A Pre-empted Late Night Retro Television Review: CHiPs 3.17 “Return of the Supercycle”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

Sorry, last night’s review of CHiPs was pre-empted by my own need to get some rest after spending the previous few days dealing with the worst sinus pain ever.  (Well, maybe not ever but it was still pretty bad….)  Here’s last night’s episode of CHiPs, just a few hours late!  Regularly scheduled programming will resume soon.

Episode 3.17 “Return of the Supercycle”

(Dir by Bruce Kessler, originally aired on October 27th, 1979)

The Supercycle is back!  A thief on a supercharged motorcycle is robbing jewelry storefronts.  Baker takes the old Highway Patrol Supercycle out of storage so that he can go after the new Supercycle.  Baker suspects that the Roy Yarnell (George O’Hanlon, Jr) might be up to his old Supercycle tricks again but it turns out that Roy is innocent.  Instead, it’s his mechanic.

In other words: SUPERCYCLE SUPERCYCLE SUPERCYCLE!

Ponch spends the majority of this episode in a hospital bed.  Early on in the episode, Ponch crashes his motorcycle while chasing the new Supercycle and seriously injures himself.  Apparently, the crash was real and Estrada actually did injure himself.  Watching the episode, it’s easy to see that the show dealt with Estrada’s injuries by just giving all of Ponch’s lines to Baker.  For once, Baker is the one who bends the rules and gets to do all the cool stuff.  He even gets to romance a visiting member of the Highway Patrol, Kathy Mulligan (Anne Lockhart).  In any other episode, Ponch would have been the one doing all of that so it’s interesting to get to see Baker actually get to have a life for once.  And yes, before anyone asks, Estrada finds an excuse to remove his shirt even when he’s relaxing in a hospital bed.  No hospital gowns for Estrada!

The sad thing is that Larry Wilcox was definitely a better actor than Erik Estrada and he also looked a lot more believable on a motorcycle.  But, this episode shows that Estrada just had more screen presence.  As easy as it is to make fun of Ponch, Estrada’s over-the-top displays of vanity were often just what CHiPs needed.  Estrada may not have been a great actor but he amusing to watch.  Wilcox has a much more laid back presence.  He’s a believable cop but he’s just not as much fun to watch as Estrada.

Probably the most amusing thing about this episode is that, when Estrada (or his stuntman pretending to be Estrada) is lying on the pavement, Wilcox cannot bring himself to really act convincingly concerned or worried.  CHiPs is a bit infamous for the fact that Larry Wilcox and Erik Estrada did not have a great working relationship.  That’s all I could think about as I watched Baker casually step over Ponch’s prone form on the street.

Anyway, this episode has some spectacular motorcycle jumps and some good chase footage.  There was an occasionally amusing subplot where the men of the Highway Patrol worried that Kathy was reporting their behavior to Sacramento.  (Grossman, played by the invaluable Paul Linke, made me laugh with his sudden emphasis on doing everything by the book.)  The Supercycle was cool.  Everyone should have one.

Scene That I Love: The Escape Disaster In Night of the Living Dead


Today would have been George Romero’s 85th birthday.

Today’s scene of the day comes from Romero’s best film, Night of the Living Dead.  In this scene, an attempt to escape from a farmhouse ends in disaster.  As was typical of all of Romero’s films, the disaster has less to do with the zombies and more to do with humans that simply can’t work together.

The upload isn’t great but this scene still represents Romero’s vision of a society working to destroy itself.

Retro Television Review: Miami Vice 3.16 “Theresa”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, a guest star breaks Sonny’s heart.

Episode 3.16 “Theresa”

(Dir by Virgil W. Vogel, originally aired on February 13th, 1987)

Sonny is planning on asking his girlfriend, Dr. Theresa Lyons (Helena Bonham-Carter), to marry him.  What Sonny doesn’t know is that Theresa is a junkie.  Back surgery caused her to develop a dependence on painkillers and, after she got in trouble for writing her own prescriptions, Theresa started dealing with drug dealers.  Theresa’s addiction has left her vulnerable to a long-haired drug lord named Wyatt (Brad Dourif).  Sonny recently arrested Wyatt but Wyatt has one of his dealers tell Theresa that he’ll only give her a fix if she steals the four evidence tapes from Sonny’s houseboat.  Theresa steals one tape.  The other tapes are destroyed when Wyatt bombs a police evidence warehouse!  Seriously, Wyatt doesn’t mess around and, when that warehouse goes up in flames, we’re reminded that Miami is not a place for the weak.  The police are in a war and they have no possible path to victory.  The bad guys are always willing to do what the police can not.

