Drew Lerman’s Got A Great “Schtick” Going


Ryan C.'s Four Color Apocalypse

There are few cartoonists working today funnier than Drew Lerman, and while it would be a reach to say that his Snake Creek strip owes more to Henny Yougman than it does to Walt Kelly, it doesn’t take Sherlock Holmes-level detective skills to see a subtle-but-rich vein of Yiddish humor running under much of it. So why not acknowledge one’s influences, eh boychik?

And that’s what Lerman’s newest self-published mini, Schtick, is all about — a short form “deep dive” into the rapid-fire exchanges and caustic banter that inform so much of traditional Jewish comedy. It’s a lean and lovingly mean number, clocking in at 12 full-color pages, and that’s just about right to provide a nicely representative sample size of “double act” gag strips largely focused on the kind of aggravating-yet-hilarious misunderstandings that arise when two people can’t seem to help but to talk over (and around) each…

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Josh Frankel’s “Grim Nutrition” : Eat Up!


Ryan C.'s Four Color Apocalypse

I’ve reviewed Josh Frankel’s work on this site before — specifically his full-length comic Eccentric Orbits from last year — and while it’s true that his traditional sensibilities lend themselves well to long-form genre works, it seems to me that where he really shines is in the mini game, where his old-school panel construction and smartly humorous take on tried-and-true tropes always combine for a refreshingly unpretentious experience. Simply put, when you read a Frankel mini, it reads like something made by someone for no other reason than they love the form, and that’s the best reason to put pen to paper that I can think of.

His latest self-published number (that I’m aware of, at any rate), a punchy eight-pager titled Grim Nutrition, is about as perfect a distillation of what makes his art, if not unique per se, at the very least special, and in a pinch…

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Film Review: The End (1978, directed by Burt Reynolds)


What if you were dying and no one cared?

That is the theme of The End, which is probably the darkest film that Burt Reynolds ever starred in, let alone directed. Burt plays Sonny Lawson, a shallow real estate developer who is told that he has a fatal blood disease and that, over the next six months, he is going to die a slow and painful death. After seeking and failing to find comfort with both religion and sex, Sonny decides to kill himself. The only problem is that every time he tries, he fails. He can’t even successfully end things. When he meets an mental patient named Marlon Borunki (Dom DeLuise), he hires the man to murder him. Marlon is determined to get the job done, even if Sonny himself later changes his mind.

Yes, it’s a comedy.

The script for The End was written by Jerry Belson in 1971. Though Belson also worked on the scripts for Spielberg’s Close Encounters of the Third Kind and Always, he was best-known for his work on sitcoms. (Belson was an early collaborator of Garry Marshall’s.) The End was originally written with Woody Allen in mind but when Allen passed on it to concentrate on directing his own movies about death, the script spent five years in limbo. Reynolds later said that, when he eventually came across The End, he knew he had to do it because it was the only script that reflected “my strange sense of comedy.” United Artists was uncertain whether there was much box office potential in a film about a self-centered man dying and they required Reynolds to first make the commercially successful Hooper before they would produce The End.

The End was made for 3 million dollars and it went on to gross 40 million. That the film was a box office success is a testament to the late 70s starpower of Burt Reynolds because it’s hard to think of any other mainstream comedy that goes as much out of its way to alienate the audience as The End does. While watching The End for the first time, most viewers will probably expect two things to happen. First off, Sonny will learn to appreciate life and be a better person. Secondly, it will turn out that his fatal diagnosis was incorrect. Instead, neither of those happen. Sonny is going to die no matter what and he never becomes a better person. What’s more is that he never even shows any real interest in becoming a better person. The film’s signature scene comes when Sonny prays to God and offers to give up all of his money if he survives, just to immediately start backtracking on the amount. It’s funny but it’s also a sign that if you’re looking for traditional Hollywood sentiment, you’re not going to find it here.

Burt not only stared in The End but he also directed it and, as was usually the case whenever he directed a film, the cast is a mix of friends and Hollywood veterans. Sally Field plays Sonny’s flakey, hippie girlfriend while Robby Benson is cast as a young priest who fails to provide Sonny with any spiritual comfort. Joanne Woodward plays his estranged wife and Kristy McNichol plays his daughter. Myrna Loy and Pat O’Brien play his parents. Norman Fell, Carl Reiner, and Strother Martin play various doctors. The movie is stolen by Dom DeLuise, playing the only person who seems to care that Sonny’s dying, if just because it offers him an excuse to kill Sonny before the disease does. DeLuise was a brilliant comedic actor whose talents were often underused in films. The End sets DeLuise free and he gives a totally uninhibited performance.

Despite DeLuise’s performance, The End doesn’t always work as well as it seems like it should. Though Reynolds always said that this film perfectly captured his sense of humor, his direction often seems to be struggling to strike the right balance between comedy and tragedy and, until DeLuise shows up, the movie frequently drags. As a character, the only interesting thing about Sonny is that he’s being played by Burt Reynolds. That is both the film’s main flaw and the film’s biggest strength. Sonny may not be interesting but, because we’re not used to seeing Burt cast as such a self-loathing, self-pitying character, it is interesting to watch a major star so thoroughly reveal all of his fears and insecurities.

If you’re a Burt Reynolds fan, The End is an interesting film, despite all of its flaws. Burt often described this as being one of his favorite and most personal films. It’s a side of Burt Reynolds that few of his other films had the courage to show.

Marvel releases the teaser for Chloe Zhao’s Eternals


Hot off her Oscar win for Nomadland, Chloe Zhao and Marvel released the teaser for her newest film, Eternals. Again, this was something where I had to delve into the Marvel Encyclopedia to fully understand. Originally, the Eternals are a group of humans gifted with accelerated evolution by Celestials to help guide others (perhaps similar to the angels in Wim Wenders’ Wings of Desire). I’m not sure where the MCU is taking this, but they’ll definitely need to explain why they’re only showing up now.

Eternals showcases quite a cast, including Captain Marvel‘s Gemma Chan (pulling a Chris Evans and playing a second Marvel character), Richard Madden (1917), Kumail Nanjiani (Stuber), Kit Harrington (Game of Thrones), Brian Tyree Henry (Godzilla v. Kong), and Angelina Jolie (Those Who Wish Me Dead)

Eternals is set to release this November.

Artwork of the Day: The Go Girls (by Raymond Johnson)


by Raymond Johnson

This is from 1963. Have you been to Kicksville? It sounds like a fun place where you can laugh, dance, undress, and serve coffee. Who knows where Kicksville is even located.

This cover was done by Raymond Johnson, who has been featured on this site in the past and who will undoubtedly be featured many more time in the future.