Retro Television Review: Miami Vice 3.2 “Stone’s War”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, another friend of Sonny’s gets killed.

Episode 3.2 “Stone’s War”

(Dir by David Jackson, originally aired on October 3rd, 1986)

Sonny Crockett’s old friend, journalist Ira Stone (Bob Balaban), returns to Miami and he’s in trouble once again.

The last time we saw Stone, he appeared to be dying as the result of being severely wounded by Col. William Maynard (G. Gordon Liddy).  I guess Stone survived because this episode opens with him and a cameraman in Nicaragua, filming anti-Communist rebels opening fire on a village.  They even gun down a priest!  However, it turns out that the rebels have got some help from some men who appear to be American.  Stone’s cameraman is shot.  Apparently leaving him to die, Stone grabs the tape of the attack and then flees to Miami.

In Miami, Stone tracks down Sonny, who is reluctant to get involved with Stone.  However, when it becomes obvious that some agents of the government are not only following Stone but also trying to assassinate him, Crockett changes his mind.  It turns out that the men in Nicaragua do indeed work for Col. Maynard.  Maynard makes a return appearance, showing off a necklace of ears that have been chopped off of communists in an attempt to get businessmen to invest in his army.  This episode drops some very obvious hints that Maynard is now working for the U.S. government.

In their efforts to help Stone get his tape to the public, Crockett and Tubbs get a few people killed.  Local reporter Alica Mena (Lonette McKee) is murdered after Maynard’s men break into her office to search for the tape.  In the end, Stone himself is once again wounded by Maynard’s man and this time, he actually dies on-camera.  As for Maynard, he once again boards a private plane and escapes.  The episode ends on a properly cynical note, with Crockett listening to reports blaming the death of the priest on the Nicaraguan government.

Actually, this whole episode feels a bit cynical.  On the one hand, this episode criticizes the American government for being so anti-communist that it tries to overthrow the governments of other counties.  On the other hand, a good deal of the episode’s running time is devoted to showing off Sonny’s new car, a 1986 Ferrari Testarossa.  There’s even an extended chase scene that seems to exist largely so the show can work in as many close-ups of Sonny changing gears as possible.  It’s a cool car but just try to get one in Nicaragua, Venezuela, or Cuba.  (Or, I should say, try to get one without being related to someone who is in power.)

Ira Stone was a bit more compelling in his previous appearance on the show.  In this episode, Balaban’s performance is almost too low-key.  It lacks the manic instability of his first appearance, in which Stone was portrayed as being almost as mad as Maynard.  This time out, he’s just another independent journalist who is convinced the government is out to get him.  Fortunately, G. Gordon Liddy returns to Maynard and takes so much obvious joy in the role that he’s fun to watch.  As I mentioned when Liddy last appeared on this episode, my father had a “G. Gordon Liddy for President” bumper sticker.  As far as Watergate felons are concerned, Liddy was certainly less annoyingly self-righteous and more honest about his amorality than John Dean has turned out to be.

As a whole, this wasn’t a bad episode.  Like last week’s episode, it was serviceable but it still seemed to be lacking the spark that distinguished the show’s first two seasons.  For the second week in a row, Miami Vice puts more emphasis on its guest stars than the main cast and, perhaps as a result, the main cast seems to largely be going through the motions.  (Zito and Gina don’t even appear in this episode.  Castillo is barely present, which is interesting considering that the character is supposed to have connections in U.S. intelligence that would have perhaps been a bit helpful this time around.)  Still, it was good to see both Stone and Maynard return to the show and remind the viewers that the vice in Miami is often the result of conflicts happening elsewhere.

Late Night Retro Television Review: Degrassi Junior High 3.11 “Taking Off: Part One”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

This week, Degrassi goes there!

Episode 3.11 “Taking Off: Part One”

(Dir by Kit Hood, originally aired on February 13th, 1989)

Gourmet Scum has come to Toronto and everyone is excited to hear the Scum sound.  At the concert, Shane and Luke (Andy Chambers) purchase LSD from the local Scum dug dealer.  Shane drops acid before the concert begins.  Surely, this won’t lead to any trouble, right?

Meanwhile, Wheels is still skipping school.  While his teachers send notes to his grandmother to let her know that Wheels is falling behind, Wheels is spending all of his time playing a boxing video game at the local arcade.  When Joey asks Wheels how can afford to spend all day playing one game over and over again, Wheels says that he sold his bass.

