Music Video of The Day: Low by Kelly Clarkson (2003, dir by Antti Jokinen)


“Oh my God, is Kelly Clarkson on shrooms!?”

No, I don’t think that’s the case.  I think she just has a lot on her mind.  She’s just broken up with her boyfriend and now she’s stolen his jeep and she’s driving around South Texas.  She has a destination in mind….

“Okay, then why does she keep seeing weird stuff?”

Hell, have you ever driven around South Texas in a jeep?  You’re going to seem some stuff that’s going to make you doubt the existence of any sort of benevolent force in the universe….

Personally, I like to think of this video as being a sequel to From Justin to Kelly.  Like maybe Kelly’s stolen Justin’s jeep and now, she’s going to kick it off a cliff.  Maybe that’s why there was never a From Justin To Kelly Part 2.

Or, maybe, the jeep itself is possessed by the devil and Kelly’s visions are part of an effort to distract her from completing her mission.  Maybe Kelly is on a mission for God.  So, maybe this video belongs in the same genre as The Car, Christine, or The Wraith.

Well, whatever the case may be, let’s just be happy that Kelly got out before the jeep went over the cliff.  Still, you do have to wonder how she’s going to get home….

I have to say that, if I ever had to deal with demonic possession, Kelly Clarkson would probably be the first person who I would call to help me out because Kelly Clarkson just kicks ass.  She’s a Texas girl like me but her singing voice is like a 100 times better than mine.  I’ve actually got  lot of respect for Kelly because she’s one of the few American Idol winners to actually make a name for herself as an independent artist.  Like you can tell that she wasn’t going to let the show prepackage her as some sort of generic, safe performer.  She got what she needed out of the show and then she struck out on her own.  That’s one reason why this video works.  As you watch it, you have no doubt that, in real life, Kelly Clarkson would probably do the same thing that she’s doing here.  Like if some rich guy in El Paso ever cheated on Kelly Clarkson?  You better bet his car’s going right over the Franklin Mountains.

Enjoy!

Lisa’s Week In Review: 2/11/19 — 2/17/19


So, my week was fantastic!  Valentine’s Day is one of my favorite holidays and this year, Jeff & I celebrated by going to see Casablanca at the Dallas Angelika.  Seriously, as good as Casablanca is, it’s even better when seen in a real movie theater.  The intrigue, the romance, the grandeur of sacrifice, the beauty of Ingrid Bergman, the rough charisma of Humphrey Bogart, the decadence of Claude Rains, Casablanca remains one of the best movies ever made!

Of course, with it being Valentine’s Day, I also performed my annual Nobody Does It Better/All Time High medley.  (Okay, it’s only the 2nd year that I’ve done it but I think it’s going to become an annual tradition.)  And then today, because it’s like freezing outside, I spent the day under a bunch of blankets and watching James Bond movies on Netflix!

Here’s what I accomplished this week:

Movies I Watched:

  1. Barefoot in the Park (1967)
  2. Before I Fall (2017)
  3. The Butterfly Effect (2004)
  4. The Butterfly Effect 2 (2006)
  5. The Canyons (2013)
  6. Casablanca (1943)
  7. Diamonds are Forever (1971)
  8. The Fall of the House of Usher (1960)
  9. Futureworld (1976)
  10. Killer Reputation (2019)
  11. La La Land (2016)
  12. Live and Let Die (1973)
  13. No Strings Attached (2011)
  14. A Soldier’s Story (1984)
  15. The Spy Who Loved Me (1977)
  16. Summer of Sam (1999)
  17. This Is Not A Test (1962)

TV Shows I Watched

  1. 60 Days In
  2. The Bachelor 23
  3. Celebrity Big Brother
  4. Charlie’s Angels
  5. Degrassi
  6. Doctor Phil
  7. Face the Truth
  8. Ghost Whisperer
  9. Parking Wars
  10. Renegade
  11. Shipping Wars
  12. Unsolved Mysteries
  13. The World’s Best

Books I Read

  1. The Books of Rachel (1979) by Joel Gross

Music To Which I Listened:

  1. Adi Ulmansky
  2. Avicii
  3. Benny Blanco
  4. Britney Spears
  5. Calvin Harris
  6. Carly Simon
  7. The Chemical Brothers
  8. Daft Punk
  9. Dua Lipa
  10. Katy Perry
  11. Keisha White
  12. MARINA
  13. Rita Coolidge
  14. RIVA
  15. Saint Motel
  16. St. Vincent
  17. TWIN XL
  18. UPSAHL
  19. Zedd

