Probicus Parley 005


Probicus Parley
A Starcraft 2 Daily

005

Today I want to moan about random team games. More precisely, I want to rant about placement in random team games: If you enjoy 3v3/4v4 random matches and place Bronze in one of them, try to work your way up while you still aren’t very good.

What am I getting at with this? Well, as arbitrary as random teams seem, you’ll find that they really aren’t all about cheesing. More often than not, one or two good lower league players can carry the other one or two to victory in the face of cannon/zerg/reaver rushing, but only when the other guys at least know the basics. In Bronze random teams, a lot of guys don’t know the basics.

That’s the extent of my actual advice here, but allow me to fill up space and time with some griping:

If you place when you don’t know what you’re doing yet, it’s going to be luck of the draw. I ended up in Bronze 3v3 and Silver 4v4, the latter on the backs of better players. But you’ll find out pretty quick that, the more committed gamers being mostly dedicated to 1v1 and 2v2, the skill level of each league gets knocked down a notch. Gold 3v3 players play like Silver 1v1 players. Silver 3v3 players play like Bronze 1v1 players. Bronze 1v1 players play like a diseased pit of vomit and decay. On average.

The plus side is your opponents are often in the same boat, however where in Silver most players will at least do something, in Bronze winning really is all luck of the draw. When you’re new yourself, it’s not so bad. I played a lot of 3v3 early on and very little 4v4 because I felt like I was really pulling my weight in the former and just being a burden in the latter.

Once I got a little bit better I switched focus to the 4v4 Silver league, and I’ve played a lot of really fun games in it. I left Bronze 3v3 with a decent enough record, 18-13 I think, but it wasn’t enough. I made the mistake of not moving up a league before I was good enough that playing Bronze random team games became horrifically tedious.

I played my first ten 3v3 games in a while today. I won two and lost eight. The two wins were easy as pie and the eight losses made me want to pull my hair out, because they were all completely luck of the draw.

Like I said, in low league team randoms you often end up with one guy pulling all the weight. In Bronze you don’t want to be that guy.

Picture yourself blinking stalkers all over your enemies’ bases, decimating all of their resources and losing next to nothing against big slow end-game units, outrunning and sniping, knowing you’re just a little bit better than everyone else in the game. In silver or higher being the best player in the game should put you in decent position to win, because your team mates at least know the fundamentals. In bronze, being the best doesn’t necessarily mean anything.

Consider my first 3v3 loss today. Actually, don’t. I’m just going to whine for a paragraph: I played as described above, I must have killed at least sixty workers and dozens of pylons and supply depots, and I managed to make one guy lose a good 12 BCs without dangerously diminishing my forces. Blinking necromoonyeti is a bad mother fucker. I mined out two expansions, I contained three guys by myself for 25 minutes, I was having a blast rolling over new guys who knew enough to mass units but not much else. I couldn’t actually take any of them out 3v1 (we were on Typhon), I’m not that good yet, but I slowed down their build up, kept their forces low, and prevented any semblance of an attack. And then when my forces finally started to crumble to a colossi and immortal pincer supported by battle cruisers I turned to my team mates to wrap up, or at least stop the counterattack while I popped out another solid batch of stalkers. After all, they hadn’t lost a unit all game. I was expecting a 400/400 slaughterhouse. Yeah, they finally rolled in with four 0/0 battlecruisers, about 100 zerglings without speed, a “nuclear launch detected”, and a “dude where are your stalkers blue”. This after close to HALF AN HOUR OF GAME PLAY.

So I went down in a fury of capslocked venom and spite and thought to myself at least I don’t have to go through that again. Yeah right. A pretty similar if much shorter scenario happened seven more times. Me and two guys who had barely opened the box against three guys who at least knew you could build multiple barracks and gateways.

On top of that, my wins weren’t even fun. They were the same situation in reverse, involving me and another guy rolling into a base with forces that each outnumbered all three of the bunkered down cannon and turret-happy opponents.

I am NOT criticizing brand new players for diving into 3v3s and 4v4s. On the contrary, they’re fun alternatives to learning the fundamentals against a computer. But if you want to keep playing them down the road, get promoted out of random team Bronze league while it’s still fun. This will save you from writing angry musings similar to mine in the future. Avoid a scenario that might make Starcraft 2 temporarily tedious.

