Late Night Retro Television Review: Good Morning, Miss Bliss 1.7 “Save The Last Dance For Me”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Good Morning, Miss Bliss, which ran on the Disney Channel from 1988 to 1989 before then moving to NBC and being renamed Saved By The Bell.  The entire show is currently streaming on Prime!

This week, the Eighth Grade Dance nearly turns violent!

Episode 1.7 “Save The Last Dance For Me”

(Dir by Gary Shimokawa, originally aired on January 25th, 1989)

Mikey (Max Battimo) wants to go to the Eighth Grade Dance with Shana (Alexondra Lee) but Shana wants to go with Mikey’s evil best friend, Zach Morris.  Zach agrees to go to the dance with Shana before he finds out that she’s the girl that Mikey was planning on asking.  But, once Zach does find out, he refuses to cancel his date with her.  Mikey gets upset.  Mikey, I should add, is totally in the wrong here.  Shana wants to go with Zach.  Deal with it, Mikey.

Mr. Belding is worried about a fight breaking out at the dance.  Fortunately, when Mikey tells Zach to meet him outside so they can fight, Zach apologizes and refuses to fight his friend.  All the students go, “Awwww!”  (That would not have been the reaction of the students at any school that I ever went to.)  Mr. Belding is relieved that the fight is cancelled.  Miss Bliss and her date Sherman (Lonnie Burr) bust out some disco moves.

This was a thoroughly predictable episode.  I will say that Max Battimo, who retired from acting after Good Morning Miss Bliss, gave a pretty good performance as Mikey.  Mikey may have been in the wrong as far as Shana was concerned but he was absolutely right to wonder why Zach always gets everything that he wants.  Mark-Paul Gosselaar almost sold the scene where he apologized to Mikey.  That’s not something that would ever happen in a real middle school but whatever.  It is something that used to happen pretty frequently on shows like Good Morning Miss Bliss.

The main problem with this episode was that it was overlit.  Zach’s hair was glowing so brightly that it actually hurt my eyes.  This was actually a frequent problem on Saved By The Bell.  The lighting was always way too harsh.  The whole school looked like it was about to burst into flames.

Retro Television Review: The American Short Story #13: Barn Burning


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, Lisa will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, we have an adaptation of a William Faulkner short story.

Episode #13: Barn Burning

(Dir by Peter Werner, originally aired in 1980)

The year is 1895 and everyone in Yoknapatawpha County, Mississippi knows that Abner Snopes (Tommy Lee Jones) is no good.  The taciturn and bitter Abner is notorious for burning down the barns of those who he feels have mistreated him.  When Abner is dragged into the Justice of the Peace’s courtroom (which also happens to be a general store), he’s only acquitted because the judge and the prosecutor realize it would be unfair to force Abner’s young son, Sartoris “Sarty” Snopes (Shawn Whittington), to testify against him.  Abner and his family are ordered to move to another town but Abner avoids any legal punishment.  Despite that, Abner still accuses Sarty of thinking about betraying him.

This episode follows Sarty as he tries to understand his abusive father, a man who is offended over being told to wash a rug that he intentionally damaged that he plots to burn down another barn.  (The owner of the rug is played by Jimmy Faulkner, the grandson of William Faulkner.)  Sarty wants his father’s love but it soon becomes clear that Abner is too angry and resentful to love anyone.  The story ends with a fire and an ambiguous tragedy, leaving both the fate of Abner and the future of Sarty unclear.

With his shifting viewpoints and his internalized style of narration, William Faulkner is not an easy writer to adapt to the screen.  With Barn Burning, director Peter Werner takes a straight-forward approach to Faulkner’s short story.  While Werner’s film might lack the nuance that was brought to the tale by Faulkner’s stream-of-consciousness style, it does work as a portrait of living with an angry man who is determined to let the world know that he’s not going to be pushed around anymore.  Tommy Lee Jones gives a strong, intimidating, and ultimately charismatic performance as Abner, a tyrant who only shows emotion when he feels that he’s been treated disrespectfully.  The story takes place in the ruins of the Old South and capture the struggle between the forced gentility of the old aristocracy and the crassness of the future, represented by Abner and his family.

This was a strong episode that truly did justice to William Faulkner’s short story.

4 Shots From 4 Films: Special Maureen O’Hara Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

These 4 Shots From 4 Films are dedicated to the memory of the great Maureen O’Hara.

4 Shots From 4 Maureen O’Hara Films

The Hunchback of Notre Dame (1939, dir by William Dieterle)

The Hunchback of Notre Dame (1939, dir by William Dieterle)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Miracle on the 34th Street (1947, dir by George Seaton)

Miracle on the 34th Street (1947, dir by George Seaton)

The Quiet Man (1952, dir by John Ford)

The Quiet Man (1952, dir by John Ford)

Sláinte!

Live Tweet Alert: Watch Zombie Island Massacre With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1984’s Zombie Island Massacre!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Scenes That I Love: Elsa Lanchester as Mary Shelley in Bride of Frankenstein


The writer Mary Shelley was born on this date in 1797.  Shelley, of course, is best-known for writing Frankenstein, a book that some claim is the first science fiction novel.  (That’s debatable but it was still a major literary achievement.)

In this scene from 1936’s Bride of Frankenstein, Elsa Lanchester appears as Mary Shelley, continuing her story.  (Of course, Lanchester also played the Bride herself.)

Music Video of the Day: Forever Free by W.A.S.P. (1989, directed by Jim Yukich)


Forever Free was a power ballad from W.A.S.P. and an homage to Lynard Skynard’s Freebird.  It appeared on W.A.S.P.’s fourth studio album, The Headless Children.  At the time, The Headless Children was considered to be W.A.S.P.’s first mature album and it featured the band performing songs about something more than just heavy metal decadence and good times.

Director Jim Yukich is one of those directors who has worked with everyone who was anyone.  If your band was a success during the MTV era, Jim Yukich probably did at least one video for you.

Enjoy!