Links From Last Week

  1. On her photography site, Erin shared: Bus Station, A Blur of Birds, Black Bird, Clearing, Circle, Dios Is Love, and Something In A Tree.
  2. On my music site, I shared music from UPSAHL, The Chemical Brothers, Britney Spears, more from Britney Spears, Benny Blanco, Keisha White, and Avicii.
  3. I wrote about Celebrity Big Brother for the Big Brother Blog.
  4. Tater Talks Blogging
  5. Newspaper Guild of Pittsburgh’s eyewitness accounts of the incident involving Pittsburgh Post-Gazatte pulisher John Robinson Block
  6. A&E Shelves Danny Masterson Sexual Assault Episode After Scientology Smear Campaign
  7. Bruno Ganz: An Appreciation
  8. Paris Louvre ‘will not show’ world’s most expensive painting amid doubts over authenticity
  9. Should readers care if novelist Dan Mallory lied about his life story?
  10. Ryan Adams accused of sexual misconduct by seven women.
  11. Former American Idol contestant allegedly ran drug ring.
  12. Peter Simeti of Alterna Comics was swatted last night.
  13. The Academy REVERSES itself!  All categories at the Oscars will be presented live!
  14. A campus infected with hostility: A professor says he’s been targeted for being a conservative Jew
  15. A Witch-Hunt on Instagram
  16. America’s biggest labor union asks game developers to unionize!
  17. Bring on the Haters: Dane Cook’s plotting a comeback
  18. Dave Chappelle says he wants to break a dollhouse over Jussie Smollett’s head
  19. The Tech Whiz Behind Vine and HQ Trivia Made Millions in His 20s. He Was Dead by 34.
  20. Jared Leto’s Joker movie has been shelved

Links From the Site

  1. I shared music videos from Adi Ulmansky, RIVE, TWIN XL, MARINA, Big Time Rush, and Zedd & Katy Perry.  I also reviewed Parking Wars, The Fall of the Roman Empire, The Last Days of Pompeii, Quo Vadis, Simon of the Desert, Ivanhoe, Westworld, To Die For, One Potato Two Potato, Before I Fall, The Butterfly Effect, The Butterfly Effect 2, Not of this Earth, This Is Not A Test, Ladybug Ladybug, Like A Country Song, Extremities, I Was A Teenage Serial Killer, The Basketball Diaries, Rescue Dawn, Cobra Verde, Crawlspace, The Last Flight of Noah’s Ark, American Boy, The Fountainhead, and A Soldier’s Story.
  2. Erin profiled artist Jerry Allison, celebrated Valentine’s Day, and wrote about Be My Valentine, Charlie Brown!  She shared the following artwork: Sizzling Romances, Thrilling Love, Modern Romances, First Love, Miss Floating Love, Rage of Desire, and Escape to Nowhere!
  3. Doc wished everyone a Happy Valentine’s Day!
  4. Gary shared a one-hit wonder and reviewed The Loves Of Carmen, Dinner at Eight, and They Shall Not Grow Old!
  5. Ryan reviewed Off-Season, Starseeds 2, The Scar, and Doom Patrol, along with sharing his weekly reading round-up!
  6. Arleigh paid tribute to horror remakes and shared a song from Taeyeon and a song from Red Velvet!

(By the way, allow me to just mention how happy I am that Arleigh’s back!)

Want to see what I did last week?  Click here!

As for this upcoming week …. it’s Oscar week!  Hopefully, in the days leading up to Sunday’s telecast, I’ll be able to post some Oscar-related things.  To be honest, the new year never really starts for me until after the Oscars.

Here’s my hope!  I hope that 2019 will be great for me and that, through our own small way here at the TSL, we’ll be able to help make it great for you as well!  Thank you everyone for reading and commenting.  Let’s make this week a great one, shall we?

Living History: Peter Jackson’s THEY SHALL NOT GROW OLD (Warner Brothers 2018)


gary loggins's avatarcracked rear viewer

If you like history as much as old movies, Oscar-winning New Zealander Peter Jackson has a treat for you – THEY SHALL NOT GROW OLD, a World War I documentary utilizing 100+ year old footage from the Imperial War Museum (most of it never viewed outside there) to tell the story of the British Empire’s infantry during The Great War. Jackson was given access to hundreds of hours of actual film and audio and commissioned to create something “unique and original”, and with the aid of modern technology he certainly succeeded in his mission.

