Author Archives: Jedadiah Leland

Satan’s Cop: Psycho Cop Returns (1993, directed by Adam Rifkin)

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 Psycho Cop is back!

The Psycho Cop is Officer Joe Vickers (Robert R. Schaffer), who upholds the law with the help of Satan and the occult.  When he overhears two office mates talking about a party that they’re going to be throwing for a friend, Officer Vickers decides to stop by and dispense a little Hellish justice.  After killing the security guard, the Psycho Cop spends the rest of the money stalking white-collar workers and strippers.  He’s an efficient killer with a police-related pun for nearly every occasion but he meets his match when he goes after an accountant.  As much as he tries, Psycho Cop cannot catch the accountant.  He can catch security guards.  He can catch strippers.  He can catch low-level executives.  But an accountant?  That’s just a bridge too far.

Psycho Cop seems like he should be a good horror villain and, for the first half of the movie, he seems like he’s unstoppable.  But then he easily gets outwitted by both the nerdiest of the office workers and an accountant and you end up losing respect for him.  The idea of a demonic policeman will always have possibilities but Psycho Cop Returns never reaches the heights of Maniac Cop or even Kevin Bacon’s crazed sheriff in Cop Car.  For everything that you could do with the character of a policeman who is in league with the devil, Psycho Cop Returns just turns him into a one-liner spouting maniac.  Robert R. Schaffer does okay as the title character and he has the right look to play a psycho cop but he’s still no Robert Z’Dar.

As you can tell from the title, this is a sequel.  I haven’t seen the first Psycho Cop so I don’t know if it does a better job at exploiting the whole killer cop angle.  Psycho Cop Returns has potential and a sense of humor but, ultimately, there’s little to distinguish it from the countless other manic-on-the loose films that went straight to video in the 90s.

Bubba’s Revenge: Dark Night of the Scarecrow (1981, directed by Frank De Felitta)

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Dude, this movie.

Charles Durning plays Otis P. Hazelrigg, a postman in a small town who has an unhealthy interest in a ten year-old girl named Marylee (Tanya Crowe).  When Marylee is mauled and nearly killed by a dog, Otis decides that she was attacked by Bubba Ritter (Larry Drake), a mentally challenged man who has the mind of a child.  With Otis and his redneck friends looking to lynch him, Bubba’s mother disguises him as a scarecrow and tells him to stand out in a field and not move.  When Otis and his friends discover Bubba hiding, they all shoot him until he’s dead.  Otis puts a pitchfork in Bubba’s hands and tells the police that Bubba was attacking them and they didn’t have any choice but to shoot him.

Otis thinks that he’s gotten away with murder but he’s wrong.  After Marylee sings a song in the same field where Bubba was killed, Otis’s friends start dying.  One is suffocated in a grain silo.  Another falls into a thresher.  Before each one dies, they report seeing a scarecrow on their property.  Otis thinks that Bubba’s mother is behind the murders but what if Bubba has actually come back to life?

Dark Night of the Scarecrow will mess up your mind, give you bad dreams, and leave you with a lifelong phobia o scarecrows.  It’s that scary.  I remember that they used to frequently show this movie on TV when I was  growing up and even the commercials were scary.  (The part of the movie that always messed with me were the shots of Bubba’s frightened eyes darting around underneath the scarecrow mask.)  Scarecrows are naturally creepy and the movie’s atmosphere is unsettling but the most frightening thing about Dark Night of the Scarecrow is Otis and the redneck lynch mob that he puts together.  Otis is a thoroughly loathsome character and Charles Durning goes all out playing him.  Otis is a civil servant, which gives him some prestige in the town but he uses that prestige to bully Bubba and harass Marylee.  His concern with Marylee especially feels wrong and the movie does not shy away from the subtext of his interest.  The scarecrow might frighten you but you will absolutely loathe Otis and everyone who follows him.

Dark Night of the Scarecrow was made for television but it’s just as good as any theatrical release.   It is also might be the first movie to feature a killer scarecrow.  Several have been made in the years since but Dark Night of the Scarecrow was the first and it’s still the best.

Weekly Trailer Round-Up: Aladdin, Shoplifters, Jonathan, The Best of Enemies

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On May 24th, 2019, Disney will be releasing their live action remake of Aladdin.  Earlier this week, they released this brief but intriguing teaser.  It leads off this week’s trailer round-up.

Shoplifters is Japan’s official submission for the Best Foreign Film Oscar.  The film, about a poverty-stricken family in Japan, won the Palme D’Or at this year’s Cannes Film Festival and will be released into theaters on November 23rd.

