TV Review: The X-Files 11.2 “This” (dir by Glen Morgan)

Posted on January 11, 2018 by Lisa Marie Bowman

If nothing else, last night’s episode of The X-Files was definitely an improvement over the season premiere.

The whole thing started off with a bang, as a bunch of Russians showed up and tried to gun down Mulder and Scully. It turns out that apparently, the Executive Branch has hired a Russian agency to handle America’s secret intelligence work. The Russians can even give orders to the FBI. Yes, it’s all about Trump and I’m sure the Resistance loved it while the majority of MAGA probably wasn’t watching The X-Files to begin with. Speaking for myself, as a fairly nonpartisan reviewer, I stopped being shocked by Russian villains a long time ago. At this point, whenever a mobster or a mercenary shows up in a movie or TV show, I always expect to hear a Russian accent before they even open their mouth.

Anyway, as Skinner explains, the fact that the Executive Branch now hates the FBI is going to make it even more difficult for Mulder and Scully to do their thing. I’m not really sure how much I agree with Skinner on that, though. If there’s anything that quickly became apparent about these Russian mercenaries, it was just how totally inept they were at their job. They literally blew up Mulder and Scully’s apartment and yet, Mulder and Scully still escaped without a scratch. Later, another Russian assassin popped up and, even though he had the element of surprise on his side, he still couldn’t manage to hit either one of them. Part of me hopes that the Russian ineptness was deliberate on the part of the show. That would be the ultimate joke, wouldn’t it? The Russians aren’t even good at their job and they still managed to secretly take over the country.

When Mulder and Scully weren’t running from the Russians, they were dealing Langley, an old friend who, despite having been dead for 16 years, still kept appearing on Mulder’s phone and asking if Mulder was there. It turns out that Langley, like a lot of geniuses, arranged for his consciousness to be transported into a simulated world after his death. However, it turns out that the simulation is actually a prison where people like Steve Jobs are being used for slave labor.

It also turned out, of course, that Erika Price (the great Barbara Hershey) was the one behind both the Russians and the dead slave labor. She explained that every time you use an iPhone, a piece of your mind is scanned and stolen. When you think about it, that makes perfect sense.

Last night’s episode was all about paranoia, which is one reason why I enjoyed it. Admittedly, things did get off to a somewhat shaky start with the whole shoot out between Mulder, Scully, and the Russians, which was so haphazardly edited that I was worried I was going to get carsick just from watching it. But, after that, the episode became a deliberately paced mediation of darkness, death, and a paranoia. The extended sequence where Mulder and Scully explored the shadowy National Cemetery was brilliantly handled. As I watched, I was very much aware that there was undoubtedly a secret behind every tombstone.

That said, the main reason that last night’s episode worked was because of the playful chemistry between David Duchovny and Gillian Anderson. The main problem with the premiere — well, one of them — is that Duchovny and Anderson didn’t have many scenes together. Instead, Anderson spent almost the entire episode is the hospital while Duchovny spent his time driving through tobacco country. Last night, though, Duchovny and Anderson were together in nearly every scene and their banter was the best thing about the show.

As I watched last night’s episode, I was able to understand why so many people love The X-Files. It’s not the conspiracies. It’s not even the monsters. Instead, it’s all about the way that David Duchovny and Gillian Anderson bounces lines off of each other. Here’s hoping that the rest of the season understands this as well.

2017 In Review: Lisa Marie’s Final Post About Twin Peaks: The Return (for now)

Posted on January 9, 2018 by Lisa Marie Bowman

“Nothing will die. The stream flows, the wind blows, the cloud fleets, the heart beats. Nothing will die.” — John Merrick’s Mother, quoting Tennyson, at the end of The Elephant Man (1980)

Was Twin Peaks: The Return a movie or a TV show?

As I sit here on January 9th, 2018, that’s a question that’s still on my mind. There are many critics who insist that Twin Peaks: The Return should be viewed as being a 16-hour movie. It’s a claim that I, myself, have made several times. In order to support this argument, we point out that David Lynch and Mark Frost didn’t sit down and write 16 different scripts. Instead, they wrote one 900-page script which they then filmed and subsequently divided into 16 different “chapters.” It’s really not that much different from what Quentin Tarantino did with Kill Bill or what Peter Jackson did with both The Lord of the Rings and The Hobbit. As well, Twin Peaks: The Return was such a monumental artistic achievement that calling it a TV show just seems somehow diminishing.

And yet, the fact of the matter is that Twin Peaks: The Return did air on television. It aired in 16 different episodes, which were aired on a weekly basis. To many, that fact alone makes Twin Peaks: The Return a television show.

It may all seem like a silly question to some readers. However, for those of us who like to make best-of lists at the start of the new year, it is a legitimate issue. Should I include Twin Peaks: The Return at the top of my list of the best 26 films of 2017 or should I rave about it in my list of good things I saw on television in 2017?

My solution is to do neither. Twin Peaks: The Return was such a monumental achievement that it deserves a best-of entry of its very own.

