People of Earth, Past, Present, and Future – Season 1 Episode 4; ALT Title: Flashbacks and You!


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You must believe the hype!  You have to watch People of Earth or ALL of Santa’s Reindeer will become a delicious sausage!  You were warned!  There’s even a awesomeballs 8-Bit Video Game!

http://peopleofearthgame.com/

We learn about Gina in this episode and it is awesome!  This episode is especially well-crafted by Emily Heller.

Gina is being examined by Scroty and LOTR-Guy with “Do it to me one more time” in the BG.  Scroty leans in and says, “You are special.” Gina responds- BULLSHIT!!!

We smash cut to Crate & Barrelish, where Gina is zoned out in her flashback because her abduction theme song is playing, which triggered her flashback.  I have flashbacks from the Army every now and again and Emily Heller is not that far off.  Anything can trigger them. 

Ozzie is trying yoga to relax, but it fails.  He pays rent and goes to work and has an ancient computer.  He has an equally ancient co-worker who asks him if he misses his old job, which triggers a flashback.  This is an especially cool flashback because it show Jon’s fatherly love for Ozzie as he tries to literally make him eat his vegetables in blended form.  AWWWW.

Jonathan is ordered to have a donut, which is Alien for calling him out onto the carpet for a reaming by a supervisor Reptilian.  What is truly awesome about the supervisor’s office is that it, like the Alien’s mission, is ramshackle!  The aliens, like us, are mediocre.  Supervisor insists that if he doesn’t put a stop to Ozzie’s abduction exploration; they will “handle” it.  All the alien’s speak in corporate-ease.

Ennis shows up at Crate and Barrelish for Gina’s help, triggering another flashback.

The Past: Gina was hot shot Upper West Side psychotherapist.  Gina specializes into getting people to face their fear.  Brian, a patient, is scared of heights and is a Fear of Commitment (FOC).  Gina demands that he skydive with his girlfriend to save his relationship.  She convinces Brian to jump.  SMASH CUT: Brian’s funeral.  This sends Gina into a spiraling downward booze-filled depression.

Jonathan goes to Ozzie’s workplace.  He walks with him and explains that he will buy the local paper.  They run into Richard and Gerry.  Gerry misjudges Jonathan as a human.  Jonathan knows all about Richard’s business, which is a great callback to the earlier comment to the Pilot where Richard says that his bosses were reptilians!  I told you that you needed to take adderall to catch all the jokes and references! YOU WERE WARNED!

Flashback: Gina’s depression continues.  She shuts down her practice and moves to Beacon.  Then, she gets abducted and has such low-self esteem that her reaction to being told that she is special is to respond with… BULLSHIT!  Survivor’s remorse….IT IS A BITCH!

Gina’s abduction experience snaps her depression and gets her into helping others who have suffered the same fate by starting Starcrossed.

Jonathan buys the paper and upgrades it, thinking that his presence will drive Ozzie out of town.  It doesn’t.  Instead of driving Ozzie away, it triggers another memory of Jonathan putting on his human face.  So, Jonathan is Ozzie’s …Dad, maybe?

Ozzie returns to Starcrossed and engages with the group as part of their tribe.  *sniff*

Ozzie decides to investigate Jonathan to prove that Aliens are among us and, in some cases, employ us.

Almost forgot, the credits have another amazing song!!!

Once again, gentle-readers, if you like my reviews, tell my boss Lisa Marie Bowman! This show delivers every week.  It is the funniest and most immersive show on television. Period.  No Shit, Legit!

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Channel Zero, “Welcome Home” Season 1, Ep 6; ALT Title: So … Very … Boring.


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It has finally happened: Channel Zero is over (for now)!

Mike is laying in bed with Eddie- the evil one – and Eddie is …. reading a book about Long John Silver?!  Whatever!  Then, Eddie shoves a tooth hand into his mouth, symbolizing possession or some really sloppy dentistry work.

Mike wakes and asks his mom, in a clunky way, to kill him when he’s possessed.

Amy and Gary are looking for Tooth Teacher and they see her… and stabby kids.  Gary sees his kids and convinces them not to kill anyone.  We have to assume that because the children to not respond to him, stare dumbly, and don’t stab him. This show is really going out with a whimper.

Amy finds the evil Winnebago AND…Nothing happens.

Mike decides to meet Eddie because he wants his daughter back and to discuss why Long John Silver got into franchise restaurants.

Mike passes out next to his daughter.

Mike goes into Eddie’s evil reality, which looks a lot like a poorly constructed middle-school drama set.  Mike sees a monster we learn is called “Skin Taker”.  Skin Taker smashes against the wall in a very A-Ha “Take on Me” way …for some reason.  Eddie releases Lilly.