Starring Ansel Elgort, Jonathan is a science fiction film about two minds sharing one body.  Jonathan is in control during the day while Jon is in control during the night.  This movie is set to be released on November 16th.

The Best of Enemies tells the true story of the unlikely friendship between civil rights activist Ann Atwater (Taraji P. Henson) and KKK leader, C.P. Ellis (Sam Rockwell).  This film is set to be released on April 5th, 2019.

Other Trailers Released This Week:

 

Bad Medicine: Dr. Giggles (1992, directed by Manny Coto)

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In 1957, the citizens of the town of Moorheigh discovered that their local doctor was doing experiments on his patients, removing their hearts and using them to try to bring his dead wife back to life.  The townspeople responded by executing Dr. Rendell and chanting a poem that goes, “This town has a doctor named Rendell/Stay away from his house because he’s the doctor from Hell.”  They would have killed Dr. Rendell’s son too, except that Evan, Jr. escaped by sewing himself up in his mother’s corpse and then later using a scalpel to cut his way out.

Thirty-five years later, Evan, Jr. (Larry Drake) returns to Moorheigh, looking to get revenge on the town.  Because of his evil laugh, he is now known as Dr. Giggles and he has a medical-related one liner for every occasion.  When Dr. Giggles learns that Jennifer (Holly Marie Combs) needs a heart monitor, Dr. Giggles decides to stalk her while killing all of her interchangeable friends.  Dr. Giggles says that he wants to give her a new heart, preferably one that he’s ripped out of someone else’s body.  Jennifer is not very appreciative.

Dr. Giggles was meant to be a franchise started, in the fashion of the Nightmare on Elm Street and Friday the 13th films.  It was a franchise that would never be because there wasn’t much that could be done with Dr. Giggles that wasn’t done during the first film.   Larry Drake was a good actor but, other than the scene where he used a scalpel to cut himself out of a dead body, there was nothing about Dr. Giggles that distinguished from all the other horror movie slasher.  He wasn’t a dream weaver like Freddy or indestructible like Jason.  He was just a dude dressed like a doctor who giggled too much.

For a better film featuring Larry Drake as a villain, do yourself a favor and watch Sam Raimi’s Darkman.

Feeling the Burn: Death Spa (1989, directed by Michael Fischa)

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Michael (William Bumiller) owns the hottest health club in Los Angeles but that may not stay true if he can’t do something about all the guests dying.  Members get baked alive in the sauna.  Another is killed when a malfunctioning workout machine pulls back his arms and causes a rib to burst out of one side of his body.  Shower tiles fly off the wall and panic a bunch of naked women.  A woman loses her arm in a blender and a man is somehow killed by a frozen fish.  Strangely, all of the deaths don’t seem to hurt business as people still keep coming to the gym.  Surely, there are other, safer health clubs in Los Angeles.

Michael suspects that his brother-in-law, David (Merritt Butrick), might be to blame for all of the trouble.  David is good with computers and since this movie is from 1989, that means that he can do anything.  (David is described as being a “hacker,” which may be the first time that overused term was used in a film.)  Michael feels that David has never forgiven him for the suicide of his sister.  Two useless cops show up to investigate the murders while the spa gets ready for Mardi Gras night.

This incredibly cheesy horror movie used to be a mainstay on HBO, where young viewers like me appreciated all of the gore and slightly older viewers appreciated all of the nudity.  Viewed today, Death Spa is a real nostalgia trip.  From the leg warmers to the bulky computers to the choreographed workout routines, this is a movie that could only have been made in the 80s.  The plot is beyond stupid but some of the gore effects were well-executed and that scene where the frozen fish comes to life continues to amaze.  Sadly, this was Merritt Butrick’s last film.  The actor, who was best known for playing Captain’s Kirk’s son in The Wrath of Khan and The Search for Spock, died the same year that Death Spa was released.

Griffith Gets Serious: Winter Kill (1974, directed by Jud Taylor)

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Eagle Lake, a mountain resort town in California, has a problem.  It’s almost tourist season and there is a sniper stalking through the night, using his rifle to pick off citizens and painting messages like “The First” and “The Second” in the snow.  It’s up to police chief Sam McNeill (Andy Griffith) to figure out the killer’s motives and capture him before the vacation season begins!  To catch the killer, McNeill is going to have to investigate his friends and neighbors, all of whom have secrets that they don’t want to have revealed.

