Television Review: Chaser (dir by Daniel Roemer)


Over the course of 8 episodes, Chaser tells the story of Eddi Sebastian (Russ Russo).

Eddi is a film editor, someone who spends almost all of time looking over different takes of different scenes and trying to arrange them into the perfect story.  Eddi is also shy, awkward, and so broke that he’s about to get kicked out of his home.  He has a hopeless crush on B-actress Annabel Ruysch (Gia Bay) and he regularly finds himself being bullied by Annabel’s arrogant (and married) boyfriend, Gar Madden (Daniel de Weldon).

When Eddi’s laptop stops working, his replacement comes with a special bonus.  Eddi can now use the laptop to not only edit the movies but also to edit real life.  As he learns via the mysterious Hal, he can edit anything that happens as long as he does so within a 24-hour period.  Anything that he changes becomes his new reality but the editing must be done with a 24-hour period and the laptop must be connected to the internet.

Considering that he is lonely and broke, it is not surprising that, at first, Eddi uses the laptop to his advantage.  Soon, he is waking up next to Annabel and heading off with her to Ohio in hopes of helping her shoot a film that will get into South by Southwest.  Also in Ohio is Fran Rosemarin (Haley Noel Bedocs), a former actress who beat Annabel out for a role and then, after the film was made, abandoned Hollywood and returned to the anonymity of middle America.  While Eddi continually tries to edit his life and Annabel obsesses on what could have been, Fran seems content to plan her wedding, which is also going to be combined with a football watch party.

However, when Gar shows up in Ohio, Eddi is forced to confront the fact that editing life is not as easy (or as harmless) as he assumed.

Directed by Daniel Roemer, Chaser is an intriguingly ambitious series.  Starting out as a comedy about a nerdy editor who uses his powers to change a bad date into a good one, the series branches out to consider questions of free will, morality, destiny, and even the struggle of Middle America to survive in a changing world.  For all of Eddi’s problems, they’re nothing compared to the old man who is seen standing on the side of the road and holding a sign asking for money.  The more that Eddi edits existence, the more complicated things become.

It’s an interesting question, really.  Would you edit your life if you could?  One of the things that sets movies and television apart from real life is that, while filming, you get multiple takes.  The performers get more than one chance to deliver their lines correctly and, if someone says the wrong thing, the director can yell “cut” and call for another take.  Ideally, the editor uses the best takes.  Sometimes, the editor even combines several different takes, mixing them into something that appears to have been shot all at once as opposed to multiple times.  One could argue that the editor becomes almost God-like in their power to decide what will be seen and what will be left on the cutting room floor.  In the movies, everyone always knows the right thing to say and they always react in the most cinematic way possible.  Every failure can be edited out. That’s one reason why, especially in troubled times, people turn to the movies.  But some would argue that it’s the unexpected and the spontaneous events, the ones that we can’t control, that make life worth living.  In Chaser, Eddi gets to live the dream of every movie lover.  He gets to treat his real life as a film but, as quickly becomes apparent, there’s a difference between editing events and actually living with the end results.

As I said, it’s an intriguing story and it’s one that plays out at a brisk place over 8 episodes.  The visuals are often wonderfully surreal and the cast does a good job of bringing the multi-layered story to life.  One thing I really liked about this show is that no one was mere caricature.  The character of Fran could have easily been one-dimensional but instead, as played by Haley Noel Bedocs, she became one of the most interesting characters on the show.

Chaser is available on Amazon Prime so be sure to check it out.

Late Night Retro Television Review: Highway to Heaven 2.5 “The Devil and Jonathan Smith”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week …. it’s Halloween!

Episode 2.5 “The Devil and Jonathan Smith”

(Dir by Michael Landon, originally aired on October 30th, 1985)

It’s Halloween and Mark Gordon has got himself in some trouble.

Left alone while Jonathan helps a guy learn that gambling is never a good idea, Mark accidentally runs over a kid.  The child is taken to the hospital in critical condition.  Though Mark is told that the accident was not his fault, he still feels guilty and remarks to one doctor (Anthony Zerbe) that he would even give up his own soul for the child to get better.  And wouldn’t you know yet — suddenly, the child gets better!

