10 Shots From 10 Horror Films: 1975 — 1977


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at three very important years: 1975, 1976, and 1977!

10 Shots From 10 Films: 1975 — 1977

Deep Red (1975, dir by Dario Argento, DP: Luigi Kuveiller)

Trilogy of Terror (1975, dir by Dan Curtis. DP: Paul Lohmann)

Eaten Alive (1976, dir by Tobe Hooper. DP: Robert Caramico)

The Omen (1976, dir by Richard Donner, DP: Gilbert Taylor)

Carrie (1976, dir by Brian De Palma, DP: Mario Tosi)

Shock (1977, dir by Mario Bava, DP: Alberto Spagnoli)

The Hills Have Eyes (1977, dir by Wes Craven, DP: Eric Saarinen)

Suspiria (1977, dir by Dario Argento, DP: Luciano Tuvalia)

Eraserhead (1977, directed by David Lynch, DP: Frederick Elmes and Herbert Cardwell)

Shock Waves (1977, dir by Ken Wiederhorn, DP: Reuben Trane)

We’ve more than a small wonder in the M3gan trailer.


It looks like Malignant writers James Wan and Akela Cooper have reunited to give us M3gan, the story of a robot that may be more than she appears. When a young girl (Violet McGraw, Doctor Sleep) loses her parents, she moves in with her aunt Gemma (Allison Williams, Get Out), who introduces her to M3gan, her latest project. When Gemma assigns M3gan to protect her niece, it looks like things are going to escalate a bit.

Gerard Johnstone (The New Legends of Monkey) is handling the direction for M3gan. Wan is producing with Jason Blum (Blumhouse Productions), and Allison Williams is an Executive Producer.

M3gan is due to hit theatres this coming January.

Horror Film Review: The Fog (dir by John Carpenter)


“Time for one more story,” Mr. Machen (John Houseman) declares the beginning of John Carpenter’s 1980 horror film, The Fog.

Mr. Machen is a resident of Antonio Bay, California, a coastal town that was founded with the help of gold stolen from a ship that was owned by a wealthy man named Blake (Rob Bottin). Blake wanted to start a leper colony. Instead, he was betrayed by six sailors who sank Blake’s ship, stole the gold, and used it to start the town of Antonio Bay.

At 12 midnight, on the day that the town is to celebrate its 100 anniversary, strange things start to happen. Windows shatter. Masonry falls from walls. A thick fog rolls across the ocean and seems to move from house to house. Inside the fog are several angry spirits, led by Blake. They not only want their gold back but they also want to take six lives as a way of getting revenge on the six conspirators who stole their gold and sank their ship.

It all starts with knock at the door and, if you look out a window, maybe you’ll see a dark shadow standing in an all-enveloping fog. Answering the door is a mistake. At the same time, so is not answering the door. It’s not easy to escape the vengeful spirits in the fog.

The Fog (1980, dir by John Carpenter, DP: Dean Cudney)

The Fog plays out like a disaster film, albeit one with a supernatural twist. The film follows several characters who are trying to survive the night and the majority of them don’t even meet until the final half of the film. There’s a truck driver (Tom Atkins) and a hitchhiker (Jamie Lee Curtis). There’s the alcoholic priest (Hal Halbrook) and the chairwoman (Janet Leigh) of the anniversary committee. Nancy Loomis, who co-starred with Curtis in Carpenter’s Halloween, plays an administrative assistant while Carpenter’s wife, Adrienne Barbeau, plays the local radio DJ whose son is briefly targeted by the fog. There’s even a coroner named Dr. Phibes!

In fact, the whole film is full of references to other films. The Fog finds John Carpenter in a rather playful mood, with characters named after Carpenter associates like Dan O’Bannon, Tommy Wallace, and Nick Castle. There’s even a mention of Arkham, the fictional New England town that served as the setting for many of H.P. Lovecraft’s stories.

42 years after it was made, The Fog holds up as a very well-told ghost story. I mean, fog is just creepy in itself. Then you add in a bunch of silent shadows standing in the fog and it gets even scarier! For the most part, the actors all do a good job playing rather thinly-drawn characters. Tom Atkins is always fun to watch! The true stars of the film, of course, are the ghosts and they will definitely give you nightmares.

The Fog is a good film for Halloween viewing so watch it and don’t answer the door!

The Fog (1980, dir by John Carpenter, DP: Dean Cundey)

(Don’t just take my word for it!  Be sure to read Leonard’s review of The Fog!)

Horror on the Lens: Bride of the Monster (dir by Edward D. Wood, Jr.)


Bride of The Monster (1955, dir by Ed Wood)

Since yesterday was the great man’s birthday, it seems appropriate that today’s horror film on the lens is Edward D. Wood’s 1955 epic, Bride of the Monster.

(Much like Plan 9 From Outer Space, around here, it is a tradition to watch Bride of the Monster in October.)

The film itself doesn’t feature a bride but it does feature a monster, a giant octopus who guards the mansion of the mysterious Dr. Vornoff (Bela Lugosi).  Vornoff and his hulking henchman Lobo (Tor Johnson) have been kidnapping men and using nuclear power to try to create a race of super soldiers.  Or something like that.  The plot has a make-it-up-as-you-go-along feel to it.  That’s actually a huge part of the film’s appeal.

Bride of the Monster is regularly described as being one of the worst films ever made but I think that’s rather unfair.   Appearing in his last speaking role, Lugosi actually gives a pretty good performance, bringing a wounded dignity to the role of Vornoff.  If judged solely against other movies directed by Ed Wood, this is actually one of the best films ever made.

(For a longer review, click here!)

Smiling Woman, Review by Case Wright


Alex Magana…we meet again. I get that you must punish me, but these actresses are sometimes pretty good, can’t you spare them? No? Fine. Smiling Woman… wait…. Alex, you made two of these “Smiling Woman” films?! On Purpose? This is gonna be a rough day.

A lady is waiting for public transportation, which is really a bad idea. The bright spot of this film is that it discourages the use of public transportation because some monster break dancer will murder you while wearing a summer dress. On that note, I’m all for it. You’re so much safer in a gas powered SUV – EVs stop working when its cold; so, a large SUV that gets 3 miles to the gallon will give you MAXIMUM SAFETY- That’s Just Science! Thanks, Alex! We agree.

The short opens with a commuter-lady waiting for an above ground subway and a casually dressed demon with a part/bangs-hybrid hairstyle decides that this is the evening to murder-hug a commuter. The demon has an off-the-shoulder thing working for her, but I don’t know if that’s an evil thing or a That’s So Last Season kinda thing.

You can be murdered in a lot of ways, I guess? We don’t really see the commuter-lady die, but at the very least she was hugged and NOT in the slap you on the back fun hug. It was a hug hug- the hug we now know is a prelude for murder….probably.

Music Video of the Day: Fear No Evil by Grim Reaper (1985, directed by ????)


This was the second Grim Reaper video to be watched and commented upon by Beavis and Butt-Head.  The only difference was that, opposed to See You In Hell, the band actually requested that Mike Judge roast this video.  They were definitely good sports about that whole thing, unlike a certain singer named Kip Winger.

Here are Beavis and Butt-Head, with their thoughts:

Enjoy!