One Battle After Another Wins In Georgia


The Georgia Film Critics Association has announced its picks for the best of 2025.  The winners are listed in bold.

Best Picture
Black Bag
Hamnet
It Was Just an Accident
Marty Supreme
One Battle After Another (WINNER)
Sentimental Value
Sinners (RUNNER-UP)
Sorry, Baby
Train Dreams
Weapons

Best Director
Hamnet – Chloé Zhao
One Battle After Another – Paul Thomas Anderson (WINNER)
Sentimental Value – Joachim Trier
Sinners – Ryan Coogler (RUNNER-UP)
Train Dreams – Clint Bentley

Best Actor
Timothée Chalamet – Marty Supreme (WINNER)
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners (RUNNER-UP)

Best Actress
Jessie Buckley – Hamnet (WINNER)
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Renate Reinsve – Sentimental Value (RUNNER-UP)
Eva Victor – Sorry, Baby

Best Supporting Actor
Benicio Del Toro – One Battle After Another (WINNER)
Jacob Elordi – Frankenstein (RUNNER-UP)
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value

Best Supporting Actress
Ariana Grande-Butera – Wicked: For Good
Regina Hall – One Battle After Another (RUNNER-UP)
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons (WINNER)
Teyana Taylor – One Battle After Another

Best Original Screenplay
If I Had Legs I’d Kick You
Marty Supreme
Sentimental Value (RUNNER-UP)
Sinners (WINNERS)
Sorry, Baby
Weapons

Best Adapted Screenplay
Frankenstein
Hamnet
No Other Choice
One Battle After Another (WINNER)
Train Dreams (RUNNER-UP)

Best Cinematography
F1
Frankenstein
One Battle After Another
Sinners (WINNER)
Train Dreams (RUNNER-UP)

Best Production Design
The Fantastic Four: First Steps
Frankenstein (WINNER)
Hamnet
Marty Supreme
Sinners (RUNNER-UP)

Best Original Score
F1 – Hans Zimmer
Hamnet – Max Richter
One Battle After Another – Jonny Greenwood
Sinners – Ludwig Göransson (WINNER)
Train Dreams – Bryce Dessner (RUNNER-UP)

Best Original Song
“Golden” – KPop Demon Hunters (RUNNER-UP)
“Highest 2 Lowest” – Highest 2 Lowest
“I Lied to You” – Sinners (WINNER)
“Last Time (I Seen the Sun)” – Sinners
“Train Dreams” – Train Dreams

Best Ensemble
Black Bag
Marty Supreme
One Battle After Another (WINNER)
Sentimental Value
Sinners (RUNNER-UP)

Breakthrough Award
Miles Caton (WINNER)
David Corenswet
Chase Infiniti (RUNNER-U)
Jacobi Jupe
Eva Victor

Best Animated Film
Arco (RUNNER-UP)
Elio
KPop Demon Hunters (WINNER)
Scarlet 
Zootopia 2

Best Documentary
The Alabama Solution (WINNER)
The Librarians
My Mom Jayne
The Perfect Neighbor (RUNNER-UP)
Predators

Best International Film
It Was Just an Accident
No Other Choice (RUNNER-UP)
The Secret Agent
Sentimental Value (WINNER)
Sirāt

Oglethorpe Award for Excellence in Georgia Cinema
Bugonia (RUNNER-UP)
Meta Take One
The Naked Gun
Sister
Salad Days (Short)
Superman
Swimming Holes (Short)
Thunderbolts
Weapons (WINNER)
Withdrawl
Zora Head: The Life and Scholarship of Valerie Boyd (Short)

The Films of 2025: Magazine Dreams (dir by Elijah Bynum)


Remember Magazine Dreams?

Though Magazine Dreams did not get a brief theatrical release until 2025, the film first made an impression two years earlier.  At the 2023 Sundance Film Festival, Magazine Dreams was one of the most buzzed about entries.  A film about a mentally unbalanced body-building fanatic, the film starred Jonathan Majors.  Majors was on top of the world at that time.  Not only was he being groomed to be the new center of the Marvel Cinematic Universe but he was also just a few months away from playing the antagonist in the highly anticipated Creed III.  The U.S. Army was using Majors in recruitment commercials.  Both Magazine Dreams and Majors’s performance were lauded at Sundance.  Some critics started to say that Majors had, at the very least, an Oscar nomination in his future.