Edit: I finally broke the eight game losing streak with a fucking disconnect. We were about 20 seconds from the victory screen and b.net booted everyone in the game. I think I’ll retire for the night before I decide to play a fun round of smash the expensive monitor.

Edit 2: I just logged back in and it apparently counted as a win, bumped me into gold league iowjwqoifjqweoifjwqoifjqowijfowiqfjwoqi wfw

Scenes I Love: Inferno


Inferno is Dario Argento’s 1980 sequel to SuspiriaInferno seems to bring out the extreme reactions in Argentonians — it’s either loved or hated.  I happen to love it.

Below is one of the film’s best known sequences, the one where Irene Miracle ends up taking a surreal swim through a basement.  To me, this sequence is almost Fulciesque in it’s dream-like approach (punctuated, of course, by one sudden grotesque shock at the end).  Lucio Fulci’s The Beyond, which is often compared to Inferno, featured a similarly flooded basement. 

Words of warning: This scene lasts 6 and a half minutes.  Also, the first few minutes are nearly ruined by Keith Emerson’s bombastic score.  Fortunately, once Miracle takes her fateful dive, Mr. Emerson is silenced.

Satoshi Kon R.I.P (October 12, 1963 – August 23, 2010)


It’s been awhile since I’ve posted any updates, and while I’ve always meant to get something written up, I always found excuses not to. But with the recent passing of Satoshi Kon, it would be remiss of me not to post up my thoughts of the career of one of the truly great anime directors. First I’ll give a brief rundown on his works as director, along with my thoughts of each and then I’ll end with some closing thoughts on his career in general.

Perfect Blue (1998)

This was my first experience with the directing talents of Mr. Kon, as well as his directorial debut.  Back in 2001 when I was just starting to get into actually buying DVDs of anime, I asked around which titles I should own.  Among the responses, Perfect Blue kept coming up, so I decided to give it a shot.  Back then I didn’t really follow anime websites or magazines, nor was torrenting really a driving force, so this was a complete blind buy for me.  What I got really opened my eyes to what anime could be like.  Before this, anime to me largely was giant robots blowing things up, or martial arts masters powering up for 20 episodes and blowing things up.  Never did I think that anime would be an effective means for bringing me a psychological thriller that so blurred the lines between reality and fiction.  Plus, it tells a tale of obsession for idols in Japan that rings just as true today as it did back in 1998, as one can see happening between Aya Hirano and the degenerates of 2ch.

Millennium Actress (2001)

Next up for Mr. Kon was Millennium Actress.  A popular, recurring theme in most of his works is the blurring of the lines between reality and fiction and this movie brought it to an even higher level than Perfect Blue.  The biggest difference between the two is Millennium Actress is a lot more light hearted in tone than the fairly dark Perfect Blue was, even if the argument can be made that it doesn’t necessarily have a happy ending.  Throughout the film, we are brought through the life of an actress as she recounts her career and her search for the love of her life.  However, it’s shown by placing the people telling the tale into the movies of her career and then popping back into reality, sometimes leaving one to wonder what was real and what was scripted.  Such a directing technique does come with the risk of turning viewers off if it gets too convoluted, but Satoshi Kon knew just the right amount of tweaking to do to keep one thinking, but turn into outright confusion for the sake of confusion.

Tokyo Godfathers (2003)

For his third film, Satoshi Kon put the blurring of reality and fiction on the back burner and instead focused more on the human relations.  Tokyo Godfathers looks at the lives of three homeless people and a baby they find on Christmas Eve.  While the story told here is a bit more straightforward than his other offerings, it has a lot more emotional impact as you find out what led each of these three to where they are, and also what led the baby to being abandoned.  Rest assured, the story doesn’t get to its conclusion without a couple twists and turns along the way, but this one has the closest to a happy ending as any of his movies.  The fact that it manages to tell a compelling tale without having to use his psychological tool shows why Satoshi Kon was such a respected director.

Paranoia Agent (2004)

This marks Satoshi Kon’s first and only foray into directing a television series, and if Tokyo Godfathers was him taking a break from the psychological aspect of his stories, Paranoia Agent more than makes up for the lost time.  The show centers upon a police investigation into a series of attacks on people by a boy with a golden bat.  But, as I said, this is a return to form for Mr. Kon, and so there’s much more to this than merely some attacks.  Plus, add in the fact that in each case after the attacks, the people feel almost grateful for it as it seemed to help them fix their various stresses in life and you have a story that will keep you wondering right up until the end.  Admittedly, there are times when it seems like the story is going to get out of control, and it’s easy to see that Mr. Kon is much more comfortable creating feature length films rather than regular television series, but the fact that it still manages to work shows the true talents of the man.  I feel confident that had he lived longer, we would have seen another series from him, and since he already had the experience under his belt, he could have done an even better job than the already fine showing he did here.

