Music Video of the Day: Tomorrow Night by Shoes (1979, directed by ????)


On August 1st, 1981, MTV premiered. Over the course of 24 hours, 166 unique music videos were played on MTV.  Yes, there was a time when the M actually did stand for music.

The 80th video the premiere on MTV was this performance clip from Shoes.  There’s not much to say about the video.  The band is there.  They perform.

Enjoy!

The First Videos Shown on MTV:

  1. Video Killed the Radio Star by the Buggles
  2. You Better Run by Pat Benatar
  3. She Won’t Dance With Me by Rod Stewart
  4. You Better You Bet By The Who
  5. Little Suzi’s On The Up by PH.D
  6. We Don’t Talk Anymore by Cliff Richard
  7. Brass in Pocket by Pretenders
  8. Time Heals by Todd Rundgren
  9. Take It On The Run by REO Speedwagon
  10. Rockin’ in Paradise by Styx
  11. When Things Go Wrong by Robin Lane & The Chartbusters
  12. History Never Repeats by Split Enz
  13. Hold On Loosely by .38 Special
  14. Just Between You And Me by April Wine
  15. Sailing by Rod Stewart
  16. Iron Maiden by Iron Maiden
  17. Keep On Loving You by REO Speedwagon
  18. Better Than Blue by Michael Johnson
  19. Message of Love by The Pretenders
  20. Mr. Briefcase by Lee Ritenour
  21. Double Life by The Cars
  22. In The Air Tonight by Phil Collins
  23. Looking for Clues by Robert Palmer
  24. Too Late by Shoes
  25. Stop Draggin’ My Heart Around by Stevie Nicks and Tom Petty and the Heartbreakers
  26. Do Ya Think I’m Sexy by Rod Stewart
  27. Surface Tension by Rupert Hine
  28. One Step Ahead by Split Enz
  29. Baker Street by Gerry Rafferty
  30. I’m Gonna Follow You by Pat Benatar
  31. Savannah Nights by Tom Johnston
  32. Lucille by Rockestra
  33. The Best of Times by Styx
  34. Vengeance by Carly Simon
  35. Wrathchild by Iron Maiden
  36. I Wanna Be a Lifeguard by Blotto
  37. Passion by Rod Stewart
  38. Oliver’s Army by Elvis Costello
  39. Don’t Let Me Go by REO Speedwagon
  40. Remote Control and Illegal by The Silencers
  41. Angel of the Morning by Juice Newton
  42. Little Sister by Rockpile with Robert Plant
  43. Hold On To The Night by Bootcamp
  44. Dreamin’ by Cliff Richard
  45. Is It You? by Lee Ritenour 
  46. Tusk by Fleetwood Mac
  47. He Can’t Love You by Michael Stanley Band
  48. Tough Guys by REO Speedwagon
  49. Rapture by Blondie
  50. Don’t Let Go The Coat by The Who
  51. Ain’t Love A Bitch by Rod Stewart
  52. Talk of the Town by The Pretenders
  53. Can’t Happen Here by Rainbow
  54. Thank You For Being A Friend by Andrew Gold
  55. Bring It All Home by Gerry Rafferty
  56. Sign of the Gypsy Queen by April Wine
  57. The Man With The Child In His Eyes by Kate Bush
  58. All Night Long by Raindow
  59. Boys Keep Swinging by David Bowie
  60. Rat Race by The Specials
  61. Once in a Lifetime by Talking Heads
  62. Victim by Bootcamp
  63. Tonight’s the Night (Gonna be Alright) by Rod Stewart
  64. Cruel to be Kind by Nick Lowe
  65. A Little In Love by Cliff Richard
  66. Wild-Eyed Southern Boys by 38 Special
  67. Wuthering Heights by Kate Bush
  68. Celebrate The Bullet by The Selecter
  69. More Than I Can Say by Leo Sayer
  70. A Message To You, Rudy by The Specials
  71. Heart of Glass by Blondie
  72. Oh God, I Wish I Was Home Tonight by Rod Stewart
  73. Kid by The Pretenders
  74. Come What May by Lani Hall & Herb Alpert
  75. I Got You by Split Enz
  76. Sister Disco by The Who
  77. Fashion by David Bowie
  78. Love Stinks by J. Geils Band
  79. Johnny and Mary by Robert Palmer

Against The Dark (2009, directed by Richard Crudo)


Legend has it that Steven Seagal’s film career was the result of a bet. The story goes that, in the late 80s, superagent Michael Ovitz, who was then the most powerful man in Hollywood, bet a studio exec that he could make the least appealing man he knew into a movie star. That man was Ovitz’s self-defense instructor, Steven Seagal.

