Today’s scene that I love comes from 1971’s Dirty Harry, in which Clint Eastwood, as “Dirty Harry” Callahan finally confronts the the Scorpio Killer (Andy Robinson) and asks him if he feels lucky. Eastwood himself later said that Callahan’s badge must have been attached to a rubber band because he was somehow able to get it back in time for Magnum Force.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
On this date, 131 years ago, the great cinematic stylist Josef von Sternberg was born in Vienna. Von Sternberg would become one of the great directors of both the silent and the early sound era and is today best remembered for his many collaborations with Marlene Dietrich.
It’s time for….
4 Shots From 4 Josef von Sternberg Films
Underworld (1927, dir by Josef von Sternberg, DP: Bert Glennon)
The Blue Angel (1930, dir by Josef von Sternberg, DP: Gunther Rittau)
Shanghai Express (1932, dir by Josef von Sternberg, DP: Lee Garmes and James Wong Howe)
The Scarlet Empress (1934, dir by Josef von Sternberg, DP: Bert Glennon)
Everyone knows that Sean Connery made his debut of James Bond in 1962’s Dr. No but what they may not know is that Sean Connery was not the first actor to play James Bond. James Bond made his first appearance 8 years earlier when an American television show called Climax! presented a 48-minute adaptation of Ian Fleming’s first Bond novel, Casino Royale.
In this version of Casino Royale, James Bond was known as Jimmy Bond and he was about as American as you can get. (Felix Leiter, meanwhile, was now English and named Clarence Leiter). Jimmy Bond was played by Barry Nelson, an actor who is probably best known for playing the blandly friendly hotel manager in Stanley Kubrick’s The Shining. Casino Royale’s villain, Le Chiffre, was played by none other than Peter Lorre.
This version of Casino Royale was initially meant to serve as a pilot for a weekly television series but, perhaps fortunately, the Climax version of Casino Royale didn’t get much attention when it was originally aired. According to Sinclair McKay’s authoritative Bond book, The Man With The Golden Touch, this version of Casino Royale was forgotten about until a copy of it was discovered in the 1980s. By that time, of course, everyone knew that James Bond was English and that Felix Leiter was American.
Thanks to YouTube, I’ve seen the Climax! Casino Royale and it’s definitely a curiosity. If Dr. No hadn’t launched the James Bond film franchise, there would be little reason to watch this version of Casino Royale. It moves a bit slowly, is way too stagey, and it reveals that, contrary to what we’ve all heard, live television was not always the greatest thing on the planet. Not surprisingly, this adaptation contains none of the brutality or the moral ambiguity that makes Fleming’s novel such a fun read. American television audiences would not see Jimmy Bond strapped naked to a chair and an American television show would never end with the hero saying, “The bitch is dead.” The best you can say about this version of Casino Royale is that Peter Lorre makes for a good villain (in fact, of the three versions of Casino Royale, the television version is the only one to feature an effective Le Chiffre) and Barry Nelson would have made a good Felix Leiter.
That said, I still find the television version of Casino Royale to be fascinating from a historical point of view. This is the type of show that you watch for curiosity value. This is the type of show that you watch so that you can think about how different things could have been.
So, presented for your viewing pleasure, here’s the original version of Casino Royale:
Considering that it’s Ian Fleming’s birthday, what else could I have possibly picked?
117 years ago today, Ian Fleming was born in Mayfair, London. A member of British Intelligence during World War II, Fleming is today best-remembered as the creator of James Bond.
Today’s scene that I love comes from 1962’s Dr. No. Here is Sean Connery, in his first appearance as Fleming’s iconic secret agent. Eunice Gray was cast as Sylvia Trench, who was originally envisioned as being Bond’s permanent “London” girlfriend. She also appeared in From Russia With Love before the idea was abandoned. We all know that Bond’s true love was Tracy di Vincenzo.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today the Shattered Lens celebrates what would have been the 94th birthday of the great cinematographer, Gordon Willis. Willis was the master of using shadow and underexposed film to create some of the most haunting movie images of the 70s and 80s. He was also one of the first cinematographers to take advantage of the so-called “magic hour,” that moment when the sun is setting and everything is bathed in a golden glow. Today, everyone does that but Willis was the first.
Willis has often been cited as one of the most influential cinematographers of all time but, amazingly, Willis would receive only two Academy Award nominations (for Zelig and The Godfather Part III) and he would never win a competitive Oscar.
In memory of Gordon Willis, here are….
6 Shots From 6 Gordon Willis Films
End of the Road (1970, dir by Aram Avakian, Cinematography by Gordon Willis)
The Godfather (1972, dir by Francis Ford Coppola, Cinematography by Gordon Willis)
The Parallax View (1974, dir by Alan J. Pakula, Cinematography by Gordon Willis)
The Godfather Part II (dir by Francis Ford Coppola, Cinematography by Gordon Willis)
All The President’s Men (1976, dir by Alan J. Pakula, Cinematography by Gordon Willis)
Manhattan (1979, dir by Woody Allen, Cinematography by Gordon Willis)
A lot of people have sung this song, from Paul Anka to Frank Sinatra to Sid Viscous and Jay-Z.
Christopher Lee’s version remains my favorite.