It turns out that the doctor wasn’t a doctor at all.  He was Jabez Stone, a bookstore owner who works for the Devil (played, with two horns on his head, by Michael Berryman).  Jabez explains that unless Mark holds up his end of the bargain, the child will die.  He gives Mark a contract to sign, stating that he will give his soul to the Devil at the end of Halloween.  Without Jonathan around to advise him, Mark signs the contract.

When Jonathan does finally return from his mission, he’s not happy to hear about what Mark has done.  Jonathan explains that he can’t just order Jabez to destroy the contract.  Instead, he’s going to have to somehow convince Jabez to give him the contract.  In short, Jonathan is going to have to pull a con job.  Since he’s an angel, Jonathan is not allowed to lie or steal.  But there is a con artist named CJ Barabbas (Conrad Janis) who might be willing to help.

Or, CJ might be planning on tricking Jonathan into surrendering his own soul to Devil!  As CJ tells Jabez, he would be willing to do anything to make sure he got a cushy office job if he should happen to end up in Hell.  Is CJ planning on betraying Jonathan or is it just another part of the con?

Well, you can guess the answer.  We’re only in the second season of a five-season show and, if Jonathan lost his soul, that would make the rest of the series kind of awkward.  There’s never any doubt that CJ is playing a long con on Jabez and the Devil and it’s actually pretty easy to guess just how exactly he’s going to pull it off.  This isn’t The Sting.  It’s Highway to Heaven.

That said, this was a fun episode.  Michael Berryman and Anthony Zerbe both seemed to be having a ball playing such cartoonishly evil characters and Conrad Janis was actually rather charming in the role of CJ Barabbas.  Season 2 has gotten off to an uneven start but this episode was both humorous and, in its way, kind of touching.  Landon and French were close friends in real life and that friendship comes through as Jonathan tries to keep Mark from spending an eternity in Hell.

Next week, Jonathan teaches a bunch of factory workers a lesson about pollution!

Scenes That I Love: The Traitor Scene From Red Dawn


The original Red Dawn doesn’t get as much credit as it deserves.

It’s often described as just being an anti-communist film but actually, it’s a lot more complex than that.  Yes, it’s about a group of teenagers who wage guerilla warfare against communist invaders.  But it’s also about how those teenagers lose their innocence as a result and how they all come to realize that war is not as simple as they thought it was.  The movie celebrates the Wolverines while also mourning that they were put in the position to have to risk and sacrifice their lives in the first place.

That’s what today’s scene that I love is all about.  After they are tracked down and attacked by a group of Russian soldiers, the Wolverines discover that one of the original members of the group visited his father in town and was forced to swallow a tracking device.  In this scene, the group is forced to deal with the reality of war.  The fact that the traitor was a friend to all of them and popular enough to be president of his class just adds to the difficulty of emotionally processing with his betrayal.  Patrick Swayze can’t bring himself to pull the trigger.  C. Thomas Howell, on the other hand, is so quick to shoot his former friend that you realize just how consumed by hate he has become.

Today’s scene was directed by the brilliant John Milius.

Retro Television Review: 1775 1.1 “The Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing 1775, which aired on CBS in 1992.  The entire show is currently streaming on YouTube!

This week, we take a trip into the past.  Welcome to 1775!

Episode 1.1 “Pilot”

(Dir by David Trainer, originally aired on September 5th, 1992)

The year is 1775 and the streets of Philadelphia are awash in rumors of war and revolution.  While some prepare for war and others continue to declare their loyalty to the British Empire, Jeremy (Ryan O’Neal) and Annabelle Proctor (Lesley-Anne Down) just try to run their inn and find suitable husbands for their three daughters.  The youngest daughter (Danielle Harris, of Halloween fame) wants a horse because all of her friends have a horse.  She also wants to run off with a patriot and is offended when the pro-British Governor Massengill (Jeffrey Tambor) stops by the inn.