We also learn by a TON OF EXPOSITION:  1) Eddie is the tooth monster, 2)can’t appear in human form because he needs a body, 3)the skin taker is part of him … like they’re totally BFF and everything, 4)Eddie wants to kill children, 5) he wants to pose as Mike to kill children, 6) he uses a TV as a portal into the real world, and 7) he’s REALLY into decoupage!  Just before Eddie is about to go on a rampage, he convinces his brother to play War to stall him.

Mike’s mom looks for Mike and runs into Tooth Teacher.  They fight.  Mike’s Mom wins with help from Amy (Amy shoots Tooth Teacher).

Mikes mom suffocates the passed out Mike, killing him.  This prevents Eddie from entering our world.  Mike now has to hang with his brother for eternity.  Upside: everytime Eddie tries to restart the show’s signal, Mike turns it off.  Way to go MIKE!

That’s it!  WOOHOO!!!

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What Lisa Watched Last Night #160: Nightmare Wedding (dir by Jose Montesinos)


Last night, in between wrapping birthday presents and eating dinner, I watched the latest Lifetime premiere, Nightmare Wedding!

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Why Was I Watching It?

It all started a little over 6 years ago when Arleigh asked me if I’d like to review movies for the Shattered Lens.  When I said yes, that meant I was promising to watch and review as many movies as possible.  If I hadn’t watched and reviewed Nightmare Wedding, I would be breaking my promise to Arleigh!

Add to that, Nightmare Wedding was a Lifetime film and I love Lifetime films!  And let’s be honest — how can you not watch something called Nightmare Wedding?  That’s a great title!

What Was It About?

After six years of dating, Max (Isaac Reyes) and Sandy (Nicola Posener) are finally getting married!  However, there’s a bit of a problem: Max’s friend, Roman (Evan Henderson), suddenly shows up for the ceremony.  Before she got together with Max. Sandy briefly dated Roman.  Now, she hates Roman.  Her family hates Roman.  He friends hate Roman.  Everyone hates Roman except for Max!

For his part, Roman is still in love with Sandy and he’s obsessed with both stopping the wedding and winning her back.  And if that means that he has to kill a few people, send a few incriminating text messages, and do a few other shady things, that’s what Roman’s going to do!

Sandy’s friend Lisa (Angie Teodora Dick) attempts to confront Roman about his stalkerish behavior.  Unfortunately, she makes the mistake of doing this while standing on the edge of a cliff.  Roman responds by tossing her over the side.  AGCK!  I hate it when they kill off anyone named Lisa!

What Worked?

This was the epitome of a Lifetime guilty pleasure.  Yes, the plot was totally ludicrous and, to a large extent, Roman’s plan depended upon everyone being an idiot.  But, even with that in mind, the movie was still a lot of fun.  One thing that I especially appreciated was the fact that Roman was so obviously psychotic and yet no one ever seemed to notice or care.  Normally, that might be cause for criticism but Nightmare Wedding pushed things to such an extent that it became oddly charming.

Nicola Posener did a good job in the role of Sandy.  You had sympathy for her and you really did find yourself hoping that she would get to have her dream wedding.  Evan Henderson went so far over the top as Roman that his performance actually worked in a very odd and unexpected sort of way.

(Add to that, Evan bared just enough of a resemblance to Ryan Hansen that I could pretend that I was watching a spin-off of Veronica Mars.)

What Did Not Work?

Max was such a wimp!  Seriously, after about five minutes, I found myself repeatedly shouting, “Be a man!” whenever he showed up on the screen.  You didn’t want Sandy to get together Roman but, at the same time, it was impossible not to feel that she could have done a lot better than Max.

“Oh my God!  Just like me!” Moments

I related to Megan (Gina Vitori), Sandy’s fun-loving sister.  She was determined to have a good time, regardless of how many psychos showed up for the wedding.  Watching Megan defiantly refuse to take the wedding seriously reminded me of my own refusal to take 2016 seriously.  Good for Megan!

Lessons Learned

Never call out a psycho while standing on the edge of a cliff.  It’s just common sense.

“Fairlane Road” Is Slow Driving, But Hardly A Dead End


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

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You can do a lot with $30,000. You can buy a pretty nice car. You can make a sizable down payment on a pretty big house. You can take one hell of a nice vacation to just about anywhere. Or, if you’re California-based indie filmmaker Gualtiero Negrini, you can head out to the Lucerne Valley and crank out a moody, almost dreamlike little horror flick.

Obviously, our guy Gualtiero chose the latter option of the bunch, and the end result is Fairlane Road, which was filmed earlier this very year (that’s 2016, in case you’re reading this in what will become the future) and recently found its way onto Netflix’s list of horror selections (no word as of yet about a Blu-ray or DVD release). Most of this straight-to-streaming stuff is pretty well crap — if you’re a regular reader of this site you’ve seen me bitch about enough…

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Trump Before Trump : Jack Kirby’s “Forever People” #3 (1971)


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

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Last week, I cranked out a little column called “Five Comics To Help You Survive The Age Of Trump” that got a fairly healthy number of hits and re-tweets and all that shit — for which I’m grateful, rest assured — but while that piece focused entirely on currently-running series, the perhaps-unbelievable truth is that comics’ ultimate response to the “Trump Age” actually came out way back in 1971.