Paprika (2006)

His most recent completed work was 2006’s Paprika.  A big theme in this movie is dreams, so as you can imagine the lines between reality and fiction get blurred once again.  In fact, they’re so blurred, that they often wind up breaking the fourth wall within the context of the movie to the point where dreams and reality become one and the same.  While personally not my favorite movie of his, it shows that even though he uses the same theme throughout most of his works, he still is able to tell a compelling story each time without it feeling predictable and tired.

Satoshi Kon was working on a new film set to release in 2011 called Yume Miru Kikai, or The Dream Machine.  Sadly, due to his untimely death, the status of the film is now unknown.  One would imagine that production will continue, and hopefully Mr. Kon shared his vision of the film with others so that it may be completed as he would have wanted it to be.  The head of Madhouse Studios, for which Mr. Kon was working, stated it was a sudden death from cancer, although Japanese entertainment firms are notorious for their privacy and the privacy of their talent so just how long Mr. Kon had been afflicted with the disease is hard to say.  Whether or not this film sees the light of day, one of the shining lights of the anime industry has sadly been extinguished far too early.  With the dearth of talented young anime directors, this loss will be felt all the more acutely.  Rest in peace, Mr. Kon, you will be sorely missed.

The Walking Dead – Official Series Trailer (AMC)


Well, it’s now official. AMC has finally released the very same trailer that people not fortunate enough to have attended San Diego Comic-Con last month. This trailer is under 5 minutes long and it’s the same one those who attended the Comic-Con panel for the show saw. Only shaky and grainy bootleg copies of the trailer has been seen outside of that panel. While some bootleg versions were quite good in quality they’re still not a substitute for the official release of the same trailer by AMC for everyone to watch.

This official trailer release was also AMC’s way of finally announcing the premiere date of the 90-minute pilot episode (directed by showrunner and producer Frank Darabont). The pilot will premiere worldwide on Halloween Night, October 31, 2010. While some thought the pilot will premiere early on AMC’s “Fearfest” campaign for October I think it’s appropriate that the series premieres on Halloween Night. I can definitely see many fans of the comic book series planning their Halloween parties to include group watch of the pilot episode the very same night.

Still two months away and this trailer definitely doesn’t make the wait any easier.

Source: The Walking Dead (AMC)

Probicus Parley 004


Probicus Parley
A Starcraft 2 Daily

004

Today I want to point out the benefits of communicating during 1v1 matches in which you are clearly outclassed. For every two or three players who ignore you or start thrusting their e-peens wildly, one is going to give you some awfully sound advice. My main point: When a player owns you in a particularly intriguing way, don’t just gg and watch the replay, actually talk to them.

I’ll highlight two personal examples to show you what I mean.

I had thought for a while that watching pro replays was only beneficial to advanced players – that at my level you should just learn from experience. This just isn’t true, but it seemed reasonable enough. I was winning most of my matches and my losses were usually close. I must have been doing something right. It was on those rare occasions where a fellow Bronze or Silver league player would ruthlessly crush me without cheesing that I started to think “these guys obviously didn’t place well, how are they so good already?”

So I started to ask, and sometimes I’d get a serious insightful answer. I found out about Day[9]’s tutorials and some of the other resources I’ve used not through scouring endless forum posts, but by being directed to them by better players in-game.

If you ask for information on forums you’re going to end up with a ton of different links to sort through. If you ask for it from individual players who you know from experience are using the kinds of techniques you want to copy, you’ll end up with a few specific, tested, relevant sources.

And you might fair better than that. When I switched from Terran to Toss as my 1v1 race I took an immediate liking to massing zealots while teching up to void rays. This worked consistently for about four games, and then I lost horrifically to a guy who took the exact same approach. I asked him what I did wrong, and he actually invited me to a 2v2 party. Over the course of the next five games (which lead to my only Platinum placement to date), I learned more about playing Protoss quickly and defending the rush and expanding effectively than I could have ever hoped for.

