Here Are The 2020 Nominees of the Cinema Audio Society!


Earlier today, the Cinema Audio Society announced their nominees for the best sound mixing of 2020!  Now, you may be wondering what the difference is between sound mixing and sound editing and, unfortunately, not a lot of people (outside of the people who actually work in the audio industry) can tell you.  That’s one reason why the Academy decided to combine Sound Mixing and Sound Editing into one category a year — which is a shame because, even though I’m hardly an expert on them, I do know that they are two separate things!

Anyway, here are the film nominees.  The winners will be announced on April 17th!

Motion Pictures – Live Action
“Greyhound”
Production Mixer – David Wyman CAS
Re-Recording Mixer – Michael Minkler CAS
Re-Recording Mixer – Christian Minkler CAS
Re-Recording Mixer – Richard Kitting
Re-Recording Mixer – Beau Borders CAS
Scoring Mixer – Greg Hayes
Foley Mixer – George A. Lara CAS
“Mank”
Production Mixer – Drew Kunin
Re-Recording Mixer – Ren Klyce
Re-Recording Mixer – David Parker
Re-Recording Mixer – Nathan Nance
Scoring Mixer – Alan Meyerson CAS
ADR Mixer – Charleen Richards-Steeves
Foley Mixer – Scott Curtis
“News of the World”
Production Mixer – John Patrick Pritchett CAS
Re-Recording Mixer – Mike Prestwood Smith
Re-Recording Mixer – William Miller
Scoring Mixer – Shawn Murphy
ADR Mixer – Mark DeSimone CAS
Foley Mixer – Adam Fil Méndez CAS
“Sound of Metal”
Production Mixer – Phillip Bladh CAS
Re-Recording Mixer – Nicolas Becker
Re-Recording Mixer – Jaime Baksht
Re-Recording Mixer – Michelle Couttolenc
ADR Mixer – Carlos Cortez Navarrette
Foley Mixer – Kari Vähäkuopus
“The Trial of the Chicago 7”
Production Mixer – Thomas Varga CAS
Re-Recording Mixer – Julian Slater CAS
Re-Recording Mixer – Michael Babcock CAS
Scoring Mixer – Daniel Pemberton
ADR Mixer – Justin W. Walker
Foley Mixer – Kevin Schultz

Motion Pictures – Animated
“A Shaun the Sheep Movie: Farmageddon”
Dialogue & ADR Mixer – Dom Boucher
Re-Recording Mixer – Chris Burdon
Re-Recording Mixer – Gilbert Lake
Re-Recording Mixer – Adrian Rhodes
Scoring Mixer – Alan Meyerson CAS
Foley Mixer – Ant Bayman
“Onward”
Original Dialogue Mixer – Vincent Caro CAS
Original Dialogue Mixer – Doc Kane CAS
Re-Recording Mixer – Michael Semanick CAS
Re-Recording Mixer – Juan Peralta
Scoring Mixer – Brad Haehnel
Foley Mixer – Scott Curtis
“Soul”
Original Dialogue Mixer – Vincent Caro CAS
Re-Recording Mixer – Ren Klyce
Re-Recording Mixer – David Parker
Scoring Mixer – Atticus Ross
Scoring Mixer – David Boucher CAS
ADR Mixer – Bobby Johanson CAS
Foley Mixer – Scott Curtis
“The Croods: A New Age”
Original Dialogue Mixer – Tighe Sheldon
Re-Recording Mixer – Christopher Scarabosio CAS
Re-Recording Mixer – Leff Lefferts
Scoring Mixer – Alan Meyerson CAS
Foley Mixer – Richard Duarte
Foley Mixer – Scott Curtis
“Trolls World Tour”
Original Dialogue Mixer – Tighe Sheldon
Re-Recording Mixer – Scott Millan CAS
Re-Recording Mixer – Paul Hackner
Scoring Mixer – Christopher Fogel CAS
Foley Mixer – Randy K. Singer CAS

Motion Pictures – Documentary
“David Attenborough: A Life on Our Planet”
Re-Recording Mixer – Graham Wild
Scoring Mixer – Gareth Cousins CAS
“My Octopus Teacher”
Re-Recording Mixer – Barry Donnelly
Foley Mixer – Charl Mostert
“The Bee Gees: How Can You Mend A Broken Heart”
Re-Recording Mixer – Gary A. Rizzo CAS
Re-Recording Mixer – Jeff King
“The Social Dilemma”
Production Mixer – Mark A. Crawford
Re-Recording Mixer – Scott R. Lewis
Scoring Mixer – Mark Venezia
Foley Mixer – Jason Butler
“Zappa”
Production Mixer – Monty Buckles
Re-Recording Mixer – Marty Zub CAS
Re-Recording Mixer – Lon Bender

One response to “Here Are The 2020 Nominees of the Cinema Audio Society!

  1. Pingback: Lisa Marie’s Week In Reivew: 3/1/21 — 3/7/21 | Through the Shattered Lens

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