A Quickie With Lisa Marie: True Grit (directed by Joel and Ethan Coen)


True Grit is probably the most straight-forward film that has ever come from the irony-laced imaginations of Joel and Ethan Coen.  Perhaps that’s appropriate since the movie is essentially an homage to that most All-American of all movie genres, the western.

Taking place in 1878, True Grit tells the story of Mattie Ross, a 14 year-old girl (Hailee Stienfeld) whose father is killed by a drifter named Tom Chaney (Josh Brolin).  Tom flees into Oklahoma so Mattie goes to Ft. Smith, Arkansas and hires alcoholic, one-eyed U.S. Marshal Rooster Cogburn (Jeff Bridges) to track Chaney down.  Cogburn agrees and teams up with a Texas ranger named LeBouef (Matt Damon) who is also looking to capture Chaney for an unrelated crime (and to pick an equally unrelated reward).  The three of them form an unlikely and uneasy alliance as they search the harsh wilderness for Chaney, who has hooked up with outlaw Ned Pepper (Barry Pepper).  Along the way, reality proves itself to be far less prosaic and ideal and justice turns out to be far less straight forward than Mattie had originally assumed.

As you might expect from a Coen Brothers film, there’s a lot of moral ambiguity on display.  Cogburn is a former outlaw who is mainly motivated by his own greed while LeBouef is an arrogant blowhard.  Meanwhile, the nominal villains often show more humanity than our “heroes.”  Even Tom Chaney appears to be more overwhelmed than evil.  This is a western where the “good guys” ambush their enemies and shoot them in the back.  Throughout the film, the Coens contrast the beautiful cinematography of Roger Deakins and Carter Burwell’s traditional score with the brutality and violence on-screen.

True Grit is a remake of a 1969 film and Jeff Bridges is getting a lot of attention for taking on a role that was originally played by John Wayne.  I haven’t seen the original film so I can’t say if Bridges gives a better performance than Wayne.  However, to be honest, Bridges probably gives the least interesting performance in the entire film.  I know that a lot of people are raving about his work here but I think those raves are more about the actor and less about the performance itself.  When people look back on this movie, they won’t remember Rooster Cogburn as much as they’ll remember Jeff Bridges wearing an eyepatch and slurring his words like your alcoholic cousin on the 4th of July.  Bridges gives a good enough performance but there’s nothing here that couldn’t have been done just as well (or better) by either Tommy Lee Jones or Joe Don Baker.

If anything, the movie belongs to Steinfeld who gives a wonderfully focused performance as Mattie and who serves as the perfect audience surrogate.  As the two main villains, Brolin and Pepper both give excellent performances and the fact that both of them are almost likable only serves to make them all the more effective as “bad” guys.

True Grit is a good movie because the Coen Brothers aren’t capable of doing any less.  Technically, it’s probably one of the best films of 2010.  Still, the movie left me vaguely disappointed.  For what it is — a straight genre piece — it’s a superior work of craftsmanship.  However, from the Coens, I’ve come to expect a bit more. 

 

6 More Exploitation Trailers: The Late Edition


Hi, Lisa Marie here.  I apologize for being a day late in continuing my series of posts devoted to some of my favorite exploitation and grindhouse film trailers.  Unfortunately, I got caught up having a fight with a troll over on my other blog and I ended up running behind.  The lesson here is that trolls are not worth the trouble.

But enough time wasted on dumbfugs and toadsuckers.  Let’s talk exploitation with six more of my favorite trailers.

1) The Candy Snatchers

Sadly, this DVD is now out-of-print and the people selling it on Amazon want you to pay something like $80.00 for it.  That’s a shame because The Candy Snatchers is, arguably, one of the greatest films ever made.  This is one of those movies that I desperately need to review but I’m still struggling to find the right words to express just how brilliant this movie is.

2) Django Kill

This trailer doesn’t really do justice to Django Kill which, quite frankly, is probably the strangest, most surreal western ever made.  Yes, this film is even stranger than El Topo.  However, I still like the pop art feel of this trailer.

3) The Raiders of Atlantis

This is one of Ruggero Deodato’s non-cannibal movies.  It’s actually surprisingly enjoyable in a very silly sort of way.

4) Burial Ground

Also known as The Nights of Terror, this is one of the more infamous examples of the Italian zombie genre.  To be honest, this is an amazingly trashy, stupid movie but once you start watching, you can not turn away.  This is another film I’ve been meaning to review for a while as I think it’s actually the most political of all the Italian zombie films.  People tend to get some caught up with the whole incest subplot that they miss the whole Marxist subtext.  And yes, the movie does include a title card that contains the word “profecy.”

5) The Teacher

I love this trailer.  It is such a relic that I almost feel like it should be put in a time capsule.  Plus, that whole “She corrupted the morals…” tag line is just so priceless.

6) Boss

When this 1975 movie was released on DVD, it was titled Boss.  Well, that’s only half of the original title.  I’ve never seen this movie (as the only westerns that interest me are Italian-made) but this trailer has always stuck with me because of the whole “Did I just hear that?” factor.  However, after I first saw this trailer, I did some research and discovered that the movie was actually written and produced by the film’s star, Fred Williamson.  So, that makes me a bit more comfortable with it.