There are a lot of simple things in Starcraft 2 that you can easily overlook – things that general guides aren’t going to tell you and you might not notice in replays. For example, I had no idea that chrono boost could be used on a Nexus. It’s not a secret, just a false assumption on my part. Because I asked a guy in a 1v1 what I did wrong, I had a second set of eyes to catch stupid mistakes like this and point them out to me.

I’m not advocating zealot to void ray as the best Toss technique, and have had better success since by choosing between void rays and stalkers once I have a feel for what the other guy’s doing. Especially against Terran, building two visible stargates and not using them can trick him into massing a bunch of useless vikings. Of course, I’m not advocating that either, I’m just saying that:

Lots of players are ready and willing to help you. If you ask for advice when your base is burning away beyond repair, you just might get it.

The Daily Grindhouse: Halloween (dir. by John Carpenter)


What better way to bring back a new daily grindhouse than the film which started the teen slasher genre. I speak of John Carpenter’s Halloween.

The film was truly a child of 1970’s independent filmmaking. With a budget of just $320,000 (even adjusting for inflation it’s still quite low) Carpenter made what’s considered one of horror’s defining films. Carpenter’s film was a smash hit when it was released in 1978. It played mostly in drive-in’s, grindhouse cinema houses before finally appearing in more mainstream venues. By then the film had become one of those must-see titles that many films both independent and mainstream try for but fail to do.

Some have commented that since Halloween was such a success in the box-office then it shouldn’t be considered grindhouse. I look at such thinking as quite narrow. Grindhouse was never synonymous with bad filmmaking. If one said the term meant cheap filmmaking then I would agree. Carpenter’s film has all the trappings of what makes a great grindhouse. It’s violent (though it really has less blood than what audience really remember) and uses sex as a storytelling tool (again the sex is quite chaste compared to later teen slashers).

While some film historians credit Hitchcock’s Psycho as the granddaddy of the slasher genre it wasn’t primogenitor of the teen slasher subgenre which has become an industry onto itself since Carpenter’s breakthrough hit. A hit that set many of the basic rules of teen slasher horror for decades to come. We get the nigh-unstoppable killer who seems more like a force of nature than human. The notion that teenage girls who have premarital sex will die horribly because of it while the chaste and virginal girl survives and inevitably stops the killer (until the subsequent sequel that is).

Halloween is grindhouse through and through. The fact that Carpenter’s obvious talent and skill as a director, editor, film composer and cinematographer shouldn’t DQ this film from being called grindhouse.

Probicus Parley 003


Probicus Parley
A Starcraft 2 Daily

003

Here I’d like to just talk about a great source for helping improve your 1v1 game. I’m sure there are plenty of general Starcraft 2 advice columns and videos, and not nearly enough time to track them all. (I certainly don’t expect many readers of this one. <_<) But if you can only keep up with one, I recommend the daily netcast by Sean Plott aka Day[9].

This guy might come off as slightly goofy at first glance, but you’ll catch on fast that he is both really witty and a bottomless source of solid advice. His entertaining commentary makes the replays he dissects fun to watch, and even if his subject of the day seems a bit too advanced for you it’s a great way to get in to watching top league gameplay without feeling overwhelmed or getting bored by your passive role in the matter. Plus the matches he covers are often normal, standard top league games, whereas a lot of the replays you’ll find on forums have been posted specifically for their exceptionality/creativeness.

Note that his post-Beta dailies begin at number 157. Since changes were made to gameplay between the Beta and the official release (I know roaches at least took a major debuff), this seems like a practical place to start watching. His SC2 coverage begins much farther back though, and if you have the time to dig around I imagine he covers much more basic material.

Undercover Boss: An Orwellian Sham


I’m not ashamed to admit it.  I love reality TV.  Survivor, Big Brother, Real World, The Amazing Race, Project Runway, the Bachelor(ette) – I could watch these shows forever.  To me, Paradise Hotel (remember that one?) was one of the most brilliant television events in history.  It’s traditional for culture snobs to hate reality television and to spend hours crying about how it represents the decline of civilization and blah blah blah. 

Well, strangely enough, this year has seen the premiere of a reality show that has made me start to say “Blah blah blah.”  What’s worse is that this show has become something of a populist hit, a show that has been embraced by the very people who should hate it.  That show is Undercover Boss.

