A Blast From The Past: Contract For Life (dir by Joseph Pevney)


Our regularly scheduled review of Friday the 13th: The Series will not be posted tonight so that we might bring you this special presentation….

My retro television reviews will return next week.  For tonight, check out 1984’s Contact For Life, an earnest and actually pretty well-acted short film about teenagers and drunk and driving.  Yes, that is William Zabka in the thumbnail below.  I imagine that Zabka is the main reason most people would watch this film today.  He plays a slightly nicer version of Johnny Lawrence in this film.  Be careful about getting too attached to him.

The film also features a hockey practice where everyone apparently practices getting hurt by deliberately falling on the ice and then slamming against a wall.  Ouch!  That game will never make sense to me.  (Sorry, Leonard.)

Without further ado, here is Contract For Life!

Nightwing (1979, directed by Arthur Hiller)


Cattle and humans are dying in New Mexico at an alarming rate.  Scientist Phillip Payne (David Warner) thinks that the local bat population has become infected with the plague.  Deputy Youngman Duran (Nick Mancuso) thinks that the bats may be attacking because of a curse that was cast by a Hopi medicine man.  Meanwhile, the corrupt tribal chief (Stephen Macht) just wants to sell the land to an evil land developer (Ben Piazza) and be done with it.  Dr. Anne Dillion (Kathryn Harrold) tries to spread the word about the bats but the authorities don’t want the bad publicity.  They’ve never seen Jaws.  And, finally, a group of missionaries camp in the desert with no idea what’s about to swoop down on them.

I don’t know about you but I would never think of missing an Arthur Hiller horror movie!  While many directors in the 70s proudly wore the auteur and rebel label, Arthur Hiller went the opposite route.  He oversw conventional, Hollywood productions, the best known of which was Love Story.  Arthur Hiller was so mainstream that he eventually served as President of the Academy.  This is all to say that Arthur Hiller directed some good films and he directed some bad films but, with his total lack of any sort of personal vision, he was absolutely the wrong director to do a horror movie.  Hiller’s direction is flat.  He’s not mean-spirited enough to enjoy the bat attacks and instead, he focuses on the debate over whether white developers should be buying native land, as if the people watching this movie are going to be watching for the human drama.  By the end of the film, the bats have almost been abandoned and the movie turns into an action film, with a group of survivors fighting off Stephen Macht’s security force.

The most interesting thing about Nightwing is catching Strother Martin, the veteran western actor who memorably talked about a failure to communicate in Cool Hand Luke, as an ex-missionary.  Otherwise, the film pales in comparison to The Birds and Wolfen, the two films which it must resembles in theme and action.

We All Float Down Here: Graveyard Shift (1990, directed by Ralph S. Singleton)


The old textile mill has a problem.  The people who work there keep dying, especially the ones who work the night shift.  The mill has another problem.  It’s become infested with rats.  Just stepping into the mill means you’re running the risk of having a rat fall through the ceiling and land on your head.  The evil mill foreman, Warwick (Stephen Macht), puts together a cleanup crew to work overnight and take care of the infestation.  Idealistic drifter John Hall (David Andrews) is hired to help and soon discovers that there’s something even bigger than a rat living underneath the mill.  Unfortunately, by the time that John makes his discovery, almost everyone else is dead and Warwick, having had an Apocalypse Now-style breakdown, is painting his face with muck and trying to kill whoever’s left.

This is a weak film adaptation of a throw-away Stephen King short story.  That the film itself is clearly not meant to taken seriously doesn’t make it any better.  The only thing that this film has to recommend it is Brad Dourif, who has an extended cameo as a crazy exterminator named Tucker Cleveland.  Cleveland knows everything about how rats have been weaponized over the years and he will be more than happy to explain every detail.  It’s too bad that Dourif does not have a bigger role because the movie is lot less entertaining when he’s not around.  If you do watch Graveyard Shift, stick around for the end credits so you can hear the theme song that is made up of samples of dialogue from the movie.

A Movie A Day #338: Raid on Entebbe (1977, directed by Irvin Kershner)


On June 27th, 1976, four terrorists hijacked an Air France flight and diverted it to Entebbe Airport in Uganda.  With the blessing of dictator Idi Amin and with the help of a deployment of Ugandan soldiers, the terrorists held all of the Israeli passengers hostage while allowing the non-Jewish passengers to leave.  The terrorists issued the usual set of demands.  The Israelis responded with Operation Thunderbolt, a daring July 4th raid on the airport that led to death of all the terrorists and the rescue of the hostages.  Three hostages were killed in the firefight and a fourth — Dora Bloch — was subsequently murdered in a Ugandan hospital by Idi Amin’s secret police.  Only one commando — Yonatan Netanyahu — was lost during the raid.  His younger brother, Benjamin, would later become Prime Minister of Israel.

Raid on Entebbe, a docudrama about the operation, was originally produced for NBC though it subsequently received an overseas theatrical release as well.  It’s an exciting tribute to the bravery of both the hostages and the commandos who rescued them.  Director Irvin Kershner directs in a documentary fashion and gets good performances from a cast full of familiar faces.  Charles Bronson, James Woods, Peter Finch, Martin Balsam, Stephen Macht, Horst Buchholz, Sylvia Sidney, Allan Arbus, Jack Warden, John Saxon, and Robert Loggia show up as politicians, commandos, terrorists, and hostages and all of them bring a sense of reality and humanity to their roles.

