I said before, this episode felt very familiar. It’s probably not a good sign that, after just seven episodes, The Master was pretty much repeating itself. That said, the episode did feature the great William Smith playing yet another rural bully and Stuart Whitman always made for a convincing villain. With Max sidelined by McAllister’s demand that he stop fighting, Lee Van Cleef got his moment to shine in this episode. He was obviously frail, making it all the more obvious that his fight scenes involved a stunt man, but Van Cleef still got a chance to show off some of his old school movie star charisma.
Next week: The Master steals the Crown Jewels of the United Kingdom! …. sure, why not?
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #FridayNightFlix has got 1996’s Happy Gilmore!
How much do you like Shooter McGavin?
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
Happy Gilmore is available on Prime! See you there!
Through the Shattered Lens 