Jackson’s narrative is told through the eyes of the young men and boys (some as young as 15) as they go through enlistment and boot camp, training to kill the enemy, then follows them to the Western Front, where they encountered not only battles in the trenches, but dysentery, rats gnawing at their fallen comrades, lice…

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Weekly Reading Round-Up : 02/10/2019 – 02/16/2019, The Image Of Crime


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Every “cool point” I’ve ever earned with the small press scene is about to fly right out the door/go down the grain/get flushed away/pick your cliche when I admit, right here and now, that I fucking love Ed Brubaker and Sean Phllips’ Criminal. Always have, always will. Not in some lame ironic way. Not as a so-called “guilty pleasure.” I just plain dig the hell out of this comic. I’ve found the duo’s other projects to be a mix of the pretty good (Kill Or Be Killed), the pretty average (Fatale), and the pretty damn lousy (The Fade Out), but Criminal remains the straight dope for fans of comics noir. When I heard they were resurrecting it, and blowing off the lame “story arc” format that afflicts pretty much every other title on LCS shelves in favor of short-form stories, one-shots, and…

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Music Video of the Day: 365 by Zedd, featuring Katy Perry (2019, dir by Warren Fu)


Welcome to Ex Machina Part Two.

So, Katy Perry’s a robot now?  Actually, I’ve always liked Katy Perry, even though I still suffer from flashbacks whenever I remember how, during 2010, it was impossible to go anywhere or watch anything without hearing Firework.  I wouldn’t necessarily say that Katy’s in need of a comeback but it does seem like, between her feud with Taylor Swift and WITNESS, her popularity has faded a bit and she could definitely use an opportunity to remind the world that she’s more than just the latest judge on American Idol.  Hopefully, she’ll get those opportunities!

Enjoy!

Pre Code Confidential #25: The Stars Are Out for a Delicious DINNER AT EIGHT (MGM 1933)


gary loggins's avatarcracked rear viewer

After the success of 1932’s all-star GRAND HOTEL, MGM studio boss Louis B. Mayer kept his sharp eyes peeled for a follow-up vehicle. The answer came with DINNER AT EIGHT, based on the witty Broadway smash written by George S. Kaufman and Edna Ferber. Mayer assigned his newest producer (and son-in-law) David O. Selznick, fresh from making hits at RKO, who in turn handed the director’s reigns to another MGM newcomer, George Cukor. Both would have long, prosperous careers there and elsewhere. Frances Marion and Herman Mankiewicz adapted the play to the screen for the studio with “more stars than there are in heaven”, and those stars truly shine in this film (in the interest of fairness, the stars will be presented to you alphabetically):

John Barrymoreas Larry Renault 

The Great Profile plays aging, alcoholic former silent star Larry Renault in a role that surely hit close to home. 

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Guilty Pleasure No. 40: Parking Wars


Strange show, Parking Wars.

Between 2008 and 2012, A&E aired 104 episodes of Parking Wars.  Even though the show’s no longer in production, episodes still seem to air on nearly a daily basis.  If you can’t find it on A&E, check on FYI.  If you can’t find it on FYI, check WGN or TBS or any of the true crime networks.  Nearly seven years after it stopped producing new episodes, Parking Wars airs so frequently that one could be forgiven for thinking that it had never been canceled.

It was an odd show.  It was a reality show, one that allowed viewers a chance to see what it was like to be a part of the parking authority.  You read that correctly.  This show was devoted to perhaps the least useful members of law enforcement.  The first two seasons focused exclusively on the employees of the Philadelphia Parking Authority.  Since the members of the PPA were all municipal employees, I’m going to assume that the show’s producers had to get permission from the city to follow them as they worked.  One assumes that the hope was that the show would improve Philadelphia’s image.  That’s why it’s interesting that the main lesson to be learned from those first two seasons of Parking Wars appears to be that everyone should stay the Hell out of Philadelphia.

Seriously, it’s hard to imagine that anyone would book a flight to Philly after watching an episode of Parking Wars.  Not only do all of the traffic cops come across as being assholes but so do most of the citizens that they meet over the course of their day.  Everyone comes across as being a jerk.  On the one hand, you have the motorists who regularly ignore posted signs and who often have no hesitation about double parking or blocking traffic.  At the same time, the show’s parking cops tend to the biggest bunch of self-important pricks that I’ve ever seen.

Each episode is usually divided into three sections.  In Ticketing, we follow some civil servant in a uniform while they walk up and down the street, looking for anyone to whom they can give a ticket.  While they do this, they talk to the camera about why their job is important and why people shouldn’t hate them.  It usually only takes a minute or so to realize that we’re not exactly dealing with the most eloquent or witty group of people here.  Typical words of wisdom: “People think I’m picking on them but ….. I’m just doing my job.  If they hadn’t broken the rules, I would not be writing them a ticket.”  Never mind that, half the time, the parking meters are broken or that the “No Parking” sign has weathered so much abuse that it can barely be read.  Whenever someone asks a legitimate question about why they’re getting a ticket, the show responds with a silly sound effect.  “Only dummies question authority,” the show is saying.  On those occasions when someone actually proves that they’ve been wrongly ticketed (and it happens more than a few times), they’re told to call a number or go to court and get it dismissed.  “Once I start writing the ticket, I can’t take it back,” the parking cop explains, as if that somehow excuses any inconvenience that anyone else might suffer.