In Undercover Boss, a CEO goes undercover as an entry level worker in his own company.  The experience is meant to humble him and bring him back down to Earth.  Of course, what’s not mentioned is that each show basically works as a 60-minute commercial for whatever company is being featured on each episode.  For that reason, we hear that the CEO of 7-11 knows that he needs to know how to improve his company’s image.  However, at no point do we say anyone informing the CEO that he might end up getting shot if he works the late shift.

One of the reasons why Undercover Boss has become so popular is that every episode pretty much follows the exact same format.  There’s never anything unexpected hiding in the shadows.  This means that viewers can not only turn off the majority of their brain and still follow what’s going on but that they also get to pat themselves on the back for being able to predict what’s going to happen before it actually does.  The show makes the audience feel smart by making them more stupid.  George Orwell would be proud.

Each episode plays out as follows:

First, we get an overview of whatever company we’ll be investigating tonight.  For the most part, these are companies that we’ve heard of but we rarely give much thought to.  They are also companies that are successful enough that it really doesn’t matter whether the CEO goes undercover or not.

We then meet the CEO.  If the 1st season is any indication, a CEO is a boring white guy who was either given his job by his father or else graduated from an Ivy League college.  Apparently, this is one of those no-girls allowed type of jobs.  I guess we’re just too emotional to handle the responsibility.  We get to see our masculine CEO with his perfect family (which usually consists of a nameless wife and two or three kids just to make sure we know that our male CEO is a real man).  The manly CEO will often make a point of telling us that he loves motorcycles or skydiving or something else that he thinks will make him less inherently boring than he actually is.  The really pathetic CEOs are the ones who insist on being filmed while surfing.  “See, I am too a normal guy!  I own a surf board and wear a wet suit.”

However, the CEO tells us that he feels like he needs to go and get his hands dirty.  He has to know what’s going on in his company.

The CEO then holds a meeting with his “corporate board.”  His corporate board is usually a group of people who are somehow even more boring than the CEO.  For the most part, this corporate board is equally male, white, and bald.  Most of them could also seem to have that unfortunate thing where it’s impossible to tell where the chin ends and the neck begins.  Strangely, a lot of these guys respond to this condition by trying to grow a beard which basically just makes them look a 100 times worse.  Another thing I always notice about these corporate types is that they’re almost always wearing a suit but not a tie.  Instead, they just leave their collar unbuttoned and show off a small fraction of their sweat-stained undershirt.  I’m assuming they’re trying to say that they haven’t become corporate, that they’re still Jenny From The Block no matter how money they’re making.  However, they just look like they forgot to finish getting dressed in the morning.  Seriously, guys, fuck you.

For the sake of diversity, there are usually one or two women on the board.  For the most part, the women are white and their lipstick is bleeding into the wrinkles surrounding their mouth.  There’s usually a black guy on the board too.  Usually, he’s wearing a nametag that reads “Token.”

One odd thing about this show is that every CEO seems to have the same board of directors.  I don’t just mean that all the boards are made up of bald white guys.  I mean, that they seem to be made up by the exact same bald white guys.  Honestly, I’m one of those bohemian artist girls.  I don’t know much about Corporate America.  Maybe there’s a traveling board of directors that goes from company to company.  I’ll have to give the show the benefit of the doubt.

Anyway, the CEO says, “I’m going undercover.  I’m going to pretend to be a very verbose blue collar worker with an Ivy League education.  I’m going to lie to people to get them to tell me the truth.  I’ll be in the trenches, working.  Kinda sorta.”

What’s hilarious here is that, while he’s speaking, the camera will always find the one kissass board member who actually starts taking notes.  I always want to know what they are actually writing down.  Maybe something like: I am the Angel of Death.  My time is now while the boss is out…

Another member of the board will then say, “Do you think you can hack it?  I mean, those are silk boxers you’re wearing there.”

Everyone laughs nervously.  The CEO glares and then says, “That’s what I’m going to find out, you smug asshole.”

The CEO goes undercover.  This means that he either stops shaving or he does shave if he’s one of those insecure men who thinks a beard will somehow make him impressive.  He takes off his tie.  He puts on a baseball cap.  BAM, suddenly he’s just your average articulate, well-spoken 57 year-old laid off construction worker.  He tells us that if he’s going to undercover, he’s going to have to live like a poor person.  This apparently means getting a room at some otherwise deserted motel where he promptly proceeds to snort a line of cocaine off the nightstand.  Staring at the camera, he rubs his red nose and says, “Don’t film this, okay?  God, my life is such a fucking lie!”

