“Sludgy” #2 : Happy To Be Stuck In The Muck


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

In the comics game, second issues are almost as tricky a thing to pull off as first issues — sure, debuts have to grab you and all, but the follow-up has to give you a reason to stick around. And in the case of a rather tightly-defined humor strip, that task is amplified to an even greater degree, because it’s incumbent upon a cartoonist to prove that their concept can keep on being funny even though readers already have a pretty good sense of the general gist of things.

That being said, the swamp is one of those locales that’s always offered more sheer storytelling possibilities than most other places — just ask Walt Kelly. Or, if your sensibilities run more toward comic books that strips, ask Alan Moore or Steve Gerber. And while we’re at it, we can add Robb Mirsky’s name to this list of luminaries.

Or…

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Batman: The Movie (1966, directed by Leslie H. Martinson)


One day, while defending Gotham City, Batman (Adam West) and Robin (Burt Ward) learn that there is a plot to abduct Commodore Schmidlap from his yacht. Quick! To the batcopter! Flying over the ocean, they locate the yacht but it turns out that the whole kidnapping plot was a ruse for a shark to attack Batman!

“Holy sardine!” Robin exclaims!

With the help of porpoise who bravely sacrifices its life to protect the Caped Crusader, Batman manages to escape. Back at police headquarters, Batman, Robin, Commissioner Gordon (Neil Hamilton), and Chief O’Hara (Stafford Repp) wonder which member of Batman’s rogue’s gallery of villainy could have been responsible for the ruse.

Batman says that it was pretty “fishy” what happened and that could possibly mean The Penguin (Burgess Meredith) was involved!

Robin points out that it happened “at sea” and C stands for Catwoman (Lee Meriweather)!

Batman then says that the shark was “pulling my leg” and that might mean it was working for The Joker (Cesar Romero)!

Chief O’Hara says that it all adds up to “a sinister riddle,” which can only mean one thing: The Riddler (Frank Gorshin)!

“The four of them,” Batman says, “working together…”

“Holy nightmare!” Robin exclaims!

As you can probably guess, the tone of 1966’s Batman: The Movie is far different from the tone of more recent Batman films. That’s because Batman: The Movie was based on the light-hearted 60s TV show that made Batman a household name even while transforming the character from being a shadowy vigilante to being a comedic straight arrow, a proud square who regularly lectured the citizens of Gotham about respecting the forces of law and order.

Batman: The Movie was released after the conclusion of the first season of the Batman televisions series and it featured nearly the entire cast of the show. (Lee Meriweather replaced Julie Newman in the role of the purring Catwoman.) The movie feels like an extended episode of the show, still using the same famous music and featuring scenes of Batman and Robin running in place with a street scene projected behind them. The attitude is one of affectionate parody, as opposed to the more cynical campiness of Joel Schumacher’s infamous films from the 90s. Adam West expertly deadpans his way through the main role while the underrated Burt Ward energetically plays the naïve and easily amazed Robin. Of the villains, Lee Meriweather is a sexier Catwoman than Anne Hathaway and there’s never been a better Riddler than Frank Gorshin. (Of the many actors who played Batman’s villains on the TV series, Gorshin was always the only one who seemed to understand that he was supposed to be playing someone dangerous.) At 104 minutes, Batman: The Movie runs out of steam before it ends but there’s still much here to entertain fans of the television show.

Of course, when I was growing up in the 90s, there was no easier way to lose credibility with most diehard Batman films than to admit to liking anything about the television series. The Batman TV series was widely blamed for people thinking that comic books were only meant for kids. Tim Burton was a hero for treating Batman seriously. Joel Schumacher was hated for taking the opposite approach. Batman and Robin was criticized for being too much like the TV show, right down to George Clooney doing a poor man’s Adam West impersonation in the main role. Despite the acclaim that greeted Batman: The Animated Series, It wasn’t until Christopher Nolan took control of the character that the cinematic Batman truly returned to his grim roots.