I don’t know if that story is true but it’s as good an explanation as we’re going to get at to why Seagal was ever asked to star in a movie. Despite being a terrible actor who was universally disliked by everyone who worked with him, Steven Seagal was briefly a star in the 90s. Along with Jean-Claude Van Damme and Dolph Lundgren, he was one three top B-action stars around. Lundgren’s appeal was that he could actually act. Van Damme’s appeal was that he was a true athlete and actually could do all of his own stunts. As for Seagal, he was packaged to be a star. He appeared in movie with actors who were talented enough to carry the drama while Seagal whispered his lines. He also worked with talented action director like Andrew Davis. For a while there, Seagal had it all.

It fell apart, of course. Seagal was his own worst enemy, fabricating details of his biography and acting like an ass whenever the cameras weren’t rolling. He was notorious for being difficult and every young actress trying to make it in the 90s had at least one horror story about Seagal harassing them at an audition. His appearance on Saturday Night Live was so bad that it’s still talked about as an example of what can happen when the show gets stuck with a terrible host.  According to the show’s then-cast members, Seagal insisted that the writers come up with a skit in which he would play a therapist who raped his patients. (Check out Tom Shales’s Live From New York for the details on Seagal’s time as host.) He directed two awful movies. Audiences cheered when his character was blown up in Executive Decision.  People stopped showing up for his movies and, for the past few years, Seagal has been better known as a tireless advocated for Vladimer Putin than for his work as a direct-to-video action star.

Against The Dark is one of Seagal’s many direct-to-video movies.  It’s also his first horror movie.  The movie takes place in the future, when vampire/zombie hybrids have taken over the city.  The film misses a major opportunity by not casting Steven Seagal as the head vampire.  When this film was made, Seagal was nearly 60, overweight, and out-of-shape.  He had the right look to play a decadent vampire king but instead, he was just plays his regular Seagal role.  He and his squad patrol the city with samurai swords, hacking up any vampires that they come across.  Seagal’s not actually in much of the film and his stunt double does most of the work.  When Seagal does appear, he looks like he’s trying to catch his breath.  It’s obvious that this film was just a paycheck for him.  There’s no speeches about protecting the environment.  He doesn’t even get out his guitar and sing.

Most of the movie deals with a separate group of survivors, who are stranded in a hospital and who are trying to find a way to escape before the military blows up the city.  Some of the fight scenes, especially the ones that don’t involve Seagal, are not terrible but the film itself is so badly lit that you usually can’t tell who is fighting whom.  There is one memorably weird scene of a female vampire filing down her fans so that she can pass as human but the movie doesn’t really follow up on it.  The movie doesn’t do much with any of it ideas.  Its obvious that vampires and zombies were used because they were hot and someone figured out that even Seagal’s fans were getting bored with him just fighting drug dealers and mercenaries.

Against the Dark is bad, even by the standards of late era Seagal.  Shortly after the movie was released, Seagal tried to reinvent himself as a reality TV star with Steven Seagal: Lawman.  When that and a subsequent threat to run for governor of Arizona didn’t do much for his career, Seagal went to Russia and, after receiving Russian citizenship, declared that he considered Vladimer Putin to be “like a brother” to him.  When asked about Seagal’s claim, Putin’s spokesman replied, “”I wouldn’t necessarily say he’s a huge fan, but he’s definitely seen some of his movies.”  Hopefully, the movie was Under Siege and not Against The Dark.