(I’m still waiting for one of the undercover CEOs to get stabbed to death in the shower…)

The Undercover CEO explains that he’ll be using a fake name.  He also says that the camera crew will be explained away as a crew that’s making a TV show about entry level jobs.  Oddly enough, apparently this story actually works.  Nobody ever says, “Hey, articulate, educated, old white blue collar guy, why are there a bunch of TV cameras following you around?”  Me, I have to wonder why anybody would want to watch a TV show about entry level jobs when they could be watching one about clueless undercover CEOs fucking up in their own companies.

Speaking of which –

The first job that Undercover CEO takes almost always seems to involve a lot of physical activity and speed.  He shows up for the job looking all unshaven and laid off-like.  He meets his new supervisor.  Undercover CEO grins like an idiot and goes, “I’m here to work.”  The new supervisor says, “I give a fuck, kid.”  Again, nobody mentions the camera crew.

Anyway, the supervisor assigns Undercover CEO to do the most demanding, difficult, and demeaning job possible.  The Undercover CEO is assigned to work with either a jovial black man or a fat woman.  The Undercover CEO is really, really impressed by his new co-workers.  “Why they’re just the type of poor people I was hoping I’d meet!” he says. 

They get to work.  Undercover CEO does a terrible job.  He can’t keep up.  The Supervisor comes by and says, several times, “Jesus Christ, strangely soft-spoken blue collar worker, you sure do suck.”  Undercover CEO tells the camera, “This is hard work!”

I think part of the CEO’s problem here is that he simply won’t shut up and do his job.  Instead, he’s spending the whole time asking everyone around him questions like, “How long have you worked here?” and “Do you enjoy your job?” and “How do you work here and take care of your children?”  His coworkers – who need their jobs much more than Undercover CEO – answer every single one of his questions.  Does nobody find it weird that this stranger wants to know about everyone’s children?

Anyway, at the end of his first shift, Undercover CEO is told that he can’t cut it.  “We don’t need you back,” the supervisor says.  Dejected, Undercover CEO goes out, picks up a male prostitute, and goes back to his hotel where he allows his date for the night to tie him down to the bed and drip hot candle wax on his genitals.  (Okay, maybe that was just Michael Rubin, who was probably the most clueless asshole of the 1st season’s CEOs.)

The next day, a properly sore and chastised Undercover CEO goes to work in the “service” part of his company.  He’s either a short order cook or a cashier or something like that.  Again, he’s assigned someone to train him.  This time, the Undercover CEO does his job adequately despite the fact that he still won’t stop harassing his new co-workers with a bunch of inappropriate questions.  He asks, “Do you like working here?” and “What do you think this company could do better?”  Amazingly enough, people still answer him even though there’s a camera crew there filming them.  Does it never occur to these people that there’s something weird about some stranger with a camera crew wanting to know every intimate detail of their lives within minutes of first meeting them? 

Amazingly, Undercover CEOs always end up getting trained by the one person in the company who either needs an organ transplant or who has a child on dialysis.  Undercover CEO is moved to tears.  During his break, he tells the camera, “I wish all my employees were like her.”  Which I guess means that he’s wishing all of his employees were terminally ill and unable to pay for adequate medical coverage.

Undercover CEO returns to his motel.  He’s got a lot to think about now.  He sighs.  “Did you know,” he tells the camera, “that before I became a CEO, I was just another dirty little boy who liked to touch himself?  Somehow, I have to get back in touch with that little boy.  Hold me.”

Day 3, Undercover CEO is forced to deal with the dark underbelly of his corporation.  This was the day that the CEO of 7-11 discovered that one of his stores did not have working lights.  Shrimpy little Michael Rubin had to work with a rude woman in customer service on Day 3.  (“I nearly went off on her,” Michael informs us.  What-evuh, Michael.  Go fuck yourself.)  Most notoriously, the Hooters CEO met a manager who forced his waitresses to play “reindeer games.”  Amazingly, these people engage in their bad behavior even though there’s a camera crew about two feet away from their face.

