6 Horrific Trailer For October 16th, 2022

Posted on October 16, 2022 by Lisa Marie Bowman

It’s Sunday and it’s October and that means that it’s time for another edition of Lisa Marie’s Favorite Grindhouse trailers! For today, we have six trailers from the early 80s! These where the years when the only thing bigger than the Italian zombie boom was the American slasher boom. And we’ve got the trailers to prove it!

1. Friday the 13th (1980)

Needless to say, if you’re going to talk about American horror in the early 80s, you have to start with Friday the 13th. Interestingly enough, the first Friday the 13th was less a traditional slasher film and more an American take on the giallo genre.

2. Halloween II (1981)

The 80s were also the year that Hollywood learned to love the sequel. As a result, Michael Myers returned and so did Dr. Loomis. The current franchise claims that all of this never happened but we all know better.

3. The Beyond (1981)

While the Americans were dealing with slashers, the Italians were committing themselves to the zombies. Though Lucio Fulci’s The Beyond was not widely appreciated when first released, it’s reputation has grown over the years.

4. The House By The Cemetery (1981)

Eventually, Fulci combined both zombies and slashers with The House By The Cemetery.

5. Poltergeist (1982)

Of course, not every horror film that came out in the early 80s was about a slasher or a zombie. Poltergeist was a haunted house story. Though the trailer says “Steven Spielberg production,” the film was directed by Tobe Hooper.

6. Halloween III: Season of the Witch (1982)

Even the Halloween franchise tried to do something new with the third film in the series. Like The Beyond, this is a film that was underappreciated when released but which has since become a horror classic.

8 Shots From 8 Horror Films: 1984 — 1986

Posted on October 16, 2022 by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at a very important year: 1984, 1985, and 1986.

8 Shots From 8 Films: 1984 — 1986

A Nightmare on Elm Street (1984, dir by Wes Craven, DP: Jacques Haitkin)

Gremlins (1984, dir by Joe Dante, DP: John Hora)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito, DP: João Fernandes)

Phenomena (1985, dir by Dario Argento, DP: Romano Albani)

Day of the Dead (1985, dir by George Romero, DP: Michael Gornick)

Demons 2 (1986, dir by Lamberto Bava, DP: Gianlorenzo Battaglia)

Witchboard (1986, dir by Kevin S. Tenney, DP: Roy Wagner)

The Fly (1986, dir by David Cronenberg, DP: Mark Irwin)

Horror Film Review: The Craft (dir by Andrew Fleming)

Posted on October 16, 2022 by Lisa Marie Bowman

This 1996 film tells the story of four witches, all of whom attend the same very judgmental high school.

Nancy (Fairuza Balk) is their leader, the one who is most dedicated to worshiping the ancient deity “Manon.” Nacy dressed in black, like all good people. She also lives in a trailer park with her pervy stepfather and her chainsmoking mother. Sarcastic and quick with an insult, Nancy is an outcast and she’s proud of it.

Bonnie (Neve Campbell) is the quiet witch. She’s the one who wears baggy clothes and hardly ever seems to wash her hair. She’s insecure because her back is covered in scars, the result of a car accident. Bonnie follows Nancy’s orders.

Rochelle (Rachel True) is the witch who never seems to get to do much. As one of the only black students at the high school, she faces constant discrimination. She likes to swim. To be honest, we don’t find out much about Rochelle beyond that.

And then there’s Sarah (Robin Tunney). She’s the new girl at school, having just moved from San Francisco to Los Angeles. Bonnie is the first one who notices that Sarah has powers of her own. Even though Sarah is, at first, freaked out by Nancy’s talk of Manon, she eventually joins the group after a male student, the loathsome Chris Hooker (Skeet Ulrich), starts to spread rumors about her.

Together …. they solve crimes!

No, actually, they don’t. Instead, they cast spells. Fortunately, now that Sarah has joined the group, they’re finally powerful enough to actually make their spells mean something. Soon, each girl is getting exactly what she wants but they’ve forgotten the Rule of Three — every action returns to you threefold.

And, even worse, Nancy’s starting to act just a little bit crazed….