 

Game Review: How The Monsters Appeared In The Wasteland (2021, V. Dobranov)


How The Monsters Appeared In The Wasteland is an entrant in 2021 Interactive Fiction competition.  Browse and experience all of the games by clicking here.

The world has ended. Chaos reigns. Only savagery remains. At the start of this game, you and your partner are in your hovercraft, making your away across the wasteland, when you’re attacked by a crew straight out of a Mad Max film. From the start, there’s more to do than to just sit down in gunner’s seat and open fire. The hovercraft has been damaged and it’s up to you to make the repairs as quickly as possible. Once you do start shooting, the game’s not over. Ammo is limited and your pursuers are relentless.

How The Monsters Appeared In The Wasteland is a game devoted to the best part of any action movie, the chase. Though the game sounds simple, some of the puzzles do require some attention to detail. There’s more to winning than just being a good shot. This is a well-written Twine game that puts your right at the heart of the action.

Play How The Monsters Appeared In The Wasteland.

Music Video of the Day: Johnny and Mary by Robert Palmer (1980, directed by Jean-Pierre Berckmans)


On August 1st, 1981, MTV premiered. Over the course of 24 hours, 166 unique music videos were played on MTV.  Yes, there was a time when the M actually did stand for music.

The 79th music video to premiere on MTV was this video from Robert Palmer.  Palmer appeared frequently in the line-up of MTV’s first day, though not as frequently as Rod Stewart and, God help us, REO Speedwagon.  This video was directed by French film director Jean-Pierre Berckmans.

Enjoy!

The First Videos Shown on MTV:

  1. Video Killed the Radio Star by the Buggles
  2. You Better Run by Pat Benatar
  3. She Won’t Dance With Me by Rod Stewart
  4. You Better You Bet By The Who
  5. Little Suzi’s On The Up by PH.D
  6. We Don’t Talk Anymore by Cliff Richard
  7. Brass in Pocket by Pretenders
  8. Time Heals by Todd Rundgren
  9. Take It On The Run by REO Speedwagon
  10. Rockin’ in Paradise by Styx
  11. When Things Go Wrong by Robin Lane & The Chartbusters
  12. History Never Repeats by Split Enz
  13. Hold On Loosely by .38 Special
  14. Just Between You And Me by April Wine
  15. Sailing by Rod Stewart
  16. Iron Maiden by Iron Maiden
  17. Keep On Loving You by REO Speedwagon
  18. Better Than Blue by Michael Johnson
  19. Message of Love by The Pretenders
  20. Mr. Briefcase by Lee Ritenour
  21. Double Life by The Cars
  22. In The Air Tonight by Phil Collins
  23. Looking for Clues by Robert Palmer
  24. Too Late by Shoes
  25. Stop Draggin’ My Heart Around by Stevie Nicks and Tom Petty and the Heartbreakers
  26. Do Ya Think I’m Sexy by Rod Stewart
  27. Surface Tension by Rupert Hine
  28. One Step Ahead by Split Enz
  29. Baker Street by Gerry Rafferty
  30. I’m Gonna Follow You by Pat Benatar
  31. Savannah Nights by Tom Johnston
  32. Lucille by Rockestra
  33. The Best of Times by Styx
  34. Vengeance by Carly Simon
  35. Wrathchild by Iron Maiden
  36. I Wanna Be a Lifeguard by Blotto
  37. Passion by Rod Stewart
  38. Oliver’s Army by Elvis Costello
  39. Don’t Let Me Go by REO Speedwagon
  40. Remote Control and Illegal by The Silencers
  41. Angel of the Morning by Juice Newton
  42. Little Sister by Rockpile with Robert Plant
  43. Hold On To The Night by Bootcamp
  44. Dreamin’ by Cliff Richard
  45. Is It You? by Lee Ritenour 
  46. Tusk by Fleetwood Mac
  47. He Can’t Love You by Michael Stanley Band
  48. Tough Guys by REO Speedwagon
  49. Rapture by Blondie
  50. Don’t Let Go The Coat by The Who
  51. Ain’t Love A Bitch by Rod Stewart
  52. Talk of the Town by The Pretenders
  53. Can’t Happen Here by Rainbow
  54. Thank You For Being A Friend by Andrew Gold
  55. Bring It All Home by Gerry Rafferty
  56. Sign of the Gypsy Queen by April Wine
  57. The Man With The Child In His Eyes by Kate Bush
  58. All Night Long by Raindow
  59. Boys Keep Swinging by David Bowie
  60. Rat Race by The Specials
  61. Once in a Lifetime by Talking Heads
  62. Victim by Bootcamp
  63. Tonight’s the Night (Gonna be Alright) by Rod Stewart
  64. Cruel to be Kind by Nick Lowe
  65. A Little In Love by Cliff Richard
  66. Wild-Eyed Southern Boys by 38 Special
  67. Wuthering Heights by Kate Bush
  68. Celebrate The Bullet by The Selecter
  69. More Than I Can Say by Leo Sayer
  70. A Message To You, Rudy by The Specials
  71. Heart of Glass by Blondie
  72. Oh God, I Wish I Was Home Tonight by Rod Stewart
  73. Kid by The Pretenders
  74. Come What May by Lani Hall & Herb Alpert
  75. I Got You by Split Enz
  76. Sister Disco by The Who
  77. Fashion by David Bowie
  78. Love Stinks by J. Geils Band

