2016 in Review: The Best of Lifetime


Today, I continue my look back at the year 2016 with the best of Lifetime!  Below, you’ll find my nominations for the best Lifetime films and performances of 2016!  Winners are starred and listed in bold!

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Best Picture
Bad Sister, produced by Robert Ballo, Timothy O. Johnson, Rukmani Jones, Ken Sanders
The Cheerleader Murders, produced by Sharon Bordas, Arthur Edmonds III, Hannah Pillemer, Fernando Szew, Jennifer Westin
Girl in the Box, produced by Stephen Kemp, Charles Tremayne, Thomas Vencelides
Inspired to Kill, produced by Johnson Chan, Michael Fiefer, Douglas Howell, Stephanie Rennie, Vincet Reppert, Nathan Schwab, Tammana Shah, Shawn Tira
Manson’s Lost Girls, produced by Nancy Bennett, Kyle A. Clark, Lawrence Ducceschi, Joan Harrison, Jonathan Koch, Stephen Kronish, Steven Michaels, Lina Wong
Mommy’s Little Girl, produced by Tom Berry, Steve Boisvert, Neil Bregman, Cinthia Burke, Christine Conradt, Curtis Crawford, Pierre David, Donald M. Osborne, Andrew E. Pecs
*A Mother’s Escape, produced by Sharon Bordas, Lori Bell Leahy, Michael Leahy, Kristofer McNeeley, Fernando Szew
My Sweet Audrina, produced by Dan Angel, David Calvert-Jones, Harvey Kahn, Kane Lee, Tom Mazza, Mike Rohl, Jane Startz
The Night Stalker, produced by Matthew R. Brady, Patrick G. Ingram, Michel Rangel, Alisa Tager
The Wrong Car, produced by Mark Donadio, Miriam Marcus, Molly Martin, Michael O’Neil

Best Director
Doug Campbell for Bad Sister
Megan Griffiths for The Night Stalker
*Blair Hayes for A Mother’s Escape
David Jackson for The Cheerleader Murders
Leslie Libman for Manson’s Lost Girls
Mike Rohl for My Sweet Audrina

Best Actress
*Tara Buck in A Mother’s Escape
India Eisley in My Sweet Audrina
MacKenzie Mauzy in Manson’s Lost Girls
Alyshia Ochse in Bad Sister
Karissa Lee Staples in Inspired To Kill
Addison Timlin in Girl in the Box

Best Actor
Zane Holtz in Girl in the Box
Lou Diamond Phillips in The Night Stalker
*Eric Roberts in Stalked By My Doctor: The Return
Antonio Sabato, Jr in Inspired To Kill
Jason-Shane Scott in The Wrong Roommate
Jeff Ward in Manson’s Lost Girls

Best Supporting Actress
*Toni Atkins in My Sweet Audrina
Eden Brolin in Manson’s Lost Girls
Zoe De Grande Maison in Pregnant at 17
Beth Grant in A Mother’s Escape
Ryan Newman in Bad Sister
Zelda Williams in Girl in the Box

Best Supporting Actor
Blake Berris in Wrong Swipe
Rogan Christopher in Pregnant at 17
*Rhett Kidd in The Wrong Car
Christian Madsen in Manson’s Lost Girls
William McNamara in The Wrong Roommate
James Tupper in My Sweet Audrina

Best Screenplay
Bad Sister, Barbara Kymlicka
*The Cheerleader Murders, Matt Young
Girl in the Box, Stephen Kemp
Mommy’s Little Girl, Christine Conradt
A Mother’s Escape, Mike Bencivenga, Blair Hayes, Kristofer McNeeley
My Sweet Audrina, Scarlett Lacey

Best Cinematography
The Cheerleader Murders, Denis Maloney
Mommy’s Little Girl, Bill St. John
*A Mother’s Escape, Samuel Calvin
My Sweet Audrina, James Liston
The Night Stalker, Quyen Tran
The Wrong Car, Terrence Hayes

Best Costuming
Girl in the Box, Barb Cardoso, Tania Pedro
Manson’s Lost Girls, Dorothy Amos
*My Sweet Audrina, Farnaz Khaki-Sadigh
The Night Stalker, Rebecca Luke
The Red Dress, Sophie Pace
Toni Braxton: Unbreak My Heart, Mary McLeod

Best Editing
The Cheerleader Murders, Eric Potter
Girl in the Box, Julian Hart
Manson’s Lost Girls, Josh Hegard
*A Mother’s Escape, Travis Graalman
My Sweet Audrina, Charles Robichaud
The Night Stalker, Celia Beasley