Since the conclusion of Nolan’s Dark Knight trilogy, there have been several versions of Batman. Ben Affleck took over the role for two films. Young Bruce Wayne and his doomed parents briefly appeared in Joker. Robert Pattinson is set to take over the role in The Batman. Now that everyone knows Batman as a grim avenger and countless actors have bragged about how they prepared for their roles in the Batverse by reading either The Killing Joke or The Dark Knight Returns, it’s easier to appreciate the more light-hearted approach of something like Batman: The Movie. After two decades of grim and serious Batmans being used as a metaphor for everything from PTSD to the surveillance state, the sight of a paunchy Adam West trying to find a place to safely dispose of a ridiculously oversized bomb can be a relief.

“Sometimes,” Batman says, “you just can’t get rid of a bomb!”

Tell me about it, Batman.

Music Video of the Day: Blaze of Glory by Jon Bon Jovi (1990, directed by ????)


To be honest, I’m neither a huge fan of Bon Jovi or Young Guns II but Blaze of Glory is still a rocker of a song, one that both makes the film it appears in better and which can also stand on its own. Jon Bon Jovi captured the feel of a great western with this song, in a way that he tried too hard and failed to do with Dead or Alive.

Of course, the video is full of footage from Young Guns II. It’s not only a good music video but it’s a good trailer as well. The only problem is that it almost reveals the plot of the entire movie.

Enjoy!

Lisa Marie’s Week In Review: 5/3/21 — 5/9/21


I’m exhausted because it’s been another long week. So, I’m just going to say that I hope you had a good Star Wars Day, a good Cinco De Mayo, a good Orson Welles Day, and a Happy Mother’s Day and then I’m going to get down to business. And then I’m going to pass out. Sound good?

The Creation of the Humanoids (1962, dir by Wesley Barry)

Films I Watched:

  1. Beverly Hills Cops II (1987)
  2. Creation of the Humanoids (1962)
  3. Crossfire (1947)
  4. Dead Body (2017)
  5. Eye for an Eye (1996)
  6. How To Read (1938)
  7. The Long Island Serial Killer: A Mother’s Hunt For Justice (2021)
  8. A Matter of Faith (2014)
  9. Night of the Hunter (1955)
  10. Saved By Grace (2016)
  11. Short Eyes (1978)
  12. The Stranger (1946)
  13. Tomb Raider (2018)

Television Shows I Watched:

  1. 9-1-1
  2. 9-1-1: Lone Star
  3. Allo Allo
  4. American Idol
  5. Baywatch
  6. Court Cam
  7. Friends
  8. Hill Street Blues
  9. Judge Jerry
  10. Moone Boy
  11. The Office
  12. The Old Guys
  13. Open All Hours
  14. Seinfeld
  15. Storage Wars
  16. Unsolved Mysteries
  17. Upstart Crow
  18. The Voice
  19. Yes, Minister

Books I Read:

  1. Serpentine (1979) by Thomas Thompson

Music To Which I Listened:

  1. The Black Keys
  2. Britney Spears
  3. Cage the Elephant
  4. Cannons
  5. Gloria Trevi
  6. Haim
  7. Jakalope
  8. Jennifer Lopez
  9. Laurel
  10. Lindsey Stirling
  11. Los Claxons
  12. Mothica
  13. Muse
  14. Phatogram
  15. The Prodigy
  16. Public Service Broadcasting
  17. Rolling Stones
  18. Siouxsie and the Banshees
  19. Susanna Hoffs
  20. Universal Honey
  21. Upsahl

Trailers:

  1. Marvel Phase 4
  2. A Quiet Place Part II

News From Last Week:

  1. AMC CEO Adam Aron raved about its new investors who are at odds with Wall Street
  2. Box Office: With Jason Statham’s ‘Wrath of Man,’ Summer Movie Season Gets Slow Start
  3. Elon Musk Brings Ratings Lift to ‘Saturday Night Live
  4. Globes in Jeopardy? Celeb PR Firms are still irked at the Hollywood Foreign Press
  5. Golden Globes: Scarlett Johansson Calls Out HFPA Over “Sexist Questions,” Proposed Reforms
  6. Cinemark inks deal with Hollywood studios as movie theaters eye recovery
  7. Lloyd Price Dies: Rock And Roll Hall Of Famer, Hitmaker With ‘Lawdy Miss Clawdy’ Was 88
  8. Tawny Kitaen, ’80s Music Video Vixen and ‘Bachelor Party’ Star, Dies at 59
  9. RIP Tawny Kitaen…This 80’s Sex Kitten Was An Iconic Music Video Actress And Cult Film Queen…