Music Video of the Day: Love Stinks by J. Geils Band (1980, directed by Chuck Statler)


On August 1st, 1981, MTV premiered. Over the course of 24 hours, 166 unique music videos were played on MTV.  Yes, there was a time when the M actually did stand for music.

The 78th video to premiere on MTV was the video for Love Stinks by J. Geils Band, a song that is rumored to have been inspired by Peter Wolf’s marriage to Faye Dunaway.  This video was directed by Chuck Statler, who also directed several videos for Elvis Costello and Devo.

The First Videos Shown on MTV:

  1. Video Killed the Radio Star by the Buggles
  2. You Better Run by Pat Benatar
  3. She Won’t Dance With Me by Rod Stewart
  4. You Better You Bet By The Who
  5. Little Suzi’s On The Up by PH.D
  6. We Don’t Talk Anymore by Cliff Richard
  7. Brass in Pocket by Pretenders
  8. Time Heals by Todd Rundgren
  9. Take It On The Run by REO Speedwagon
  10. Rockin’ in Paradise by Styx
  11. When Things Go Wrong by Robin Lane & The Chartbusters
  12. History Never Repeats by Split Enz
  13. Hold On Loosely by .38 Special
  14. Just Between You And Me by April Wine
  15. Sailing by Rod Stewart
  16. Iron Maiden by Iron Maiden
  17. Keep On Loving You by REO Speedwagon
  18. Better Than Blue by Michael Johnson
  19. Message of Love by The Pretenders
  20. Mr. Briefcase by Lee Ritenour
  21. Double Life by The Cars
  22. In The Air Tonight by Phil Collins
  23. Looking for Clues by Robert Palmer
  24. Too Late by Shoes
  25. Stop Draggin’ My Heart Around by Stevie Nicks and Tom Petty and the Heartbreakers
  26. Do Ya Think I’m Sexy by Rod Stewart
  27. Surface Tension by Rupert Hine
  28. One Step Ahead by Split Enz
  29. Baker Street by Gerry Rafferty
  30. I’m Gonna Follow You by Pat Benatar
  31. Savannah Nights by Tom Johnston
  32. Lucille by Rockestra
  33. The Best of Times by Styx
  34. Vengeance by Carly Simon
  35. Wrathchild by Iron Maiden
  36. I Wanna Be a Lifeguard by Blotto
  37. Passion by Rod Stewart
  38. Oliver’s Army by Elvis Costello
  39. Don’t Let Me Go by REO Speedwagon
  40. Remote Control and Illegal by The Silencers
  41. Angel of the Morning by Juice Newton
  42. Little Sister by Rockpile with Robert Plant
  43. Hold On To The Night by Bootcamp
  44. Dreamin’ by Cliff Richard
  45. Is It You? by Lee Ritenour 
  46. Tusk by Fleetwood Mac
  47. He Can’t Love You by Michael Stanley Band
  48. Tough Guys by REO Speedwagon
  49. Rapture by Blondie
  50. Don’t Let Go The Coat by The Who
  51. Ain’t Love A Bitch by Rod Stewart
  52. Talk of the Town by The Pretenders
  53. Can’t Happen Here by Rainbow
  54. Thank You For Being A Friend by Andrew Gold
  55. Bring It All Home by Gerry Rafferty
  56. Sign of the Gypsy Queen by April Wine
  57. The Man With The Child In His Eyes by Kate Bush
  58. All Night Long by Raindow
  59. Boys Keep Swinging by David Bowie
  60. Rat Race by The Specials
  61. Once in a Lifetime by Talking Heads
  62. Victim by Bootcamp
  63. Tonight’s the Night (Gonna be Alright) by Rod Stewart
  64. Cruel to be Kind by Nick Lowe
  65. A Little In Love by Cliff Richard
  66. Wild-Eyed Southern Boys by 38 Special
  67. Wuthering Heights by Kate Bush
  68. Celebrate The Bullet by The Selecter
  69. More Than I Can Say by Leo Sayer
  70. A Message To You, Rudy by The Specials
  71. Heart of Glass by Blondie
  72. Oh God, I Wish I Was Home Tonight by Rod Stewart
  73. Kid by The Pretenders
  74. Come What May by Lani Hall & Herb Alpert
  75. I Got You by Split Enz
  76. Sister Disco by The Who
  77. Fashion by David Bowie