The Proctors know that one way to marry off their daughters would be to have them attend a fancy ball.  Unfortunately, that would require paying money that they don’t have.  Jeremy may have to ask his smug brother-in-law for cash.  His brother-in-law’s name?  George Washington.  Who plays George Washington?  Somewhat inevitably, Adam West.

Now, I know Adam West playing a smug and superficial George Washington might sound like a lot of fun but West only shows up for one scene and it’s a short one at that.  And he really doesn’t get any fun lines or really any opportunity to do any of his trademark Westing.  It’s a bit of a wasted opportunity.

Actually, the entire show feels like a wasted opportunity.  Reportedly, 1775 was an attempt to do a Blackadder for America but the pilot lacks all of Blackadder’s lacerating wit.  Instead of poking fun at American history and traditions in the way that Blackadder did to the Brits, 1775 is just a typically lame family sitcom that happens to take place in 1775.  The youngest daughter wants a horse …. BECAUSE IT’S 1775!  If it was the modern era, she would want a car.  That’s the entire joke.

As for the show’s cast, Lesley-Anne Down delivers a few snarky put-downs with elan but Ryan O’Neal appears to be lost in the main role.  Have you seen that famous clip of Ryan O’Neal saying, “Oh man, oh God,” over and over again?  Well, that’s the level of his performance here.  O’Neal sleepwalks through the show, delivering his lines in the weary voice of someone who needs the paycheck but otherwise could hardly care less.  When he gets exasperated with his daughters, he sounds numbly homicidal.  It’s not a pleasant performance and it features none of the fierce intelligence that Rowan Atkinson brought to countless incarnations of Edmund Blackadder.

Not surprisingly, only one episode of the show aired before it was canceled.  The series didn’t even reach the start of the Second Continental Congress but that’s okay.  We all know how that went.

4 Shots From 4 Films: Special John Milius Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is John Milius’s birthday and you know what?  It should be a national holiday!

It’s time for….

4 Shots From 4 John Milius Films

Dillinger (1973, dir by John Milius, DP: Jules Brenner)

Big Wednesday (1978, dir by John Milius, DP: Bruce Surtees)

Conan The Barbarian (1982, dir by John Milius, DP: Duke Callaghan)

Red Dawn (1984, dir by John Milius, DP: Ric Waite)

Here Is The Official Cannes Lineup!


The lineup for the Cannes Film Festival has been announced.  After a rather subdued Sundance, film lovers like me are desperately looking to Cannes to add some excitement to 2024.  Considering that Cannes is going to see the premiere of new films from Francis Ford Coppola, Paul Schrader, Sean Baker, Kevin Costner, Andrea Arnold, George Miller, David Cronenberg, and Yorgos Lanthimos, it might do just that!

In the past, Cannes has always been hit-and-miss when it comes to the Oscars.  But lately, films like The Zone of Interest, Parasite, and The Tree of Life have followed success at Cannes with success with the Academy.

With that in mind, here’s the lineup.  If you’re going to Cannes in May, you’re going to have a good time!

Full lineup of the 2024 Cannes film festival.

The Second Act Quentin Dupieux (Opening Film) (Out of Competition)