(Of course, not everyone is going to agree. For everyone who loved Twin Peaks: The Return, there was someone else who hated it with just as much of a passion.)

Months after the show ended, Twin Peaks: The Return continues to haunt many viewers. As the Man From Another Place once told Agent Cooper, “She is full of secrets.” When the show ended, many of the show’s mysteries were left unsolved. Really, we shouldn’t have been surprised. As a filmmaker, David Lynch has always been most interested in mysteries than solutions. What happened to Audrey? Why did Laura/Carrie scream? At the end of the show, was Dale trapped in another world or another time? Was BOB really destroyed?

Interestingly, David Lynch actually provided viewers with two endings. The first ending, which occurred halfway through Part 17, was an ending that would have been perfect for a television show. Dale Cooper, back to normal, defeated the bad guys and was reunited with all of his friends. The second ending — also known as Part 18— was a much more Lynchian ending as two strangers took a road trip to nowhere. Part 17 gave us hope for the future. Part 18 ended with a dark reminder that the past cannot be changed, no matter how much we obsess over it. For me, Part 18 was the most important chapter of Twin Peaks: The Return. Part 8, of course, is the chapter that got and continues to get all the attention. And Part 8 was probably one of the greatest stand-alone episodes in television history. But, when considering the reoccurring themes of Twin Peaks: The Return and all of Lynch’s work, Part 18 was far more important.

What’s interesting is that, while the show ended on a dark note, Twin Peaks: The Return was often Lynch at his most optimistic. For all the terrible things that happened, the show also featured a reoccurring theme of redemption. Two of the original show’s most villainous characters — Dana Ashbrook’s Bobby Briggs and Richard Beymer’s Ben Horne — were reintroduced as two of the most sympathetic characters to be found in The Return. Agent Cooper finally escaped from the Black Lodge and not only got a chance to redeem himself by destroying Bob but he also destroyed his evil Double. He even got a chance to turn Dougie Jones into a good husband, father, and employee.

In the end, it would appear that Cooper’s only mistake was thinking that he could change the past. He may have saved Laura but, in doing so, he just transformed her into Carrie, an unbalanced woman living in a house with a dead body on the couch. As her final scream confirmed, he could save her life but he couldn’t erase her pain. The past is the past but the future can always be better.

Of course, it wasn’t just the characters on the show who won redemption. The cast of Twin Peaks: The Return was truly amazing and, by the time the show ended, my opinion of several performers had changed forever. Who would ever have guessed that Jim Belushi would end up being one of my favorite characters? Or that Michael Cera would turn Wally Brando into a minor cult hero? Or that David Lynch would prove to be as good an actor as he is a director? Or that Balthazar Getty would get a chane to redeem his less than impressive work in Lost Highway with a chilling performance as the newest face of Twin Peaks corruption? Even the returnees from the original show — Dana Ashbrook, Wendy Robie, Sheryl Lee, Harry Goaz, Kimmy Robertson, Russ Tamblyn, Everett McGill, Peggy Lipton, Grace Zabriskie, James Marshall, Madchen Amick, and others — were given a chance to reveal new depths of character. Veterans like Robert Forster, Ashley Judd, Laura Dern, Don Murray, Jennifer Jason Leigh, Naomi Watts and Tim Roth shared the stage with newcomers like Chrysta Bell and Eamon Farren and they all came together to create an unforgettable world.

You could even argue that Twin Peaks: The Return was a comeback of sorts for Kyle MacLachlan. Hollywood has never seemed to really understand how to best use this appealing but quirky actor. Twin Peaks: The Return provided him with a chance to show what he can do, giving him not just one but three characters to play.

Twin Peaks: The Return gave us one final chance to appreciate some talented people who are no longer with us. Harry Dean Stanton was the face of old-fashioned decency. Miguel Ferrer provided snarky commentary, letting the audience know that the show understood how strange it was. Warren Frost returned briefly, still as reliable as ever as Doc Hayward. And Catherine E. Coulson, who was so often Lynch’s muse, got to play the role one more time.

(Jack Nance, Don S. Davis, Frank Silva, and David Bowie all made appearances as well, a reminder that they may no longer be with us but they will never be gone.)

In the end, it seems appropriate to end this post with a picture of Ed and Norma, finally together. The world of Twin Peaks: The Return was frequently a dark one but sometimes, love won.

Tomorrow, my look back at 2017 continues with my picks for my favorite songs of 2017.

Previous entries in the TSL’s Look Back at 2017:

TV Review: The X-Files 11.1 “My Struggle III” (dir by Chris Carter)

Posted on January 3, 2018 by Lisa Marie Bowman

Well, let’s get this over with…

(Seriously, if I ever get tired of “Stay supple!,” that’ll probably be my new catch phrase…)

As you my remember, way back in 2016, I reviewed the 10th season of The X-Files. With the exception of the episode that featured Rhys Darby, I didn’t care much for it. In fact, the episode that was set in Texas almost drove me to throw a shoe at the TV. However, the 10th season did end with a big cliffhanger and, since I hate the idea of a story going unfinished, I knew I would have to watch the 11th season whenever it premiered. And I also knew that I’d have to review it because that’s what I do.

