A Blast From The Past: Vincent Price Reads The Raven


Halloween’s coming to an end.  Actually, here in America, it’s come to an end everywhere except on the west coast.  What better way to bring our annual Horrorthon to a close than spending a few minutes with Vincent Price and the Raven?

Unfortunately, I don’t know exactly when this was filmed.  But no matter!  It’s Vincent Price reading Edgar Allen Poe!

Enjoy!

Lisa Marie’s Oscar Predictions For October


Really?  Oscar predictions on Halloween night?

Eh.  Why not?

Click here for my April and May and June and July and August and September predictions!

Best Picture

Hamnet

It Was Just An Accident

Jay Kelly

Marty Supreme

One Battle After Another

Sentimental Value

Sinners

The Smashing Machine

Train Dreams

Wicked For Good

Best Director

Paul Thomas Anderson for One Battle After Another

Ryan Coogler for Sinners

Benny Safdie for The Smashing Machine

Joachim Trier for Sentimental Value

Chloe Zhao for Hamnet

Best Actor

Timothee Chalamet in Marty Supreme

Joel Edgerton in Train Dreams

Ethan Hawke in Blue Moon

Dwayne Johnson in The Smashing Machine

Wagner Moura in The Secret Agent

Best Actress

Jessie Buckley in Hamnet

Cynthia Erivo in Wicked For Good

Kate Hudson in Song Sung Blue

Renate Reinsve in Sentimental Valure

Sydney Sweeney in Christy

Best Supporting Actor

Benicio del Toro in One Battle After Another

Jacob Elordi in Frankenstein

Paul Mescal in Hamnet

Adam Sandler in Jay Kelly

Stellan Skarsgard in Sentimental Value

Best Supporting Actress

Emily Blunt in The Smashing Machine

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Regina Hall in One Battle After Another

Amy Madigan in Weapons

Horror On TV: Highway to Heaven 2.5 “The Devil and Jonathan Smith” (dir by Michael Landon)


On this, the final day of our annual Horrorthon, we offer you a final Horror on TV entry.

In this episode of Highway to Heaven, angel Jonathan Smith (Michael Landon) tries to defeat the devil for the soul of his friend Mark (Victor French).  This episode, a true Halloween episode, originally aired on October 30th, 1985, and it features guest turns from Anthony Zerbe and the great Michael Berryman.

We hope you have had a happy Halloween!

Here is Dracula, presented by Orson Welles and The Mercury Theater!


Did you know that in 1938, the same year that they horrified America with their production of The War Of The Worlds, Orson Welles and the Mercury Theater did a radio version of Dracula?

Check out this amazing cast list:

Orson Welles – Dracula/Dr. Arthur Seward
George Coulouris- Jonathan Harker
Ray Collins – Russian Captain
Karl Swenson – The Mate
Elizabeth Fuller – Lucy Westenra
Martin Gabel – Professor Van Helsing
Agnes Moorehead – Mina Harker

Coulouris, Collins, and Moorehead would, of course, all go one to appear with Orson Welles in Citizen Kane.

And now, we are proud to present, for your listening pleasure …. DRACULA!

Retro Television Review: St. Elsewhere 2.22 “Hello, Goodbye”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, season two comes to an end.

Episode 2.22 “Hello, Goodbye”

(Dir by Linda Day, originally aired on May 16th, 1984)

Due to St. Eligius being structurally unsound, the first floor is temporarily closed.  The ER, which was the busiest part of the hospital, is no longer operative and Shirley Daniels is assigned to redirect any and all ambulances to Boston General.  As Joan explains it, either the first or the third floor had to be closed so that a team of engineers could strengthen the building.  The third floor is surgery, where all the money is made.  And so, it’s the ER that closes.  Joan, meanwhile, is designated as the scapegoat for all of the recent problems at St. Eligius.  She loses her job with the mayor’s office.

Fresh from interviewing a nervous Dr. Elliott Axelrod (Stephen Furst) for a position as a resident, Dr. Auschlander collapses.  Dr. Westphall fears that his old friend is going to die but finally, Auschlander wakes up and says that he’s not done fighting yet.  Neither is St. Eligius.

Luther finds a stuffed Cheshire cat for a young heart patient.  Dr. Craig finally starts to forgive his drug addict son, Stephen (Scott Paulin).  And Dr. Morrison takes his son on a walking tour of Boston and meets a college student named Clancy (a young Helen Hunt).  Even though Clancy label Morrison a “boomer,” she still spends the night with him.  Morrison finally takes off his wedding ring and appears ready to try to move on with his life.

The second season ends on a melancholy note.  Apparently, the show’s producers weren’t sure whether or not St. Elsewhere was going to be renewed for a third season and this episode was designed to work as both a season and a series finale.  Very few of the regular characters appear and the episode is dominated by Westphall and Morrison, both of whom tend to be rather somber.  In other words, this is a depressing episode but it’s not an episode without hope.  Auschlander does wake up.  Morrison does pursue a tentative relationship with Clancy.  Even with the hospital temporarily shut down, life goes on.  Unlike Wendy Armstrong, nobody gives up.  It’s sad but at least there’s a chance that things could get better.