“What about the Zit Remedy?!” Joey says.

Sorry, Joey, Wheels doesn’t care about school or your stupid band anymore.  In fact, Wheels is planning on running away from home.  When he gets a birthday postcard from his biological father, Wheels discovers his father’s band has a two-week gig at Port Hope.  Wheels decides to join his father, despite not being sure where New Hope is.  In fact, it’s not even Wheels’s birthday.  His birth father missed the date by about a month but Wheels doesn’t care.  Wheels just wants to get away from everything.

How is Wheels going to get to New Hope?  He decides to hitchhike!  Uhmm …. not a good idea, Wheels.  Actually, everyone who picks up Wheels seems to be pretty nice.  That is until this guy pulls up….

“Don’t do it!” I shouted as Wheels got in the car.  Unfortunately, as this all happened 35 years ago and I was just watching it play out on YouTube, Wheels couldn’t hear me.

As they drive towards what Wheels assumes is Port Hope, the driver (chillingly played by James Knapp) asks Wheels if he has a lot of girlfriends.  He asks Wheels if he works out.  He asks a lot of questions that immediately raise red flags.  Not that Wheels notices….

Suddenly, the driver pulls off the road, turns to Wheels, and grabs Wheels’s thigh.  AGCK!  Wheels manages to get the door open and scrambles out of the car.  The driver throws Wheels’s backpack out of the car and then drives off, leaving Wheels in the middle of nowhere.

Meanwhile, back in Toronto, Joey’s mother tells Joey that Shane’s mother has been calling because Shane didn’t come home after the concert.  Soon, the police are talking to all of Shane’s friends and trying to figure out where he could be.  Luke is asked whether Shane did any drugs.  Luke lies and says, “No.”

This was a classic Degrassi episode and probably one of the most effective anti-hitchhiking PSAs ever filmed.  When the driver attacked Wheels, it was a truly frightening moment and it was impossible not to remember all of the times, over the course of this season, that Wheels has bragged about his ability to take care of himself.  Now, Wheels is stuck in the middle of nowhere and Shane, who didn’t pay child support specifically so he could go to the concert, is missing.

Never has “To be continued….” felt more ominous.

Horror on TV: One Step Beyond 1.8 “Premonition” (dir by John Newland)


In this episode of One Step Beyond, which takes place over the course of several years, Lisa Garrick lives in fear of a chandelier in her family’s  home.  For her entire life, she has had a premonition that she is going to die when the chandelier comes crashing down.  She refuses to stop into the room but eventually, both her father and her fiancé, insist that she conquer her fear and enter the room.

Seriously, if she doesn’t want to enter the room …. don’t make her enter the room!  I love chandeliers but they do make me nervous.  They always look like there about to come crashing down to me.

I like this episode because the main character is named Lisa.

This episode originally aired on March 10th, 1959.

Late Night Retro Television Review: Check It Out! 2.14 “Let’s Get Metaphysical”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, Howard goes on a mission to save Marlene.

Episode 2.14 “Let’s Get Metaphysical”

(Dir by Alan Erlich, originally aired on January 25th, 1987)

Marlene’s been showing up late for work!

Christian thinks that it’s a big deal that Marlene isn’t showing up for work.  I’ve never had a retail job or a job where I had a boss who required me to do things but I do have to say that I think Christian has a point.  Since it appears that Cobb’s only has seven employees and it appears to be a rather large store with several different departments, I imagine it is a bit difficult when one of them doesn’t show up.

(Actually, two of them.  For some reason, Edna is not in this episode.)

Howard, however, says it’s no big deal because Marlene is only late because she’s in love with a new guy and this guy apparently likes to stay up all night and discuss philosophy.  (Bleh!  Sounds like she’s dating a real bore.)  But when Marlene starts lecturing at her register about how unfair it is to charge people for food, Christian feels that he has no choice but to fire her.  Marlene thanks Christian for setting her free and then leaves the store for her new home at the local commune.

Uh-oh …. MARLENE HAS JOINED A CULT!

Wanting to free her from the Order of Eternal Light, Howard decides to go down to the commune.  Accompanying him is Viker and I was happy about that because, as played by Gordon Clapp, Viker was a character who made any scene funnier by his very presence.  The head of the cult is a bearded man who calls himself Solar (Sam Moses).  Solar preaches a life of simplicity while living in a mansion and driving a Ferrari.