Undercover CEO’s mad now.  “Yes,” Undercover CEO says, “my company may not be perfect but dammit, that’s just not the way we do things at Hooters! ” Undercover CEO sneaks outside.  He yanks out his cell phone.  He calls someone at the corporate office.  He says, “This is your CEO speaking.  We’ve got bad juju going down.”  The person at corporate probably says, “I’ll get right on that, sir,” in a tone of contempt and seething hatred.  Undercover CEO says, “Get on it, stat!”  He hangs up his phone.  He looks at the camera.  “That’s not the way we do things!” he repeats as saliva forms at the edge of his mouth. 

A few minutes later, a van pulls up in front of Hooters.  Undercover CEO watches as Jack Bauer gets out of the van and runs into Hooters.  For a few seconds, silence.  Then a barrage of gunfire erupts.  Bauer runs out of Hooters and jumps back in the van.  As the van speeds off, the offending Hooters blows up.  Undercover CEO looks at the camera and nods.  “Sometimes,” he says, “it’s about doing what’s right.”

Back at the motel, Undercover CEO grins as he tells the cameraman, “That’s not the first time I’ve had to do that.  What’s funny is that I’m not even the CEO of Hooters.”  Undercover CEO starts to giggle.  “I’ve been a baaaaad wittle boy, mommy,” he says.

Cut to commercial.

The next day, Undercover CEO has his final assignment.  Inevitably, there’s someone at this last job who knows who Undercover CEO actually is.  So Undercover CEO has to have a meeting where he goes, “Hey, I’m all undercover and stuff.  You blow my cover and I’ll have your family killed and fed to a bunch of pigs.”  Everyone agrees to keep Undercover CEO’s identity a secret.  The audience sighs a sigh of relief because the audience is made up of a bunch of total dumgfugs.

Anyway, during the final assignment, Undercover CEO ends up working with an inspiring member of a minority who reaffirms the Undercover CEOs faith in humanity.  Undercover CEO tells the camera, “That guy could be really valuable in this company, even though he’s black/Mexican/Indian/actually a woman.”  Undercover CEO does his final job well.  For some reason, everyone tells him every detail about their lives.  Undercover CEO is moved.

However, Undercover CEO isn’t moved enough to actually give them any of his money.  Instead, he just checks out of the Bates Motel and returns to his corporate office.

He has a meeting with his board of directors.

A member of the board goes, “I heard everyone hated you and you really suck.”

Undercover CEO says, “I’ve seen the light!  We’re going to change how we do things at this company!”

The kissass board member continues to take notes.

Undercover CEO either starts to shave again or else grows his beard back.  He puts on a suit.  He says, “Thank God, I’m rich again.  What are those fucking cameras still doing here?  Oh yeah, I’ve got to let everyone know that I spent a whole day lying to them.”

Everyone that Undercover CEO has worked with is invited to the corporate office.  They’re interviewed as they’re driven to the office.  They say, “I’m scared.  I hope I’m not getting fired.”  None of them seem to connect the current TV cameras to the last group of TV cameras that they saw. 

They meet the CEO.  The CEO says, “You remember me?  I actually run this company!”

“Bullshit!” the former co-worker replies.

“No, it’s true!”

“What-evuh, freak.  Go fuck yourself.”

Most of this is edited out in post-production but you know it happens.

Undercover CEO tells everyone what a great job they’re doing.  And he tells them that he’s going to reward them for being sick or not being able to take care of their children.  (Never mind everyone else in his company who is in a similar situation.) 

The co-worker smiles, probably hoping to hear that he’s getting a raise.

Undercover CEO says, “I was really touched by how your son is about to die if he doesn’t get a kidney transplant.  So, I made a $1,000 dollar contribution to the Stop Global Warming fund.”

“Oh,” the co-worker says, “I guess that’s good.  Considering that I had to do a lot of extra work to cover for your middle-aged ass…”

“Now, get the fuck out of my office and make sure you cut your overtime,” Undercover CEO says.

Finally, everyone who works for Undercover CEO gathers in a conference room where they watch clips of him fucking up.  They all laugh and go, “See, I told you the boss is an idiot!”

Undercover CEO then addresses his employees.  “See,” he says, “I am too a great guy.”

And life goes on.

That so many Americans have apparently been seduced by this obviously manufactured piece of mainstream propaganda is just sad.