Well, tonight, the 11th season premiered. Armed with as much knowledge as one can hope to gain from scanning Wikipedia, I twice watched My Struggle III.

The episode began with a lengthy monologue from the Cigarette Smoking Man (William B. Davis), in which he talked about how, if the American people knew about what was truly going on in the darkest corners of the government, there would be riots in the streets. Personally, I love conspiracy theories and I’m generally opposed to all forms of controlling legal authority so I enjoyed that part of the show. The episode managed to work footage of every U.S. President except for Obama into the opening conspiracy montage. Personally, if I had edited the show, I would snuck Obama in there just to mess with people and their expectations. But that’s just me!

Anyway, as much fun as that little conspiracy monologue may have been, I was more concerned with how the show was going to deal with the fact that the world literally ended at the end of season 10. Well, it was quickly revealed that nothing that happened during My Struggle II actually happened. Instead, it was all just a vision that Scully had. Apparently, it’s a premonition of what will happen unless Mulder … does something.

Does what exactly? I’m not sure and, to be honest, I’m not really sure that the show does either. I understand that this episode is meant to be part of a bigger mythology and, as a result, it was supposed to be a bit open-ended. However, as I watched My Struggle III, I got the feeling that the episode was mostly just something that was hastily whipped up so that the show could do away with season 10’s disastrous finale. And it was hard not to feel that, narratively, the show took the easy way out.

The majority of the episode was made up of Mulder driving his car from location to location, searching for the Cigarette Smoking Man. This led to Mulder breaking into a mansion and having a conversation with Mr. Y (Alexandre Campion) and Erika Price (Barbara Hershey) about aliens and the secret history of the world. To be honest, it was kind of boring and it didn’t really hold my attention.

Meanwhile, the Cigarette Smoking Man and Agent Reyes (Annabeth Gish) were having a conversation with Skinner (Mitch Pileggi). During the conversation, the Cigarette Smoking Man revealed that he, and not Mulder, is the true father of Scully’s son, William.

And twitter exploded in rage.

Don’t fear, twitter! There’s always a good chance that next week’s episode will open with the Cigarette Smoking Man revealing that he actually isn’t the father or maybe it’ll just turn out that someone else was having a vision. By dismissing season 10’s cliffhanger as just being a dream (or a vision or premonition or whatever), The X-Files has reminded us that nothing on the show actually means anything. Who needs to maintain continuity or narrative integrity when you can just shrug and say, “Well, y’see, it’s all a part of the conspiracy…”

(As I watched tonight’s episode, I found myself thinking about Twin Peaks: The Return. No matter how weird or convoluted Twin Peaks got, I still never doubted that David Lynch did have a definite destination in mind. That’s not a feeling that I got from tonight’s episode of The X-Files.)

Now, here’s the good news! I have heard, from people who I trust, that the upcoming episodes are nothing like the premiere. Apparently, the premiere was one of those “we have to do it” things. The upcoming episode will be stand-alone episodes, much like the one where Mulder met the Were-Monster.

So, with that in mind, I will tune in next week to see if episode 2 is any better than episode 1.

Will you?

TV Review: The Walking Dead 8.8 “How It’s Gotta Be” (dir by Michael E. Satrazemis)

Posted on December 10, 2017 by Lisa Marie Bowman

SPOILER ALERT! DO NOT READ THIS REVIEW UNLESS YOU’VE WATCHED THE LATEST EPISODE OF THE WALKING DEAD! SERIOUSLY, I’M NOT KIDDING!

Right now, I would say that 75% of The Walking Dead fandom is heartbroken. The end of tonight’s episode has generated some very real angst among some people.

As for me, I’m actually feeling rather proud of myself because I predicted that all this would happen. I predicted it way back on November 5th and I’ve even got the tweet to prove it. But, before I go on, I think it might be good to consider the words of a song from 1965. Here are the Poets with That’s Way It’s Got To Be:

See, it all gets back to what has always been the underlying theme of The Walking Dead. Nobody is going to get out of this show alive. It doesn’t matter how good you are. It doesn’t matter how likable you are. It doesn’t matter how much the audience loves you. Everyone on this show is eventually going to die. The only question is whether someone will be around to keep them from reanimating afterward. Negan, Rick, Maggie, Carol, Daryl, Michonne, Eugene … none of them are going to get out of this alive. Death will come for everyone eventually and tonight, it appears that it’s coming for Carl.

As I tweeted on November 5th…

I don't think they have much choice but to kill Carl off on #TheWalkingDead. Chandler Riggs is aging faster than the show's storyline.