I love The Craft. In fact, to be honest, I have yet to meet anyone who doesn’t love the film. That doesn’t mean that the film is flawless, of course. There’s actually a whole lot of things that I could point out that don’t quite work about this film. For instance, the character of Rochelle is totally underdeveloped. Robin Tunney, as good an actress as she is, sometimes seems to be miscast as Sarah. (It’s hard not to feel that she and Neve Campbell should have switched roles.) The film starts out as a clever and sharp-tongued satire but it kind of loses its way towards the end, becoming a far more conventional supernatural thriller.

But no matter! Sometimes, the flaws just don’t matter. The Craft works because anyone who has ever felt like an outcast — and, let’s just be honest, that’s pretty much everyone — can relate to the film. At some point in their life, everyone has felt ostracized. Everyone has felt like they were on the outside looking in. Everyone has wished that they had the ability to cast a spell whenever they wanted. Everyone has felt like Sarah, Bonnie, and Rochelle and, even more importantly, everyone has felt like vengeful Nancy.

Perhaps appropriately, it’s the actress who plays Nancy, Fairuza Balk, who steals the entire film. It’s not that the other actors are bad. Indeed, the strong and likable cast is one of this film’s main strengths. But no one can quite match Balk’s intensity as Nancy. Balk manages to remain believable even while going totally over the top. In the end, Nancy is the most compelling character in the film. She may be a villain. She may kill a few people. But she’s also the only character willing to stand up for herself. Sarah’s magic may be powerful but she never seems to be having much fun with it. Nancy, on the other hand, is all about showing off what one can do with enough power.

I rewatched The Craft a few Halloweens ago and I’m glad that I did. It provided the perfect conclusion to that year’s October holiday. I look forward to watching it again in the future.

Horror On The Lens: Mark of the Witch (dir by Tom Moore)

Posted on October 16, 2022 by Lisa Marie Bowman

Today’s horror on the lens is Mark of the Witch, a little oddity that was filmed in 1969 and released in 1970. It’s a film about what happens when the spirit of an executed witch possesses a college student.

This is an admittedly low-budget and, some would say, amateurish production but certain scenes have a nice dream-like feel and, in the role of the witch, Marie Santell doesn’t leave a bit of scenery unchewed. I especially enjoy her speech at the start of the film.

Plus, Mark of the Witch was filmed in my hometown of Dallas, Texas!

Enjoy!

Smiling Woman(s)? Review by Case Wright

Posted on October 16, 2022 by casewright

I get the idea of a franchise, but the underlying theme of a franchise is that the initial film was GOOD. Here, it’s all terrible and boring and dumb and terrible. Alex Magana, to my horror, did not just make a Smiling Woman 1&2…no no no no… he made:

Smiling Woman 3

Smiling Woman 4

Smiling Woman 5

Smiling Woman (animated)

Smiling Woman 6

Smiling Woman Story

This one I will watch – Smiling Woman Christmas.

Smiling Woman Christmas is it though. NO MORE! I just can’t review any more Alex Magana because it could encourage him. I think he could be like as long as people are talking about my art, I’ll keep doing it; I can’t responsible for that.

Smiling Woman Christmas is a full 4 minutes. We’re back at the same terrible train station. The soon to be victim is in Christmas Elf garb. There’s a lady in a yellow dress barefoot. Bleh. God, I hate it when people don’t wear shoes. That whole group of dirty footed people need to be stopped.

Anywho, the Smiling Woman gives her a present and then disappears. RUDE. Of course, she opens it it and it’s a ….. yellow dress.. DUN DUN DUN. The creepy texting starts. She still waits for her train. Then, the break dancing begins. Blah Blah Blah… she violates physics and absorbs her by destroying matter, which is impossible.

I am absolutely done with Alex Magana. I feel like I’m vaguely unclean in some way by watching his garbage trash. If you feel like watching this garbage trash, here you go….

Artwork of the Day: Anyone There?

Posted on October 16, 2022 by Dazzling Erin

by Erin Nicole

Sometimes, we hear noises.