If there’s one creator who could predict the future with uncanny accuracy it was, of course, Jack Kirby — and he frequently did just that. Kirby was — and remains — comics’ pre-eminent visionary, but one could actually make a strong argument that the fruits of his boundless imaginative prowess constitute the single-greatest body of work produced by any artist in any medium in the last century. Every great creative genius has a greatest work of his or her own, though, and…

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Artwork of the Day: Edie, Andy, and Chuck Wein


(Hi everyone!  Usually, my sister — the Dazzling Erin Nicole — tracks down and selects the images that we feature in our Artwork of the Day feature.  However, Erin is taking the week off — and November 24th is not only Thanksgiving but her birthday as well!, so be sure to wish her a happy one! — so, for the next few days, I’ll be selecting our artwork of the day! — Lisa Marie)

Edie, Andy, and Chuck Wein (1965, by Burt Glinn)

Edie, Andy, and Chuck Wein (1965, by Burt Glinn)

Needless to say — and this shouldn’t surprise anyone who knows how obsessed I am with Edie Sedgwick — this is one of my favorite pictures of all time!  Beyond the cleverness of having this oh-so chic icons emerging from a manhole, Edie, Andy, and Chuck all look so young and optimistic.  Just a few years after this picture was taken, Edie would die in a mysterious fire and Andy Warhol would be living in seclusion after being shot by Valerie Solanas.  Film director Chuck Wein — who was responsible for introducing Edie to Andy — would also leave the Factory after Andy’s near-fatal shooting.

But, in this picture, none of that matters.

They have their entire life ahead of them and they own the future.

Music Video of the Day: What If I Go? by Mura Masa (2016, dir. Yoni Lappin)


Mura Masa is only 20 years old. I’m 33, and I already feel ancient.

Anyways, Mura Masa is a guy named Alex Crossan who was born in Castel, Guernsey. While it doesn’t say anywhere on Wikipedia, I’m sure he got the name from the Japanese swordsmith Muramasa Sengo.

He makes Trap Music. That’s a new genre for me. Wikipedia defines it as follows:

“Trap music is defined by its ominous, bleak and gritty lyrical content which varies widely according to artist. Typical lyrical themes portrayed include observations of hardship in the “trap”, street life, poverty, violence and harsh experiences in urban inner city surroundings.”

That’s funny seeing as Guernsey is an island that is physically stuck in-between the UK and France. Wikipedia says that Alex played in Punk, Hardcore, Deathcore, and Gospel bands as a teenager before settling on Trap Music. I highly doubt that he picked out the genre because it fit perfectly with the location he was born. Still, it is something that makes for a fun bit of trivia.

The music video is a visual representation of that definition filmed with cellphones–making heavy use of Live Photos–since that would be what people would be carrying around with them that easily captures “street life, poverty, violence and harsh experiences in urban inner city surroundings.” They even went as far as rounding the edges since we like playing with borders in things like Instagram where shots like those you see in this music video frequently end up on.

Alex makes two cameo appearances in the music video. If you want to see them:

1. 1:16, https://youtu.be/pLuQ0MGLBXU?t=1m16s
2. 2:38 – 2:39, https://youtu.be/pLuQ0MGLBXU?t=2m38s

Don’t blink, or you’ll miss him. They really are that short.

Out of the six music videos I looked at from this year, I would say this is the best. I liked Brodka’s song Up In The Hill the most, but I like this music video better. I can’t think of anything it does wrong. You can even look at it as an instructional video on how and when to use this song. It’s low-key and good for when you need to wind down, like the guy riding the bus. If you need a little song for a love montage, then this video shows you it will work great for that. If you need a song to break up two high-energy songs that can give couples a nice intimate moment, then this music video also shows you that it will work for that.

I don’t know if this will be memorable down the line for people in general. This is the kind of song and music video that will firmly attach itself to moments in some people’s lives. Just like the video is largely comprised of moments captured with photographs and short bits of video.

Enjoy!

6 from 2016:

  1. Music Video of the Day: Work From Home by Fifth Harmony ft. Ty Dolla $ign (2016, dir. Director X)
  2. Music Video of the Day: Side To Side by Ariana Grande ft. Nicki Minaj (2016, dir. Hannah Lux Davis)
  3. Music Video of the Day: Starving by Hailee Steinfeld, Grey ft. Zedd (2016, dir. Darren Craig)
  4. Music Video of the Day: Shout Out To My Ex by Little Mix (2016, dir. Sarah Chatfield)
  5. Music Video of the Day: Up In The Hill by Brodka (2016, dir. Brodka)