Wrongfully Accused (1998, directed by Pat Proft)


Ryan Harrison (Leslie Nielsen) is a world-famous concert violinist who plays his instrument like Jimmy Page plays his guitar.  Harrison is invited to a party but when his host, Hibbing Goodhue (Michael York), is murdered, Harrison is wrongfully accused.  No one believes his story that the murder was committed by a one-eyed, one-armed, one-legged man.  Harrison is convicted of a crime he didn’t commit.  Maybe he should have asked for a preemptive pardon but that would probably have been too ludicrous an idea for even a parody film like this one.  An accident on the way to prison allows Harrison to escape.  He must now prove his innocence while being pursued by the determined Fergus Falls (Richard Crenna).

Wrongfully Accused is the only film to be directed by comedy writer Pat Proft and it’s a parody film in the style of Airplane!  There are sight gags, movie references, and a lot of ridiculous dialogue delivered in deadpan fashion by Leslie Nielsen.  Richard Crenna does a decent impersonation of Tommy Lee Jones.  There’s a North By Northwest parody that involves a toy airplane.  It’s not that there weren’t enough funny moments, it’s just that there weren’t enough of them.  Most of the jokes instead felt uninspired, as if Proft just turned on his TV and tossed in a joke about whatever movie he saw being advertised.  It feels like the script was written by using parody movie mad libs.  One reason why Airplane! holds up  so well is because it genuinely loved disaster movies and there was a sense of innocence to even the wildest of the jokes.  Wrongfully Accused has some funny moments but there’s no real affection for the movie being poked fun at.  The Fugitive feels like almost too easy a target.  Leslie Nielsen and Richard Crenna score some laughs but even they sometimes seem to be just going through the motions.

As the old saying goes, dying is easy.  Comedy is hard.

Retro Television Review: Miami Vice 3.14 “Cuba Libre”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, everyone’s moved on from Zito’s death.

Episode 3.14 “Cuba Libre”

(Dir by Virgil W. Vogel, originally aired on January 23rd, 1987)

A routine drug bust at the mansion of Armando Rojas (Willie Colon) goes wrong when a group of masked gunmen show up and demand that Rojas give him all their money.  The gunmen kill a young vice cop and get into a gunfight with Crockett and Tubbs (who are, as usual, pretending to be Burnett and Cooper).  The gunmen make their escape but Crockett suspects that this was more than just a fight amongst drug dealers.  As he tells Castillo, the gunmen acted more like “Quantico than Colombia.”  Since the dead vice cop was a protegee of Crockett’s, Crockett is taking this one personally!

Unfortunately, for Crockett, the FBI doesn’t want him to take this one personally.  The gunmen work for Paco Zamora (Joe Urla), a Cuban refugee who has been working for the government ever since the Bay of Pigs.  Zamora is looking to raise money so that he can overthrow Fidel Castro.  (Boo!  Castro!  Boo!)  Crockett and Tubbs go — *sigh* — undercover as Burnett and Cooper to discover Zamora’s plans.  “Burnett” says that he wants to rip off “Cooper.”  I know I kind of harp on this but I always have to roll my eyes whenever Crockett and Tubbs do the whole Burnett and Cooper thing.  After three seasons of them arresting and killing everyone who falls for the Burnett/Cooper con, you would think the Miami underworld would have caught on by now!  I mean, wasn’t Frank Zappa going to tell everyone in Miami not to trust Sonny Burnett?  Do people in Miami just not share information with each other?  Are they just that easily fooled?  No wonder Fidel Castro hung onto power for all those years.  (Boo!  Castro!  Boo!)

Anyway, it turns out that there is a member of Castro’s (boo!) government visiting Miami and Zamora and his army are planning on assassinating him.  Crockett and Tubbs and the Vice Squad have to stop an international incident from happening in Florida.  Or — considering all of the people that Castro had assassinated over the years (Boo!) — maybe they could have just stayed out of it and let Zamora do his thing.  Seriously, in what world is a Southern good old boy and former CIA-connected football player like Sonny Crockett going to be so concerned with protecting the lives of communist diplomats?  Is that was Larry Zito died for!?  Regardless and as usuasl, everything ends with a shoot-out in which Sonny makes his final argument with a bullet.  Pauline Kael once wrote that Oliver Stone had left-wing politics but a right-wing sensibility and that’s certainly true of Miami Vice as well.