Both this episode and the second season overall were a roller coaster, deftly mixing drama and comedy and giving the show’s ensemble cast a chance to shine.  Next week, we start season three!

8 Shots From 8 Horror Films: The Conclusion


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we bring our history of horror to a conclusion …. for now.

8 Shots From 8 Horror Films

The Witch (2015, dir by Robert Eggers)

Hereditary (2018, dir by Ari Aster)

Midsommar (2019, dir by Ari Aster)

Us (2019, dir by Jordan Peele)

The Lighthouse (2019, dir by Robert Eggers)

Malignant (2021, dir by James Wan)

X (2022, dir by Ti West)

Nosferatu (2024, dir by Robert Eggers)

 

Onstage On The Lens: The Rocky Horror Show (dir by Christopher Luscombe)


With Halloween approaching, the Shattered Lens presents to you a recording of the 2015 West End production of The Rocky Horror Show, featuring Richard O’Brien, Emma Bunton, Stephen Fry, Anthony Head, Ben Forster, Haley Flaherty, and David Bedella.

The film is so popular that I think some people tend to overlook Rocky Horror‘s theatrical origins.  Personally, I prefer this energetic stage version to the film.

 

Music Film Review: The Rocky Horror Picture Show (dir by Jim Sharman)


It feels strange to actually watch The Rocky Horror Picture Show without an audience.

I say this because the film is actually far better known for its fans than anything else.  First released in 1975 to middling reviews and, at first, anemic box office returns, The Rocky Horror Picture Show went on to become the first great cult film.  It’s literally been playing in theaters for 25 years, which has to be some sort of record.  When one sees Rocky Horror Picture Show in a theater, one does not merely sit back and watch in a state of suspended animation.  Instead, most of the audience becomes a part of the show.  They yell, they dance, and many of them return night-after-night.  I have been to two midnight showings of the Rocky Horror Picture Show and I have to admit that it was actually pretty intimidating both times.  The people in the audience — the veterans who knew every line and knew exactly what to do — were, more or less, friendly.  I’ve read some online horror stories about people who felt like they weren’t welcome the first time they attended a showing.  I had the opposite experience.  No one was rude, no one glared.  It was definitely a cliquey group but I felt as if they had earned the right to be in their clique.  No one seemed to be bothered by the fact that I was mostly there just to observe.  (I should also mention that neither showing that I attended demanded that the first-time watchers stand up or go to the front of the theater or anything like that.  Apparently, there’s quite a few people online who got upset over being singled-out as “virgins” and never got over it.)  But it was intimidating in much the same way as meeting a friend of a friend is intimidating or exploring a new town is intimidating.  I was surrounded by people who had a deep connection with each other, one that had been forged by sharing the same experience for years.  It was a communal experience that was actually touching to see, even if I never stopped feeling like an outsider.

It’s interesting to compare the midnight showings of The Rocky Horror Picture Show to the midnight showings of The Room.  I attended several midnight showings of The Room and I have to admit that I eventually soured on them as it became clear that many people were showing up to taunt the film as opposed to enjoying it for the odd, communal experience that it was.  The last few The Room showings that I attended were filled with a hostility that left me feeling a bit uncomfortable.  Whereas The Room’s cult has often felt a bit mean-spirited (as if everyone had gathered together to laugh at Tommy Wiseau for thinking he could make a movie), The Rocky Horror Picture Show‘s cult is based on a genuine love for the film.

As for the film itself, I watched it last month without an audience and I judged it solely as a film.  The pacing is a bit off and, without the group experience, it’s a lot easier to notice that the film’s storyline doesn’t make a bit of sense, though that was undoubtedly deliberate on the part of the filmmakers.  That said, Tim Curry’s performance still gives the film a jolt of energy, recapturing your attention and holding it until the film comes to a close.  (The genius of Curry’s performance as that, as flamboyant as it is, he still plays Dr. Frank-n-Furter as being an actual characters with feelings and emotions.  He doesn’t just coast on attitude.  One need only compare him to Laverne Cox in the 2016 TV production to see how strong Curry’s performance is.)  Susan Sarandon brings some depth to her performance as Janet and, if Barry Bostwick is a little on the dull side of Brad …. well, the heroes who appeared in the film that Rocky Horror sends up were rarely that exciting.  I enjoyed the snarky humor of Richard O’Brien’s performance and the energy that Meat Loaf brought to the production.  Charles Gray, in the role of the Criminologist, really doesn’t get enough credit for holding the film’s disparate parts together.

In the end, when viewed as a film as opposed to a communal experience, The Rocky Horror Picture Show is undoubtedly flawed but it’s still energetic enough to work.  The love for the old sic-fi films comes through and Tim Curry’s uninhibited performance works with or without an audience.  The Rocky Horror Picture Show is a film that brings people together and I hope it continues to do so.