Horror Film Review: The Seventh Grave (dir by Garibaldi Serra Caracciolo)


First released in 1965, The Seventh Grave is an Italian film, featuring an all-Italian cast and dialogue that is recited in Italian.

Despite this, however, the film itself takes place in Scotland and we’re told that all of the characters are all meant to be either Scottish or American.  I imagine this was done with an eye towards eventually releasing the film in the States.  Indeed, many Italian horror films were made to specifically appeal to American and British audiences.  However, as far as I can tell from the information that’s available online, it doesn’t appear that The Seventh Grave ever made it over to the United States.  It was apparently released in the UK and Canada.

As for what the film is about, it follows a group of people as they head to a gothic castle in Scotland.  The castle was owned by Sir Reginald Thorne, who was apparently a scientist of some sort but who died of Leprosy and who, we’re told, was buried in the crypt’s seventh grave.  Sir Reginald’s assistant also suffered from Leprosy and was imprisoned and sent to a Leper colony.  However, as the film begins, we are informed that his assistant managed to escape a month ago and no one is quite sure where he is hiding out.

As for the people heading to the castle, they are all relatives and acquaintances of Sir Reginald’s.  They’ve gone to the castle to hear the reading of his will but they’re informed that one of Sir Reginald’s relatives has yet to arrive and the will cannot be read until she does so.  While they wait for her, someone mentions that the castle is rumored to be the hiding place of a treasure that was found by Sir Francis Drake.  Since just about everyone in the film is super greedy, they all want to get their hands on that treasure.  Since one member of the group is said to be a “powerful psychic,” they decide to hold a séance so that she can commune with Sir Francis Drake’s spirit.  Needless to say, the séance doesn’t go particularly well and soon, people are turning up dead.  Is the murderer a ghost or could be the Leper assistant or could it be one of the visitors to the castle?

(As a sidenote, allow me to just mention that Sir Francis Drake was one of my favorite of the British explorers.  Queen Elizabeth I could have been very happy with him under different circumstances.)

The plot of the Seventh Grave is next to impossible to follow and, like a lot of gothic Italian castle films, it suffers from the fact that there’s really no one to root for.  I mean, just about everyone in the movie is motivated by greed and, even when the murders start, no one really acts that upset about any of them.  That said, the castle is an atmospheric location and the film is only 77 minutes long so at least it doesn’t drag.  For the most part, though, it’s easy to see why The Seventh Grave is largely forgotten today.

4 Shots From 4 Films: Special John Carpenter Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director is the man who put Halloween on the map and a personal favorite of everyone here at TSL, John Carpenter!

4 Shots From 4 John Carpenter Films

Halloween (1978, dir by John Carpenter, DP: Dean Cundey)

The Fog (1980, dir by John Carpenter, DP: Dean Cundey)

The Thing (1982, dir by John Carpenter, DP: Dean Cundey)

Christine (1983, dir by John Carpenter, DP: Donald M. Morgan)

Guilty Pleasure No.66: Cloverfield (dir Matt Reeves)


Let’s just be honest, here.  In many ways, 2008’s Cloverfield is a remarkably stupid film.

I mean, don’t get me wrong.  It’s an entertaining film.  It’s a fun film.  It’s a film that I’ve seen a few times and I usually enjoy it whenever I see it.  But it’s still a film about someone who refuses to stop filming, even in the middle of an alien invasion.  It makes sense, of course, that Hud Platt (T.J. Miller) would want to film the going away party that’s being held for his friend Rob (Michael Stahl-David).  But why would Hud keep holding onto that camcorder even after the aliens invade and New York starts to explode all around him?  There are several moments in the film where it’s obvious that the camera is slowing Hud and his friends down.  The easiest thing to do would be to drop the camcorder and run to safety.  I mean, it’s not like the destruction of New York by aliens is going to be lost to history if Hud doesn’t film it.  But instead, Hud not only keeps filming but, for all the shaky cam effects and the heaving breathing of people running for their lives, Hud still somehow manages to capture every important event on camera.

In many ways, the film epitomizes everything that tends to drive people crazy about the found footage genre but Cloverfield is an undeniably fun movie.  I mean, there’s a scene where the head of the Statue of Liberty is literally tossed into the middle of the street.  It’s such an over-the-top moment that it’s impossible not to love it and, to be honest, the fact that Hud manages to hold the camera still enough to perfectly capture the image of Lady Liberty’s head crashing to the ground is kind of cool.  The film follows a group of friends as they try to make their way across New York City to try to rescue Rob’s girlfriend Beth (Odette Yustman) before then evacuating the city and there’s something rather exciting about the sight of this small group of people continually moving in the opposite direction of the crowd around them.  While everyone else  runs away from danger, our heroes move straight into it, even though none of them are exactly action heroes.  They’re nerdy hipsters on a mission and, even though you know from the start that they’re all doomed, it’s hard not to kind of love them.  The film’s final moments carry more an emotional punch than you might normally expect from a found footage alien invasion film.