Then, on March 25th, 2023, Jonathan Majors was arrested and charged with assaulting his ex-girlfriend.  Several other women came forward and said that they had also been abused physically and emotionally by Majors.  The Army stopped airing his commercials.  Marvel announced that Majors would no longer be appearing in their films and that the storyline around his character would simply be abandoned.  (Indeed, the fallout over Majors’s arrest was so much a problem for Marvel that they eventually resorted to bringing back Robert Downey, Jr. to try to staunch the bleeding.)  Creed III took on a whole new meaning as the relatively likable Michael B. Jordan beat the hell out of Jonathan Majors’s snarling ex-con.

As for Magazine Dreams, it fell into limbo.  Fox Searchlight had acquired the film at Sundance and had given it an Oscar-friendly December release date.  After Majors’s arrest, Searchlight removed the film from its schedule and, eventually, the rights were sold back to the film’s producers.  Eventually, Briarcliff Entertainment released the film on March 21st, 2025.  The film made barely a million at the box office.

With all of the behind the scenes drama, it’s tempting to overlook the most important question.  Was the film itself any good?

It’s …. okay.  Jonathan Majors plays Killian Maddox, a grocery store worker who, as a child, was traumatized by the murder-suicide of his mother and father.  Maddox is obsessed with body building.  He studies body building magazines the way that some people study ancient texts.  One gets the impression that Maddox feels that having the perfect body will make up for all of the imperfections in his life.  He shoots steroids.  He uploads painfully earnest videos to YouTube.  He doesn’t know how to express his emotions, allowing his anger to come out at inappropriate times.  He wants to connect with someone but he doesn’t know how to do it.

To the film’s credit, it understands just how intimidating Killian Maddox can be.  A scene in which Maddox confronts the nephew of his boss initially seems as if it’s going to be about Maddox standing up for himself but instead becomes increasingly disturbing as Maddox upsets the man’s family.  Martin Scorsese’s Taxi Driver was obviously an influence on the film but Magazine Dreams doesn’t have that film’s wit or its subversive edge.  There are scenes that work.  The scene where a bloody Killian Maddox tries to compete despite being seriously injured is effective, even if it does owe a debt to Whiplash.  Another scene, in which Killian reads the trolling comments that have been left on one of his YouTube videos, actually does make you feel a bit of sympathy for him.  Ultimately, though, the film is so downbeat and unpleasant that you start to wonder why it was made in the first place.  Was Killian Maddox really so interesting a character that the audience needed to spend two hours with him?  Is there really anything to be learned from Killian Maddox and his experiences?

As for Jonathan Majors, he gives a believable performance.  He was a good actor, even if he couldn’t quite make Killian Maddox into a truly compelling character.

Song of the Day: We Are One By Lydia


When the infamous epic Caligula was first released back in 1979, a disco version of Caligula’s love theme — We Are One — was also released as a promotional gimmick.

This song is so over-the-top, so blatantly exploitive, so insidiously catchy, and so totally inappropriate for so many reasons that become clear after you watch the film it was written for that it simply cannot be ignored.  To me, this song represents everything that makes the Grindhouse great.

(As well, I hope whoever was playing bass got paid extra…)

Scenes That I Love: The Mirror Scene From Duck Soup


Believe it or not, when Duck Soup was initially released in 1933, it was considered to be something of a failure.  Especially when compared to previous Marx Brothers films, it was seen as being a box office disappointment.  The critics didn’t care much for it, either.  They felt that the film’s political satire was preposterous and tasteless.  Critics in 1933 attacked Duck Soup for being a cynical, anti-government satire released during the Great Depression.

Of course, today, Duck Soup is justifiably viewed as being a classic comedy.  It’s certainly my favorite Marx Brothers film.  In the classic scene below, Harpo pretends to be Groucho’s reflection in a shattered mirror.  It’s a marvelous piece of physical humor so enjoy it!

4 Shots From 4 Films: Special Charles Band Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to director Charles Band.  It’s time for….

4 Shots From 4 Charles Band Films

Meridian: Kiss of the Beast (1990, dir by Charles Band, DP: Marc Ahlberg)

The Creeps (1997, dir by Charles Band, DP: Adolfo Bartoli)

Puppet Master: The Legacy (2003, dir by Charles Band, DP: Marc Ahlberg)

Evil Bong 888: Infinity High (2022, dir by Charles Band, DP: Alex Nicolaou)

Live Tweet Alert: Watch Attack of the Crab Monsters With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1957’s Attack of the Crab Monsters!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Here are The Nominations of Minnesota Film Critics Association


The Minnesota Film Critics Association has announced its nominations for the best of 2025.  And here they are:

Best Picture
Hamnet
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

Best Director
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Josh Safdie – Marty Supreme
Joachim Trier – Sentimental Value
Chloé Zhao – Hamnet

Best Actor
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners

Best Actress
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee

Best Supporting Actor
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

Best Supporting Actress
Elle Fanning – Sentimental Value
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

Best Ensemble
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Wake Up Dead Man: A Knives Out Mystery

Best Adapted Screenplay
Frankenstein – Guillermo del Toro
Hamnet – Chloé Zhao, Maggie O’Farrell
No Other Choice – Lee Ja-hye, Lee Kyoung-mi, Don McKellar, Park Chan-wook
One Battle After Another – Paul Thomas Anderson
Wake Up Dead Man: A Knives Out Mystery – Rian Johnson

Best Original Screenplay
It Was Just an Accident – Jafar Panahi
Marty Supreme – Ronald Bronstein, Josh Safdie
Sentimental Value – Joachim Trier, Eskil Vogt
Sinners – Ryan Coogler
Weapons – Zach Cregger

Best Film Editing
F1
Marty Supreme
One Battle After Another
Sinners
Weapons

Best Cinematography
Frankenstein
Hamnet
One Battle After Another
Sinners
Train Dreams

Best Music
Hamnet
KPop Demon Hunters
Marty Supreme
One Battle After Another
Sinners

Best Costume Design
Frankenstein
Hamnet
Marty Supreme
Sinners
Wicked: For Good

Best Makeup and Hairstyling
Frankenstein
Marty Supreme
Sinners
The Smashing Machine
Wicked: For Good

Best Production Design
Frankenstein
Hamnet
Marty Supreme
Sinners
Wicked: For Good

Best Sound
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners
Warfare

Best Special Effects
Avatar: Fire and Ash
Frankenstein
Sinners
Superman
Tron: Ares

Best Stunt Choreography
Ballerina
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners

Best International Feature
It Was Just an Accident – France, Iran, Luxembourg
No Other Choice – South Korea
The Secret Agent – Brazil, France, Germany, Netherlands
Sentimental Value – Denmark, France, Germany, Norway, Sweden, United Kingdom
The Ugly Stepsister – Denmark, Norway, Poland, Sweden

Best Animated Feature
Arco
Dog Man
Elio
KPop Demon Hunters
Zootopia 2

Here Are The 2025 Nominations of the Portland Critics Association


The Portland Critics Association has announced its nominations for the best of 2025.  And here they are:

Best Picture
Marty Supreme
No Other Choice
One Battle After Another
Sinners
Sorry, Baby
Train Dreams

Best Director
Paul Thomas Anderson, One Battle After Another
Clint Bentley, Train Dreams
Ryan Coogler, Sinners
Jafar Panahi, It Was Just An Accident
Park Chan-wook, No Other Choice
Josh Safdie, Marty Supreme

Best Lead Performance
Rose Byrne, If I Had Legs I’d Kick You
Jessie Buckley, Hamnet
Timothée Chalamet, Marty Supreme
Leonardo DiCaprio, One Battle After Another
Joel Edgerton, Train Dreams
Ethan Hawke, Blue Moon
Michael B. Jordan, Sinners
Josh O’Connor, The Mastermind
Amanda Seyfried, The Testament of Ann Lee
Emma Stone, Bugonia

Best Supporting Performance
Mariam Afshari, It Was Just An Accident
Benicio del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Ralph Fiennes, 28 Years Later
Delroy Lindo, Sinners
Amy Madigan, Weapons
Paul Mescal, Hamnet
Wunmi Mosaku, Sinners
Sean Penn, One Battle After Another
Stellan Skarsgård, Sentimental Value

Best Ensemble Cast
It Was Just An Accident
Marty Supreme
One Battle After Another
Sinners
Wake Up Dead Man: A Knives Out Mystery
Weapons

Best Animated Feature
I Am Frankelda
K-Pop Demon Hunters
Lost in Starlight
Predator: Killer of Killers
Stitch Head
Zootopia 2

Best Documentary Feature
Direct Action
Megadoc
Orwell: 2+2=5
Pavements
The Perfect Neighbor
Sly Lives!