Links From Last Week:

  1. Oscar Predicting Lessons Learned From The 93rd Academy Awards
  2. Exploring: Tawny Kitaen
  3. Riding Barcelona’s Sky-High Trams! Here’s Your “Birds Eye” View! #Wanderlust Rules!
  4. The One Where Tater Meets Famous People

Links From The Site:

  1. I shared my week in television! I reviewed Short Eyes and Night Terror! I shared music videos from Muse, Mothica, Los Claxons, and Lindsey Stirling! I paid tribute to Orson Welles and Wes Anderson! I shared the Mercury Theatre’s production of Heart of Darkness and a scene from Chimes At Midnight!
  2. Erin shared Venture Science Fiction, Judge, On The Way To The Dance, Snappy, 10 True Crime Cases, Summer Retreat, and By The Sea!
  3. Jeff shared a trailer from Marvel and music videos from Def Leppard, The Eagles, and RATT!
  4. Ryan reviewed Future, Gates of Plasma, and Reckless!

More From Us:

  1. Ryan has a patreon! Consider subscribing!
  2. For SOLRAD, Ryan reviewed Jimbo: Adventures in Paradise!
  3. At Pop Politics, Jeff shared: The Angst Of Replaying Red Dead Redemption 2
  4. At her photography site, Erin shared: Red, Ribbon, Stop!, Feather, Birds in the Rain, Flood, and Family!
  5. On my music site, I shared songs from Public Service Broadcasting, Laurel, Cannons, The Black Keys, Cage The Elephant, Siouxsie and the Banshees, and Susanna Hoffs!

Want to see what I did last week? Click here!

Artwork of the Day: By The Sea (by Pino Daeni)


by Pino Daeni

Happy Mother’s Day! Today, we celebrate all of the moms who are still here and also the the legacy of all of the strong women who have passed on but whose memory we will always cherish. The painting above, like many of Pino’s paintings, reminds both me and Lisa of our own mom. We are blessed to be your daughters.

Music Video of the Day: Back For More by RATT (1984, directed by Matt Rezyka)


Like a lot of people, I was shocked and saddened when I heard yesterday that Tawny Kitaen had died at the age of 59. Though Kitaen is arguably best-known for appearing in a series of music videos for Whitesnake, her first music video appearance was in today’s music video of the day.

In this video, Kitaen plays one of two women who apparently really love RATT. (At the time, she was dating the group’s guitarist, Robbin Crosby.) When she puts the Out of the Cellar album on the jukebox, it mystically summons two members of the RATT. Soon, Tawny and her friends are running out on the check, stealing cars, and eventually getting pulled over by two cops who turn out to be Nikki Sixx and Tommy Lee! At the end of the video, Milton Berle shows up, recreating a role that he played in an earlier RATT video. Milton’s nephew, Marshal, was the band’s then-manager.

Despite the presence of Uncle Miltie and two members of the Motely Crue, this video today is all about Tawny Kitaen, who is young, beautiful, and appears to have not a care in the world. Rest in peace, Tawny.

Lisa’s Week In Television: 5/2/21 — 5/8/21


Another week, another list of television programming. Here’s a few thoughts on what I watched this week:

9-1-1 and 9-1-1: Lone Star (Monday Night, FOX)

I watched both of these shows this week and yet, I don’t remember a damn thing about them. If you don’t remember a show, did it actually air?

Allo Allo (Sunday Night, PBS)

This week, the latest daring plan to get the British airmen out of France came to naught. The plan was to use a lawn mower motor to power an antique airplane. Rene said it wouldn’t work and, not surprisingly, it didn’t. I will admit that I laughed so hard at the end of this rather frantic episode that I nearly fell off the living room couch.

