Two Of A Kind, But Different (Part One) : Mike Shea-Wright’s “Venue”

Ryan C.'s Four Color Apocalypse

Chances are that you’re as tired of being cooped up as I am, but I’ll say this much : one of the “net pluses” of the pandemic (sorry, there really has to be a better way of phrasing that, but I’ll be damned if I can think of what that would be right now) has been a creativity and productivity boom among self-publishing and otherwise-independent cartoonists. Most of us are well-familiar with the justly-lauded strips being shared daily on instagram by Alex Graham, Simon Hanselmann, and others, but it’s not like the printed page has been abandoned completely in this “brave” new world, either (indeed, Graham has just collected her Dog Biscuits series in a massive 400-plus-page volume she’s selling through Lulu and the entirety of Hanselmann’s “Crisis Zone” will be released in a single volume in fairly short order from Fantagraphics) — which brings us to Mike Shea-Wright and…

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One response to “Two Of A Kind, But Different (Part One) : Mike Shea-Wright’s “Venue”

  1. Pingback: Lisa Marie’s Week In Reivew: 3/1/21 — 3/7/21 | Through the Shattered Lens

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