Most of this episode centers around Theresa and Sonny attempting to deal with her addiction and Sonny coming to realize that Theresa will have to return to the UK if she’s ever going to recover.  Even after Sonny gets suspended from the force while Internal Affairs investigates the theft of the tape, Theresa remains Sonny’s main concern.  It was actually kind of nice to see Sonny caring about someone again.  Don Johnson has been a bit inconsistent this season.  (There are several episodes were its obvious he was getting a bit bored with the part.)  But he does a good job in this episode.

As for the guest stars, Brad Dourif is charismatically evil as the smug and New Age-y Wyatt.  Helena Bonham Cater was only 20 when she appeared in this episode and she looked even younger.  That doesn’t exactly make her the most believable trauma doctor in the world.  Because of her youth, she’s miscast and there are a few times when she looks more like Crockett’s daughter than his girlfriend.  That said, Bonham Carter really sells the scene where she reveals her addiction to Crockett and she definitely captures the desperation of someone in need of another fix.

“Life’s not easy when you’re a lover,” Tubbs says at one point, “….or a primary investigator.”  With Sonny sidelined with his suspension and his personal drama, Tubbs got to play the role of concerned best friend and it’s one that Philip Michael Thomas always played well on the show.  If nothing else, you believe that Tubbs would take a bullet for his partner.  The show may end with Theresa returning to the UK and Sonny sadly looking down at the engagement ring that he’ll never give her but, fortunately, he’ll always have Tubbs.

Monday Live Tweet Alert: Join Us For Speedtrap!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1977’s Speedtrap, starring Joe Don Baker! I picked it so you know it’ll be good.

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube or Tubi, hit play at 8 pm et, and use the #MondayActionMovie hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

See you soon for some Joe Don Baker excitement!

Scenes That I Love: The Skating Fiddler from Michael Cimino’s Heaven’s Gate


Today’s scene that I love comes from Michael Cimino’s Heaven’s Gate.

You know what?  I’ve read that some people consider this scene with the skating fiddler to be an example of Cimino’s tendency towards self-indulgence.  The oft-made claim is that it’s a scene where Cimino is more interested in showing off than moving the story forward.  That may be true but still, I don’t care what anyone says, I like this scene.  It captures the communal joy of the settlers before the arrival of the mercenaries who have been hired to force them out of their homes.  To understand why the settlers fight, you also have to understand what they’re being expected to give up.

4 Shots From 4 Films: Special Michael Cimino Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, it is time to celebrate the birth of one of the most intriguing (if uneven) filmmakers of the 20th Century, Michael Cimino!  It’s time for….

 4 Shots From 4 Michael Cimino Films

Thunderbolt and Lightfoot (1974, dir by Michael Cimino, DP: Frank Stanley)

The Deer Hunter (1978, dir by Michael Cimino, DP: Vilmos Zsigmond)

Heaven’s Gate (1980, dir by Michael Cimino, DP: Vilmos Zsigmond)

The Year of the Dragon (1985, dir by Michael Cimino, DP: Alex Thomson)

Late Night Retro Television Review: Degrassi High 1.11 “All In A Good Cause:


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube!

This week, Claude shows that in yourself, you must believe.

Episode 1.11 “All In A Good Cause”

(Dir by Eleanore Lindo, originally aired on January 16th, 1990)

There’s a wonderful moment in this week’s episode in which Claude tells Caitlin that they have a moral obligation to vandalize a factory that is being used to make nuclear weapons.  (Yikes!  In downtown Toronto!?  Really, Canada!?)  Claude says that Martin Luther King, Jr. didn’t let the law stop him.

Caitlin agrees.

The Chicago Seven, Claude continues, didn’t let the law stop them from protesting for what was right.

“Who are the Chicago Seven?” Caitlin asks.

Claude gets frustrated.  “They were seven guys from Chicago.”

“What did they do?”

Claude, after a pause, “They were totally radical!”

Of course, Claude is incorrect.  The Chicago Seven were not seven guys from Chicago.  They were seven (originally eight) guys who came to Chicago from all over the country and they were arrested during the 1968 Democratic Convention.  As for whether or not they were totally radical …. well, it depends on who you ask.  Abbie Hoffman thought they were radical.  Bobby Seale thought all of them were poseurs with the exception of himself.  Jerry Rubin went on to become a businessman.  Tom Hayden went into state politics and married an Oscar winner.  As for the other members …. well, who cares?  There’s a movie about them if you really want to subject yourself to it.