— Lisa Marie Bowman (@LisaMarieBowman) November 5, 2017

Tonight’s episode featured a lot of Carl. When Negan and the Saviors showed up at Alexandria and demanded that Rick be given to them, Carl is the one who offered to sacrifice his life so that the rest could live. (And, of course, we now know why Carl was willing to do that. He literally had nothing to lose.) When the Saviors were blowing up Alexandria, we watched as Carl made his way through the flaming wreckage of his former home. Throughout the show, we got flashbacks of Carl arguing with Rick about Rick’s harsh philosophy. Tonight, we saw more of Carl then we’ve seen in a while and I spent the whole show assuming that meant that Carl was probably not going to come to a good end…

But still, it’s hard to overstate the emotional impact of seeing Carl there at the end, bitten by a walker and fighting to breathe. As Chris Hardwick and Khary Payton stated at the start of Talking Dead, Chandler Riggs really did grow up over the past few seasons of The Walking Dead. It’s always kind of been easy to make jokes at Carl’s expense. Early on in the show, it always seemed inevitable that he would end up getting lost or picked up the by the wrong people. Whenever I live tweeted those early seasons of The Walking Dead, I almost always suggested that the ideal solution to almost any problem would be to sacrifice Carl. But tonight, Chandler Riggs showed why Carl has become a favorite of many fans of this show. The episode ended with Carl still alive but fading. Will he die? I really don’t see how he can’t. He’s been bitten on his side so it’s not like they can just chop off a limb, like they did with Herschel. If the show is to have any integrity, Carl has to die and he will be missed.

Up until that final scene with Carl, tonight’s episode could have just as easily been called “Everyone Better Do What Rick Says.” Darryl took it upon himself to crash that truck into wall of the Sanctuary, which is actually what Rick did not want him to do. As a result, the Saviors escaped, were able to launch a counter attack, destroy Alexandria, and take over The Kingdom. Carl, meanwhile, went off on his own, helped out Siddiq, and ended up getting bitten for his trouble. From now on, everyone better listen to Rick.

Rick got the line of the night when he asked Negan, “Don’t you ever shut the Hell up?” That’s something that I’ve been wondering for a season and a half now. Tonight, Negan actually lived up to his fearsome reputation. As for the other Saviors, Simon made me say, “Oh God, this fucking guy again…” as soon as he got out of that truck and Gavin came across like a teacher trying to control an unruly classroom. I guess Dwight is officially a part of Rick’s group now.

This was sometimes a hard episode to watch, not because it was bad but because it literally took place in the dark. All of the action played out at night and the show actually did good job of using the darkness to its advantage. There was an eerie and horrible beauty to scenes of Alexandria burning to the ground.

But you know what?

In the end, all anyone is going to remember about this episode is that final scene with Carl.

That’s the way it’s got to be.

And with that, The Walking Dead is on hiatus. Season 8 will resume in 2018 and so will our coverage!

TV Review: The Walking Dead 8.7 “Time For After” (dir by Larry Teng)

Posted on December 9, 2017 by Lisa Marie Bowman

This review of the latest episode of The Walking Dead is an example of better late than never. This episode aired nearly a week ago but I’m only now getting around to watching it. As I sit here watching and typing this review, it is 2 a.m., Saturday morning. I’ve just returned from attending two Christmas parties. I was actually thinking about getting some sleep for once, but then I suddenly realized that I still had an episode of The Walking Dead to watch!

That, of course, wouldn’t have happened in the past. When The Walking Dead first started, there would have been no way that I would have waited a week to watch the latest episode. That was before the show settled into its current glacial pace. At this point, it typically takes this show so long to get from point A to point B that viewers like me spend entire episodes asking, “Are we there yet?”

For example, as I sit here typing this, I am watching Daryl, Michonne, Rosita, and Tara debating about whether or not they should attack the Sanctuary or if they should wait for Rick. (Rick is currently being held prisoner by the trash people.) Morgan just walked up and said that he’s tired of talking and he just wants to take action. YES, MORGAN, YES! For God’s sake, let’s end the debate and just do something! No, we don’t need to hear about how Michonne “believes in Rick Grimes.” We don’t need to hear about how everyone felt when they saw Sasha in that box. We already know all of this because we’ve spent two seasons listening to everyone have this exact same goddamn conversation over and over again! Just do something!

The episode is now over and, in all fairness to the show, it should be noted that Daryl did finally do something. He and Tara crashed a truck through a wall of the Sanctuary, allowing a mass of walkers to enter and chow down on a few Saviors and, even more importantly, it forced the Saviors to waste their bullets defending themselves. However, since Daryl took this action on his own as opposed to waiting for Rick to get out of the trash prison, the show still had to present it as being some sort of mistake. The show has too much invested in presenting Rick as being a strategic genius to actually acknowledge that anyone else could actually have a good idea.