That said, if the aliens do come and they are literally tearing apart the Statue of Liberty before your very eyes, there’s no shame in putting down the camera and running.  In fact, if there’s any lesson to be learned from Cloverfield, it’s that sometimes, it’s best just to run for it.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars

Horror Film Review: Troll (dir by John Carl Buechler)


The 1986 film, Troll, opens with Harry Potter moving into a San Francisco townhouse.

Okay, it’s not that Harry Potter.  Troll was produced long before the first Harry Potter book was even published so it’s fair to assume that it’s just a coincidence that this film — about trolls, magic, and faeries — just happens to feature not just one but two characters named Harry Potter.  Harry Potter, Sr. (Michael Moriarty) is a typical, dorky father figure.  Indeed, he’s such a conventional figure that it’s a bit hard to understand why the always neurotic Michael Moriarty was cast in the role.  Harry’s son is named Harry Potter, Jr. (Noah Hathaway).  Harry, Jr. is a teenager who is shocked by how bratty his little sister, Wendy (Jenny Beck), becomes after the family moves into their new apartment.

Why is Wendy acting like such a brat?  It’s because Wendy has been kidnapped by Torok the Troll (Phil Fondacaro), a grotesque creature who not only abducts Wendy but also steals her appearance so that he can safely move around the world of the humans.  Torok, himself, was once a powerful wizard but, centuries ago, he and an army of faeries tried to destroy all the humans in the world.  Their plan didn’t work and, as punishment, Torok was turned into a troll.

But now, somehow, Torok is free and he’s taking over the apartment building.  One by one, he tracks down each tenant and casts a spell which turns them into a mythological creature, like a gnome or a wood nymph.  All of the apartments turns into lushly overgrown forests.  Among those tenants that get transformed are Sonny Bono and a young Julia Louis-Dreyfus.  I have a feeling that, when Sonny later ran for Congress, he did not include his appearance in Troll in any of his campaign literature.  As for Louis-Dreyfus, she was reportedly angered once when a talk show host (I think it was Jay Leno) showed footage from this film while interviewing her.  It’s not so much that Julia Louis-Dreyfus isn’t a convincing wood nymph as much as it’s the fact that she’s Julie Louis-Dreyfus and it’s just difficult to imagine her appearing in such a stupid role.  This, of course, was her first film and everyone has to start somewhere.

Anyway, realizing that he has to rescue his little sister, Harry Potter, Jr. gets some help from the local witch, Eunice St. Clair (Joan Lockhart).  Eunice gives Harry a magic spear to take with him in his quest.  It’s not really that much of quest, however.  Troll is a low-budget film that was produced by Albert Band so this is not the film to watch if you’re expecting some sort of elaborate fantasy epic.

One positive thing that I will say for Troll is that some of the troll makeup is effective.  The plot maks absolutely zero sense but Director John Carl Buechler specialized in creating memorable monsters on a budget and he manages to do that with Troll.  And, despite all of the people getting turned into monsters, Troll is a largely good-natured film.  It’s not a deliberately cruel or even gory film.  It’s a dumb little horror/fantasy film that features Sonny Bono turning into a plant and Julie Louis-Dreyfus turning into a wood nymph.  It’s dumb but it’s mild and generally inoffensive.

Finally, I should also note that it is in no way connected to Troll 2.  Troll 2, after all, is about goblins.

Horror Film Review: The Mummy’s Hand (dir by Christy Cabanne)


In 1940, having brought back The Invisible Man and Frankenstein’s Monster, Universal Pictures decided that it was also a good time to bring back The Mummy!

The Mummy’s Hand takes place in what we’re told is Egypt, though it’s obvious just a Universal backlot.  Two archeologists — Steve Banning (Dick Foran) and Babe Jenson (Wallace Ford) — are penniless and stuck in Egypt.  Babe wants to find a way to return to Brooklyn and his ex-girlfriend.  Steve is a bit more serious about archeology, though it must be said that he’s no Indiana Jones when it comes to discovering relics and taking them to museums.  If Indiana is the type who will risk his life to search a hidden cave in the Amazon Rain Forest, Steve is far more likely to just wander around an Egyptian market until he comes across someone selling an ancient vase.