Baywatch (Weekdays, H&I)

Life on the beach continues!

On the first of Sunday’s two episodes, Kathleen Kinmont played an FBI agent who went undercover as a lifeguard. Unfortunately, despite the fact that she was supposed to be keeping an eye on the girlfriend of an escaped convict, she was also expected to do lifeguard stuff. This led to some conflict with Mitch. For the record, Mitch was right in that it made absolutely no sense for an FBI agent to pretend to be a lifeguard. The second episode of the night featured a phony treasure hunt, one that attracted real crooks and brought chaos to the beach! Jeff Garlin appeared as a radio DJ who fell in love with CJ. Both episodes were thoroughly silly, though the one with the FBI agent was a smidgen less silly because Kathleen Kinmont appeared to be taking her role more seriously than Jeff Garlin took his.

Monday’s first episode was an odd one. Apparently, there was some sort of weird “red dust wind” blowing over the California coast and, as a result, everyone on the beach was a little bit stranger than usual. Geraldo Rivera guest-starred as a man whose fiancé was secretly in love with Mitch. (In order to get her to fall out of love with him, Mitch took her on a date and acted like a dorky jackass. It didn’t work.) Meanwhile, John O’Hurley (of Seinfeld, Family Feud, and Dancing With Stars fame) played desperate father who was searching for his daughter. This was followed by an episode the featured jet ski training and plenty of beach volleyball action. I’ve noticed that every season of Baywatch featured at least one episode that featured someone getting jet ski training.

Tuesday brought us a Christmas-themed two-parter. Santa’s elves took a vacation on the beach. Hobie befriended yet another homeless girl. Mitch tried to help a homesick lifeguard. And Pamela Anderson fell in love with a priest but sadly, his commitment to God came first. “Y’know,” he told her, “we’re in the same business, saving lives.”

On Wednesday, Logan married a rich widow so that he could get his green card and then, during the second episode, Stephanie was held hostage by an environmental terrorist. It’s amazing how often the lifeguards ended up getting held hostage. I would probably be so traumatized after being held hostage just once that I would look for a new job. These lifeguards somehow manage to handle it happening on a twice-a-month basis.

On Thursday, Mitch asked Tracy to marry him, just to discover that she only had two weeks to live. He spent those weeks trying to make her as happy as possible. The second episode dealt with Mitch trying to recover from Tracy’s death. These episodes were surprisingly effective. Baywatch‘s total lack of irony and willingness to embrace the melodrama really paid off.

The first of Friday’s episodes found Mitch coming to terms with having never lived up to the expectations of his dead father. This was followed by an episode in which Logan needed Stephanie’s help to keep him from being deported back to Australia. In the end, it all worked out and everyone had fun. That’s the important thing.

On Saturday, CJ’s blind ex-boyfriend showed up and help Mitch break up yet another crime ring. This time the master criminal was played by Richard Lynch, who appeared to be having fun. Again, that’s the most important thing!

Court Cam (Wednesdays, A&E)

Dan Abrams’s replacement for Live PD continued the A&E reality show tradition of exploiting people’s misery. I had the show on while I was cleaning the house on Wednesday and I still feel awful about it.

Friends (Weekdays, Channel 33 and HBOMax)

During the episode that I watched on Tuesday night, Rachel and Monica got new jobs while Ross, Chandler, and Joey spent a night hitting the clubs and discovered that they weren’t young anymore. If I remember correctly, it seems like this was something that happened rather frequently on Friends. That said, I enjoyed this episode more than the one I watched a few weeks ago because Matthew Perry looked much healthier.

Hill Street Blues (Weekday Mornings, H&I)

Tuesday morning’s episodes of Hill Street Blues started with Public Defender Chapman (played by future 3-time Oscar winner Frances McDormand) getting fired from her job when it was discovered that she was hooked on cocaine. Meanwhile, Gina (played by future Oscar nominee Jennifer Tilly) was gunned down in a restaurant while having dinner with her boyfriend, Lt. Henry Goldblume (Joe Spano). The episode that followed that found Goldblume going a bit off the deep end as he obsessively investigated Gina’s murder. It’s was all very well-acted by Joe Spano, even if you do have to wonder if there anyone who worked on the Hill who did not, at some point during their service, see a friend or a loved one gunned down in front of them. Judging from what I’ve seen of the show, it was apparently a fairly regular occurrence.