Watching the walking dead feast on his new Savior buddies was apparently enough to convince Eugene to (once again) declare his loyalty to Negan. Despite his recent troubles, Negan still seems to be having fun. Fortunately, the show’s writers seem to have finally figured out that Negan is more effective the less we see of him. As for Eugene, well — he’s Eugene. This episode featured peak Eugene. If Eugene’s overly convoluted syntax occasionally makes you want to rip your hair out, you were probably bald by the end of this episode. You have to respect Josh McDermitt’s commitment to the role. Eugene may be annoying but McDermitt plays the Hell out of him. Eugene’s ultimate loyalties, of course, still remain questionable. He knows that Dwight betrayed the Saviors but he still hasn’t told Negan. He showed some sympathy to Father Gabriel (who is apparently dying because he covered himself with intestines a few episodes ago) but he still declared that he was loyal only to himself.

As for Rick, he did eventually get out of the trash prison and convinced Jadis to join him in his fight against Negan. Jadis was impressed when Rick killed a walker gladiator. Jadis also wants to sculpt Rick. How are the trash people not dead yet?

(Apparently, the trash people prefer to be known as Scavangers. However, I’m going to continue to call them trash people because they annoy da fug out of me.)

Anyway! This episode ended with Rick and the trash people rolling up on the Sanctuary. Oh my God! There’s a hole in the Sanctuary! There’s no walkers! Uh-oh, Daryl did something on his own! Rick’s never going to let that go…

One more episode before The Walking Dead goes on its mid-season hiatus! Who will die this Sunday? My prediction: Father Gabriel. The show’s never really figured out what to do with Gabriel so now seems like a good time to let him go down as a martyr.

We’ll see what happens!

TV Review: The Walking Dead 8.6 “The King, The Widow, and Rick” (dir by John Polson)

Posted on November 28, 2017 by Lisa Marie Bowman

Oh, the world of The Walking Dead. The more things change, the more they stay the same.

This season started with everyone finally standing up to the Saviors. For once, Rick and his allies had Negan on the run and, regardless of what you think about season 8 overall, it was certainly satisfying to see the Saviors starting to get a little desperate. Personally, I don’t think it was necessary to devote five episodes to just one battle but the Saviors are such a loathsome group of people that it’s definitely enjoyable to watch them get their asses kicked.

However, even with Rick and his allies declaring full out war, I knew that the action would eventually have to be interrupted by an episode of mourning. Every season of The Walking Dead has at least one episode where everyone looks depressed and either thinks about a lost loved one or obsesses on whether or not there’s room for kindness and compassion in a post-apocalyptic world. When the series started, the mourning episodes were a part of what set The Walking Dead apart from other shows. (Remember when kindly old Dale Horvath was gruesomely attacked by a zombie?) But, eight seasons in, it’s become a bit predictable. Any episode where something big happens is going to be followed by an episode where not much happens at all.

“The King, The Widow, and Rick” is a mourning episode. Everyone has returned from attacking the Saviors and now, with no bullets flying and several minor characters dead (and SHIVA! I’m still sad about that…), it’s time to sit around and reflect. This time, a bit more happened during the reflecting than has happened in previous mourning episodes. Even if this episode still felt like it stretched things out a bit too much, it wasn’t quite as slow as some of the episodes that aired during season 7.

This episode opened like a Ken Burns documentary, with everyone reading letters about the war against the Saviors. It ended with Rick naked and locked up in a shipping container and I was definitely okay with that. Don’t get me wrong about this. I do like Rick but occasionally, there is an arrogance to him that just strikes me the wrong way. He’s a lot like Lost‘s Jack Shepherd. He gives a good speech. He is trying to do the right thing, even if he sometimes resents having to be the leader. But Rick is always so sure of his ability to sway everyone over to his side that it was somewhat satisfying to see the Trash People respond to his latest speech by shrugging their shoulders and then locking him up. I’m not sure why Rick felt the need to, once again, go over to the garbage dump. The attack on the Saviors was a success without the help of the Trash People. My theory is that Rick just can’t accept that not everyone wants to be a part of his alliance.

Meanwhile, at Hilltop, we had another one of those patented Walking Dead debates about whether or not people can survive the end of the world without losing their humanity. Jesus was going out of his way to treat the Savior prisoners humanely. Gregory said the prisoners should be executed. Maggie responded by tossing Gregory in with the prisoners and then saying she would keep them alive so that they could be used for prisoner exchanges in the future. Jesus said he was happy with her decision and … you know what? I like Tom Payne’s performance as the character but I feel like an idiot whenever I call that guy Jesus. Yes, he has a beard. Yes, he’s kind. BUT HIS NAME IS PAUL! The whole “They call you Jesus” thing is so heavy-handed and kinda stupid. Last night, one of the saviors said, “Well, Jesus, I’m no angel,” and I’m glad I didn’t have anything nearby to throw at the TV when he said it.

Anyway, I could have done without all the debate about how to treat the prisoners. We all know that they’re going to end up dead, regardless. The only prisoner that Negan might exchange would be Father Gabriel and, honestly, is getting Gabriel back worth the trouble? Maggie should have just listened to Gregory.

Ezekiel was depressed, as well he should be. SHIVA’S DEAD, DAMMIT! Carol told him to stop feeling sorry for himself and to lead his people. The best part of Ezekiel’s subplot was that Jerry was still standing guard, even though Ezekiel told him to go home.

