No Solid Ground : Conor Stechschulte’s “Generous Bosom,” Part Three

Ryan C.'s Four Color Apocalypse

Note : Here’s another review recently done for Daniel Elkin’s Your Chicken Enemy website. This one went through several changes and revisions along the way, and is presented here in its “first-draft” stage in order for you, should you desire, to do the old “compare-and-contrast” thing. Personally, I like both versions quite a bit, but I do think the final version is more lean, concise, and smartly-presented, no question. As always, the power of a good editor should never be underestimated!

The “final version,” should you have the time and/or inclination to give it a whirl, is available for your edification here :


Where do your ideas come from?

It’s the most basic question, of course, and one that all novelists, artists, filmmakers, poets, and cartoonists (among others) hear all the time. I would imagine it must get pretty frustrating — after all, it’s both the easiest and…

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International Weirdness : “The House On Mansfield Street”

Trash Film Guru

Call me a glutton for punishment if you must, but the rather “blah” feeling that the latest installment in Nigel Bach’s Bad Ben series left me with got the wheels in what passes for my “mind” spinning — “these one-man ‘found footage’ horrors, they’re a tricky thing to pull off,” I thought to myself, “and Bach, who’s had what passes for ‘success’ with this sort of thing, well, he must have spawned some imitators, right? I mean, theoretically at least, anybody with a camera of any sort, even just an iPhone, can do what he’s done (not that they should, mind you), but has anyone else actually given it a shot? I guess if there’s one place I could find similar productions, it would have to be Amazon Prime, would it not? So — do they have anything remotely similar?”

Okay, so my thoughts weren’t that well-organized or succinctly-stated…

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Comedy Tonight: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (United Artists 1966)

cracked rear viewer

Director Richard Lester made the jump from The Beatles to Broadway in filming A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, but it wasn’t that far a leap. In adapting the Tony-winning musical comedy to the screen, Lester energizes the film with his unmistakably 60’s cinematic style, resulting in one of the decade’s best comedies, aided and abetted by a cast of pros including Zero Mostel , Phil Silvers, Jack Gilford, and the great Buster Keaton in his final film performance.

The credits roll to the tune of Stephen Sondheim’s “Comedy Tonight”, which may be my favorite song from any musical, as Zero introduces us to the main players. He’s Psuedolus, a slave owned by young Hero (Michael Crawford), son of unhappily married Senex (Michael Hordern) and his shrewish (not Jewish) wife Domina (Patricia Jessel, who’s a riot!). Hero has fallen in love with Philia (Annette Andre), the…

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Sneak Peek: Suspiria “Improvise Freely”


As we get closer to the Fall film season, we’re getting more hype on upcoming films that’s not part of the summer or holiday blockbuster hype train. One such film that has been getting some buzz is Luca Guadagnino’s remake of Suspiria.

Our very own Lisa Marie is very leery of this remake since she holds the original by giallo maestro Dario Argento in such high regard. While I’m always open to any film whether original, sequel or remake, I do hold remakes with a certain degree of cautious optimism. I’m more than willing to give any remake, especially horror remakes, a chance to stand on it’s own merits. For the most part horror remakes tend to be cash grabs and not up to the standard set by the original.

Here’s to hoping that Guadagnino’s remake of Suspiria is one that bucks the trend of disappointing horror remakes. A clip released by Amazon Studios does seem to up the intrigue factor for the film. At least, for this film fan.

Music Video of the Day: Just For One Day by David Guetta featuring David Bowie (2003, dir by Richard Fenwick)

This song, of course, features a sample from David Bowie’s Heroes.

As for the video, I always assume that everyone here is having one last party before a gigantic meteor crashes into the planet and wipes out all human life.  To be honest, I tend to assume that most music videos are about humanity’s attempt to ignore the fact that everyone’s life will eventually end in a combination of misery, death, and absolutely horror.