Which is exactly what happens!  Steve finds someone selling a vase and, after he learns where it came from, he buys the vase.  He takes the vase to Prof. Andoheb (George Zucco), not knowing that Andoheb is an Egyptian high priest who has been sworn to protect the tomb of Princess Ananka.  When Andoheb realizes that the vase could lead to the discovery of the tomb, he lies and claims that it’s a forgery.  He then “accidentally” breaks it in order to keep Steve from showing the vase to anyone else.  Steve, however, is not deterred and a chance meeting with an American magician named Tim Sullivan (Cecil Kellaway) leads to Sullivan agreeing to finance Steve’s expedition to discover where the vase came from.  Sullivan’s daughter, Marta (Peggy Moran), worries that Steve and Babe are just trying to steal her father’s money so she insists on coming on the expedition with Steve.  Also following the expedition is Andoheb, who is himself starting to fall for Marta and who is hoping that he can use a secret serum hidden in the tomb to make both himself and Marta immortal.

Of course, the tomb itself is protected by Kharis (Tom Tyler, under a ton of bandages), a mummy who is immortal due to the serum and who has sworn to protect the tomb from any outsiders.  Kharis moves slowly but efficiently.  He’s a ruthless and silent killer, one whose eyes appears to just be two black holes, the better to reflect his own lack of a soul.

The main problem with The Mummy’s Hand is that it takes forever for the Mummy to actually show up.  This is only a 67-minute film and the Mummy mayhem doesn’t really start until around the 50 minute mark.  As a result, the viewer spends a lot of time watching Steve and Babe wander around Egypt and essentially act like stereotypical American tourists.  Even when the expedition finally gets started, the audience still has to sit through endless scenes of Marta accusing Steve of being some sort of con artist.  This is a movie that will truly leave you saying, “When is the mummy going to show up!?”

That said, The Mummy itself is a frightening creature, especially with his empty eyes.  Mummy’s are naturally frightening, especially when they’re walking towards you and dragging their decaying bandages  behind them.  The Mummy is effective, I just wish he had been featured in more of the movie.

Previous Universal Horror Reviews:

  1. Dracula (1931)
  2. Dracula (Spanish Language Version) (1931)
  3. Frankenstein (1931)
  4. Island of Lost Souls (1932)
  5. The Mummy (1932)
  6. The Invisible Man (1933)
  7. The Bride of Frankenstein (1935)
  8. Dracula’s Daughter (1936)
  9. Son of Frankenstein (1939)
  10. Black Friday (1940)
  11. The Invisible Man Returns (1940)
  12. The Wolf Man (1941)
  13. Ghost of Frankenstein (1942)
  14. Invisible Agent (1942)
  15. Frankenstein Meets The Wolf Man (1943)
  16. Son of Dracula (1943)
  17. House of Frankenstein (1944)
  18. The Invisible Man’s Revenge (1944)
  19. House of Dracula (1945) 
  20. Creature From The Black Lagoon (1954)

Monday Live Tweet Alert: Join Us For Hard Time and Bad News Bears!


 

As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1998’s Hard Time, a film featuring Burt Reynolds!

Then, on twitter, #MondayMuggers will be showing 1976’s Bad News Bears, starring Walter Matthau!  The film is on Prime and it starts at 10 pm et!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Hard Time on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then switch over to twitter, pull Bad News Bears up on Prime, and use the #MondayMuggers hashtag! 

Enjoy!

Horror On The Lens: The Mad Monster (dir by Sam Newfield)


In the 1942 film, The Mad Monster, the great George Zucco plays Dr. Cameron.  Dr. Cameron is a mad scientist who has a few issues with his colleagues and who makes the decision to deal with those issues by transforming his simple-minded handyman (Glenn Strange, who played Frankenstein’s Monster in a number of Universal films) into a wolfman.

The Mad Monster is one of the many horror films that were produced by Producers Releasing Corporation, which was one of the most poverty-stricken of the poverty row production companies.  To me, the interesting thing about the film is that Cameron initially wants to use his werewolf formula to help in the war effort.  He wants to help the United States win the war by turning soldiers into wolfmen.  It’s only after his plans are dismissed as being ludicrous that he starts using his wolfman to get revenge.  Unfortunately, the wolfman itself turns more savage and bloodthirsty with each act of revenge so I guess it’s a good thing that it wasn’t deployed on the battlefield because who knows what type of state the soldiers would have been in when they finally came home.

Here is 1942’s The Mad Monster!

Music Video of the Day: Nemesis by Shriekback (1985, directed by Tony van den Ende)


Just try to get that chorus out of your head after listening to NemesisEverybody happy as the dead come home!

Director Tony can den Ende has also done music videos for The Proclaimers, Meat Loaf, Melissa Etheridge, Joe Cocker, Thomas Dolby, Manic Street Preachers, and Guns N’ Roses.

Enjoy!