Playing Catch-Up With The Films of 2016: Elvis & Nixon (dir by Liza Johnson)


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When you think of actors who you could cast in a biopic of Elvis Presley, Michael Shannon is probably not the first actor who comes to mind.  And yet that’s just what the people behind Elvis & Nixon did.  They also cast Kevin Spacey as Richard Nixon, a decision that, on the surface, makes more sense than Shannon playing Elvis.

And yet, in the finished film, it’s Shannon who gives the memorable performance while Spacey often seems lost in the role of Nixon.  Fortunately, with Kevin Spacey’s role largely being an extended cameo, Michael Shannon is the one who is in nearly every scene of the movie.

Elvis and Nixon is based on a true story.  In 1970, Elvis Presley asked for a meeting with Richard Nixon who, if the film is to be believed, wasn’t quite sure who Elvis actually was.  It turns out that Elvis was very concerned about the growing popularity of illegal drugs.  In between consuming prodigious amounts of legal drugs, Elvis formulated a plan.  Perhaps he could go to the White House and convince Nixon to deputize him.  Elvis could be a special agent of the FBI.  Even more importantly, maybe Elvis could get a FBI badge.

So, was Elvis sincere or was he just crazy?  Elvis & Nixon walks a thin line between those two possibilities, suggesting that Elvis may have been a bit unblanced but he was also achingly sincere.  Michael Shannon plays Elvis as a man who is blissfully out-of-touch but who truly wants to make the world a better place.  As played by Shannon, Elvis is defined by ennui.   He may be the biggest star in the world but he still struggles with the feeling that he hasn’t accomplished anything.  This is a film that asks, “When you’ve reached top, where else can you do?”  Elvis wants to make the world a better place by combating the spread of drugs.

And he also really, really wants that badge.  There’s an almost child-like petulance to Shannon’s Elvis.  He may be sincere but he’s also very much used to getting whatever he wants.

For that matter, so is Nixon.  And Nixon really doesn’t want to visit with Elvis.  Of course, that’s before his White House aides mention that being seen with Elvis could help him with the youth vote when he runs for reelection.  And then his daughter says that she wants Elvis’s autograph….

Anyway, it all leads to a meeting in the Oval Office and a scene that would have worked better if Spacey’s performance as Nixon was a bit less of caricature.  That said, the scene still works because Michael Shannon totally invests himself in the role of Elvis.  When he’s talking to Nixon and showing off his karate moves, Elvis is happier than we’ve ever seen him.  He’s performing on the biggest stage of his career.

Elvis & Nixon came out earlier this year.  It’s an enjoyable film, even if it’s never quite as good as you might want it to be.  If nothing else, this film proves that Michael Shannon can pretty much do anything.

 

Catching Up With The Films of 2016: God’s Not Dead 2 (dir by Harold Cronk)


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Much like Warcraft and Nine Lives, God’s Not Dead 2 is one of those films that you just know is going to be mentioned on all of the “worst films of 2017” lists.  I imagine that it will get a lot of Razzie nominations and it might even win a few.

But you know what?  I watched God’s Not Dead 2 on YouTube and I enjoyed it, though probably not for the reasons that the filmmakers intended.  God’s Not Dead 2 is one of the most thoroughly over-the-top and shamelessly melodramatic films that I have ever seen.  This is one of those faith-based films where all of the Christians are practically saintly while the atheists are portrayed as being so evil that they might as well be tying people to train tracks and twirling their mustaches.  This is one of those films where the good guys discuss their plans while sitting in quaint kitchens while the bad guys gather in conference rooms and growl about how much they hate religion.  And the propaganda is just so blatant and lacking in subtlety that it becomes undeniably watchable.

God’s Not Dead 2 is, for lack of a better comparison, the Reefer Madness of Christian filmmaking.  It’s a film that makes Rock: It’s Your Decision look like a work of subtle nuance.  You may want to look away but you won’t be able to.

Essentially, God’s Not Dead 2 takes the heavy-handed sanctimonious sermonizing of the first film and then adds a healthy dash of anti-government paranoia.  (And you know how much I love anti-government paranoia.)  In this one, Melissa Joan Hart is a teacher who makes the mistake of 1) mentioning to her class that the Sermon on the Mount inspired Gandhi and Martin Luther King and 2) counseling a student who is struggling to deal with the death of her brother.  (When the student asks Melissa what gives her strength, Melissa replies, “Jesus.”)  Melissa is brought before the school board, which says that Melissa has broken the law and that they want to take away her teaching license.  Offering absolutely no support is her principal (Robin Givens).  Fortunately, a handsome lawyer (Jesse Metcalfe) is willing to help her out.  He doesn’t believe in God but how long do you think that will last?