1974 was a busy year for Andy Griffith.  Best-known for playing the folksy and reassuring Sheriff Taylor for over ten years on The Andy Griffith Show, Griffith tried to change his image by appearing in three unexpectedly dark made-to-TV movies.  In Pray For The Wildcats and Savages, Griffith played the villain.  In Winter Kill, he’s back in a more familiar role.  He is once again playing a lawman, though this one carries a gun and doesn’t have time to sit on his porch and play the guitar while Aunt Bea makes dinner.  Instead, he’s getting pressure from all sides to capture a psycho sniper who, at the start of the movie, shoots an old woman after throwing pebbles at her bedroom window.  Eventually, the sniper even ends up kidnapping Chief McNeill’s girlfriend!  This never happened in Mayberry!

Winter Kill is a pretty good mystery.  It’s not strictly a horror film but the sight of the masked sniper, making his way through the night and coldy gunning down unsuspecting victims is scary enough that it might as well be.  Andy Griffith was surprisingly tough and gritty as Chief McNeill.  He might be a good guy in this movie but you still know better than to mess with him.  The rest of the cast is made up of television regulars but keep an eye out for a youngish Nick Notle playing a cocky ski instructor.

Winter Kill was actually meant to be a backdoor pilot for a show where Chief McNeill would battle crime on a weekly basis.  Though that didn’t happen, the concept was later retooled and became a short-lived series called Adams of Eagle Lake.

Captain Kirk vs. Sheriff Taylor: Pray For The Wildcats (1974, directed by Robert Michael Lewis)

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The year is 1974 and there’s nothing more dangerous than being a hippie in Baja California.  That’s because psychotic business Sam Farragutt (played by Andy Griffith!) is on the loose.  Sam likes to describe himself as being a hippie himself.  “A hippie with money,” Sam puts it as he waves a hundred dollar bill in the face of a hippie without money,

Actually, there is one thing more dangerous than being a hippie in Baja California and that’s being an ad executive.  Once again, Sam Farragutt is to blame.  He’s willing to give his business to three ad execs but first they have to agree to go down to Baja and ride around with him on their motorcycles.  The three ad execs are Terry Maxon (former child evangelist Marjoe Gortner!), Paul McIllvain (former Brady Bunch star Robert Reed!), and suicidal burn-out Warren Summerfield (William Shatner!).  Warren is having an affair with Paul’s wife (Angie Dickinson!) but he’s still planning on committing suicide in Mexico.

However, going to Mexico gives Warren a new lease on life.  After Warren discovers that Farragutt is responsible for the death of two hippies, he becomes determined to make sure that justice is served.  Soon, Andy Griffith (!) is chasing William Shatner (!) across the Mexican desert.  Someone’s going to die.  Is it going to be Sheriff Taylor or Captain Kirk?

Pray For The Wildcats was a made-for-TV movie that aired the same year as Savages.  Both movies were a part of Andy Griffith’s attempt to change his image after playing the folksy Sheriff Taylor on The Andy Griffith Show.  Griffith is a good villain but the main appeal of Pray for the Wildcats is the chance to see William Shatner doing his thing.  Shatner has a juicy role here, playing a man who is at first suicidal and then righteously indignant.  He overemotes with the self-serious intensity that was Shatner’s trademark in the years before he finally developed a sense of humor about himself.  The movie itself gets bogged down with unnecessary flashbacks and dated dialogue but the spectacle of Griffith vs. Shatner makes it all worth it.

Escape From Mayberry: Savages (1974, directed by Lee H. Katzin)

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Ben (Sam Bottoms) is a gullible college student working at a gas station in the Mojave desert.  Horton Madec (Andy Griffith) is a wealthy attorney from Los Angeles who walks with a limp and who fancies himself a big game hunter.  Madec hires Ben to serve as his guide through the desert.  Madec says that he’s hunting a ram but instead, he ends up shooting and killing an old prospector.  Even after Madec offers to pay him off, Ben wants to go to the police.  Madec gives it some thought and decides to hunt Ben himself.

After forcing Ben to strip down to his shorts, Madec sets him loose in the desert.  As Ben tries to make his way back to civilization, Madec follows close behind and uses his rifle not to kill Ben but instead to keep him from drinking water or taking shelter from the sun.

Savages deserves to better known than it is.  The film does a good job of making you feel as if you’re trapped out in the desert with Ben, trying your damndest to survive while some maniac follows close behind, taunting you and refusing to allow you to get any relief.  Horton Madec is pure evil, a maniac who brags about how he can do anything he wants because he has money and he knows people.  That he’s played by Andy Griffith makes him even more dangerous because you know there’s no way anyone would believe that Andy Griffith took you out to the desert tried to kill you.