Best Film Not in the English Language
Caught by the Tides
It Was Just An Accident
No Other Choice
The Secret Agent
Sirāt
Sentimental Value

Best Comedy Feature
Bugonia
Eephus
Friendship
The Naked Gun
Sorry, Baby
Wake Up Dead Man: A Knives Out Mystery

Best Horror Feature
Frankenstein
Good Boy
The Plague
Sinners
28 Years Later
Weapons

Best Science Fiction Feature
Bugonia
Companion
Frankenstein
Mickey 17
Predator: Badlands
Superman

Best Screenplay
It Was Just An Accident
Marty Supreme
No Other Choice
One Battle After Another
Sinners
Sorry, Baby

Best Cinematography
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners
Train Dreams

Best Costume Design
Frankenstein
Marty Supreme
One Battle After Another
Sinners
Superman
The Testament of Ann Lee

Best Film Editing
Marty Supreme
One Battle After Another
Sinners
Train Dreams
28 Years Later
Warfare

Best Production Design
Frankenstein
Hamnet
One Battle After Another
The Phoenician Scheme
Sinners
28 Years Later

Best Original Score
Marty Supreme
The Mastermind
One Battle After Another
Sinners
Sirāt
Train Dreams

Best Sound Design
F1
One Battle After Another
Sinners
Superman
28 Years Later
Warfare

Best Stunts or Action Choreography
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners
Thunderbolts
28 Years Later
Warfare

Best Visual Effects
The Fantastic Four: First Steps
Frankenstein
Predator: Badlands
Sinners
Superman
Thunderbolts

Lifetime Film Review: Taken At A Basketball Game (dir by Ruba Nadda)


TAKEN …. at a basketball game!

I’ve always appreciated any made-for-TV movie that’s absolutely shameless about ripping off a big budget feature film and, as such, I did appreciate the chutzpah of Taken At A Basketball Game.  I mean the word “TAKEN” is right there in the title!  D.B. Woodside plays Wayne Edwards, an ex-cop who is now the head of security for a casino.  Wayne is haunted by a shooting that left an innocent girl dead.  Wayne is also middle-aged and struggling to relate to his teenage daughter, Robyn (Claire Qute).  When Robyn is abducted by sex traffickers at a basketball game, Wayne sets out to track her down and rescue her.  It probably will not surprise you to hear that there’s a scene where Wayne explains that, even before he was a cop, he was a member of Special Forces and, as such, he knows how to get information out of people.

That said, it’s been quite a while since Taken was first released.  The first film came out in 2008 and it can be somewhat surprising to remember how excited everyone was about it.  At that time, Liam Neeson was best-known for appearing in prestige pictures so there was something enjoyably subversive about him playing a relentless torturer on a mission.  A lot of people were also under the impression that Taken was based on a true story.  A sequel followed in 2012 and, by that point, people were much more used to the idea of Liam Neeson killing people.  The third (and, to date, final) Taken film came out in 2015 and no one really cared.  There was a television series that sputtered along for two seasons.  There were countless Taken rip-offs, many of which starred Nissan himself.  The initial cultural footprint of Taken was huge but, by the start of the 2020s, it had pretty much evaporated.  Taken At A Basketball Game comes out at a time when even Liam Neeson has started parodying his image.

This is my long-winded way of saying that Taken At A Basketball Game would probably have worked better as a parody than a straight action film.  At this point, whenever an actor starts to give a monologue about how he’s been given very special training, it’s hard not to laugh because it’s a scene that has shown up in so many movies that it’s basically been done to death.  Everyone thinks that they can do a perfect impersonation of Liam Neeson reciting the Taken speech.  Of course, what originally sold the speech in 2008 was that Neeson delivered it with an intensity and a commitment that kept it from sounding like a bunch of empty boasts.  Listening to Neeson in that first film, you sincerely believed that he could and would kill someone if he felt like it.  D.B. Woodside, who is probably best-known for playing the less interesting of 24‘s two President Palmers, comes across as being a bit too mild-mannered to give a convincing “I’ve been trained to inflict pain” speech.  For most of the film, he seems like he’d rather just go back to his office and maybe sell someone some insurance.

The other problem with Taken At A Basketball Game is that very little of it actually takes place at the basketball game.  Don’t get me wrong.  I’m not a fan of basketball.  Those squeaky shoes give me a migraine.  But the stadium was a good location and it’s easy to imagine a fairly entertaining film could have been made out of Woodside spending 90 minutes running from one level to another, searching for his daughter and fighting off various bad guys.  (Yes, I realize this would have made the film into a Die Hard rip-off instead of a Taken rip-off but Die Hard rip-offs still work whereas Taken reached its expiration date years ago.)  Instead, the film abandoned the game early on and just went through the motions for the remainder of its running time.

Oh well.  Maybe Liam Neeson will make a basketball movie someday….