Prosecuting Melissa is … a lawyer from the ACLU!  We know that this lawyer is evil because his name is Peter Kane and he’s played by Ray Wise.  And here’s the thing — Ray Wise gives perhaps the least subtle performance of the year.  When he talks about the importance of convincing America that there is no God, he does so with the type of evil gleam in his eye that we typically tend to associate with lower tier MCU villains.  When he cross-examines Melissa’s students, he smirks like a serial killer.  Whenever he has to say words like “God” or “Jesus,” he literally spits them out.  The only thing that trips him up is when a Christian admits to having once been an atheist and Wise looks so stunned that you half expect him to say, “But that is illogical and does not compute” before revealing that he’s actually a robot sent from the future. He’s one of the most evil characters of all time and Wise so throws himself into the role that you can’t help but enjoy watching him.

So, on the one side, you have Ray Wise spitting hellfire and, on the other side, you have a literally beatific Melissa Joan Hart.  And let’s give credit where credit is due — Melissa Joan Hart does as well as anyone could with her seriously underwritten and kinda drab character.  (Add to that, Melissa Joan Hart was Sabrina, The Teenage Witch and, therefore, I will always give her the benefit of the doubt.)

Meanwhile, there’s another subplot going on.  The local preacher — who somehow manages to get on the jury, despite the fact that there’s no way a preacher would actually be put on the jury of trial that centered around separation of church and state — is being pressured by the local authorities.  They want to see copies of his sermons.  Damn government!

Of course, what’s interesting is that this actually did happen in Houston.  In 2014, several preachers were presented with subpoenas demanding copies of their sermons, in order to determine if they had been preaching against the Houston Equal Rights Ordinance.  For that matter, there was also recently a story down here about a high school football coach who lost his job because he led his team in a prayer.  There is a basis in reality for both of the film’s main storylines but you’d never guess that from watching God’s Not Dead 2.  God’s Not Dead 2 is so melodramatic and so firmly devoted to its good-vs-evil worldview that it sacrifices whatever real world credibility it could have and probably does more harm than good to the cause that it supports.

That being said, it’s a fun movie in much the same way that the Atlas Shrugged trilogy was fun.  It’s just so silly and over-the-top that you can’t help but watch.  I imagine that believers will enjoy seeing the nonbelievers ridiculed while nonbelievers will enjoy shaking their head and saying, “How can anyone buy into this?”  By taking the side of half the audience but doing so in a way that seems to confirm every pre-conceived notion held by the other half, God’s Not Dead 2 appeals to all.

If nothing else, Ray Wise deserves some sort of award for perfecting the art of villainous overacting.  Though this year, he may have to share it with Kyle Secor.  Secor’s work in The Purge Election Year is impossible to top but Ray Wise sure does come close.

Overacting is not dead.

Playing Catch-Up With The Films of 2016: Nine Lives (dir by Barry Sonnenfeld)


Much like Warcraft, Nine Lives is another film that came out last year and got reviews that were far more negative than they should have been.  I mean, don’t get me wrong.  Nine Lives is technically a pretty stupid movie and it stars a lot of actors who probably should be doing something a little bit more substantial with their time.  That being said, it’s not as if Nine Lives ever promised to be anything more than what it is.

Two facts about Nine Lives:

Number one — it did not make me physically ill, which already makes it a better movie than Hardcore Henry.

Number two — it’s all about cats!  After being more or less pushed to the side by The Secret Life of Pets (which featured only one tokenish kitty), cats finally get a movie of their very own!

It may not be a very good movie but that’s beside the point.  KITTY POWER!

As for what the film is about — well, it’s a concept that is so silly and stupid and predictable that I’m not surprised that it was produced by a major American studio.  (Except apparently, it wasn’t!  Despite taking place in America, featuring a totally American cast, and English dialogue, this is actually a French film, produced by Luc Besson’s EuropaCorp.)  Kevin Spacey is an emotionally cold and ruthless businessman who discovers that he does have a heart when he switches bodies with a cat.  Don’t ask how he switches bodies, it’s just too silly for me to talk about.  The important thing is that he switches and it leads to a lot of litter box jokes that made me, as a proud cat owner, cringe.

BUT — and here’s why this film is not as bad you may think, the cat is really cute.  And if a cat did speak with a human voice, chances are that voice would sound a lot like Kevin Spacey’s.  It may sound like a pretty weird role for a two-time Oscar winner and multiple Emmy nominee (and don’t even get me started on the Golden Globes) but dammit, Kevin throws himself into voicing that feline’s thoughts and good for him!

Plus, this is yet another film that features a totally out there Christopher Walken cameo.  The presence of Christopher Walker automatically elevates any film.

Nine Lives may not be good but it’s not terrible.

(Of course, dog lovers will hate it….)