Music Video of the Day: You Could Be Mine by Guns N’ Roses (1991, directed by Andy Morahan, Stan Winston and Jeffrey Abelson)

Posted on October 16, 2022 by Jedadiah Leland

In this video, Arnold Schwarzenegger is sent to the past to eliminate Guns N’ Roses but ultimately decides that it would be a waste of ammo. Obviously, he knew that fulfilling his mission would change history and the world would never get to hear Chinese Democracy.

This song (and this video) were used to promote Terminator 2: Judgement Day.

Enjoy!

October Positivity: Senior Year (dir by Bruce Lood)

Posted on October 15, 2022 by Lisa Marie Bowman

First released in 1978 and undoubtedly played at dozens of church youth group retreats for years afterwards, Senior Year tells the story of Steve and Angie.

Steve and Angie are both high school seniors. (Hence, the name….) They’re also both Christians. Steve used to be a jock who enjoyed drinking and having a good time. However, over the summer, he decided to give all that up and dedicate his life to Christ. The rest of his classmates aren’t sure how to deal with this. They all wonder what happened to the Steve that they used to know. They’re all worried that this new Steve is going to constantly try to preach to them. Steve confirms their suspicions by constantly trying to preach at them. As he quickly discovers, it can be awkward forcing your beliefs on people, especially when they’re just trying to make it from class to class. Still, the local young minister encourages Steve to keep trying.

Joe has no interest in what Steve is saying. Joe is a jock who doesn’t get all of that Christian stuff and kind of takes it personally the Steve is now religious. Joe decides that he’s going to date a Christian girl, just to upset Steve! Joe’s a real jerk. However, Joe starts to develop real feelings for her. He even trades in his van for a sports car, all in an effort to seem more respectable. Anyway, as things often go in these type of movies, it all leads to a tragedy that leaves one person in wheelchair but which also inspires everyone in the high school to start reading their bible. Steve finally manages to successfully witness to one of his coworkers. At no point does it seem to occur to anyone that maybe there was another way that message could have been spread that didn’t involve paralyzing someone for life.

Senior Year is a pretty typical faith-based high school film. One thing that I’ve noticed about these films is that they always take place in these upper middle class suburban high schools where nearly the entire student body is vehemently anti-Christian. I went to an upper middle class suburban high school and my experience was markedly different. That could just be because I’m from Texas but still, there was an element of paranoia to this film that felt more than a bit forced. It wasn’t enough for Joe to just not be interested in reading the Bible or going to church. No, Joe had to be a full-on sociopath who specifically tried to ruin a girl’s reputation just because she was a Christian. It’s all a bit melodramatic. It also doesn’t help that Steve comes across as everything that Joe claims he is. Despite the film’s intentions, Steve does come across as being preachy and a bit self-righteous. The actor playing him is believably awkward but also kind of creepy. Anyone who has ever had the experience of having a complete stranger start grilling you about your religious beliefs will empathize with those who don’t want to get trapped in a conversation with Steve.

After watching this film, I checked out its imdb page. I found two pieces of trivia. I have no idea if either of these are correct but, for the record, imdb claims that John Travolta was offered the role of the youth minister. That’s possible, I suppose. Though the film was released in 1978, it features a theater marquee advertising Marathon Man and Two-Minute Warning, which both came out in 1976. If the film was shot in 1976 than it was probably in pre-production in 1975. If the film was in pre-production in 1975, it’s totally possible that a relatively unknown John Travolta may have been offered the part. The other piece of trivia is that Kevin Costner appears as an extra during a high school basketball game. Costner was 21 in 1976 and was studying acting in college so, again, its possible. I certainly didn’t see him but, then again, I wasn’t looking.

Anyway, regardless of whether Costner is lurking in the background or not, Senior Year is forgettable. Today, it’s best viewed as being a time capsule of the era in which it was made. I mean, selling a van is a major plot point! This film couldn’t be more 70s if it tried.

Lisa Marie’s Week In Television: 10/9/22 — 10/15/22

Posted on October 15, 2022 by Lisa Marie Bowman

I spent most of this week watching movies but I did catch a few shows. Here’s some thoughts on them:

Abbott Elementary (Wednesday Night, ABC)

Ava is such a cool principal! This week’s episode wasn’t as strong as the previous three episodes but the scenes in which we saw how Ava dealt with disciplinary problems were entertaining. “I want to go to the principal’s office!”