Wednesday morning started off with an episode in which massive police corruption was uncovered, Henry finally started to properly grieve for Gina, and Captain Furillo admitted that he had started drinking again. It also featured an appearance from James Cromwell, speaking in an exaggerated Irish accent, in the role of an animal trainer. The second episode, however, had an entirely new credits sequence, one that featured some new faces in the cast, and — even more importantly — no longer featured half of the cast from the previous episode. In other words, a new season had begun! According to Jeff, I’ve now entered season 6 of Hill Street Blues, which is when the show starts to go downhill. So, we’ll see how long I stick with it, I guess. Anyway, the second episode took place at night and featured a now fully recovered Henry getting held hostage by a militant cult leader, who was played by Yaphet Kotto.

Thursday morning saw two episodes dealing with the death of Officer Harry Garibaldi. Played by Ken Olin, Harry was a regular during the pervious season but his disappearance from the opening credits left little doubt that he would not survive being stabbed by a bookie. Of course, the show still milked the question of whether or not Harry would die for all the drama that it could. (The main problem, of course, is that Harry was never a particularly likable character to begin with.) Kiel Martin, who was consistently one of the best actors on the show, had an amazing scene after Harry died, in which his character, recovering alcoholic J.D. LaRue, had a complete meltdown.

When I watched Friday morning’s episodes of Hill Street Blues, I came to understand what Jeff meant about this season being the beginning of the end. The first episode featured the arrest of Harry Garibaldi’s murderer. The suspect, who only confessed because he had suckered Furillo into giving him an immunity deal, was then gunned down by Harry’s father. So, yes, the murderer was dead but unfortunately, Harry’s father was going to prison for life. In previous episodes, this would have led to some serious reflection on the part of the characters. However, this time,, everyone just shrugged off the fate of Harry’s father. The bad guy was dead and nothing else mattered. The second episode featured a mentally ill man who thought he was the movie character Rambo. It was all fun and games until he tragically died at the end of the episode. Again, this is a trick that Hill Street Blues played so often that, from the minute the guy showed up, I knew what was going to eventually happen to him. If you’re quirky during the first half of an episode of Hill Street Blues, you’ll be dead by the end of the second half.

Things continued to go downhill during the first of Saturday’s episodes as a new character, Lt. Norman Buntz (played by Dennis Franz), went on a personal vendetta against a petty thief. Buntz eventually ended up executing the thief during a liquor store robbery. Previously, Hill Street Blues would have held a character like Buntz in contempt but, during this new season, apparently the show’s moral compass was reset. The first episode of the morning also featured Detective Neal Washington getting shot for what seemed to be the 100th time. I have to admit that I didn’t pay much attention to the second episode, beyond noting that Michael Richards (a.k.a. Karmer from Seinfeld) was playing a crook. Otherwise, life on the Hill suddenly felt far less interesting than it did at the start of this week.

Judge Jerry (Weekdays, Syndication)

Jerry Springer is a TV judge now! Nobody in the courtroom fights or yells. In fact, due to COVID, the gallery is empty and all of the cases are “virtual.” Somehow, Jerry comes across as being even more sleazy when he’s being respectable than he did when he was hosting his circus of a talk show.

The Office (All the Time, Comedy Central)

On Tuesday, I watched several episodes from season 4. I started with Dinner Party and I ended with Goodbye Toby. As a result, I had both Hunter’s song and Michael’s rendition Goodbye Toby stuck in my head for several hours. I’ve also spent this week telling random people, in my best Holly Flax voice, “Kevin, I’m really proud of you!”

The Old Guys (Sunday Night, PBS)

This week, Tom’s daughter nearly married Sally’s son. It didn’t work out, naturally. The main theme of this episode seemed to be that old people are clueless about new technology but that young people are just stupid in general. As with the previous episodes that I’ve seen, the jokes weren’t extremely clever but they were very well-delivered by Jane Asher, Clive Swift, and Roger Lloyd-Pack. Apparently, this was also the last episode of The Old Guys and, starting this Sunday night, PBS will be airing a different British sitcom in its place.