 

TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

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Before we get rolling on our look back at 2016 in the world of comics, let’s take a brief moment to acknowledge the passing of two masters, shall we? Darwyn Cooke and Steve Dillon were  very different artists with very different visions and very different styles, no doubt about that, but both were among the very best at what they did, both entered this undeserving world in 1962, and both exited it, leaving it a decidedly poorer place for their passing, in 2016. Both gentleman turned the medium upside – down with their brilliance and created bodies of work that are more than guaranteed to stand the test of time, so I feel it’s only appropriate, prior to diving into our annual retrospective (which, you’ve officially been warned, will take a minute, so buckle in) to say “thank you” and “we miss you” one more time to this pair of…

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Playing Catch-Up With The Films of 2016: Warcraft (dir by Duncan Jones)


Last night, my cousin and I watched Warcraft, which is a film that has been called “the worst of 2016” by several critics.

Personally, I don’t think it’s the worst film of 2016.  It didn’t make me physically ill, like Hardcore Henry did.  My cousin — who, unlike me, has actually played all of the Warcraft games and therefore came into the film already knowing who and what everything was — says that he enjoyed it.  On the basis of both Moon and The Source Code, I think Duncan Jones is a genius who will eventually emerge as one of the most important directors working right now.  Dominic Cooper is in Warcraft and so is Ben Foster.  They’re both fairly unrecognizable (thought not as unrecognizable as Clancy Brown!) but they’re also two excellent actors and I’m always happy to see them listed in the credits.  Visually, the film was well-designed though it was impossible for me not to think about the Make Love, Not Warcraft episode of South Park.

But I have to say that no film has ever left as totally confused as Warcraft.  I got that the film was about a war between Orcs and humans.  And I appreciated the fact that the film attempted to give all of the Orcs their own individual personalities and culture.   If I wanted to, I could probably spend a few 100 words talking about how the war in Warcraft can serve as a metaphor for every war currently being fought in the real world.

But seriously, I spent nearly the entire film trying to keep straight who was who.  The cast was huge and the dialogue was full of people and creatures talking about magic and honor and history and tradition and sacrifice and why so-and-so had to do this to such-and-such because of something that happened to someone else centuries ago and it made my head hurt trying to keep up with it all.  I eventually gave up.  My cousin was enjoying the film and, in the end, that’s all that mattered.

Plus, there was a cute little orc baby!  I liked him and his story reminded me of the story of Moses floating away in that basket.

Anyway, Warcraft was slaughtered by critics and, because it cost a ton of money to make, it didn’t make any money back.  So, the film probably won’t get the sequel that the ending was obviously designed to set up.  However, I get the feeling that, next year, Warcraft will be a popular film to live tweet whenever it shows up on SyFy.

It may have been the most incoherent film of 2016 but it wasn’t necessarily the worst.

Merry Christmas, Canada!


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Well, today’s the biggest day of the year!  Today, people across the world will be wishing each other a happy holiday.  Here at the Shattered Lens Bunker, we’ve got a lot planned for today but, before anything else, I want to wish a Merry Christmas to one of my favorite counties, Canada!  Not only have countless Lifetime films been shot in Canada but it’s also the native land of some of my favorite filmmakers and performers!

And did I mention that Canada is also the home of … Degrassi!?

So, allow me to star this day by saying, “Merry Christmas, Canada!  And thank you for everything!”

A Merry Christmas and Enjoy the Greatest Christmas Film Ever Made!


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We celebrate the 7th year anniversary of the site and we continue a yearly holiday ritual over here at Through the Shattered Lens. I present to all of you readers, visitors and passer-byes the greatest holiday film ever created since forever, ever. I know it’s one that resident anime contributor pantsukudasai56 looks forward to each and every Christmas.

It is a film full of joy and happiness. Of giving and sharing with loved ones that which matters most. This is a film that best describes what Through the Shattered Lens stands for and works towards.

It even has a scene straight out of a Disney classic.

So, from all of us at Through the Shattered Lens….

MERRY CHRISTMAS TO ALL, AND TO ALL A GOOD NIGHT!

Music Video of the Day: Last Christmas by Wham! (1984, dir. Andy Morahan)


Merry Christmas!

It’s Last Christmas by Wham! What is there to say? Okay, I guess I can say a few things such as that the only reason I didn’t go with one of The Darkness’ Christmas music videos is because I intend to use one of their’s for Valentine’s Day.

There are two interesting details that Wikipedia pointed out to me. The girl that Michael gave the brooch to “Last Christmas” wears said brooch right side up, while Ridgeley’s character wears it is upside down. Also, apparently this music video was the last time George Michael was filmed clean-shaven.

Andy Morahan directed this music video. He’s directed somewhere around 130 music videos. He also directed Highlander: The Final Dimension (1994), which makes the first three Highlander movies done by directors who made music videos.

It was shot by Peter Mackay who has shot only a handful of music videos, but they include songs like Love Will Tear Us Apart by Joy Division, In The Air Tonight by Phil Collins, and Radio Ga Ga by Queen.

Ridgeley’s girlfriend is played by model Kathy Hill.

The video also has former backup singers Helen “Pepsi” DeMacque and Shirlie Hollimam in it along with Spandau Ballet’s bassist Martin Kemp who went on to marry Shirlie. Kemp also happened to be in an episode of the Highlander TV Show.

Enjoy!