After playing the folksy and friendly Andy Taylor for nine seasons on The Andy Griffith Show, Griffith tried to leave Mayberry behind by taking on villainous roles in made-for-TV movies like this one and Pray For The Wildcats.  Though he actually started off his film career by playing a villain in A Face In The Crowd, it was still probably a shock for audiences in 1974 to turn on Savages and see Andy Griffith cruelly drinking a martini while another man nearly died of dehydration in front of him.  Griffith goes full psycho in the role of Horton Madec and is totally convincing.  (Of course, audiences preferred the folksy side of Griffith which is why, even after ten years straight of playing bad guys, Griffith still ended up starring in Matlock.)

Even though it’s Griffith’s show, Sam Bottom does okay in the role of Ben.  He has the right look for the character and that’s really all that the part requires.  For the majority of the movie, it’s just Griffith and Bottoms but eventually, James Best shows up as Sheriff Bert Williams.  Five years later, Best would achieve a certain immortality when he was cast as Sheriff Roscoe P. Coltrane on The Dukes of Hazzard.

Savages has never gotten an official DVD release but it can be viewed on YouTube, along with Griffith’s other villainous turn from 1974, Pray for the Wildcats.

We All Float Down Here: Graveyard Shift (1990, directed by Ralph S. Singleton)

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The old textile mill has a problem.  The people who work there keep dying, especially the ones who work the night shift.  The mill has another problem.  It’s become infested with rats.  Just stepping into the mill means you’re running the risk of having a rat fall through the ceiling and land on your head.  The evil mill foreman, Warwick (Stephen Macht), puts together a cleanup crew to work overnight and take care of the infestation.  Idealistic drifter John Hall (David Andrews) is hired to help and soon discovers that there’s something even bigger than a rat living underneath the mill.  Unfortunately, by the time that John makes his discovery, almost everyone else is dead and Warwick, having had an Apocalypse Now-style breakdown, is painting his face with muck and trying to kill whoever’s left.

This is a weak film adaptation of a throw-away Stephen King short story.  That the film itself is clearly not meant to taken seriously doesn’t make it any better.  The only thing that this film has to recommend it is Brad Dourif, who has an extended cameo as a crazy exterminator named Tucker Cleveland.  Cleveland knows everything about how rats have been weaponized over the years and he will be more than happy to explain every detail.  It’s too bad that Dourif does not have a bigger role because the movie is lot less entertaining when he’s not around.  If you do watch Graveyard Shift, stick around for the end credits so you can hear the theme song that is made up of samples of dialogue from the movie.

Faust Goes Metal: Shock ‘Em Dead (1991, directed by Mark Freed)

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Spastic Colon, an up-and-coming metal band, desperately needs a new guitarist, so much so that they allow a nerdy pizza boy named Martin (Stephen Quadros) to come in off the street and audition.  Martin, with his thick glasses and his total lack of talent, blows the audition and is told to leave and never return.  Not only does Martin lose his chance to be a rock star but he also loses his job when his boss (Aldo Ray) fires him for leaving work to audition.  While wandering around dejected, Martin runs into the local voodoo priestess (Tyger Sodipe), who offers to make him a rock star in exchange for his soul.

Martin agrees and after a ceremony involving a double neck guitar, Martin wakes up to discover that he is now an extremely talented guitarist who lives in a gigantic mansion with three outrageously hot groupies.  Martin now has big, heavy metal hair and no longer needs to wear his glasses.  Renaming himself Angel Martin, he not only becomes Spastic Colon’s new guitarist but he also pulls the band’s manager (Traci Lords) away from her boyfriend.  The only problem is that Martin cannot eat normal food and has to regularly feast on the souls of his groupies in order to stay alive.

Shock “Em Dead is the 1000th retelling of the old Faust legend, about the man who gets everything that he desires but loses his soul in the process.  A real product of its time, it’s impossible to watch Shock “Em Dead without thinking about how Martin sold his soul to become the type of musician that, in just a few months, would be made obsolete by Kurt Cobain and Nirvana.  I have fond memories of Shock “Em Dead because it always used to air on HBO back when I was growing up but, for the most part, this is a really crummy movie, with a bad script, bad acting, and bad special effects.  Shock “Em Dead does prove that Traci Lords had enough talent that, if not for her background as an underage porn star, she probably could have had a mainstream film career.  The film also provided small roles for Aldo Ray and Troy Donahue while the legendary Michael Angelo Batio served as Angel’s “guitar double.”