… And now, the end is near
And so I face the final curtain
My friend, I’ll say it clear
I’ll state my case, of which I’m certain
I’ve lived a life that’s full
I traveled each and every highway
And more, much more than this
I did it my way
… Regrets, I’ve had a few
But then again, too few to mention
I did what I had to do
And saw it through without exemption
I planned each charted course
Each careful step along the byway
And more, much more than this
I did it my way
… Yes, there were times, I’m sure you knew
When I bit off more than I could chew
But through it all, when there was doubt
I ate it up and spit it out
I faced it all, and I stood tall
And did it my way
… I’ve loved, I’ve laughed and cried
I’ve had my fill, my share of losing
And now, as tears subside
I find it all so amusing
To think I did all that
And may I say, not in a shy way
Oh, no, oh, no, not me
I did it my way
… For what is a man, what has he got?
If not himself, then he has naught
To say the things he truly feels
And not the words of one who kneels
The record shows I took the blows
And did it my way
… Yes, it was my way
Songwriters: Paul Anka / Gilles Thibaut / Claude Francois / Jacques Revaux
The Fly (1958, D: Kurt Neumann)
One of the great things about the original, 1958 version of The Fly is that, even though it starred Vincent Price, Price didn’t play the Fly. Instead, for once, Price was allowed to be the voice of reason, the guy who said, “Maybe don’t mess around with the laws of time and space.”
Today’s scene that I love is from the ending of the original Fly. Supposedly, Price had a hard time filming this scene because whenever he heard the recording of David Hedison crying out, “Help me!,” he would start laughing. Still, if you know what spiders actually do to the flies that they capture, you can’t help but sympathize with our misdirected scientist in the web. Destroying him with a rock was probably the most merciful thing that anyone could do.
In honor of Vincent Price, on what would have been his birthday, here is a scene that I love.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we honor the legacy of a man who was not just a great horror star but also a great actor. period Christopher Lee worked with everyone from Laurence Olivier to Steven Spielberg to Peter Jackson to Martin Scorsese. Though he turned own the chance to play Dr. No, Lee later did go play a Bond villain in The Man with The Golden Gun. He was one of those actors who was always great, even if the film wasn’t.
That said, it’s for his horror films that Lee is best known. He was the scariest Dracula and the most imposing Frankenstein’s Monster. He played mad scientists, decadent aristocrats, and even the occasional hero. Christopher Lee was an actor who could do it all and today, on what would have been his birthday, we honor him with….
6 Shots From 6 Christopher Lee Films
The Horror of Dracula (1958, dir by Terence Fisher, DP: Jack Asher)
Count Dracula (1970, dir by Jess Franco, DP: Manuel Merino and Luciano Trasatti)
Horror Express (1972, dir by Eugenio Martin, DP: Alejandro Ulloa)
The Wicker Man (1973, dir by Robert Hardy. DP: Harry Waxman)
The Man With The Golden Gun (1974, dir by Guy Hamilton, DP: Ted Moore and Oswald Morris)
Lord of the Rings: The Fellowship of the Ring (2001, dir by Peter Jackson, DP: Andrew Lesnie)
In 1988’s To Heal A Nation, Eric Roberts stars as Jan Scruggs.
When we first meet Scruggs, the year is 1971 and he’s taking his seat on a commercial airliner. When the blonde woman sitting beside him starts to flirt with him, Scruggs mentions that he’s happy because he’s finished up his tour of duty in Vietnam. Upon hearing that Scruggs is a Vietnam vet, the woman immediately requests to be moved to a different seat.
Eight years later, things haven’t gotten much better. Scruggs works for the Department of Labor in Washington D.C. He’s married to Becky (Glynnis O’Connor) but he’s struggling to deal with the past. He drinks too much. He has trouble sleeping. He doesn’t feel like he can open up about the things that he saw in Vietnam because nobody wants to talk about it. He was one of the thousands of people who served in Vietnam who now feel as if they’ve been abandoned by their country. However, after attending a showing of The Deer Hunter, Scruggs has a vision of a monument that that features the name of every American who was killed in the Vietnam Conflict.
Scruggs devotes the next several years of his life to getting the monument built, appealing to both the government and private citizens for funding. At first, everyone treats Scruggs and his efforts like a joke. Even some fellow veterans feel that Scruggs is pushing too hard and that he’s just going to end up embarrassing himself. But Scruggs refuses to give up and finally, with the support of a senator (Laurence Luckinbill) and a Texas millionaire named H. Ross Perot (Conrad Bachmann), Scruggs is able to make his dream a reality.
Based on the true story of the struggle to build the Vietnam Veterans Memorial in Washington, D.C., To Heal A Nation features a young Eric Roberts giving a nervy but likable performance as Jan Scruggs, a man who becomes so obsessed with building a monument to those who lost their lives in Vietnam that he occasionally seems like he’s close to going over the edge himself. It’s a good film for Memorial Day and one that still feels relevant today. The way that Scruggs was treated after returning from Vietnam is the way a lot of our veterans were treated and continue to be treated after returning from Iraq and Afghanistan. We love our soldiers when they fight in popular wars that result in a definite victory. When they serve in an unpopular war, they’re often deserted by people who don’t want to be reminded of recent history. One can certainly see that in the attempts by the national media to gloss over what happened during our final days in Afghanistan. This film is a reminder that no one should be forgotten.
Previous Eric Roberts Films That We Have Reviewed:
Through the Shattered Lens 