Open All Hours (Sunday Night, PBS)

On this week’s episode, Arkwright continued to abuse Granville and Granville continued to hate every moment of his existence. This is one bleak show.

The Rookies (Sunday Morning, H&I)

H&I aired two episodes of this old 70s cop show on Sunday morning. I watched both but I only remember one. It dealt with an older cop being driven crazy by the stress of the job and the feeling of being underappreciated. The Rookies were able to talk him down.

Saved By The Bell (Sunday Morning, MeTV)

I watched two episodes of this classic show on Sunday morning. The first episode featured Zack skipping school because he was apparently too exhausted after the summer to handle class. It was his mother’s idea. On the one hand, I could full sympathize with skipping school but, on the other hand, who asks for permission beforehand? I guess that’s what happens when you’re making a show about high school in which the lead character is expected to be both a rebel and a role model. Anyway, the various members of the Saved By The Bell cast came by to visit Zack and they thought about everything that happened over the summer. Is there anything more creatively bankrupt than a clip show?

The second episode was the one where Zack and Slater get into a physical brawl in the school hallway because they both like the same girl. This episode is a personal favorite of mine. If Belding hadn’t intervened, Slater would have totally kicked Zack’s ass.

Seinfeld (Weeknights, Channel 33 and Hulu)

I watched an episode on Tuesday night. Elaine was confused by her new boyfriend’s love for the song Desperado. George was confused the fact that the local cult was willing to brainwash everyone but him. Jerry destroyed a valuable chest of drawers and Kramer nearly killed some tourists. It made me laugh. That said, at the end of the episode, it was kind of implied that Elaine’s boyfriend died because the ER doctor was distracted by the song Witchy Woman. That was dark!

Storage Wars (Tuesday Night, A&E)

To be honest, the only reason I watched the two latest episodes was to see if there was any new Brandi/Jarrod developments. There were not. In fact, Jarrod was not in any either of the episodes and Brandi was only in one. Unfortunately, neither of the episodes were that interesting. With the exception of Ivy, I’ve never cared much for any of the replacement buyers who have shown up on the show over the years. I like the old crew — Barry, Hester, Darryl, and Bradi & Jarrod. Oh well. The past is the past.

Unsolved Mysteries (Netflix)

On Wednesday, Case, Leonard, and I watched an episode about a group of people from the same Massachusetts town who all say that they were abducted by aliens in 1969. As a passionate skeptic when it come to all things paranormal, my theory is that hippies spiked the town’s drinking water with LSD.

Upstart Crow (Sunday Night, PBS)

While traveling back to Stratford, Shakespeare and his friends run into three witches who provide him with three cryptic prophecies. Later, Shakespeare fears that he may have accidentally killed his neighbor, a Scotsman named MacBuff. Haunted by guilt and what he mistakenly believes is a ghost, Shakespeare is relieved to eventually to discover that MacBuff did not die. Shakespeare resolves to write a comedy about the whole thing. This was another brilliantly funny episode.

The Voice (Monday Night, NBC)

On Monday night, the show took a look back at the “road to lives.” I didn’t pay that much attention but still, I wish everyone the best of luck. (Come to think of it, I also didn’t pay much attention to 9-1-1 and 9-1-1: Lone Star when I watched them on Monday. What was going on at the start of the week that had me so distracted? Hopefully, whatever it was, I resolved it.)

Yes, Minister (Monday Morning, PBS)

This week’s episode was brilliant. After finding out that a defense contract had been rewarded as a result of bribery, Jim was determined to reveal the truth regardless of the consequences. Then, he discovered that his wife had accepted a very expensive present from the same contractor and he quickly changed his mind. Last week featured Jim getting the better of Humphrey. This week, things got back to normal as Humphrey and Bernard got the better of Jim (even though it was kind of Bernard’s fault that Jim’s wife received the potentially problematic present in the first place). Paul Eddington’s performance in this week’s episode, alternating between self-righteous pomposity and desperate sputtering, was a work of comedic genius. Despite the fact that this show is older than I am, Yes, Minister is definitely my favorite of the shows that I currently watch on a regular basis.