This episode felt pretty routine.  Especially after all the emotional drama of the previous two episodes, Cuba Libre felt like an example of the show on autopilot.

 

The Eric Roberts Collection: The Elevator (dir by Jack Cook and Mukesh Modi)


In 2021’s The Elevator, Eric Roberts plays Roman Juniper, who is married and who has three kids but who also has a demanding job in a downtown office building.  Even though it’s both the weekend and his youngest daughter’s birthday, Roman still has to go into work for a few hours.  Unfortunately, just as Roman is looking forward to heading home and celebrating with his family, there’s an electrical short in the building and Roman finds himself trapped in the elevator!

His family starts to wonder where he is and, in another unfortunate coincidence, he is initially misidentified as having been involved in a freak accident that occurred outside of his building.  His family fears that Roman is dead but will they ever discover that he’s actually tapped in a dark elevator, where he’s yelling and losing his mind?

In many ways, this film is the ultimate latter day Eric Roberts movie.  Roberts is actually the lead in this movie.  The film centers around his character and, even when he’s not on-screen, everyone is talking about him.  For once, this is not a film where Roberts just shows up in some throw-away role and lends the production a few minutes of Eric Roberts star power.  The Elevator is a legitimate Eric Roberts films.  And yet, because of the film’s plot, Roberts still spends the majority of his screentime on only one set and, for the most part, he doesn’t really interact with the rest of the cast.  Everyone else is out looking for him but Eric Roberts is alone on that elevator.  He’s acting up a storm and Eric Roberts is always at his best when he’s playing an emotional character but it’s difficult not to notice that he was probably able to shoot his entire role in just a day or two.  You have to respect a man who can star in a movie and still manage to get it all done in just a handful of hours.

Eric Roberts is, not surprisingly, the main reason to see The Elevator.  The film itself is poorly paced and cheap-looking.  But Eric Roberts is always fun to watch.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Blood Red (1989)
  3. The Ambulance (1990)
  4. The Lost Capone (1990)
  5. Love, Cheat, & Steal (1993)
  6. Voyage (1993)
  7. Love Is A Gun (1994)
  8. Sensation (1994)
  9. Dark Angel (1996)
  10. Doctor Who (1996)
  11. Most Wanted (1997)
  12. Mercy Streets (2000)
  13. Wolves of Wall Street (2002)
  14. Mr. Brightside (2004)
  15. Six: The Mark Unleased (2004)
  16. Hey You (2006)
  17. In The Blink of an Eye (2009)
  18. Enemies Among Us (2010)
  19. The Expendables (2010) 
  20. Sharktopus (2010)
  21. The Dead Want Women (2012)
  22. Deadline (2012)
  23. The Mark (2012)
  24. Miss Atomic Bomb (2012)
  25. Bonnie And Clyde: Justified (2013)
  26. Lovelace (2013)
  27. The Mark: Redemption (2013)
  28. Self-Storage (2013)
  29. This Is Our Time (2013)
  30. Inherent Vice (2014)
  31. Road to the Open (2014)
  32. Rumors of War (2014)
  33. Amityville Death House (2015)
  34. A Fatal Obsession (2015)
  35. Stalked By My Doctor (2015)
  36. Enemy Within (2016)
  37. Joker’s Poltergeist (2016)
  38. Prayer Never Fails (2016)
  39. Stalked By My Doctor: The Return (2016)
  40. The Wrong Roommate (2016)
  41. Dark Image (2017)
  42. Black Wake (2018)
  43. Stalked By My Doctor: Patient’s Revenge (2018)
  44. Clinton Island (2019)
  45. Monster Island (2019)
  46. The Savant (2019)
  47. Seven Deadly Sins (2019)
  48. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  49. The Wrong Mommy (2019)
  50. Exodus of a Prodigal Son (2020)
  51. Free Lunch Express (2020)
  52. Her Deadly Groom (2020)
  53. Top Gunner (2020)
  54. Deadly Nightshade (2021)
  55. Just What The Doctor Ordered (2021)
  56. Killer Advice (2021)
  57. The Poltergeist Diaries (2021)
  58. The Rebels of PT-218 (2021)
  59. A Town Called Parable (2021)
  60. Bleach (2022)
  61. My Dinner With Eric (2022)
  62. Aftermath (2024)
  63. The Wrong Life Coach (2024)

AMV of the Day: Gods (Solo Leveling)


Latest AMV of the Day comes courtesy of AMV creator ABOKAI and its all about Jin-woo of the anime series Solo Leveling. I know some anime purists don’t like watching anime adaptations of Korean manwha (South Korean version of Japanese manga). I can take it or leave it since there’s not many examples of such adaptations though I have read quite a few Korean webtoons that were expanded into more official manwha.