The 2nd section of each episode often took place at the impound lot, where the citizens of Philadelphia would go to get their cars after they had been towed.  The impound lot sequences basically highlight everything that intelligent people hate about bureaucracy.  I’ll always remember the woman from Delaware whose car was impounded in Philadelphia, due to a mistake made by the Delaware Highway Patrol.  Even after the woman got a signed letter from a judge in Delaware exonerating her and saying that her car shouldn’t have been impounded, the lot supervisor said that the car couldn’t be released because the state of Pennsylvania still had her on its impound list.  When the woman was told that she could hire a tow truck (at her own expense) and have the car towed to Delaware, the lot workers were shocked when the woman angrily announced that she wasn’t going to pay any more money just because of someone else’s bureaucratic snafu.  When Pennsylvania finally did get its act together and announced that the woman could have her car back, one of the lot workers had the nerve to say, “Y’know, my supervisor went to a lot of trouble for you.”  (From what we saw on the program, it appeared that the supervisor made one phone call, mostly to get confirmation that she should refuse to release the woman’s car.)  The look the woman from Delaware gave that worker pretty much said it all.

Finally, an episode would usually wrap up with a sequence about booting.  The booting sequences dealt with the people who drive around and randomly search for people with multiple unpaid tickets, so that they can put those big yellow locks on people’s tires.  On the one hand, the booting sequences were a bit less annoying that the ticketing and impound sequences because most of the people getting booted did owe several thousands of dollars in parking tickets.  On the other hand, it wasn’t hard to notice that the boot crew usually only seemed to search for cars in lower-class neighborhoods.  It was rare you ever heard anyone suggest maybe going to a rich neighborhood and seeing if anyone there needed a boot.  Instead the people being booted were often the very people who would need a car if they were ever actually going to get the money necessary to pay their tickets.

Throughout it all, the show punctuated every action or comment with a combination of zoom lenses and silly sound effects.  If someone declared that they needed their car for work, we’d hear someone dramatically go, “DAMN!” on the soundtrack.  If the parking cop pointed out a sign that said no parking, we’d get a zoom to the sign along with a smack-smack sound effect.

Even though the show is less than ten years old, watching it can be strange today.  Parking Wars was clearly made before the era of #MeToo.  If the parking cop is a woman, one can be sure that we’ll get at least a few interviews with the citizens of Philadelphia talking about how cute she is.  If the parking cop’s a man, one can be sure that he’ll take the time to leer at any passing women while the camera zooms in on what part of her body has drawn his attention.

Eventually, it would appear that the city of Philadelphia figured out that being advertised as being one of the worst cities on Earth was perhaps not the boon for tourism that they thought it would be and Parking Wars started to focus on other cities.  When they started to film in Detroit, we were introduced to a parking cop named Pony Tail.  Pony Tail was perhaps the most obnoxious character to ever be unleashed on the brave viewers of A&E.  Pony Tail was the type of creep who would brag about how he was punishing evil doers (because being parked at an expired meter is a sure sign of evil) but who would then spend his entire segment pouting after a random passerby yelled out, “Parking Authority sucks!”

Things got even worse once the show expanded to New York and started to feature “independent” towing companies.  If it could be said that the parking cops were at least enforcing the law, the independent towing people were just straight-up assholes.  Whenever they towed a woman’s car and responded to her complaints by calling her “sweetheart” or “honey,” you just wanted someone to jump in and smack the Hell out of them.

And yet, oddly enough, Parking Wars was (and is) addictive viewing.  I can’t speak for everyone but for me, it’s a show that I almost hatewatch.  It confirms everything negative thing that I’ve ever felt or suspected about the people in authority.  If you believe that most people will let even the slightest bit of power go straight to their head, this is the show for you.  If you distrust the government and think that most bureaucrats are petty tyrants, Parking Wars is a show that will confirm your every suspicion.  The best moments of Parking Wars are the ones that suggest that maybe the show’s producers were secretly poking fun at the parking authority’s delusions of grandeur.  I’m talking about the moments when the ticketed got their chance to yell at the ticketers and the ticketers, for the most part, were reduced to weakly saying, “I’m just doing my job….”  Could it be that Parking Wars was one of the biggest practical jokes in reality show history and perhaps Pony Tail and the folks at the Impound Lot were being punked without even realizing it?

Probably not but it’s fun to think about….

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer