Lisa’s Week In Review: 7/16/18 — 7/22/18


 

Another incredibly hot week comes to an end.  The temperature has averaged around 110 this weekend.  Fortunately, we should get back down to 100 over the upcoming week, which will make it far more pleasant to go out to the movies!

Movies I Watched:

  1. An Innocent Man (1989)
  2. Anatomy of a Murder (1959)
  3. Baby Driver (2017)
  4. Beirut (2018)
  5. Blade Runner 2049 (2017)
  6. Cat Ballou (1965)
  7. Cat On A Hot Tin Roof (1958)
  8. The Chapman Report (1962)
  9. Deadly Inn (2018)
  10. Dreamscape (1984)
  11. A Face in the Crowd (1957)
  12. From Within (2008)
  13. Hotel (1967)
  14. Mamma Mia: Here We Go Again (2018)
  15. Martin (1978)
  16. My Friend Dahmer (2017)
  17. Night of the Living Dead (1968)
  18. A Night To Regret (2018)
  19. No Lost Cause (2011)
  20. On The Waterfront (1954)
  21. Paul, Apostle of Christ (2018)
  22. The Picture of Dorian Gray (1945)
  23. Reeker (2005)
  24. Shattered Glass (2003)
  25. Snowbeast (1977)
  26. Stolen Life (2018)
  27. Survival Island (2005)
  28. West Side Story (1961)

Television Shows I Watched:

  1. Alfred Hitchcock Presents
  2. The Bachelorette
  3. BeastMaster
  4. Big Brother 20
  5. Big Brother After Dark
  6. Dance Moms
  7. Doctor Phil
  8. The Doctors
  9. Ghost Whisperer
  10. It’s Always Sunny in Philadelphia
  11. King of the Hill
  12. The Love Boat
  13. Naked and Afraid
  14. Night Gallery
  15. Relic Hunter
  16. Seinfeld
  17. Sharp Objects
  18. So You Think You Can Dance
  19. The Twilight Zone
  20. World of Dance

Books I Read:

  1. Blind Rage: A True Story of Sin, Sex, and Murder in a Small Arkansas Town (2015) by Anita Paddock
  2. Room to Dream (2018) by David Lynch and Kristine McKenna
  3. Show Trial: Hollywood, Huac, and the Birth of the Blacklist (2018) by Timothy Patrick Doherty

Music To Which I Listened:

  1. Adi Ulmansky
  2. Alien Bay
  3. Big Data
  4. Blanck Mass
  5. Calvin Harris
  6. The Chemical Brothers
  7. David Guetta
  8. Dillon Francis
  9. DJ Judaa
  10. Fitz and the Tantrums
  11. Lara Snow
  12. Marijuana Deathsquads
  13. Martin Garrix
  14. Public Service Broadcasting
  15. Safra
  16. Saint Motel
  17. Skrillex
  18. Sleigh Bells
  19. Years & Years
  20. Zedd

Links From Last Week:

  1. Trevor Wells interviews Dr. Albert Beck of Stalked By My Doctor fame!
  2. Maggie Haberman: Why I Needed To Pull Away From Twitter
  3. Denzel, Separate and Unequal: An Investigation
  4. Buffy the Vampire Reboot In The Works With Joss Whedon Returning
  5. On Ferguson Ink … an interview with writer Nicole Givens Kurtz!
  6. Scream Factory Announces 14 New Blu-Ray Releases!
  7. A Nicolas Cage Movie Six-Pack! I Watch Six NEW Nic Cage Films In A Single Day! Here’s How It Ended…
  8. The Problem With Netflix
  9. What On Earth Possessed You?
  10. The LNM Gang Watches This Island Earth!
  11. The King Has Arrived!

Links From The Site:

  1. Erin profiled the artist, Sidney Riesenberg!
  2. Gary reviewed White Heat, 200 Motels, and several pre-Code films that he had on his DVR, along with taking a look at a one-hit wonder!
  3. Jeff broke down a music video and shared this week’s trailer round-up!
  4. Ryan reviewed Big Bonerz and A Walk Among The Tombstones, along with sharing his weekly reading round-up!
  5. I wrote about James Gunn and the twitter lynch mob!

(Want to see what I accomplished last week?  Click here!)

 

Weekly Trailer Round-Up: Glass, Aquaman, Shazam, Godzilla: King of the Monsters, Fantastic Beasts: The Crimes of Gridenwald, Patient Zero, I Still See You, Second Act, On The Basis of Sex, The Walking Dead


First, in 2000, there was Unbreakable.  Then, 16 years later, there was Split.  This January, M. Night Shyamalan brings us the third part of his Eastrail 177 trilogy, Glass.  The first trailer for Glass was dropped at SDCC this weekend and it leads off this week’s trailer round-up.

Also dropping at SDCC was the first trailer for Aquaman.  The DC hero that everyone loves to ridicule is finally get a movie of his very own.  The trailer hints at the origins of Arthur Curry, features the expected underwater action, and features enough ironic line readings that it could almost pass for the latest entry in the MCU.

If Glass and Aquaman are not heroic enough for you, there is always Shazam.  Back in the 1940s, Shazam was known as Captain Marvel and his adventures were published by Fawcett.  Claiming that Captain Marvel was clear rip-off of Superman, DC attempted to sue Fawcett out of business and then purchased the character, renaming him Shazam.  Now, Shazam is coming to theaters.  Shazam’s appeal has always been retro so, naturally, the trailer is full of references to Game of Thrones and self-reflexive humor.

Following the 2014 Godzilla reboot and Kong: Skull Island, Godzilla: King of the Monsters is the third chapter in Legendary’s Monsterverse.  This one will see Godzilla meeting Mothra, Rodan, and King Ghidorah.  Godzilla: King of the Monsters will be released on May 31st, 2019.

Also released at SDCC was the latest trailer for Fantastic Beasts: The Crimes of Gridenwald.  Fantastic Beasts will be released on November 16th.

In Patient Zero, Matt Smith and Natalie Dormer try to find a cure for a virus that is transforming humanity into zombies.  The film is scheduled to be released through video-on-demand on 14 August 2018, before a limited theatrical release on 14 September 2018.

I Still See You is the latest B-movie to feature Bella Thorne getting stalked.  Will you see I Still See You when it’s released on October 12th?

In the upcoming comedy, Second Act, Jennifer Lopez plays an ambitious woman who is mistaken for a high-level business consultant.  With a plot like that, Second Act sounds like it could be the funniest film of 2004.  Second Act will be released on November 21st, 2018.

Ruth Bader Ginsburg has already been the subject of one of the year’s most successful documentaries.  She gets the biopic treatment with On The Basis of Sex.  Felicity Jones plays Ginsburg while Mimi Leder returns from her cinematic exile to handle directing duties.  On The Basis of Sex will be released on December 25th.

Finally, the trailer for the 9th season of The Walking Dead dropped at SDCC and promised a new world with new rules.  Season 9 premieres on October 7th.

 

Music Video of the Day: Don’t Mean Nothin’ by Richard Marx (1988, directed by Dominic Sena)


Today’s music video of the day is Richard Marx’s Don’t Mean Nothin’.  This video was directed by Dominic Sena, who later directed films like Kalifornia, Gone in 60 Seconds, and Swordfish.  Let’s break it down and see if this video really don’t mean nothin’.

0:03 — I’m not sure but I think we may be in Hollywood.

0:04 — These scenes of Los Angeles street life will be familiar to anyone who has ever seen a movie about a small town girl moving to the big city to pursue her dreams.

0:18 — Welcome to Shangri-La!

0:26 — Cynthia Rhodes plays the small town girl.  You may recognize her from Flashdance, Staying Alive, and Dirty Dancing.  At the time this video was shot, she was dating Richard Marx.  She would marry him a year later.  They divorced in 2014.

0:38 — The sleazy apartment manager is played by the one and only G.W. Bailey.  Bailey has been in a ton of television shows and movies.  If you don’t know him from M*A*S*H, you probably know him from the Police Academy films.

0:48 — Cynthia knows what ol’ G.W. was doing back there.

0:55 — Richard Marx’s father was in advertising and Richard Marx started his singing career when he was five years old and he performed a jingle that his father had written.  When Marx was 17, he moved to Los Angeles.  This song was based on his experiences.

1:14 — Cynthia’s barely been in Hollywood for a week and she’s already got an audition!  That’s better that most small town girls do in the big city.

1:38 — Another great moment from G.W. Bailey.

1:53 — Cynthia is shocked! to discover what goes on in Hollywood.

2:09 — Richard says, “Drink up and enjoy the show!”  Cynthia is not amused.

2:24 — More Hollywood stock footage.

2:44 — That’s Joe Walsh of the Eagles on guitar.

2:59 — Proof that this video was made in 1988: Richard hands over a cassette of his music.

3:24 — Disgusted to see that Cynthia’s become either a maid or a waitress, Richard stops the music and throws away his future.

3:27 — There’s a lot of hockey hair in this video.

3:38 — Ol’ G.W.’s in trouble now.

3:42 — Are they taking pictures of G.W. getting beaten up?  Or does G.W. own a strobe light?

4:08 — Cynthia finally feels comfortable enough to wear an ugly sweater in L.A. and Richard has switched to decaf.

4:20 — A new small town girl arrives.  Cynthia tells her where she can find Ol’ G.W.

4:24 — Cynthia and Richard shares a smile and a private laugh as the new girl naively plunges into the moral abyss that is Hollywood.

4:32 — Don’t worry.  It don’t mean nothin’ at all.

Weekly Reading Round-Up : 07/15/2018 – 07/21/2018, Elijah Brubaker’s “Reich,” Issues 1-4


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Every comics fan has “holes” in his or her reading history — books that you know you should have read, books that everyone goes on and on about but that you, for whatever reason(s), simply haven’t gotten around to yet. This past week, I finally got around to addressing one of those.

Seriously, though, who are we kidding? For a guy with both feet in the comics scene and at least one foot (does that give me three?) in the world of parapolitics/parascience/”conspiracy culture,” the fact that I hadn’t read Elijah Brubaker’s celebrated Reich, a 12-part chronicle of the life, times, tribulations, and travails of (in?)famous psychoanalyst/inventor/philosopher/shit-disturber Wilhelm Reich is more than a “hole,” its a yawning chasm, and frankly pretty well inexcusable, yet my excuses were plentiful : my LCS didn’t stock it while it was running (for nearly a decade at that, from 2007-2014), its publisher, Sparkplug…

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Film Review: My Friend Dahmer (dir by Marc Meyers)


The 2017 film, My Friend Dahmer, opens in a suburban high school in the 1970s.  It’s a school like any other, with the usual collection of jocks, nerds, geeks, and outcasts.  Jeff (Ross Lynch) is the token weird kid.  Every school has one.  He’s obviously intelligent but there’s something off about him.  He shuffles around the school with his eyes down.  When he speaks, he rarely shows any emotion, leaving you to wonder if he’s just shy or if he’s lost in a world of his own.  There are rumors, of course, about all the strange things that Jeff has done.  Some people say that they’ve seen him collecting dead animals.  Jeff has told people that he has a shack where he uses acid to dissolve carcasses.  Jeff frequently comes to school drunk, reeking of alcohol.  And then there’s his parents!  His father (Dallas Roberts) tries to be strict but usually just comes across as befuddled.  Meanwhile, his mother (Anne Heche) alternates between doting on her oldest son and making paranoid accusations.

His father demands that Jeffrey make some friends.  That’s why Jeff ends up in such unlikely places as both the school band and the school’s tennis team.  Still feeling out-of-place, Jeff starts to act out in school.  Walking through the hallway, he’ll suddenly start shouting and twitching.  Jeff becomes known as the kid who will do anything.  One his classmates, an artist named John “Derf” Backderf (Alex Wolff), even starts to draw pictures based on Jeffrey’s antics.  Derf and his friends describe themselves as being Jeffrey’s fan club.  For the rest of the school year, they encourage Jeff to act stranger and stranger.  It would be incorrect to say that Derf and Jeff are really friends.  In fact, towards the end of the school year, Derf starts to realize that he’s basically been exploiting Jeff for his own amusement.  And yet, Derf and his friends provide perhaps the closest thing to “normal” human interaction that Jeff will ever experience.

As you’ve probably already guessed from the film’s title, Jeff is Jeffrey Dahmer, the infamous Milwaukee-based serial killer and cannibal who is estimated to have killed 17 young men before he was arrested in 1991.  (In 1994, Dahmer was murdered in prison by an inmate who claimed to have been motivated by Dahmer’s lack of remorse.)  Dahmer committed his first murder when he was 18, a fact alluded to towards the end of the film when we see Dahmer picking up a hitchhiker.  (Disturbingly, the only time in the film in which Dahmer smiles and sounds like a “normal” person is when he’s trying to convince that hitchhiker to get in his car.)  With the exception of that one scene, My Friend Dahmer deals with the year before Dahmer started his killing spree, when Dahmer was just the token weird kid.

The fact that we know what Jeffrey Dahmer is ultimately going to becomes add an ominous subtext to every scene in the film.  Throughout, there are signs that something is wrong with Dahmer and yet neither his classmates nor his teachers ever seem to take those signs seriously.  When Dahmer brutally cuts open a fish because he wants to see what’s inside of it, his friends are disgusted but they assume that’s just Dahmer being weird again.  When he shows up drunk for class and his grades start to go downhill, his teachers just ignore him.  No matter what he says (and he does say some truly disturbing things), everyone just shrugs it off.  Their attitude is that Jeff’s the weird kid so, of course, he’s going to say weird things.

To its credit, My Friend Dahmer resists the temptation to sensationalize or make excuses for the monster that Jeffrey Dahmer became.  Ross Lynch plays Dahmer as a hulking, inarticulate time bomb.  It’s not so much that Dahmer can’t control his dark thoughts as he really has no desire to do so.  The film contrasts Dahmer’s darkness with the light-hearted and, quite frankly, dorky guys who briefly became his clique.  (Again, despite the film’s title, it would probably be a bit of a stretch to say that Dahmer had any real friends.)  One practical joke, in which Derf sneaks Dahmer into every club’s yearbook picture, is so likable in its dorkiness that you almost forget that Derf’s scheme centers around a guy who will grow up to murder 17 people.  In the end, both Dahmer’s crimes and his fate feels as inevitable as the fact that Derf will ultimately write and draw graphic novel about their relationship.

By any stretch of the imagination, it’s not a happy or pleasant film.  I watched the film last night and I doubt I’ll ever watch it again.  And yet, it’s an effective film, one that left me wondering what happened to some of the “weird kids” that I went to school with.  Do we ever really know what’s going on inside someone’s head?  Ross Lynch turns Dahmer into a disturbingly familiar monster while Alex Wolff is sympathetic in the role of Derf.  Anne Heche goes a bit overboard as Dahmer’s unstable mother but Dallas Roberts has a few good scenes as the father who can only watch helplessly as his son grows more and more disturbed.  The film is a disturbing trip into the heart of darkness, one that will haunt you after it ends.

 

Rockin’ in the Film World #17: Frank Zappa’s 200 MOTELS (United Artists 1971)


gary loggins's avatarcracked rear viewer

Frank Zappa is definitely an acquired taste, one I acquired as a young kid listening to albums like “Absolutely Free”, “Weasels Ripped My Flesh”,  and “Apostrophe”, which goes a long way in helping to explain my warped world view. Zappa’s avant garde rock’n’roll, a mélange of jazz, classical, doo-wop, psychedelica, and anything else he could think of, combined with his nonsensical, sexual, and scatological lyrics, skewered convention, the plastic world of suburban America, and hippie culture as well (Zappa was an equal opportunity offender). 200 MOTELS was his first attempt at making a movie, co-directing and co-writing with British documentarian Tony Palmer, and to call it bizarre would be a gross understatement.

Visually, the film is as close to Zappa’s avant garde compositions as you can get. 200 MOTELS was shot on videotape and transferred to 35mm film, using techniques like double and triple exposure, color filters, flash-cut editing, and…

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Music Video of the Day: The Heat Is On by Glenn Frey (1984, dir by ????)


I picked this video for one reason.

Check out my weather forecast for the next few days:

That’s right!  Today and tomorrow, the temperature is supposed to get up to 109 degrees!  Then on Monday, it’ll only get up to 108 and we’ll finally get some relief on Tuesday when the high plunges down to 101!

Indeed, the heat is on.

(It could be worse.  Yesterday, they were saying that the high would hit 110 on Saturday.  We’ve gone down a degree!  Yay!)

Seriously, the heat in Texas is so bad that, on Thursday, I could barely even drive home.  I had to steer with my finger tips because it was literally impossible for me to grip the steering while without burning my hands!  If I have to spend this summer driving with oven mitts on my hands, I’m not going to be in a good mood…

As for the song, it was written for the 1984 film, Beverly Hills Cop.  The video features clips from that film, mixed in with footage of an editor working in the heat and the band bringing the heat.

Anyway, on a serious note, be careful out there everyone.  Keep your pets inside.  It might be a good idea to keep yourself inside too.  Usually I hate the idea of wasting a weekend but, when it’s this hot, you really don’t have much choice but to spend a few days being lethargic.

Enjoy the video!

How Do You Fancy “A Walk Among The Tombstones”?


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

Sometimes. you’re just in the mood for a private eye flick — am I right?

I know that I certainly was the other night and so, after a bit of browsing, I decided to scratch the particular celluloid itch I was feeling by streaming writer-director Scott Frank’s 2014 cinematic adaptation of legendary hard-boiled crime fiction author Lawrence Block’s popular novel A Walk Among The Tombstones via our local cable service (it’s also available on Blu-ray and DVD should you choose to go that route), and whaddya know? What I found underneath the typically slick, borderline-“artsy” modern direction and cinematography, and decidedly lurid subject matter, was actually an old-school PI drama, anchored by some very strong performances, that would more than likely make the likes of Raymond Chandler, Mickey Spillane, and even Humphrey Bogart proud.

That means it comes with one fairly big downside, though — for all attempted twists and…

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