The film’s best performance comes from Yaphet Kotto, who plays Idi Amin as a strutting buffoon, quick to smile but always watching out for himself.  In the film, Amin often pays unannounced visits to the airport, where he lies and tells the hostages that he is doing his best to broker an agreement between the terrorists and Israel.  The hostages are forced to applaud Amin’s empty promises and Amin soaks it all up with a huge grin on his face.  Forest Whitaker may have won the Oscar for Last King of Scotland but, for me, Yaphet Kotto will always be the definitive Idi Amin.

Embracing the Melodrama Part II #55: The Tenth Level (dir by Charles S. Dubin)


10thlevelI first found out about the 1976 made-for-tv movie The Tenth Level while I was doing some research on the Milgram experiment.  The Milgram experiment was a psychological experiment that was conducted, under the direction of Prof. Stanley Milgram, in 1961.  Two test subjects were placed in two separate room.  One test subject was known as the “Learner” and he was hooked up to a machine that could deliver electric shocks.  The other subject was the “Teacher.”  His job was to ask the Lerner questions and, whenever the Learner gave an incorrect answer, the Teacher was supposed to correct the error by pushing a button and delivering the electric shock.  With each incorrect answer, the shock would get worse.

Of course, what the Teacher did not know was that the Lerner was an associate of Prof. Milgram’s and that pushing the button did not actually deliver a shock.  The Lerner would intentionally give wrong answers and, after the Teacher pushed each subsequent button, the Lerner would groan in pain and eventually beg the Teacher to stop.  The test was to see how long the Teacher would continue to push the buttons.

The study found that 65% of the Teachers, even when the Lerner stopped responding, continued to push the buttons until delivering the experiment’s final 450-volt shock.  It was a surprising result, one that is often cited as proof that ordinary people will do terrible things if they’re ordered to do so by an authority figure.

The Tenth Level is loosely based on the Milgram experiment.  Prof. Stephen Turner (William Shatner) is a psychology professor who conducts a similar experiment.  Turner claims that he’s looking for insight into the nature of blind obedience but some of his colleagues are skeptical.  His best friend (Ossie Davis) thinks that Turner is mostly trying to deal with the guilt of being a WASP who has never had to deal with discrimination.  His ex-wife, Barbara (Lynn Carlin), thinks that the experiment is cruel and could potentially traumatize anyone who takes part in it.  Turner, meanwhile, is fascinated by how random people react to being ordered to essentially murder someone.

Eventually, a good-natured carpenter/grad student, Dahlquist (Stephen Macht), volunteers.  At first, Turner refuses to allow Dahlquist to take part because he’s previously met Dahlquist and Dahlquist is a friend of one of Tuner’s assistants.  However, Dahlquist literally begs to be allowed to take part in the experiment and Turner relents.

Unfortunately, the pressure of administering shocks proves to be too much for Dahlquist and he has a 70s style freak-out, which essentially means that the screen changes colors and everything moves in slow motion as he smashes up the room.  As a result of Dalquist’s violent reaction, Turner is called before a disciplinary committee and basically put on trial.

The Tenth Level is an interesting film.  On the one hand, the subject matter is fascinating and, if nothing else, the film deserves some credit for trying to seriously explore the ethics of psychological experimentation.  On the other hand, this is a film from 1976 that features William Shatner giving numerous monologues about the nature of man.  And, let us not forget, this is William Shatner before he apparently developed a sense of humor about himself.  That means that, in this film, we get the Shatner that inspired a thousand impersonations.  We get the Shatner who speaks precisely and who enunciates every single syllable.  And let’s not forget that Shatner is paired up with Ossie Davis, an actor who was never exactly subtle himself.

The end result is a film that is both thought-provoking and undeniably silly.  This is a film that will make you think even while it inspires you to be totally snarky.

(Also of note, John Travolta supposedly makes his film debut in the Tenth Level.  Apparently, he plays a student.  I have yet to spot him.)

You can watch it below!

Horror On The Lens: Amityville: It’s About Time (dir by Tony Randel)


 

Amityville_Its_About_Time

Today’s horror on the lens is a haunted house film from 1992.  In Amityville — It’s About Time, Jacob (Stephen Macht) buys a new clock for his home but what he doesn’t realize is that the clock comes from the infamous Amityville House!  Soon, everyone in the family is acting strange.  Has the clock brought evil spirits with it or–

Well, let’s not even consider the other possibilities.  Of course the clock is full of evil spirits!

As I watched this film on YouTube last month, a lot of it seemed very familiar.  I quickly realized that this was because Amityville — It’s About Time used to show up on HBO all the time when I was a kid.  And while I never sat through the whole film, I did always somehow seem to manage to catch the most gruesome bits and pieces whenever it was on.  And yes, it did give me nightmares!

Of course, the movie would not give me nightmares today but still, it’s good for what it is.  Some of the scare scenes still work, especially the one involving the dog.  Stephen Macht makes for a good psycho and, in the spirit of Halloween, you can even forgive the plot for not making a bit of sense.

Interesting to note: The uber annoying Lenny is played by Jonathan Penner, who would later find some fame as a three-time contestant on Survivor.

(Also, needless to say, this film is rather tame by today’s standards but it’s still NSFW!)

http://www.youtube.com/watch?v=oVVr4jQBDmM