Howard decides that the best way to free Marlene is to go undercover and pretend to join the cult.  Over the next few days, Howard doesn’t show up at work but Marlene does.  Marlene explain that she left the cult after talking to a strange man with a beard.  She also says that she never saw Howard at the cult.

Suddenly, Howard shows up, wearing love beads and speaking in an Indian accent.  Marlene throws water on his face, which magically sets Howard free from Solar’s brainwashing.  Marlene tells Howard that she left on her own after talking to the bearded man.  Howard reveals that he was that bearded man….

Wow, it sounds like a lot of interesting stuff happened off-camera!  In fact, that’s the main problem with this episode.  Almost all of the interesting stuff — Marlene getting brainwashed, Howard going undercover, the police raiding the commune and arresting Solar — happens off-screen.  What we’re left with is okay but never quite as funny as it potentially could be.

Still, at least Marlene’s back!  Someone has to keep the sharp insults flying in that store and no one’s better at it than Marlene.

Lisa Marie’s Week In Television: 9/29/24 — 10/5/24


As you can probably guess, I spent most of this week watching horror movies.  I didn’t watch many television shows but here’s a few thoughts on what I did watch.  (For those keeping track, I still need to watch the first episodes of the new season of Survivor and I guess the first few episodes of Doctor Odyssey.  Maybe I’ll find the time next week.)

American Sports Story: Aaron Hernandez (Wednesday Night, FX)

This week, Aaron finally made it to the NFL.  This episode was well-done and made a point about how sports is big business and how players are expected to have the right image but it was really hard not to feel that, as with so many Ryan Murphy productions, this episode basically spent 50 minutes telling a 15 minute story.  Did we have to see every details of Aaron at the combine?  Probably not.  Did we have to once again hit on all the stuff about Aaron’s family?  I mean, most of what was revealed in this episode was already revealed in the previous three episodes.  The danger with these shows is that they always drag out the story to such an extent that it’s easy to get bored.

Hell’s Kitchen (Thursday Night, FOX)

Despite all of the talent assembled for the season, the first dinner service was a disaster!  Isn’t that always the way?  “GET OUT!” Ramsay shouted.  If I went to Hell’s Kitchen and my food wasn’t screwed up and if Chef Ramsay wasn’t yelling at people the entire time, I would feel extremely disappointed.

Law & Order (Thursday Night, NBC)

Law & Order is back.  The season premiere was bland, disappointing, and heavy-handed but that always seems to be the case when it comes to the premiere of each season of Law & Order.  For whatever reason, the season premiere is almost always the weakest episode of this series and the show usually steadily improves afterwards.  That said, this is an election year and the partisan atmosphere is exactly the type of thing that tends to inflame this show’s worst tendencies.  McCoy is still missed.  Why is Maroun even on the show?

One Step Beyond (YouTube)

I watched a few episodes this week and I shared them here on the site as a part of Horrorthon!  Be sure to check them out when you get a chance because they’re all pretty entertaining.  I like the fact that the show pretended to be based on fact.  It was like the Beyond Belief of its day.

Rescue: Hi-Surf (Fox, Monday)

On Sunday morning, I watched the first three episodes of this new Fox show about lifeguards in Hawaii.  There was nothing particularly original about this show.  It was basically just a remake of Baywatch but without that show’s self-awareness.  But the scenery was lovely and some of the rescues were exciting to watch.  This is a show that could definitely become a 9-1-1-style guilty pleasure, assuming it survives its debut season.

Square Pegs (YouTube)

With my friend Pat, I watched a Halloween episode of this old 80s sitcom on Friday night.  It was amusing enough.  A very young Sarah Jessica Parker was apart of the cast and far more likable than she’s ever been on Sex and the City.

Horror On TV: One Step Beyond 1.6 “Epilogue” (dir by John Newland)


Carl Archer (Charles Aidman) is a recovering alcoholic who returns home after an extended stay in a rehab.  His wife (Julie Adams, of Creature of the Black Lagoon and The Last Movie fame) is skeptical about whether or not Carl has really sobered up and is prepared to be a responsible father to their son, Steve (Charles Herbert).  When Steve gets trapped in a cave, will Carl be able to use their psychic connection to find and rescue him?