Solo Leveling is one of the better Korean manwha and its follows the long-standing and well-utilized power fantasy of Japanese shonen manga. Jin-woo is one such MC whose rise from lowly nobody to OP main character was best shown in the one of the main fight sequences in the first season of Solo Leveling.

ABOKAI does a great job of editing the fight sequences to match the energy of the song by South Korean kpop girl group NewJeans. The song itself, titled GODS, was the anthem for the League of Legends World 2023.

Solo Leveling just premiered its second season and this AMV just a good way to remember just how action-packed this series is.

Song: GODS by NewJeans (뉴진스)

Anime: Solo Leveling

Creator: ABOKAI

Past AMVs of the Day

Song of the Day: To Sir With Love, covered by Tina Arena


I’ve always liked this song.  It’s one of the few songs that I can kind of decently sing and it describes my feelings towards a lot of people who were important to me in years past.  It also describes the way I feel about certain people now.  This song was originally recorded and made famous by Lulu but my favorite version is this cover by Tina Arena.

Those schoolgirl days
Of telling tales and biting nails are gone
But in my mind
I know they will still live on and on

But how do you thank someone
Who has taken you from crayons to perfume?
It isn’t easy, but I’ll try

If you wanted the sky
I would write across the sky in letters
That would soar a thousand feet high
“To sir, with love”

The time has come
For closing books and long last looks must end
And as I leave
I know that I am leaving my best friend

A friend who taught me right from wrong
And weak from strong
That’s a lot to learn
What, what can I give you in return?

If you wanted the moon
I would try to make a start
But I would rather you let me give my heart
“To sir, with love”

Songwriters: Don Black / Mark London

Monday Live Tweet Alert: Join Us For Super Fuzz and Burglar!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Super Fuzz, starring Terrence Hill!

Then, on twitter, #MondayMuggers will be showing Burglar, starring Whoopi Goldberg!  The film is on Prime and it starts at 10 pm et!

It should make for a night of exciting and thought-provoking viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Super Fuzz on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then switch over to twitter, pull Burglar up on Prime, and use the #MondayMuggers hashtag! 

Enjoy!

Scenes I Love: The Final Scene of David Lynch’s Twin Peaks: The Return


“What year is this?”

The final scene of Twin Peaks: The Return has haunted me ever since I first watched it 2017.  I’m still not sure what the ending meant or where Cooper and Laura were but somehow, as enigmatic as it all was, it felt like the only proper way to end the saga of Twin Peaks.

And really, this is a scene that only Lynch could have made work.  Another director would have tried too hard to tell the audience what to think or how to react.  Of course, many directors probably wouldn’t have had the guts to end things on such on open-ended note.  But Lynch not only had the courage to stick to his vision but he also had the faith to trust his audience to figure it out for themselves.  Courage and faith are two of the main reasons why David Lynch was one of the greatest directors of his time.

20 Shots From David Lynch


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his birthday, we take the time to pay tribute to one of our favorite directors.  Needless to say, when it comes to David Lynch, there’s an embarrassment of riches.

Here are….

20 Shots From David Lynch

Eraserhead (1977, directed by David Lynch, DP: Frederick Elmes and Herbert Cardwell)

The Elephant Man (1980, dir by David Lynch, DP: Freddie Francis)

Dune (1984, dir by David Lynch, DP: Freddie Francis)

Blue Velvet (1986, dir by David Lynch, DP: Frederick Elmes)

Twin Peaks: The Pilot (1990, dir by David Lynch, DP: Ron Garcia)

Twin Peaks 1.3 “Zen or the Skill To Catch a Killer” (1990, dir by David Lynch, DP: Frank Byers)

Wild At Heart (1990, dir by David Lynch, DP: Frederick Elmes)

Twin Peaks 2.7 “Lonely Souls” (1990, dir by David Lynch, DP: Frank Byers)

Twin Peaks 2.22 (1991, dir by David Lynch, DP: Frank Byers)

Twin Peaks: Fire Walk With Me (1992, dir by David Lynch, DP: Ron Garcia)

On The Air 1.1 “The Lester Guy Show” (dir by David Lynch, DP: Ron Garcia)