Competition

L’Amour Ouf Gilles Lellouche

All We Imagine As Light Payal Kapadia

Anora Sean Baker

The Apprentice Ali Abbasi

Bird Andrea Arnold

Caught by the Tides Jia Zhangke

Emilia Perez Jacques Audiard

The Girl With the Needle Magnus von Horn

Grand Tour Miguel Gomes

Limonov: The Ballad Kirill Serebrennikov

Marcello Mio Christophe Honoré

Megalopolis Francis Ford Coppola

Motel Destino Karim Ainouz

Oh Canada Paul Schrader

Parthenope Paolo Sorrentino

The Shrouds David Cronenberg

The Substance Coralie Fargeat

Wild Diamond Agathe Riedinger

Kinds of Kindness Yorgos Lanthimos

Out of Competition

Furiosa: A Mad Max Saga George Miller

Horizon, an American Saga Kevin Costner

Rumours Evan Johnson, Galen Johnson, Guy Maddin

She’s Got No Name Chan Peter Ho-Sun

Un Certain Regard

Armand Halfdan Ullmann Tondel

Black Dog Guan Hu

The Damned Roberto Minervini

L’Histoire de Souleymane Boris Lojkine

My Sunshine Boku No Ohisama

Norah Tawik Alzaidi

On Becoming a Guinea Fowl Rungano Nyoni

Le Royaume Julien Colonna

Santosh Sandhya Suri

September Says Ariane Labed

The Shameless Konstantin Bojanov

Viet and Nam Truong Minh Quý

The Village Next to Paradise Mo Harawe

Vingt Deux! Louise Courvoisier

Who Let the Dogs Bite? Laetitia Dosch

Midnight Screenings

The Balconettes Noémie Merlant

I, The Executioner Seung Wan Ryoo

The Surfer Lorcan Finnegan

Twilight of the Warrior Walled In Soi Cheang

Cannes Premiere

C’est Pas Moi Leos Carax

Everybody Loves Touda Nabil Ayouch

The Matching Bang Emmanuel Courcol

Misericorde Alain Guiraudie

Rendez-Vous Avec Pol Pot Rithy Panh

Le Roman de Jim Arnaud Larrieu, Jean-Marie Larrieu

Special Screenings

Apprendre Claire Simon

La Belle de Gaza Yolande Zauberman

Ernest Cole, Lost and Found Raoul Peck

Le Fil Daniel Auteuil

The Invasion Sergei Loznitsa

Late Night Retro Television Review: Monsters 2.3 “A Bond of Silk”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

Never jump on a spider web!  Seriously.

Episode 2.3 “A Bond of Silk”

(Dir by Ernest D. Farino, originally aired on October 15th, 1989)

Nash (Marc McClure) is an oilman who has just married Portia (Lydia Cornell) and is taking her on a New York honeymoon.  A travel agent has arranged for them to be picked up at the airport in a limousine and driven to a posh hotel.  Sure, it’s strange that the hotel appears to be completely devoid of staff and other guests but Nash and Portia just assume that’s a part of the ambience.  As Portia puts it, they don’t have anything like this back in Lubbock!

(And right there is where I massively rolled my eyes.)

The honeymoon suite is in the basement of the hotel.  It doesn’t look like much.  Oddly, the closet is full of clothes from previous guests.  And, in the bedroom, there is what appears to be a giant web.  Nash declares that it must be a hammock and he jumps on the web.  He soon discovers that the web is sticky (duh!) and he’s stuck.  Portia correctly deduces that that web must have been spun by a giant spider.  She also figures out that no one who has ever checked into the room has ever left.  The travel agent, the limousine, the hotel …. they’re all a part of plan to keep the spider fed.

Nash insists that he’ll figure out a way out of the web but the more he tries to escape, the more stuck he becomes.  Finally, it falls to Portia to figure out a way to safely cross the web, free her husband, and get out the room.  Unfortunately, as Portia quickly realizes, the spider is waiting for her to attempt just that.

There was a lot about this episode that worked.  The hotel was a creepy location.  Nash’s struggle in the web was frightening and the visual of him getting more and more stuck in the web was effectively claustrophobic.  By today’s standards, the special effects were not particularly impressive but still, they were good enough to not totally take me out of the story.

That said, this was yet another episode where all of the action was dependent upon the characters acting in the dumbest ways possible.  Eventually, Portia reveals herself to have a lot of determination and to be a lot more clever than she originally came across.  Nash, however, remains an idiot through the entire episode and it’s hard to have sympathy for someone who sees a giant spider’s web and automatically thinks, “Hey, let’s jump into it!”  While neither spoke with a convincing Texas accent, both Marc McClure and Lydia Cornell were likable but the actions of their characters requires a bit too much suspension of disbelief.

As for next week’s episode, it appears that college students will be raising the dead!  Uh-oh.