Terror on Tour (1980, directed by Don Edmunds)


It’s not easy being a Clown.

The Clowns, of course, is the name of the band that’s at the center of this sleazy slasher film.  The Clowns (who were played by a real-life band called The Names) wear clown make-up and sing songs about how they want to chop up the members of their audience and “send you home in a box.”  When Clown groupies start to turn up dead during a 24-hour Clown orgy, the police suspect that the Clowns are the murderers and they send an undercover cop to one of their performances.  It turns out that the Clowns are innocent because the murders continue even while they’re performing on stage.  But if the Clowns aren’t the killers, who is?

Terror on Tour is one of the many zero budget extravaganzas to come out in the early 1980s, trying to capitalize on the slasher boom and the popularity of bands like Alice Cooper and KISS.  It’s not every good, mostly because the members of The Names couldn’t act worth a damn and the film is so badly lit and the sound is so poorly recorded that watching the movie will make you want to sleep long before it makes you want to rock.  You won’t remember the name of a single member of the band but you will remember the groupie who says, “This cocaine is making me horny,” with all the passion of Kramer saying, “These pretzels are making me thirsty” in that Woody Allen movie.  Speaking of Seinfeld, Larry Thomas plays the band’s manager.  Years later, Thomas would receive an Emmy nomination for playing the Soup Nazi on Seinfeld.  He would also go on the imdb and post an apology for having appeared in Terror on Tour.  Larry, everyone has to start somewhere!  And you were by far the best actor in the movie.  You didn’t look straight at the camera once.

The best scene is one member of the band shouting, “I need a joint!” until someone brings him one.  That’s the advantage of being a star, I guess.

Game Review: Codex Sadistica (2021, grave snail games)


Codex Sadistica is an entrant in 2021 Interactive Fiction competition.  Browse and experience all of the games by clicking here.

Finally!  You and your heavy mental band are scheduled to perform at Blood Furnace!  But what’s this!?  The Infurnal Stage (as it’s called) has been taken over by a glam metal band and they’re playing over their allotted time!  They’re not only eating into your set but they’re spreading glam!  Can you track down the other members of your band, pull them away from their distractions, and save metal?  You can if you try and if you remember that there’s no problem that can’t be solved by jamming!

Codex Sadistica is an enjoyable text adventure.  The Blood Furnace was a memorable location and the members of your band were all well-developed.  Some of the puzzles took some effort but none of them were impossible and the game comes with a walk-through in case you get stuck.  Not surprisingly, this game will be most enjoyed by people who know about the metal scene and are familiar with all of the different subsets but the writing is clever and witty enough that I think even people who cover their ears whenever they hear a screech guitar will be able to enjoy it.  Be sure to jam with every member of your band.  As the game goes on, you find new ways to jam and each style that you play will have a different effect on the people listening.