Can you prove this didn’t happen!?

This episode originally aired on February 24th, 1959.

Retro Television Review: Welcome Back, Kotter 4.2 “The Drop-Ins Part 2”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, the fourth season premiere concludes.

Episode 4.2 “The Drop-Ins Part 2”

(Dir by Norman Abbott, originally aired on September 11th, 1978)

When last we saw the Sweathogs, they were planning on dropping out of school and getting real jobs, just like Barbarino.

At the start of the second part of the fourth season premiere, we discover the details of Barbarino’s new job.  He does indeed work at the hospital but, unlike what his classmates assumed, he’s not a doctor.  He’s not a nurse.  He’s not an X-ray technician.  He’s an orderly.  He mops the floor and he changes the sheets and he fluffs the pillows.  As he puts it, “I make 68 dollars a week and ten of that goes to Uncle Sam.”

(Little does Barbarino know that only having to give ten dollars to Uncle Sam would sound pretty good to future viewers.  I imagine by this point next year, we’ll be giving every cent to Uncle Sam and maybe we’ll be lucky to get some stale bread and Flint water in return.  And, of course, everyone will pretend to love it.)

Gabe comes down to see Barbarino.  He tells Barbarino that the Sweathogs look up to him and he asks Barbarino to talk to them about staying in school.  Barbarino, who is mopping the floor, points out that he dropped out and he’s already got a job.

“If this is all you want to do with your life,” Gabe says, looking at Barbarino’s mop and bucket, “you didn’t need to go to school.”

“Now you to tell me,” Barbarino replies.

As for the Sweathogs, they’ve already talked to Barbarino and applied for jobs at the hospital.  But, looking over their applications, they realize that they have no job experience, no educational accomplishments, and no chance of getting a job.

When a patient nearly dies because Barbarino didn’t know how to push the emergency button or where to find the crash cart, he realizes that he needs to get more education.  Soon, he and the Sweathogs are standing in the doorway of Mr. Kotter’s classroom, ready for a new schoolyear.  Barbarino says he’s going to be a doctor but he knows he has to graduate high school first.  As for the other Sweathogs — well, they’re 40 year-old high school students.  What other choice do they have but to go to class?

Part Two of The Drop-Ins is a significant improvement on Part One, largely because the majority of the episode follows John Travolta’s Barbarino.  None of the Sweathogs were bad actors but, when watching an episode like this one, it’s easy to see why Travolta’s the one who went on to become a movie star.  As Barbarino, Travolta just has a natural charisma that can’t be faked.  Of the main Sweathogs, Barbarino is the one who you really find yourself hoping will eventually graduate.  He’s just such a nice guy, even if he is a little …. slow.

And so ends the fourth season premiere.  The Sweathogs are back in class ….  but for how long?

Late Night Retro Television Review: Friday the 13th: The Series 2.12 “The Playhouse”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

Agck!  Stranger danger!

Episode 2.12 “The Playhouse”

(Dir by Tom McLoughlin, originally aired on January 28th, 1989)

Mike and Janine Carlson (played by Robert Oliveri and Lisa Jakub) are two young siblings living in the suburbs.  They don’t have much of a life.  Their mother (Belinda Metz) is neglectful and continually complains that her children are the reason why she can’t find a rich boyfriend.  Mike and Janine don’t appear to have any close friends.  Children are vanishing all over town and parents are telling their kids, “Don’t go off with strangers!” but no one seems to care enough about Mike and Janine to even check to make sure that they haven’t been kidnapped.

Mike and Janine have a playhouse, a gift that was given to them by one of their mother’s former boyfriends.  The playhouse is the only place where they feel happy.  It’s a place where they literally get anything that they wish for.  But sometimes, the door to the playhouse is locked.  When that happens, Mike and Janine have to convince someone else to go into the playhouse.  Once someone enters the playhouse, they find themselves trapped in a nightmarish world that is full of evil clowns and other circus figures.  Mike and Janine have to chant, “I hate you!  I hate you!” while the playhouse claims its victims.

Agck!  Seriously, this is a disturbing episode!  Not only are Mike and Janine terribly abused but almost all of their victims are children.  Perhaps because of the age of the people involved, this is the only episode of Friday the 13th: The Series in which no one dies.  They’re held prisoner in the playhouse and probably traumatized for life but they don’t die.  Fortunately, that means that they can be freed once Jack convinces Mike to chant, “I love you!” instead of “I hate you!”

