Halloween TV Havoc!: GHOST STORY “Elegy for a Vampire” (1972)


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NBC-TV tried to bring a horror anthology series back to prime time during the 1972-73 season with GHOST STORY, executive produced by the one-and-only William Castle . Sebastian Cabot played Winston Essex, introducing the tales from haunted Mansfield House hotel. GHOST STORY had great writers, including Richard Matheson (who helped develop the concept), Robert Bloch, Harlan Ellison, Henry Slesar, and Hammer vet Jimmy Sangster, some good directors (Richard Doner, John Llewelyn Moxey, Robert Day), and a plethora of Hollywood talent: Karen Black, Kim Darby, Angie Dickinson, Melvyn Douglas, Patty Duke, Jodie Foster, Helen Hayes, Tab Hunter, John Ireland, Janet Leigh, Patricia Neal, Jason Robards, Gena Rowlands, Martin Sheen, and William Windom.

Despite all this, the show got clobbered in the ratings by the CBS FRIDAY NIGHT MOVIE and ABC’s comedy duo of ROOM 222 and THE ODD COUPLE. A mid-season title change to CIRCLE OF FEAR (dropping the Cabot segments in the process) didn’t help, and…

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Horror on the Lens: 13 Ghosts (dir by William Castle)


Since I reviewed the remake yesterday, today’s Horror on the Lens is the 1960 original, William Castle’s 13 Ghosts!

Now, William Castle was famous for his gimmicks.  For instance, theaters showing The Tingler were wired to give electrical shocks to random patrons.  He had a special gimmick for 13 Ghosts, a film about a house haunted by ghosts that you can only see while wearing special goggles.  Since I’m a lazy film blogger, I’m going to quote the film’s Wikipedia article on this particular gimmick:

“For 13 Ghosts, audience members were given a choice: the “brave” ones could watch the movie and see the ghosts, while the apprehensive among them would be able to opt out of the horror and watch without the stress of having to see the ghosts. The choice came via the special viewer, supposedly “left by Dr. Zorba.”

In the theatres, most scenes were black and white, but scenes involving ghosts were shown in a “process” dubbed Illusion-O: the filmed elements of the actors and the sets — everything except the ghosts — had a blue filter applied to the footage, while the ghost elements had a red filter and were superimposed over the frame. Audiences received viewers with red and blue cellophane filters. Unlike early 3D glasses where one eye is red and the other is cyan or blue, the Illusion-O viewer required people to look through a single color with both eyes. Choosing to look through the red filter intensified the images of the ghosts, while the blue filter “removed” them. Despite Castle’s claims to the contrary, not many heart failures or nervous breakdowns were averted by the Illusion-O process; although the blue filter did screen out the ghostly images, the ghosts were visible with the naked eye, without the red filter.”

Personally, if I had been alive in 1960, I totally would have watched the whole movie through the red filter.  Go ghosts go!

Anyway, 13 Ghosts is actually a lot of fun in a low-budget, 1960s drive-in sort of way.  Watch it below and, as always, enjoy!

 

Horror On The Lens: House On Haunted Hill (dir by William Castle)


I was actually planning on waiting until closer to Halloween before I posted this film but … well, why save the best for last?  Seriously, it’s always a good time watch the original House on Haunted Hill.  Be sure to check out Gary’s review by clicking here!

Now, I will admit that I previously shared this film two Halloweens ago.  However, the YouTube video that I embedded in that post no longer exists.  So, I figured, why not post it again?

Below is what I wrote the previous time that I shared this movie:

“Released in 1959, House On Haunted Hill tells the story of how an eccentric millionaire (played by Vincent Price, of course) rented out a “haunted” mansion for a party. invited over five guests, and offered each of them $10,000 on the condition that they manage to spend the entire night in the house.  Along for the ride is Price’s unhappy wife (Carol Ohmart) and the house’s wonderfully neurotic caretaker (played by Elisha Cook, Jr, who played a lot of neurotic caretakers over the course of his long career).

House on Haunted Hill remains one of the classic B-movies.  This is largely because of Price’s wonderfully over-the-top lead performance and William Castle’s equally over-the-top direction.

Back in 1959, theaters were equipped so that a plastic skeleton would appear to fly over the heads of the audience during some of the film’s more shocking moments.  So, grab yourself a skeleton, take a seat, and enjoy House on Haunted Hill!”

 

Horror On The Lens: House on Haunted Hill (dir by William Castle)


House on Haunted Hill

With only two days left to go until we reach Halloween, now seems like the perfect time to watch a classic Vincent Price haunted house film.  I’m talking, of course, about the original House On Haunted Hill.

Released in 1959, House On Haunted Hill tells the story of how an eccentric millionaire (played by Vincent Price, of course) rented out a “haunted” mansion for a party. invited over five guests, and offered each of them $10,000 on the condition that they manage to spend the entire night in the house.  Along for the ride is Price’s unhappy wife (Carol Ohmart) and the house’s wonderfully neurotic caretaker (played by Elisha Cook, Jr, who played a lot of neurotic caretakers over the course of his long career).

House on Haunted Hill remains one of the classic B-movies.  This is largely because of Price’s wonderfully over-the-top lead performance and William Castle’s equally over-the-top direction.

Back in 1959, theaters were equipped so that a plastic skeleton would appear to fly over the heads of the audience during some of the film’s more shocking moments.  So, grab yourself a skeleton, take a seat, and enjoy House on Haunted Hill!