Claude is like a lot of young activists.  He’s passionate and he’s convinced he’s going to save the world but he’s also totally shallow and given to hyperbole.  Claude’s plan to vandalize the factory amounts to spray painting one anodyne anti-nuke message on a wall in the middle of the night.  Caitlin serves as his lookout.  When the cops arrive, Claude runs and leaves Caitlin behind.  That stupid hippie!

Catilin does the right thing  She dumps that pretentious douchebag!  Good for her.  Don’t get me wrong.  I get it.  I went through a period of time where I had a weakness for passionate activists as well.  It was between my first bad boy phase and my second bad boy phase.  But Claude was just so annoying and, even worse, Caitlin dumped Joey for this loser.  Joey may not have known much about politics but Joey also would never have abandoned Caitlin to the cops.

This was a really good episode.  Along with the Caitlin/Claude fiasco, this episode also features Kathleen finally reporting her abusive ex-turned-stalker Scott to the police and getting a restraining order against him.  Good for Kathleen!  (Rebecca Haines really did a good job portraying Kathleen’s ordeal with Scott and, in the best Degrassi tradition, she showed the audience that there was more to Kathleen than they may have originally assumed.)  Even Arthur got a decent storyline this episode.  Eager to show that he could be just as dangerous and daring as Yick, he and Yick toilet-papered Raditch’s house.  What was funny about this plotline is that Arthur wanted to impress Luke.  This is the same Luke who gave Shane the PCP that caused him to fall off a bridge.  Get better heroes, Arthur!

This was an excellent episode.  It’s tempting to hope that Caitlin learned a lesson from this experience but those of us who have watched Degrassi: The Next Generation know better.

Lisa Marie’s Week In Review: 1/27/25 — 2/2/25


 

Janes Holzer in Soap Opera

I’m going to keep this week’s update kind of short because I’ve been dealing with allergies and sinus pain and I need to get some rest.  Consider this to be a mini-week in review.

First, and most importantly, my thoughts go out to everyone who has been effected by the two aviation disasters that occurred this week.  It’s just tragic and my heart breaks for the families and friends who have lost those close to them.

The Sundance Film Festival came and went this year.  I usually follow these things pretty closely but there was really next to no interesting news out of Sundance this year.  I even signed up for a membership so I could attend a few online screenings but, because I’ve been feeling sick, I didn’t go to any of them.  To be honest, none of the films available really appealed to me.

After getting 13 nominations (more than The Godfather), Emilia Perez‘s Oscar momentum has apparently been destroyed by the fact that someone finally got around to running a Google translate on all of Karla Sofia Gascon’s old tweets.  Because last year was a difficult one for me and my family and I didn’t have as much time as usual to watch things, I haven’t gotten around to watching Emilia Perez so I don’t know if it’s as good as some say or as terrible as others say.  (I do know that, as someone who has family on the border and who is a fourth-Spanish, I do have to wonder why Jacques Audiard decided to set his story in Mexico as opposed to Marseille.)  But I will say that I always think a film should be judged on its own merits.  Of course, that never happens but I remain an idealist at heart.

Here are the films that I watched this week:

  1. America is Sinking (2023)
  2. Basquiat (1996)
  3. Extreme Justice (1993)
  4. Fear City (1984)
  5. First Man In Space (1958)
  6. The Godson (1998)
  7. Groundhog Day (1993)
  8. Hot Saturday (1932)
  9. The Incident (1967)
  10. Ladies’ Man (1931)
  11. Poor Little Rich Girl (1965)
  12. Soap Opera (1964)
  13. The Sword and the Sorcerer (1982)
  14. Ticks (1993)
  15. Vinyl (1965)

News From Last Week:

  1. Singer Marianne Faithfull Dies At 78
  2. ‘Atropia,’ ‘Twinless’ Win Top Sundance 2025 Awards (Full Winners List)
  3. Sundance Likely Moving to Boulder in 2027
  4. ‘Emilia Perez’ actress’ unhinged tweets are a huge blow to her movie’s Oscar chances
  5. Karla Sofía Gascón Breaks Down In Unauthorized, Hour-Long CNN Interview: “I Have Been Crucified And Stoned”

Links From Last Week:

  1. Tater’s Week in Review 1/31/25
  2. Journey To Italy With Clint Eastwood! Ready For A Shocking “Black Sunday?” The “Trip To Italy” Movie Blogathon Has More!
  3. Any creature can be a Familiar…

Click here for last week!

Rosemary Kelly in Soap Opera