4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens whishes a happy 82nd birthday to the legendary Italian director, Enzo G. Castellari! Here are….
4 Shots From 4 Enzo G. Castellari Films
Keoma (1976, dir by Enzo G. Castellari, DP: Aaice Parolin)
1990: Bronx Warriors (1982, dir by Enzo G. Castellari, DP: Sergio Salvati)
Escape From The Bronx (1983, dir by Enzo G. Castellari, DP: Blasco Giurato)
Light Blast (1985, dir by Enzo G. Castellari, DP: Sergio D’Offizi)
Today, we celebrate the birthday of my pre-code, silent film role model, the amazing Clara Bow! Clara was born 115 years ago, on this date, in Brooklyn, New York. As an actress, she was one of the biggest stars of the silent era. She came to represent the the Roaring 20s in all of their glory. She also co-starred in the first film to ever win the Oscar for Best Picture, Wings!
Below is a scene from my favorite Clara Bow film, 1928’s It. Playing a poor but confident shopgirl who falls in love with her wealthy boss, Bow was so popular with audiences that she became known as the “It Girl.”
In the scene below, she prepares for a date with her boss. She may not be as rich as her romantic rivals but she doesn’t let that stand in her way. She’s Clara Bow. She’s got it and she knows it.
There are some people out there (mainly on Twitter) who are convinced that Andrew Dominik’s film adaptation of Blonde will be the first NC-17 film to win the Oscar for Best Picture.
Well …. maybe. If I’m skeptical, it’s because I can still remember suffering through Dominik’s previous non-documentary film, Killing Them Softly. That said, Ana de Armas seems like she’s destined to be nominated some day and playing the lead role of Marilyn Monroe in a controversial film adapted from a controversial Joyce Carol Oates novel seems like the sort of thing that will get the Academy’s attention.
Every few years, we get a new version of Pinocchio. Walt Disney was responsible for the best-known version. And then there were a few live action versions that were made in Europe in the 50s and 60s. There was a pornographic version in the 70s that featured the immortal tag line, “This time, it isn’t his nose that grows!” If I remember correctly, there were a few made-for-television versions. Roberto Begnini did a version that I’ve never seen but many people have told me that it’s terrifying.
Well, it’s 2022 and that means that were due a new version. This time, it’s Guillermo del Toro’s turn to bring the tale of a wooden boy to life. His animated version will be released on Netflix in December and, given how much the Oscars have recently embraced del Toro, it seems likely that it will be a contender for Best Animated Feature Film. That’s fine, by me. I like del Toro. Of the latest crop of Best Picture nominees, Nightmare Alley is the one that has really stuck with me. Certainly, it’s stuck with me more than whatever it was that actually won.