Carl is apparently not dead. Or, at least, he’s not dead, yet. Instead, he ran off and spent some time hanging out with Siddiq, the man who Rick previously chased away. They killed some walkers and bonded over shared pain.

And, of course, Rosita used a rocket launcher to blow up a savior. That made me cheer. Maybe Maggie should step down and let Rosita lead the Hilltop Colony. There certainly wouldn’t be any debate about what to do with prisoners then! However, for now, Rosita, Michonne, Daryl, and Tara are just doing their own thing. Rick probably wouldn’t approve but Rick’s in a shipping container right now.

Anyway, this wasn’t a bad episode. It may have been a mourning episode but at least it wasn’t just Rick sitting around in a catatonic state while Negan circled around him, giving a speech. That’s the important thing.

Lisa’s Editorial Corner: 10 Things For Which I Am Thankful In 2017

Posted on November 23, 2017 by Lisa Marie Bowman

Well, it’s that time.

Every Thanksgiving, I come up with an even-numbered list of things for which I’m thankful. I know some people are saying that we shouldn’t be thankful for anything this year. These are the people who say that, because they’re miserable, it’s somehow offensive that everyone else isn’t miserable.

But you know what?

Fuck that.

No one tells me what to believe or whether or not I can celebrate a holiday. That freedom is something that I’m very thankful for! Here’s a few more things that I’ve been thankful for this year:

I’m thankful for this site. Arleigh Sandoc founded Through the Shattered Lens in December of 2009 and, about four months later, I posted my very first review on this site. A lot has changed since that first review. New contributors have added their own unique perspectives to this site and I’d like to think that, on a personal level, I’ve grown as a writer since I wrote that first review. But one thing that has always remained consistent is just how much I love doing this. I’ve posted over 4,000 posts on Through the Shattered Lens and I’ve had a blast writing every one of them!

2. I’m thankful for our readers. Seriously, you are the ones who make all of this worthwhile. We currently have somewhere around 28,000 subscribers and to each and every one of you, I say, “Thank you.” Thank you for reading and thank you for commenting. Just as I hope I’ve introduced some of you to some new movies, quite a few of you have also inspired me to take a second and third look at some of the films I’ve reviewed.

3. I’m thankful for all of the brave women (and men) who have shared their stories in an effort to make this world a safer place.

4. I’m thankful that this was the year of Twin Peaks. On this site, starting with the original series and extending all the way through the end of the Showtime revival, we shared our thoughts on everything Twin Peaks this year. Years from now, we’ll still be debating why Laura screamed.

5. I’m thankful that this has been a great year for genre films. While so many of the year’s “prestige” films fell flat, 2017 will always be remembered as the year of War of the Planet of Apes, Wonder Woman, The Lego Batman Movie, Beauty and the Beast, Split Kong: Skull Island, Get Out, It, Spider-Man, The Big Sick, Logan, and Thor: Ragnorak.

6. I’m thankful for networks like TCM, which introduce classic movies to new viewers.

7. I’m thankful for my friends in the Late Night Movie Gang. Every Saturday night, we watch a movie. Sometimes the movie is bad and sometimes, the movie is really bad. But we always have a blast.

8. I’m thankful that, in just another few weeks, I’ll be able to see The Disaster Artist.

9. I’m thankful for the artists who, in this time of rampant conformity, are still fighting to maintain their own unique and individual vision.

10. I’m thankful for Chinese food. Seriously, who doesn’t love Chinese food?

Happy thanksgiving!

TV Review: The Walking Dead 8.5 “The Big Scary U” (dir by Michael Strazemis)

Posted on November 19, 2017 by Lisa Marie Bowman

Could it be that I just watched a Negan-centric episode of The Walking Dead that wasn’t terrible?

It’s true! I’ll admit that I rolled my eyes a bit when I saw that tonight’s episode was going to be about Negan and the Saviors. Last season, though there were a few exceptions (particularly the episode where Eugene was first taken to the Sanctuary), the Savior episodes were my least favorite. But tonight’s episode was actually pretty good.

That doesn’t mean that it was great, of course. To be honest, I’m not totally sure that you could ever have a truly great Savior episode. Whenever I watch the Saviors, I always find myself thinking about The Others on Lost. One reason why the Others were such a fascinating group was because they weren’t just one-dimensional villains. Whenever one of the Others would say something like, “We’re the good guys,” you could actually see their point. There’s never been that type of ambiguity when it comes to the Saviors. Negan is an asshole. He has chosen to surround himself with other assholes. They were all probably assholes before the zombie apocalypse and they’ll continue to be assholes until Sanctuary is eventually overrun by walkers.