Yep, this episode is all about the power of love but you really have to wonder if all of Mike and Janine’s problems can be solved by chanting, “I love you!”  I mean, aren’t the other kids going to remember that Mike and Janine held them prisoner in a nightmare universe?  The episode may end with the playhouse defeated by Mike and Janine are still living in that terrible suburb and their mother is still a resentful alcoholic.  Even though this episode has what would most would consider to be a happy ending — the kids are free! — it’s still incredibly dark.

This episode definitely left me feeling a bit shaken.  I hate seeing children in danger and that’s what this episode was all about.  Even things that sound kind of silly — like Mike chanting “I hate you!” while the playhouse does its thing — are actually rather disturbing when viewed.  The child actors are almost too convincing in this episode.  In the end, Jack says that all you need is love but this episode leaves you wondering if he’s correct.

Horror On TV: One Step Beyond Episode 1.4 “The Dark Room” (dir by John Newland)


On tonight’s episode of One Step Beyond, Cloris Leachman plays Rita Wallace, an American photographer in France.  She’s looking for a model whose face will serve as the ultimate symbol of the country.  One day, a haunted-looking man (Marel Dalio) shows up at her apartment.  She thinks he’s a model.  The truth, needless to say, is something quite different….

This episode features good performances from both Leachman and Dalio.  In real life, Dalio was an icon of French cinema and a favorite of Jean Renoir’s.  When the Nazis invaded France, the Jewish Dalio fled Paris and, after a harrowing journey, eventually made it to America.  In America, he played the croupier in Casablanca and appeared in several other films.  Tragically, the rest of his family did not escape and were murdered by the Nazis.  Dalio returned to France after the end of the war and remained an in-demand character actor for several more decades, making his final film appearance in 1980.

The Darkroom originally aired on February 10th, 1959.

Retro Television Review: T and T 3.17 “Nightmare”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, Terri is approached by a man who claims to be a political refugee.  But is he really?  It’s a good thing T.S. Turner doesn’t have anything better to do than help her out.

Episode 3.17 “Nightmare”

(Dir by Don McCutcheon, originally aired on April 28th, 1990)

While walking down the street in Canada, Terri is approached by a desperate man (William Colgate), who introduces himself as Sebastian Fuentes.  He explains that he was a newspaper editor in his native country of San Miguel.  After a left-wing death squad killed his family, Sebastian fled to North America.  Now, he needs Terri’s help to be designated a refugee.  He claims that there are people from San Miguel who want him dead and, for that reason, he cannot risk going to the authorities or even being seen in Terri’s office.  He says he has to hide, no matter what.

Terri doesn’t know anything about immigration law.  Both T.S Turner and a sleazy lawyer named Kerr (Don Allison) warn her that she shouldn’t be so quick to believe Sebastian’s story.  But something about Sebastian’s fear touches Terri’s heart and she agrees to help him.

Unfortunately, it turns out that both Turner and Kerr were correct.  Sebastian is actually a colonel who murdered the real Sebastian.  The nightmares that haunt him are not about watching his family being killed but instead about being the killer himself.  The people who are searching for him are not government agents but instead the relatives of the people who he victimized in his home country.  Eventually, Sebastian’s real identity is discovered by some fellow refugees (one of whom is played by a young Jill Hennessy) and he ends up in prison, haunted by his crimes.

This was an unusually serious episode of T and T.  Indeed, it was shot more like an episode of Monsters than a typical episode of this show.  Unfortunately, with the exception of Don Allison’s performance as the sleazy Mr. Kerr, the acting in this episode was pretty dodgy and it was easy to guess that Sebastian was going to turn out to not be who he said he was.

Probably the most interesting thing about this episode is that it aired 34 years ago but the issues that it deals with are the same issues that are going on today.  Dictators are still coming to power and abusing their citizens and, as a result, refugees are still flooding over the border.  The immigration system is still broken and it doesn’t appear that anyone is truly interested in finding a way to fix it.  This episode aired in 1990, long before men like Venezuela’s Maduro came to power.  The issues that are dealt with in this episode existed before the current crop of dictators and they will undoubtedly continue even after people like Maduro fade into history.