The most common adjective that I hear to describe this show is “positive.”  Supposedly, it celebrates the workers of America.  It makes people feel better about their own largely pointless lives.  And to all that, I say “Bullshit.”  Yes, the CEO gets to be poor for a week but he does it secure in the knowledge that it’s only going to be for a week and that he’s not going to lose his job.  The CEO is less an undercover investigator and more of a pampered tourist who looks at poverty all around him, says, “How awful,” and then promptly gets on the next plane home.

Highschool of the Dead: Episode 7 – First Impressions


We’ve now reached the midway point of MadHouse’s anime adaptation of the popular horror and ecchi manga series, Highschool of the Dead. Has the series lived up to the original manga source it’s based on?

Having seen every episode since I will have to give that question with a resounding yes as my answer.

Episode 7 starts off continuing with the very ecchi nature of the series as we see the women in the group in some way of undress and provocatively posed while doing so. Again, I will repeat that anyone still watching this series up to this point and still complaining about the heavy fan-service are just nitpicking. If these complainers don’t like the heavy fan-service then they should’ve dropped off the series around episode 2 and, most likely, after the previous episode. By this time of the series I think anyone still watching it either enjoys the heavy fan-service or has adapted and accepted it in some way. I’m definitely of the former.

This episode is notable for it’s introduction of the very last two characters which will join our interpid group of survivors. One is the little puppy Zeke and the other a little girl named Alice. The scene with Alice and her father looking desperately for a place of refuge from the mass of undead waling the streets is one of the most heartbreaking moments in this series. Say what one will about the series’ heavy reliance on it’s ecchi half, but when it wants to start plucking on the audience’s  heartstrings it does it well. While Alice’s survival once the zombies start converging on her is not a mystery (I don’t think killing a second child in the series will happen two episodes in a row) it does show our group in hero-mode.

Takashi and Hirano are stand-outs in this episode. The former for showing some humanity and putting his life in danger to try and save Alice. The latter for contuining to be my favorite character in the series as he swings from his awkward “nosebleed” self whenever he sees the ladies in skimpy attire to the ice-cold sharpshooter when it’s time to kill zombies. I have a feeling that Hirano will be a character from this series who will be cosplayed heavily in the coming slate of 2011 anime conventions.

The rest of the episode goes by-the-numbers as the group loads up the Hummer parked in the garage with all the supplies, weapons and ammo it could carry and they head on out into the zombie-filled world looking to get across the bridges to find their families. Missing from this episode (the last couple in fact) is the villain of the series, so far. We haven’t seen the sleazy Shido-san and his bus full of followers. Does this mean that the infamous “bus orgy” scene from the manga has been skipped over or will it appear in the next couple episodes. For fans of the manga the answer better be yes or that may be the first disappointment they will have with this series.

Yes, if that’s the only disappointment fans will have with this series then it just shows how good it is that the storyline itself hasn’t been the focus of any complaint. Now, onto the second half of the season.

6 More Wonderful Trailers


Here’s the latest installment of my series on some of my favorite grindhouse and exploitation trailers.

1) Death Has Blue Eyes This is actually a really, really bad Greek movie, a movie that is not only generally incoherent but deadly dull as well.  Of course, some of my reaction has to do with the fact that I’ve only seen a scratchy, fuzzy version of it on an imported VHS tape.  This film is also known as The Para-Psychics but I think Death Has Blue Eyes sounds so much better, don’t you?

2) Massacre Mafia Style — I haven’t seen this movie and, unlike Death Has Blue Eyes, coming across the trailer didn’t fill me with any real desire to track it down.  I really don’t even care much for the trailer but I’m including it here because its just so over-the-top and violent.  How many people get killed over the course of this trailer?  I lost count.

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3) The Boogeyman (1980) — This is actually a pretty good and atmospheric little horror film.  Not to be confused with the terrible Barry Watson movie that came out a couple of years ago.

4) The Pack — This trailer once again establishes that I am right to be scared of dogs.  According to my paternal grandmother, Joe Don Baker is somehow related to me but I’ve never been sure how.   I’ve always been more interested in just how exactly grandma became a Joe Don Baker fan.

5) Switchblade Sisters — One of the ultimate “girl gang” films and a perfect example of how a movie can both be grindhouse and feminist at the same time.  I love this movie.

6) Strange Behavior — Finally, let’s wrap up this installment with the trailer for one of the greatest film’s ever made, 1981’s Strange Behavior (a.k.a. Dead Kids).