Play Codex Sadistica.

Music Video of the Day: Fashion by David Bowie (1980, directed by David Mallet)


On August 1st, 1981, MTV premiered. Over the course of 24 hours, 166 unique music videos were played on MTV. Yes, there was a time when the M actually did stand for music.

The 77th music video make its MTV premiere on August 1st was the video for one of David Bowie’s most enduring songs, Fashion. This video was directed at Hurrah, a New York nightclub that was owned by a friend of Bowie’s, Robert Boykin. Keep an eye out and you might spot Alan Hunter in the crowd. At the time that Fashion was shot, he was a struggling actor in New York. He was paid $50 for his appearance in this video and he got to meet Bowie. Months later, Hunter would be hired as one of MTV’s first VJs and presumably was paid more than $50.

Enjoy!

The First Videos Shown on MTV:

  1. Video Killed the Radio Star by the Buggles
  2. You Better Run by Pat Benatar
  3. She Won’t Dance With Me by Rod Stewart
  4. You Better You Bet By The Who
  5. Little Suzi’s On The Up by PH.D
  6. We Don’t Talk Anymore by Cliff Richard
  7. Brass in Pocket by Pretenders
  8. Time Heals by Todd Rundgren
  9. Take It On The Run by REO Speedwagon
  10. Rockin’ in Paradise by Styx
  11. When Things Go Wrong by Robin Lane & The Chartbusters
  12. History Never Repeats by Split Enz
  13. Hold On Loosely by .38 Special
  14. Just Between You And Me by April Wine
  15. Sailing by Rod Stewart
  16. Iron Maiden by Iron Maiden
  17. Keep On Loving You by REO Speedwagon
  18. Better Than Blue by Michael Johnson
  19. Message of Love by The Pretenders
  20. Mr. Briefcase by Lee Ritenour
  21. Double Life by The Cars
  22. In The Air Tonight by Phil Collins
  23. Looking for Clues by Robert Palmer
  24. Too Late by Shoes
  25. Stop Draggin’ My Heart Around by Stevie Nicks and Tom Petty and the Heartbreakers
  26. Do Ya Think I’m Sexy by Rod Stewart
  27. Surface Tension by Rupert Hine
  28. One Step Ahead by Split Enz
  29. Baker Street by Gerry Rafferty
  30. I’m Gonna Follow You by Pat Benatar
  31. Savannah Nights by Tom Johnston
  32. Lucille by Rockestra
  33. The Best of Times by Styx
  34. Vengeance by Carly Simon
  35. Wrathchild by Iron Maiden
  36. I Wanna Be a Lifeguard by Blotto
  37. Passion by Rod Stewart
  38. Oliver’s Army by Elvis Costello
  39. Don’t Let Me Go by REO Speedwagon
  40. Remote Control and Illegal by The Silencers
  41. Angel of the Morning by Juice Newton
  42. Little Sister by Rockpile with Robert Plant
  43. Hold On To The Night by Bootcamp
  44. Dreamin’ by Cliff Richard
  45. Is It You? by Lee Ritenour 
  46. Tusk by Fleetwood Mac
  47. He Can’t Love You by Michael Stanley Band
  48. Tough Guys by REO Speedwagon
  49. Rapture by Blondie
  50. Don’t Let Go The Coat by The Who
  51. Ain’t Love A Bitch by Rod Stewart
  52. Talk of the Town by The Pretenders
  53. Can’t Happen Here by Rainbow
  54. Thank You For Being A Friend by Andrew Gold
  55. Bring It All Home by Gerry Rafferty
  56. Sign of the Gypsy Queen by April Wine
  57. The Man With The Child In His Eyes by Kate Bush
  58. All Night Long by Raindow
  59. Boys Keep Swinging by David Bowie
  60. Rat Race by The Specials
  61. Once in a Lifetime by Talking Heads
  62. Victim by Bootcamp
  63. Tonight’s the Night (Gonna be Alright) by Rod Stewart
  64. Cruel to be Kind by Nick Lowe
  65. A Little In Love by Cliff Richard
  66. Wild-Eyed Southern Boys by 38 Special
  67. Wuthering Heights by Kate Bush
  68. Celebrate The Bullet by The Selecter
  69. More Than I Can Say by Leo Sayer
  70. A Message To You, Rudy by The Specials
  71. Heart of Glass by Blondie
  72. Oh God, I Wish I Was Home Tonight by Rod Stewart
  73. Kid by The Pretenders
  74. Come What May by Lani Hall & Herb Alpert
  75. I Got You by Split Enz
  76. Sister Disco by The Who