Film Review: Short Eyes (dir by Robert M. Young)


Last night, fully intent on just viewing one movie before going to bed, I decided to watch the 1977 film, Short Eyes.

Why I thought that was a good idea, I’m not sure. Even though I didn’t know much about the film, I did know that it was a gritty prison drama that was written by an ex-con, filmed in an actual New York prison, and that a few prisoners appeared in small roles in the film. So, I really can’t claim that I didn’t realize that I was about to watch something that probably wasn’t going to be deal with particularly pleasant subject matter. I think my main reason for watching it, to be honest, was just that it had been sitting there on my Prime watchlist for nearly a year. My main motivation can be summed up as “If not now, when?” Of course, if I had know that “Short Eyes’ was apparently prison slang for someone who is a pedophile, I might have thought twice about watching.

The Short Eyes of the title is Clark Davis (Bruce Davison), a young man from a vaguely wealthy background who is being held on charges of raping a young girl. Clark is one of only three white men being housed in his cell block. As Clark soon discovers, everything in prison is determined by your race and what you’re accused of doing. As a white man, he’s already in the minority and, because he’s a “short eyes,” he soon discovers that not even the other whites are willing to watch his back. The only person who is vaguely sympathetic to Clark is Juan (Jose Perez), a longtime prisoner who is determined to not allow prison to turn him into an animal. Juan tells Clark that he needs to get a transfer to protective custody but it soon becomes apparent that’s not going to happen. The prison guards feel no obligation to protect Clark and Clark himself almost seems to have a death wish.

As Clark explains to Juan, he’s not sure whether he’s guilty or not. He says that he blacks out and sometimes, he’s not sure what he did. Clark thinks he’s innocent but, at the same time, he also confessed to Juan that he has molested other girls. Juan knows that Clark’s a dead man if he doesn’t get out of prison but he also know that, even if Clark is innocent this time, he won’t be in the future. When the other prisoners decide to kill Clark, Juan has to decide whether to let it happen or to risk his safety by trying to stop it.

Short Eyes is one of the most thoroughly unpleasant films that I’ve ever watched but that obviously was the point. This is a film about the reality of prison, that it’s a dirty, brutal, and inhumane place where the weak are targeted and anyone who goes against the system — whether it’s the system enforced by the guards or the even more important system created by the prisoners — will be punished. It’s not at all fun to watch but, if anyone wants to know why incarceration tends to just create hardened criminals as opposed to rehabilitating them, they should find some answers in the film’s portrait of prison life.

The film is based on a play and, in many scenes, it’s a bit too theatrical for its own good. Clark delivers a lengthy monologue about his previous actions and, while it’s well-delivered by Davison, it also goes on and on and you never quite understand why he’s opening up to Juan in the first place. (Juan, himself, angrily responds that he never asked to be Clark’s father confessor.) The scenes of the prisoners just hanging out and talking are also well-acted but again, they tend to drag on for a bit too long. Musicians Curtis Mayfield and Freddy Fender both appear as anonymous prisoners and both sing songs, which brings the film’s already uneven narrative momentum to a complete halt. Just as the inmates will never be able to escape prison, the film never escapes its theatrical origins. While the decision to film Short Eyes in an actual operating prison brings a good deal of authenticity to the production, the production’s staginess ultimately works against it.

At its best, this is a well-acted portrait of people trapped in a man-made Hell. Jose Perez gives an excellent performance and Bruce Davison will make your skin crawl as Clark, a character about whom most viewers will have very mixed feelings. Nathan George and Joseph Carberry are both properly intimidating as the heads of, respectively, the black prisoners and the whites.

This is definitely not a film to watch late at night, unless you’re actively trying to generate nightmares. (Of course, if that’s your goal, have it!) As for me, I stayed up an extra two and a half hours just so I could watch another movie after Short Eyes. As a result, I spent all of Saturday tired but I still think I made the right decision.