Film Review: Berlin Correspondent (dir by Eugene Forde)


In the 1942 film, Berlin Correspondent, Dana Andrews plays Bill Roberts.

Bill is an American journalist, working out of Berlin.  Because the film takes place before America’s entry into World War II, Bill pretends to report only what the Germans want him to report.  Even while there are bombs exploding outside of the studio, Bill and his fellow correspondents report that everyone in Berlin is happy and that the German government is doing a great job.

However, Bill fills his reporting with code words, which are then interpreted by listeners in the American Intelligence service.  They understand that when Bill says that the people are happy, that means that they’re actually miserable.  When Bill says that the weather in Berlin is cloudy, that means that there is dissent brewing in the government.

Still, Captain Von Rau (Martin Kosleck) comes to suspect that Bill might be sending out secret messages and he decides to send someone to not only compromise Bill but to also discover who is feeding Bill information.  Von Rau sends his own fiancée, Karen Hauen (Virginia Gilmore), to seduce Bill.  Little does Von Rau suspect that Bill’s source of information is Karen’s own father (Erwin Kalser) and that Karen herself is going to end up falling in love with Bill.

Berlin Correspondent is typical of the films that were made to try to build support for the American war effort during the Second World War.  The hero is a tough and cynical American who pretends to not care about what is happening in the rest of the world but who eventually reveals himself to be an idealist with a strong sense of right and wrong.  Bill may say that he’s only in Berlin to report the news but, when Karen’s father is sent to a concentration camp, Bill proves himself to be willing to risk his own life to help the older man make it to Switzerland.  Karen’s father stands in for the members of the German resistance who worked from the inside to bring down the Nazis.  Bill and Karen’s love serves as a reminder that the world can come back together but only after Hitler has been defeated.

The two main Nazi villains are played by Martin Kosleck and Sig Ruman, two German actors who immigrated to the United States to escape the real-life Nazis.  Kosleck and Ruman play their characters as being buffoonish bullies who are easily outsmarted by street smart Americans like Bill.  It’s the film’s way of saying to the audience, “Are you really going to let these idiots think that they can defeat America?”  Still, a scene is included in which a crippled girl is described as being someone who should be put to death.  It’s a necessary reminder that the Nazis may be idiots but they’re also a legitimate threat.

Berlin Correspondent clocks in at a brisk 70 minutes and it features a typically strong leading performance from Dana Andrews.  If you needed someone to fight for America, 40s-era Dana Andrews would definitely be a good pick to go with.  It’s a joy to watch him outsmart the Nazis.

Retro Television Review: The Love Boat 4.11 “That’s My Dad/Captive Audience/The Captain’s Bird”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Merry Christmas!

Episode 4.11 “That’s My Dad/Captive Audience/The Captain’s Bird”

(Dir by Allen Baron, originally aired on December 20th, 1980)

It’s time for the Love Boat’s annual Christmas cruise and, appropriately enough, this cruise is all about family.

For instance, Captain Stubing has decided that the perfect Christmas gift for Vicki would be a parrot.  After the bird is brought on board, Stubing decides that the perfect place to hide it would be in Gopher’s cabin.  Gopher goes along with this because it’s something of a miracle that he hasn’t been fired yet.  I mean, when you’ve screwed up as much as Gopher has, you’re not really in a position to argue with your boss.  The only problem with all of this is that the parrot won’t talk.  Stubing isn’t happy about that so Isaac and Gopher try to teach the bird to sing a Christmas carol.  Instead, the bird starts saying, “Captain Stubing is a jerk!”  Uh-oh!

Meanwhile, singer Bobby Braddock (Jack Jones, who sang The Love Boat theme song) boards the ship with his wife, Susan (Laraine Stephens).  What Bobby doesn’t know is that his father, Richard (Allan Jones), and his mother, Lil (Dorothy Lamour), are also on the ship.  Bobby got his start as a part of Richard’s act and Richard has never forgiven Bobby for going solo.  Julie, Lil, and Susan all hope that they can bring father and son back together again.  Needless to say, Richard doesn’t appreciate being tricked into boarding a boat with his son.  He grimaces while listening to Bobby sing Winter Wonderland and then storms out of the lounge when Julie asks him to join his son on stage.  Merry Christmas, I guess!