Best Makeup and Hairstyling
Girl in the Box, Claudia Breckenridge, Jen Fisher, Oriana Rossi, Alex Rotundo, Collette Tolen
Killing Mommy, Cinthia Burke, Christie Capustinsky, Kevin Crawley, Kirsten Fairfield, Margaret Harding-Crawley, Corey J. Stone
*Manson’s Lost Girls, Jenni Brown Greenberg, Randi Mavestrand, Kelly Muldoon, Natalie Thimm
A Mother’s Escape, Jenny Hausam, Toni Mario
My Sweet Audrina, Alannah Bilodeau
Toni Braxton: Unbreak My Heart, Tara Hadden-Watts, Alexandra Holmes

Best Original Score
911 Nightmare, David Findlay
*The Cheerleader Murders, Cladue Foisy
Inspired To Kill, Brandon Jarrett
A Mother’s Escape, Todd Haberman
My Sweet Audrina, Graeme Coleman
The Wrong Car, Ed Grenga

Best Production Design
Bad Sister, Lia Burton, Danielle Lee
Girl in the Box, Andrew Berry, Jere Sallee
*Manson’s Lost Girls, Cynthia E. Hill, Linda Spheeris
A Mother’s Escape, Zackary Steven Graham
My Sweet Audrina, Tink, Janessa Hitsman
Toni Braxton: Unbreak My Heart, James Robbins, Courtney Stockstad, Amanda Christmas

Best Sound
*Center Stage: On Pointe
The Cheerleader Murders
Honeymoon from Hell
I Have Your Children
Inspired to Kill
Toni Braxton: Unreak My Heart

Best Visual Effects
Final Destiny
*Flashback
House of Darkness
The Inherited
Little Girl’s Secret
The Watcher

Congratulations to all the nominees and thank you for keeping us entertained in 2016!

Want to see my picks for the best of Lifetime in 2015?  Click here!

And if you want to see my picks from 2014, click here!

Tomorrow, I’ll continue my look back at 2016 with the 16 worst films of the year!

Previous Entries In The Best of 2016:

  1. TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between
  2. Anime of the Year: 2016
  3. 25 Best, Worst, and Gems I Saw In 2016
  4. 2016 in Review: The Best of SyFy

Film Review: The Red Dress (dir by Leif Bristow)


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As I was watching The Red Dress, I found myself thinking that it had to be one of the most deliberately paced Lifetime film that I had ever seen.  It moved slowly, taking its time to tell its story and, as far as I could tell, attempting to build up a certain atmosphere of existential doom.  (In many ways, it reminded me of the trailer for Angelina Jolie’s By The Sea.)  It really wasn’t paced right for TV but that’s probably because it really wasn’t made for TV.

From the occasionally blanked out lines of dialogue to a blurred hint of sideboob, it was obvious that The Red Dress was a theatrical film that somehow ended up making its American premiere on the Lifetime Movie Network.  What would have worked just fine when watched in one uninterrupted 90 minute viewing worked less well when stretched out to two hours and frequently interrupted by commercials for Liberty Mutual Insurance.  The film, itself, frequently plays with time and makes heavy use of flashbacks.  It’s not necessarily a complicated story but it’s still one that requires a bit of concentration.  It’s not always easy to concentrate when you have to deal with a commercial about an insane person who named her car Brad.

As for the story that the movie tells, Patricia (Rachel Skarsten) and Rainer (Callum Blue) are young, rich, married, and maybe in love.  Of course, Patricia did have an affair with Rainer’s business partner, James (Sean Maguire).  And, after Patricia announced that she was pregnant, Rainer did start to feel like “an appendage.”  As for the baby, it died in a mysterious fire that may or may not have been arson.

With Patricia in a deep depression, Rainer suggests that they move to a beachfront house in Malta.  It’s here that Rainer can spend all of his time floating in the pool and Patricia can deal with the constant nightmares that make it impossible for her to sleep.  At times, being in Malta seems to bring the spark back to their marriage.  But then there are other times when Patricia suspects that Rainer is keeping a secret from her.

And then there’s the mysterious girl who Patricia keeps seeing.  The girl seems to always be heading towards a castle that lies in the distance, lit up with a crimson glow that makes it seem like it belongs in a Jean Rollin film or maybe Inception‘s Limbo.  Patricia suspects that the girl may have been kidnapped by the mysterious local hunter, Angelo (John Rhys-Davies).  Rainer, however, seems to believe that the solution to everything is for Patricia to take more pills.

The Red Dress doesn’t really work as a film, largely because Rainer and Patricia are such unlikable characters that you really don’t care what happens to them.  Far too often, they put the idle into idle rich.  As well, the film’s final twist is not as much of a surprise as the film seems to think it is.  You’ll see it coming.  That said, I did like the look of a film.  Malta is a great location and the film takes advantage of that fact.

As for the film’s title, it refers to a dress that Patricia wears in a few of the flashbacks.  And you know what?  It is a really nice dress.