The Battered Bastards of Baseball (2014, dir. by Chapman Way and Maclain Way)


If you’re like me and you’re already missing baseball, I recommend watching a documentary called The Battered Bastards of Baseball.

In 1972, Portland, Oregon lost their minor league baseball team when the Portland Beavers abandoned the city in order to become the Spokane Indians.  At the same time, actor Bing Russell, a former minor leaguer and the father of Kurt Russell, had grown tired of Hollywood and was looking to get back into baseball.  Relocating to Portland, Russell announced that he was going to start his own independent minor league team, the Portland Mavericks.

At first, no one took the Mavericks seriously.  Because they weren’t affiliated with a major league team, the Mavericks roster was largely made up of misfits and rulebreakers, many of whom had been released from other organizations and who had been blacklisted from the major leagues.  On average, most of the Mavericks players were older than the average major leaguer.  Many of them were players who were looking for one last shot at glory and Bing refused to cut any of them because he felt that that they deserved that chance.  When the skeptical media asked Bing what the Mavericks were going to offer that other baseball teams couldn’t, he replied, “Fun.”

And he delivered.  From 1973 to 1977, the Mavericks played exciting baseball, won divisional and league titles, and, most importantly, they put on a good show.  Playing mostly for the love of the game (because Russell never had much money to spend on salaries), the Mavericks reminded people of what baseball was all about.  They pulled off amazing plays on the field while their off-field antics were legendary.  The Mavericks played baseball the way that people wanted to see baseball played, with one manager living every fan’s dream by punching an umpire.

The Battered Bastards of Baseball tells the story of the Mavericks and Bing Russell.  It features archival footage of the Mavericks at play, along with interviews with people like Kurt Russell, who briefly played for the Mavericks and then served as one of their vice presidents.   The documentary pays tribute to the players who never gave up, the fans who eventually welcomed them to a new town, and most of all to the vision and determination of Bing Russell.  Even while Bing was bringing the fun back to baseball, he was also breaking down other barriers by hiring professional baseball’s first female general manager, as well as the first Asian American general manager.

Most importantly, though, The Battered Bastards of Baseball reminds us of why people love baseball in the first place.  It celebrates the game, the players, and most of all the fans.  It’s a documentary that will just leave you in a good mood.  That’s something we all could use!

Kurt Russell as a Maverick

Charlie’s Angels (2019, dir. by Elizabeth Banks)


In the latest version of Charlie’s Angels, the Angels have become an elite force of international super spies and there are now hundreds of Angels instead of just three.  There’s also more than one Bosley as this movie establishes that Bosley is actually a codename that’s given to Charlie’s lieutenants.  Djimon Hounsou is a Bosley and Patrick Stewart is a Bosely and Elizabeth Banks is a Bosley.

Two Angels, Sabina (Kristen Stewart) and Jane (Ella Balinska), are assigned to protect a corporate whistleblower named Elena (Naomi Scott) because Elena has discovered that Callisto, a renewable energy device, can also be used to trigger fatal seizures in selected targets.  When an assassin attempts to take out Elena, he kills one of the Bosleys and Elena becomes an Angel.  What I don’t get is why the assassin would try to shoot Elena in public when he could have just used the Callisto device to give her a seizure.

I wanted to like Charlie’s Angels because “Girl power!” but I got bored pretty quickly.  All of the action scenes were done better in the last Mission Impossible and most of the jokes fell flat.  Too much of the humor was built around someone saying something awkward and then everyone else standing around with a confused look on their face.  For a movie that’s supposedly about celebrating girl power, I noticed that the Angels made a lot of stupid mistakes.  It also bothered me that we were expected to laugh when an innocent security guard was killed by the Callisto but it was supposed to be a big emotional moment when one of the Bosleys died.  It’s also supposed to be a big emotional moment when Jane thanks Sabina for teaching her that it’s okay to work with other people but since Jane never seemed like she had a problem working with other people, I wasn’t sure what she was talking about or why I should care.

Elena learns how to stick up for herself, Jane learns how to trust other people, and Sabina doesn’t learn anything but at least Kristen Stewart finally gets to smile.  None of them can hold a candle to Drew Barrymore, Cameron Diaz, and Lucy Liu in the first Charlie’s Angels movie, which was both fun and empowering.  This new version just can’t compete.

Music Video of the Day: Vote Or Don’t by They Might Be Giants (2012, dir. by ????)


I went looking for an election day music video and this is what I found.  This song first came out in 2008 but the video was released in 2012, a week before the election between Obama and Romney.  I think the song is saying that you should vote and you should also convince your friend not to vote because they might vote for someone different from you and cancel out your vote.  For instance, I voted last week just to make sure that I canceled out the vote of the one communist in the neighborhood.

There she is.

By the way, did you know that some people claim that St. Chad is the patron saint of disputed elections because of the grace and humility he showed in 669 when he was ordered to step down from his disputed role of Bishop of York?  That’s not an official designation, of course but it is something to remember in case things get weird tonight.

St. Chad says, “Behave!”

Back to the video.  The creepy mannequins in this video reside at The Royal de Luxe in Nantes, France.  The Royal de Luxe is a French mechanical marionette street theatre company that is well-known for performances involving giant puppets.  They’ve performed in France, Belgium, England, Germany, Iceland, Chile, Australia, Mexico, Canada, Switzerland, Netherlands and Ireland.

Enjoy!

 

A Flash Of Light: The Photographs of E.J. Kelty (2005, dir. by Will Kelty)


Who was Edward J. Kelty?

That’s the question that’s explored in the documentary, A Flash of Light.  A hard-drinking Manhattan-based photographer, Kelty would spend his summers following the circus as it traveled across the country.  Along the way. Kelty would take picture of the performers.  Some of them were candid shots while some of them were posed but they all captured the humanity of a group of people who were usually not treated with much respect by the rest of society.  From the 1920s through the 40s, Kelty captured indelible images of circus life but then, suddenly, he apparently abandoned both photography and the circus and he moved to Chicago.  It was only after his death that collectors started to realize just how special Kelty’s photographs were.  In the documentary, one collectors says that he hung one of Kelty’s pictures between pictures taken by Diane Arbus and Irving Penn and that Kelty’s picture was the one that visitors always commented upon!

by E.J. Kelty

Featuring hundreds of Kelty’s photographs, along with interviews with collectors and his surviving family members, this documentary gives Kelty his due.  While Kelty’s personal life may remain mysterious, his art can speak for itself and A Flash of Light shows not only why Kelty’s photographs are so popular among collectors but also why they are such important documents of their time and place.

I recommend A Flash of Light to anyone who is interested in either the circus or photography.

by E.J. Kelty

 

 

For Love of the Game (1999, dir. by Sam Raimi)


Last week, the Dodgers won the World Series and brought the 2020 MLB season to a close.  For me, it was a disappointing season because the Rangers ended up with the worst record in the American League and came nowhere close to the playoffs.  I should be used to that by now but it still hurts every season.

If only we could have had a pitcher like Billy Chapel, who Kevin Costner plays in For Love of the Game.  Billy Chapel is a forty year-old veteran who has been playing baseball his entire life and who has spent his entire major league career as a member of the Tigers.  Before the start of the team’s final game against the Yankees (the Yankees have already clinched the playoff berth while the Tigers are at the bottom of their division, kind of like my Rangers), Billy is told that the Tigers have been sold and that Billy is going to be traded to the Giants.  Will Billy go to San Francisco or will he retire and go to London with the woman he loves, Jane Aubrey (Kelly Preston)?

That’s the decision that Billy is going to have to make.  But first, Billy’s going to throw a perfect game against the New York Yankees.