Still, as bad as Bobby Braddock has it, it’s nothing compared to what’s going on with young Scotty (Meeno Peluce).  Looking to escape an abusive life at home, Scotty sneaks on board the ship by telling the crew that another passenger, Jeff Dalton (Dirk Benedict), is his father.  Scotty then proceeds to follow Jeff around the boat.  Jeff has no idea that everyone thinks that he is Scotty’s father.  When Jeff meets a woman and politely tells Scotty to scram, the crew is scandalized.  When Stubing sees the bruises on Scotty’s back, he assumes that Jeff is responsible.

Well, don’t worry.  Things may look bleak at the halfway mark but everything works out in the end.  Jeff realizes that maybe he would like to be a father to a random runaway.  Richard realizes that he can forgive his son for wanting to make his own way.  Crew members dress up like Santa Claus and Vicki has a happy holiday on the ocean.

You know what?  This was a silly episode but I enjoyed it.  I’m a sucker for Christmas episodes and this one had enough comedy and drama to keep me entertained and the story involving Scotty and Jeff even touched my heart a little.  This was definitely a cruise worth taking.

Late Night Retro Television Review: Baywatch Nights 1.21 “A Closer Look”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on You tube!

Mitch has yet another old friend who needs help!

Episode 1.21 “A Closer Look”

(Dir by Bernard L. Kowalski, originally aired on May 11th, 1996)

Another old friend of Mitch’s had a problem.

Seriously, how many old friends does Mitch have and why are all of them always getting involved in something dangerous?  And why is it always Mitch’s responsibility to help them out?  I mean, doesn’t Mitch ever just want to tell them to take care of their own problems?  Mitch isn’t Superman, after all.  He’s a middle-aged guy who is already struggling to balance his day job with his night job.  STAND UP FOR YOURSELF, MITCH!

Anyway, Dewey Morgan (Gary Collins, looking like Robert Redford in All Is Lost) is worried that his model wife, McKenna (Lisa Schad), has been replaced by an imposter.  As he explains it, she’s been different ever since she returned from a health spa.  She looks the same but there’s just all sorts of little differences.  It’s the type of things that only an intimate acquaintance — like a husband, for instance — would notice.

Mitch is skeptical.  He thinks that maybe Dewey is just upset because McKenna has recently left him and is now finding success as a model.  Still, Mitch decides to investigate because Dewey is an old friend.  It’s never really made clear how Mitch and Dewey became friends in the first place but Dewey does spend a lot of time in a wet suit and on a surf board.  So, I guess having a shared love of having a mid-life crisis on a beach is the bond that holds Mitch and Dewey together.

Personally, I think it would have been interesting if Mitch and Ryan had discovered that McKenna actually was McKenna and Dewey really was some sort of unbalanced stalker.  That would have been a nicely unexpected twist and it would also have forced Mitch to reconsider his loyalty to all of his old friends.  It would have given the show a chance to say something about the dangers of a beach bum having a mid-life crisis.  But that’s just not the Baywatch Nights way.  It turns out that the real McKenna is dead and the woman claiming to be Dewey’s wife is an imposter.

Usually, I enjoy melodramatic nonsense like this but this episode featured both a murder and an attempted murder and all of that violence felt somewhat out-of-place.  Baywatch Nights works best as goofy fun.  Having people actually die kind of takes away from the goofiness and it makes me wonder how Mitch is holding up mentally.  I mean, he just wanted to make some extra money as a private investigator.  Instead, he’s being regularly exposed to the worst that humanity has to offer.

The first season is nearly over and that’s good because, as this rambling review might indicate to the careful reader, I’m getting kind of bored with it.  The second season is a lot of fun because Mitch and Ryan spend 22 episodes dealing with aliens, vampires, and Vikings!  But, before we can get to all that, there’s one more first season episode to go.

We’ll deal with it next week.