With all that in mind though, this was still a pretty good episode. If nothing else, this episode made it a little bit clearer why people started following Negan in the first place. Even when Negan was trapped in the trailer with Father Gabriel, he did not allow himself to show any fear. Instead, he was actually able to persuade Gabriel to make a run with him for the Sanctuary. Even his confession to Gabriel about his first wife mostly served to reveal that Negan is a master manipulator. He shared just enough to keep Gabriel intrigued. After spending almost all of previous season bellowing, Jeffrey Dean Morgan dialed things back just enough to make Negan interesting again. For that matter, tonight’s episode finally gave Seth Gilliam to show what he’s capable of when he’s actually given a decent line or two.

In the trailer, Negan told Gabriel that the Saviors would undoubtedly end up killing each other if they thought he was dead. That may have sounded arrogant at the time but it quickly turned out that Negan was correct. I think that’s also going to be the Saviors’s downfall. By literally setting himself up as the strongest man in the Sanctuary, Negan has also ensured that the Saviors are lost without his presence and direction. While all of his lieutenants may go out of their way to imitate Negan’s style, none of them have his leadership skills. It doesn’t matter how much Simon and Regina insist otherwise. They may say “I am Negan,” but everyone know that they’re not. That said, Negan’s sudden appearance after everyone had assumed he was dead will probably leave him in an even more powerful position. All messiahs return from the dead and Negan even returned with a man of God!

As for the rest of the episode, I didn’t really get the whole point of Rick/Darryl fight. (It did, of course, remind us of the difference between Rick and Negan. Rick forgave Darryl, something Negan would view as being a sign of weakness.) Josh McDermitt is obviously having a blast as Eugene. Eugene may be a traitor but McDermitt’s performance still makes me smile every week. And then there was weaselly Gregory, of course. I think we’re all ready to see a bunch of walkers pounce on Gregory.

As I watched tonight’s episode, I found myself making a few more predictions about the rest of season 8:

There’s no way that Gabriel is still going to be alive at the end of this season. He is so being set up for martyrdom.
If they get Dr. Carter back to Hilltop, does that mean that Maggie will finally have her baby?
Judging from the flashback/flashforward structure of this season (and the fact that they’re going to have to explain why Carl no longer looks like he’s 13 years old), I’m going to guess that there will be a considerable time jump between season 8 and season 9. Either that or Zombie Carl’s going to show at some point soon…

As always, we’ll see what happens!

TV Review: The Walking Dead 8.4 “Some Guy” (dir by Dan Liu)

Posted on November 12, 2017 by Lisa Marie Bowman

(SPOILERS)

(YOU GET THE IDEA?)

My heart is broken.

It’s funny. If Ezekiel had been the one to die, I don’t think it would have upset me as much. If Carol had died, I would have been sad but tears would not have sprung to my eyes. Rick? Hey, Rick should have died a long time ago. I wouldn’t have gotten upset. I would have said, “That’s life. No one’s safe.”

Instead, Shiva died and now my heart is broken.

What’s funny is that TSL co-founder and editor-in-chief Arleigh Sandoc warned me that Shiva was probably not going to survive. Based on what he had seen in the comic, he told me exactly what was going to happen to her. So, I can’t say that I was totally surprised. Even if Arleigh hadn’t warned me, I remember the walkers eating that horse during the first season. I know that animals aren’t safe in the world of The Walking Dead.

Still, it broke my heart.

Maybe it’s because I’m a cat person. Maybe it’s because Shiva died protecting her master, which is not exactly typical cat behavior. Ezekiel was at his weakest when Shiva sacrificed her life for him. And now that Shiva’s gone, Ezekiel is going to have to learn how to be a leader without her help. Before she died, he was shouting that he wasn’t a king. He shouted that he was just some guy who found a cat. The cat’s gone. Can Ezekiel prove that he deserves to be known as “your majesty?”

If not, maybe Jerry can step up and lead The Kingdom. Tonight, I was really impressed with Jerry and the actor who plays him, Cooper Andrews. They both did a great job. I know some people would say that Ezekiel should give the keys of the kingdom to Carol but I wouldn’t suggest that. Carol’s a badass but I still get the feeling that she’s just a day or two from snapping and killing everyone she sees.

As for the rest of tonight’s episode … who cares? Shiva’s dead…

Okay, okay, I know. I’m a semi-professional blogger! I need to get through this post and mourn later. Okay, just a few observations:

Does everyone just have an unlimited supply of bullets all of the sudden? One of the few things that I liked about the previous season is that the show did try to realistically deal with the fact that there aren’t many supplies in the post-apocalyptic world. But this season, everyone just seems to be shooting guns for the Hell of it. I’m not an expert on firearms but I do know that bullets aren’t like knives or arrows. They can only be used once.

So, I guess Rick is suddenly an action hero! I’m not complaining. A Rick who can suddenly jump into a speeding jeep is still preferable to a mopey, indecisive Rick who can’t bring himself to fight back.