The Amazing Race (Wednesday Night, CBS)

I reviewed the latest episode of The Amazing Race here!

Atlanta (Thursday Night, FX)

Another crazy day at the mall. I’m glad Al survived. Earn and Darius got their shoes. The Crank Dat Killer was taken off the streets. Some Guy Named Doug finally got to collaborate with Al. Another day in Atlanta.

Bachelor in Paradise (Monday and Tuesday Night, ABC)

Eh. This season is too complicated for me. The scenery’s nice.

Baywatch (Weekday Morning, H&I)

I watched an episode of Baywatch on Wednesday morning. After an accident left him paralyzed, Manny had a crisis of confidence. Meanwhile, Neely and Mitch continued to argue on the beach. This was an episode from Baywatch’s final season. It was all a bit silly but the scenery was nice.

Fantasy Island (Tubi)

You can read my review of what I watched by clicking here!

Full House (Sunday Evening, MeTV)

In the first episode, Aunt Becky went back to work and Danny panicked because it meant his new girlfriend would be leaving Wake Up, San Francisco. Fortunately, she got hired to do weather so I guess that all worked out. Becky going back to work reminded me of how little Jesse actually does.

In the second episode, a singer was hired to perform at Stephanie’s birthday party. Stephanie had a crush on him but he had a crush on DJ. The singer was like 30 so he really shouldn’t have had a crush on either of them.

Ghosts (Thursday Night, CBS)

Poor Jay! He just wants some friends, like his wife has with the ghosts. Unfortunately, he always seems to end up finding the worst possible friends around. This week, he nearly got sucked into a cult. Perhaps Jay should follow the ghost’s advice and become a snake oil salesman.

Hell’s Kitchen (Thursday Night, FOX)

O’Shay being eliminated was not a huge surprise. It really should have happened last week, when he tried to send out raw chicken. The episode ended with Chef Ramsay announcing that the 20s vs. 40s competition was over and the show was reverting back to its usual women vs men format. Again, this wasn’t a huge surprise. Hell’s Kitchen, unlike several other reality shows, has pretty much stuck with its original format and I don’t see it changing any time soon.

Interview With A Vampire (Sunday Night, AMC)

I’m still struggling to get into this one, for whatever reason. I’ll give it another try next week and maybe rewatch the first two episodes as well.

Law & Order (Thursday Night, NBC)

This week, the criminal was a serial killer who was also a famous actor. The episode wasn’t anything special but at least it wasn’t obnoxiously political.

Law & Order: Organized Crime (Thursday Night, NBC)

I watched it but I’d be lying if I said I remembered a thing about it, beyond Stabler looking like he was about to give himself a heart attack with all of his pent-up rage.

Law & Order: SVU (Thursday Night, NBC)

Again, I watched it but I don’t remember much about it. By broadcasting all of these Law & Order shows on the same night, NBC is causing them to blend together in my mind.

The Love Boat (Paramount Plus)

I reviewed what I watched here!

Mike Judge’s Beavis and Butt-Head (Paramount Plus)

I honestly thought last week’s episode was the season finale but it turns out I was wrong! A new episode dropped on Thursday. Beavis and Butt-Head building their own dinosaur was hilarious and also sad. “Why did we do this?”

The Real Love Boat (Wednesday Night, CBS)

Who cares? The old Love Boat is more fun.

Survivor (Wednesday Night, CBS)

I reviewed the latest episode of Survivor here!

Talking Dead (Sunday Night, AMC)

I didn’t pay much attention. Chris Hardwicke seemed kind of bored with it all.

The Walking Dead (Sunday Night, AMC)

I hate to admit it but I have yet to find the time to write out full length reviews of the past two episodes of The Walking Dead. Hopefully, I’ll get a chance to do it next week. As for last week’s episode, it was an improvement on the episode that came before it. I’m kind of bored with the downfall of the Commonwealth, though. I think the show made an excuse taking that long break before starting the final half of season 11. I was really into the show before that break but now I’m struggling to get reinvested.