Lost Highway (1997, dir by David Lynch, DP: Peter Deming)

The Straight Story (1999, dir by David Lynch, DP: Freddie Francis)

Rabbits (2002, dir by David Lynch, DP: David Lynch)

Mulholland Drive (2000, dir by David Lynch, DP: Peter Deming)

Twin Peaks: The Return Part 3 (dir by David Lynch, DP: Peter Deming)

Inland Empire (2006, dir by David Lynch, DP: David Lynch)

Twin Peaks: The Return Part 8 (2017, dir by David Lynch, DP: Peter Dening)

Twin Peaks: The Return Part 18 (2017, dir by David Lynch)

What Did Jack Do? (2017, dir by David Lynch, DP: Scott Ressler)

Film Review: Inchon (dir by Terence Young)


Inchon is an infamous film.

First released in 1982, this epic recreation of one key battles of the Korean War was an expensive film with a cast of well-known actors.  Jacqueline Bisset plays a wealthy army wife who tries to protect five South Korean children who have found themselves in the middle of the battle.  Ben Gazzara plays her husband, a major who is having an affair with the daughter of Toshiro Mifune.  David Janssen and real-life film critic Rex Reed wander through the film as journalist.  (Janssen growls like a man dealing with a serious hangover while Reed struggles to not look straight at the camera.)  Richard Roundtree plays a tough sergeant.  The great Italian actor Gabriele Ferzetti plays a Turkish officer.  And, finally, the role of legendary American general Douglas MacArthur — of “I will return” fame — is played by the very British Sir Laurence Olivier.  Olivier was apparently told that, in real life, MacArthur often sounded like the comedic actor W.C. Fields and Olivier often seems to be imitating Fields’s pinched style of speaking.  Olivier also wears almost as much makeup here as he did in his production of Othello.  MacArthur is portrayed as being almost a mystic warrior, a man who relies as much on his faith as his strategic genius to repel the communists.  (In victory, he recites The Lord’s Prayer.)  The film was directed by Terence Young, who previously brought James Bond to cinematic life.

Inchon is notorious for being a flop with both critics and audiences.  The film had a budget of $46,000,000 and reportedly made $5,000,000 at the box office before it was withdrawn.  The entirety of the budget was put up by the Unification Church, which is an organization that many people consider to be a cult.  (I like neither communists nor cultists so this film left me with no one to root for.)  The film proved to be such a flop at the box office that it has never been released on home video.  It did, however, air on television a few times and, in recent years, the television cut has been posted to YouTube.  That’s how I saw Inchon.

I watched Inchon because I’ve frequently seen it referred to as being one of the worst films ever made.  Watching the film, I have to say that I think the “worst film” label is a bit extreme.  For the most part, it’s just an extremely uneven and often rather boring film, one that mixed scenes of surprisingly brutal combat with dialogue-heavy scenes that just seem to drag on forever.  It’s a film that belongs as much in the disaster genre as the war genre as the film is full of rather shallowly-written characters who all have their own individual dramas to deal with.  Will Jacqueline Bisset save the children?  Who will sacrifice their lives to defeat the communists? Will Ben Gazzara, who often seems to be the sole member of the cast who is at least tying to give a credible performance, choose his wife or his mistress?  The film ultimately feels like a compressed miniseries.  Everyone has a story but hardly anyone makes an impression.

That said, Laurence Olivier’s performance as Douglas MacArthur …. agck!  Seriously, it’s hard to know where to even begin when it comes to talking about just how miscast Olivier is as the quintessential all-American general.  It’s been said that it takes a truly great actor to give a truly bad performance and Olivier certainly proves that to be true in this film.  Obviously frail and trying to sound like W.C. Fields, Olivier’s MacArthur is a general who would inspire zero confidence.  The film doesn’t help by portraying MacArthur as being an almost holy figure, one who is often framed to look like almost an angel descending from Heaven to lead the battle against America’s enemies.  The film is full of scenes of people discussing MacArthur’s genius just to be followed by a scene of Olivier looking old, tired, and rather grumpy.  There were a few times when I thought I could see Olivier’s hair dye running down the side of his face.  It may have been my imagination or just the graininess of the upload on YouTube but, given the quality of the film, I can’t really dismiss the possibility that it happened and no one felt like doing a second take.

As I said, Inchon can be found on YouTube.  It’s not the worst film ever made but that doesn’t mean it’s a good one.