Bats (1999, directed by Louis Morneau)


A scientist (Bob Gunton!) has genetically engineered the local population of bats in order to make them super intelligent and aggressive.  Though he says that he just wanted to make sure that the bats never went extinct, the ultimate result of his experiment is that the bats are now killing all of the citizens of a small town in Texas.  With the National Guard threatening to blow up the town, it’s up to Sheriff Emmett Kimsey (Lou Diamond Phillips!), Dr. Alexandra McCabe (Dina Meyer!), and assistant Jimmy Sands (Leon, so cool that he only needs one name!) to figure out how destroy the bats without destroying everyone’s home.

Now, this is how you make a killer bat movie!  There’s a lot of stupid things about Bats but it’s still a thousand times better than Nightwing.  I liked the idea of superintelligent bats more than the idea of just angry bats.  The bats are too clever for the humans, often seeing straight though their plans.  Nightwing took itself very seriously.  Bats does not and is therefore, better in every regard.  The bats are always on the attack, the good guys are always running from one place to another, and the National Guard just wants to blow everything up.  It’s a fun B-move, with the B standings for Bats.

You have to love that cast, too.  Any movie with Lou Diamond Phillips and Leon is going to be cooler than any movie without them.  I wouldn’t be surprised to learn that the two of them hunt bats in their spare time because they really seemed to know what they were doing.  Dina Meyer was obviously cast more because she looks like Dina Meyer than because she’s really a credible scientist but she still handles all the bat talk without embarrassing herself.  Bob Gunton is a great bad guy, as always.

Bats is dumb, silly, and terrifically entertaining.

Nightwing (1979, directed by Arthur Hiller)


Cattle and humans are dying in New Mexico at an alarming rate.  Scientist Phillip Payne (David Warner) thinks that the local bat population has become infected with the plague.  Deputy Youngman Duran (Nick Mancuso) thinks that the bats may be attacking because of a curse that was cast by a Hopi medicine man.  Meanwhile, the corrupt tribal chief (Stephen Macht) just wants to sell the land to an evil land developer (Ben Piazza) and be done with it.  Dr. Anne Dillion (Kathryn Harrold) tries to spread the word about the bats but the authorities don’t want the bad publicity.  They’ve never seen Jaws.  And, finally, a group of missionaries camp in the desert with no idea what’s about to swoop down on them.

I don’t know about you but I would never think of missing an Arthur Hiller horror movie!  While many directors in the 70s proudly wore the auteur and rebel label, Arthur Hiller went the opposite route.  He oversw conventional, Hollywood productions, the best known of which was Love Story.  Arthur Hiller was so mainstream that he eventually served as President of the Academy.  This is all to say that Arthur Hiller directed some good films and he directed some bad films but, with his total lack of any sort of personal vision, he was absolutely the wrong director to do a horror movie.  Hiller’s direction is flat.  He’s not mean-spirited enough to enjoy the bat attacks and instead, he focuses on the debate over whether white developers should be buying native land, as if the people watching this movie are going to be watching for the human drama.  By the end of the film, the bats have almost been abandoned and the movie turns into an action film, with a group of survivors fighting off Stephen Macht’s security force.

The most interesting thing about Nightwing is catching Strother Martin, the veteran western actor who memorably talked about a failure to communicate in Cool Hand Luke, as an ex-missionary.  Otherwise, the film pales in comparison to The Birds and Wolfen, the two films which it must resembles in theme and action.