Let’s give it up for Khary Payton, who did a great job tonight! Ezekiel is a character who I’ve sometimes found to be annoying but Payton did a great job. I think one reason why it was so unsettling to see Ezekiel acting so desperate was because The Kingdom has always provided the grim world of The Walking Dead with a little bit of fantasy. It’s always served as an escape from all the terrible things going on in the rest of the world. It’s very existence is a tribute to the power and importance of imagination. Seeing the fantasy shattered was not easy and that’s something Payton wonderfully captured in his performance.

This season’s flashback structure actually paid off tonight. I’m occasionally skeptical of shows that do the whole nonlinear timeline thing because I often feel that it’s just a gimmick, as opposed to really necessary storytelling device. But tonight, seeing the contrast between the confident Ezekiel and the nearly defeated Ezekiel was undeniably powerful.

Speaking of nearly defeated Ezekiel, what about that Savior asshole who was holding him prisoner? Oh my God, that guy had to be the most annoying bad guy ever! I was so happy when Jerry split him in two.

Tonight’s episode was not bad. It was exciting. The pace didn’t drag. And it made me cry.

Shiva, R.I.P.

TV Review: The Walking Dead 8.3 “Monsters” (dir by Greg Nicotero)

Posted on November 5, 2017 by Lisa Marie Bowman

Before watching tonight’s episode of The Walking Dead, I was starting to worry that I might be impossible to please.

I spent all last season complaining that The Walking Dead was too talky and slow-paced. Then last week’s episode was pretty much nonstop action and I ended up getting bored out of my mind, largely because I didn’t feel like I had any sort of emotional stake in any of the characters. When tonight’s episode started, I was literally wondering if perhaps I’m destined to never be truly satisfied with anything that happens on The Walking Dead.

When the episode started with the attack still going on and Morales and Rick still talking, I was a little bit concerned. I was really worried that the entire episode was just going to be the two of them discussing what constitutes morality during the zombie apocalypse. I honestly didn’t remember much about who Morales was so I have to admit that I wasn’t terribly affected by his tales of woe and death. Morales explained that he lost everyone. Rick mentioned that he had lost a lot of people that he cared about. (Rick didn’t mention that most of them died as the result of Rick being a terrible strategist but no mater.) I was really starting to get concerned that the conversation was never going to end but then Daryl showed up and killed Morales. Thank you, Daryl. From now on, whenever a minor character threatens to hijack an episode, Daryl kills them. That’s the new rule.

The episode definitely picked up after the death of Morales. In fact, thing got so much better after Morales died that I almost felt as if, by killing Morales, the show’s producers, writers, and directors were specifically telling us, “Don’t worry. We learned our lesson last season. We’re not going to let random characters wander in and take over the show this season.”

As for the rest of the episode, I know that many would probably say that the fight between Morgan and Jesus was a highlight and I’ll agree that it was a very well-done sequence. (It helped that it was combined with scenes of Rick and Daryl fighting their own battle, for once giving us a chance to understand where all of these characters are in relation to each other.) The scenes with Aaron and Eric were definitely the episode’s emotional high point and the sight of Eric wandering around as a walker served as nice reminder that, before it all became about Negan and Alexandria, The Walking Dead a show about … well, the walking dead.

For me, though, the best part of tonight’s episode was Gregory showing up at Alexandria and begging to be allowed to come back in. Maggie, of course, immediately noticed that Gregory was driving Father Gabriel’s car. Gregory lied and said that he had just found the car. (Of course, we all know that he deserted Gabriel, leaving him with Negan.) When Maggie said that Kal had told them that Gregory went to see Negan, Gregory announced that Kal couldn’t be trusted.

Suddenly, Kal leaned over the side of the wall.

Gregory looked up at him. “Kal,” he sad.

Kal gave Gregory the finger.

Now, it may be a case of me being easily amused but that one hand gesture made the entire night for me. It was so simple and yet so appropriate that it was pure genius. If Gregory had been caught telling lies about Rick, Rick would have launched into a speech about why no one is allowed to lie in this new world. If Gregory had been caught telling lies about Negan, we would have had to spend three episodes listening to Negan’s lecture. Gregory got caught telling lies about Kal and Kal responded quickly, silently, and efficiently. Everyone on The Walking Dead should try to be more like Kal.

Anyway, Maggie did let Gregory back into the compound. Rick probably would have shot Gregory in the head. Maggie does things differently.

Speaking of which, at the end of the show, Rick promised a savior that he would be allowed to escape if he would just tell Rick and Daryl where they could find a case of guns. The savior told them and Daryl promptly shot him in the head. I can’t say that I blame Daryl. That’s just the way things work in the heartless world of The Walking Dead.

Anyway, despite a shaky start, this episode turned out pretty well. It was certainly a huge improvement on the previous two episodes of this season.

Allow me to end this review with a question and prediction.

First, the question: “Where’s Carl?”

A prediction: The first half of season 8 will end with a zombiefied Carl walking towards Rick. I know that would be a major departure from the comic book but, honestly, it makes sense. On the show, only two or three years have passed since Rick woke up from that coma. In the real world, it’s been nearly 8 years and Chandler Riggs isn’t getting any younger.

We’ll see what happens!