Time Walker (1982, directed by Tom Kennedy)


While exploring the Egyptian tomb of King Tut, Prof. Douglas McCadden (Ben Murphy) finds a previously undiscovered chamber and a sarcophagus with a mummy inside. He takes the sarcophagus back to the California University of the Sciences, where he discovers that the mummy is covered in a dangerous green fungus. McCadden orders everyone not to touch the mummy. However, one of his students decides to steal the jewels that were buried with the mummy and also gives it a strong dose of X-ray radiation. The mummy, which was actually a hibernating alien, comes back to life and is soon causing havoc on campus. Frat boys and mummies make for a dangerous combination!

Time Walker was released in 1982 and features plenty of scantily clad coeds and green-tinted stalking scenes shot from the mummy’s POV. But the movie itself has more in common with the old Hammer and Amicus films than with the Friday the 13th era. The mummy is a throwback to the kind of monsters that used to haunt horror movies, and its alien origins bring to mind an old Quatermass serial, with Ben Murphy’s prickly American scientist serving as a stand-in for Quatermass himself. The idea of an extraterrestrial crash-landing in ancient Egypt and being buried in a pharaoh’s tomb is an interesting one. It’s just too bad that the film’s half-baked script and Tom Kennedy’s uneven direction don’t really do it justice.  This was Tom Kennedy’s only film as a director.  He was best-known for being one of Hollywood’s premier advertising men, overseeing the trailers for both the Indiana Jones films and the early Star Trek films.

Time Walker tries to be a little of everything: an homage to the old mummy movies, a slasher, and finally a sci-fi film about how humans should be nicer when greeting visitors from another planet. There are a few dependable character actors in the mix (it’s always good to see James Karen), but Ben Murphy is bland in the lead. The film ends on an overdramatic note and with the promise of “To be continued.”

The story would not be continued, but Time Walker later found new life and a new title when it showed up on Mystery Science Theater 3000 as Being From Another Planet. The joke I always remember from that episode is Joel Hodgson suggesting that the mummy was actually Pete Duel. Even Tom Servo and Crow were shocked.

Scalplock (1966, directed by James Goldstone)


In this comedic western, gambler Benjamin Calhoun (Dale Robertson) wins big in a poker game.  Not only does he walk away with several thousand dollars but he also now owns his own railroad, the BP;S&D.  Calhoun celebrates the biggest win of his career by tossing ten dollar bills at the townspeople, recruiting a worshipful young assistant (Bob Random), and commandeering a private railcar that belongs to wealthy Burton Standish (John Anderson).  In the car, he finds Marta Grenier (Diana Hyland), a “working woman,” who has been hired to provide company for Standish.

Calhoun and Marta ride off to check out Calhoun’s new railroad.  What he discovers is that the railroad that he won is not only not completed but the workers are striking because they haven’t been paid in two weeks.  The quick-thinking Calhoun offers to make all of the workers part-owners of the railroad.  With construction once again starting, Calhoun tries to figure out how to keep his new business open.  He also meets a strong-headed storekeeper named Joanna Royce (Sandra Smith).

When Standish finally shows up, it turns out that he was originally planning on buying the BP;S&D.  Will Calhoun hold onto the railroad and honor the promise he made to the workers or will he sell out to Standish?

For all the talk about completing the railroad, Scalplock ends with most of the work undone.  That’s because Scalplock was a pilot for The Iron Horse, a television series that lasted for two seasons in the 60s.  Scalplock (and The Iron Horse) is mostly a showcase for Dale Robertson, a low-key but always convincing actor who specialized in westerns.  Usually, Robertson was cast as an upstanding citizen and law enforcement agent.  In Scalplock, he’s playing the type of genial rogue that James Garner played on Maverick and later in The Rockford Files.  Robertson is likable in Scalplock and even convinces us that Calhoun would choose his workers over a quick payday.  Fan of the genre will enjoy Scalplock, as long as they don’t get too invested in witnessing that last track of rail laid into the ground.

Dale Robertson, who started his career in the 40s, continued to act through the 90s, though usually as a guest star instead of a series lead.  Robertson eventually retired to Oklahoma where he owned a ranch that was home to over 200 horses.  He passed away in 2013 at the age of 89.

A Movie A Day #143: The Bull of the West (1972, directed by Jerry Hopper and Paul Stanley)


Welcome to the American frontier.  The time is the 1880s and men and women everywhere are heading out west in search of their fortune.  While stowing away on a train, veteran cowboy Johnny Wade (Brian Keith) meets the naive Steve Hill (Gary Clarke) and becomes a mentor to the younger man.  Johnny teaches Steve how to shoot a gun and, when they get off the train at Medicine Bow, Wyoming, they get jobs working on the ranch of Georgia Price (Geraldine Brooks).  When Georgia and Johnny plot to overgraze the land, Steve must decide whether he’s with them or with a rival rancher, Judge Garth (Lee J. Cobb).

At the same time, Ben Justin (Charles Bronson) has arrived in town with his son, Will (Robert Random), and his new wife (Lois Nettleton).  Ben is determined to start his own ranch but, because of his taciturn and stubborn personality, he alienates the Cattleman’s Association, which led by Judge Garth and Bear Suchette (George Kennedy).  Will wants to help his father but Ben keeps pushing him away.  It’s up to Judge Garth’s foreman, the Virginian (James Drury), to bring the family together.

Just like The Meanest Men In The West, The Bull of the West was created by editing together footage from two unrelated episodes of The Virginian.  It works better for the Bull of the West because the two episodes had similar themes and the footage mixes together less awkwardly than it did in The Meanest Men In The West.  But Bull of the West is still just a TV show edited into a movie.  The main reason to see it is because of all the familiar western faces in the cast.  Along with Bronson, Keith, Cobb, and Kennedy, keep an eye out for Ben Johnson, DeForest Kelley, and Clu Gulager.