While Billy is pitching the game, he’s also thinking about Jane and having flashbacks to how they first met and fell for each other.  Billy loves Jane but he also loves playing baseball and it keeps the two of them apart.  Jane doesn’t want to be a baseball groupie and she needs a man who she knows is going to be there for her and her daughter, instead of spending most of the year traveling around the country.  Billy, meanwhile, doesn’t want to give up the game that’s defined his life.  As Billy throws his perfect game, he has to decide whether or not to keep playing until he can no longer get the ball across the plate or whether to start a new chapter with Jane.  Meanwhile, Jane is stuck in an airport, watching Billy play the game of his life.

For Love Of The Game is a good love story but it’s a great baseball movie.  I loved the scenes of Billy standing out on the mound, carefully evaluating each batter while blocking out all of the noise around him.  (The only villains in this movie are the New Yorkers who won’t stop yelling at Billy during the game.)  I enjoyed the interplay between Billy and the catcher (John C. Reilly) and I especially appreciated the way that the movie showed that it takes more than a good pitcher to have a perfect game.  It takes teamwork and focus.  It’s not just Billy’s perfect game.  It’s the entire team’s perfect game.

For Love of the Game may be a romantic drama but it’s also a celebration of everything that makes baseball great.  It’s America’s pastime and this movie shows why.  Watching Billy Chapel get his perfect game made me look forward to seeing what will happen next year.  Who knows?  Maybe the Rangers will even shock everyone and make the postseason.  If Billy Chapel can throw a perfect game while playing the Yankees in New York City, then anything can happen!

Come Fly With Us! The Flight Attendants Of The Pulp Era


Artist Unknown

While recently looking through some old pulp covers, I couldn’t help but notice a recurring theme.

Flight attendants!

During the pulp era, flight attendants were apparently a popular subject.  Whether they were thwarting hijackings or trying to land the perfect pilot husband, flight attendants lived dramatic, exciting, and sexy lives!  It was enough to make me wonder if maybe I made a mistake when I decided that I didn’t want to go to grow up and be a flight attendant.  (I was ten so what did I know?)

Here’s just a sampling of pulp covers featuring flight attendants dealing with everything from hijackers to more earthbound pursuits.  Where known the artist has been credited.

by James Meese

by Victor Kalin

Artist Unknown

by Ernest “Darcy” Chiraka

by Norman Saunders

by Norman Saunders

by Rafael DeSoto

by Robert Abbett

by Robert Maguire

Unknown Artist

Unknown Artist

by Arthur Brushnib

Enjoy your flight!

Stop! Or My Mom Will Shoot (1992, dir. by Roger Spottiswoode)


I always thought this was a made-up movie but it does exist!  I just watched it on Showtime.  This thing is real!

Sylvester Stallone is a tough cop whose mother (Estelle Getty) comes to visit him.  She witnesses a murder and, even though she could easily identify the killers and get them off the streets and save lives, she decides to lie to the police because she’s looking for an excuse to spend more time with her son.  Mother and son team up to take down the bad guys and Sylvester Stallone shouts, “Stop!  Or my mom will shoot!”

I laughed a few time when the movie started, because it was actually funny to see Sylvester Stallone freaking out because his mom was coming to visit.  I even laughed when his mother decided to clean his service revolver with Clorox.  I probably shouldn’t have laughed when Estelle Getty pointed the barrel of the gun right at her face so that she could check to see if it was loaded but I couldn’t help myself.

But then, mom witnesses the murder and lies to the police and Stallone has a dream where he’s an adult but he’s still wearing a diaper.  There are car chases and shoot outs and Getty tries to help Stallone hook up with his boss by sending her a hundred red roses.  Getty shoots a man and then says that no one hurts her boy.  During the entire film, Stallone has a look on his face like he knows that he’s just made the worst decision of his life but it’s too late to get out of it now.  Stop! Or My Mom Will Shoot really one has one joke, which is Sylvester Stallone being nagged and embarrassed by his mom.  That jokes get stale after 15 minutes.  By the time mom actually shoots, there’s nothing left.