The Oilman Cometh”

Posted on February 21, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week’s cruise is all about simple misunderstandings that could be easily cleared up by people just not acting stupid for a few seconds. Unfortunately, that’s too much to ask.

Episode 4.4 “Target Gopher/The Major’s Wife/Strange Honeymoon/The Oilman Cometh”

(Dir by Roger Duchowny, originally aired on November 8th, 1980)

Lo and beware! Here comes the idiot plot!

As I’ve mentioned many times in the past, there’s nothing that bothers me more than an idiot plot. That is when a TV show — usually a sitcom — builds an entire episode out of a misunderstanding that could be easily cleared up by everyone just not being an idiot. These are the type of episodes where everyone talks over each other and runs off before they can get a full explanation of what’s happening. They are frustrating to watch.

This episode of The Love Boat has not just one idiot plot but several of them. I usually love this show but this episode made me cringe from start to finish.

Consider:

Oilman Mason Fleers (Dale Robertson) has chartered the boat for his company. He is not only giving everyone a free cruise but he hopes that he’ll be able to sign a big oil deal with Prince Hassan (Pat Harrington, Jr.), who is excited to see the ocean because “my country is covered in sand.” Mason has arranged for the Dallas Cowboys Cheerleaders (playing themselves) to provide entertainment. Even though the cheerleaders were on the ship last season, everyone acts as if this is the first time they’ve ever seen them. Doc Bricker is especially excited to see them, even though it’s debatable that a glamorous NFL cheerleader from a land-locked city would ever fall for a middle-aged guy who works on a boat for a living.

Prince Hassan boards the boat looking for a new wife. (He already has several but he specifically wants an American.) When Mason’s assistant, Ted (David Cassidy, with a rather unflattering mustache), attempts to give Prince Hassan the gift of a computerized chess game, Prince Hassan thinks that Ted is actually giving him Ted’s girlfriend, Janet (Janet Gunn). Prince Hassan thinks that Janet will be his new wife and he immediately makes plans for the marriage ceremony to take place on the boat. Ted, Captain Stubing, and Janet could clear all this up by telling Prince Hassan the truth but instead, they just try to hide Janet from him. And then Ted decides that maybe he could win Janet back from the Prince.

One word for all of this: Idiot.

Mason, for his part, falls for one of the cheerleaders (Jayne Ann Maxwell), and pressures her to spend time along with him. Jayne reacts to this by randomly declaring her love for Gopher. Gopher plays along so Mason decides to get revenge by walking up behind Gopher, surprising Gopher, and then collapsing to the deck and pretending that Gopher knocked him out. Gopher is suspended from his duties while the cruise line investigates. There were plenty of people on the deck at the time but no one steps forward to say that Mason clearly faked getting hit. Or maybe someone could point out that Mason has spent the entire cruise harassing a cheerleader who is not interested in him. But no one does. Why?

Because this is an idiot plot.

Walter Henson (Al Corley) was planning on spending his honeymoon on the cruise but then he found out his wife-to-be cheated on him. He left her at the altar. He still takes the cruise but he brings his brother, Hud (Mark Pinter), with him. When Doc, Isaac, and Gopher learn that Hud and Walter are both in the honeymoon suite, they assume that they’re a couple and, because this episode is 44 years old, start giving each other funny looks. It doesn’t occur to anyone that Walter and Hud might have the same last name because they’re related. When Hud falls for a cheerleader, he continually makes excuses to keep her from finding out that he’s traveling with his brother. Why?

IDIOT PLOT!

Major Ross Latham (Robert Culp) boards the boat with his shy and modest wife, Nara (Nobu McCarthy). Surprise! Gloria Beaumont (Jo Ann Pflug) is also on the boat. She and the major are old friends and soon, they’re spending all of their time together. Julie and Vicki assume that Gloria is trying to steal Ross away from Nara. Nara doesn’t suspect a thing.

Idiot. Plot.

Needless to say, everything work out in the end but this episode leaned way too heavily on everyone being an idiot. The Love Boat should be entertaining, not frustrating. This was one of those episodes that just left me wanting to jump overboard.

Retro Television Reviews: Fantasy Island 3.2 “Goose For The Gander/Stuntman”

Posted on June 20, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!

This week, Tattoo is nice and Mr. Roarke is understandably suspicious.

Episode 3.2 “Goose For The Gander/Stuntman”

(Dir by Cliff Bole, originally aired on September 14th, 1979)

This episode opens with Tattoo being very nice and polite to Mr. Roarke and asking if there is anything that he can do to help Roarke as they head out to meet the plane. It says a lot about how much Roarke hates his assistant that Roarke’s immediate reaction is to suspect that Tattoo has done something wrong and is trying to escape being punished as a result. By the end of the episode, Roarke learns that Tattoo is freaking out because Tattoo saw a classified ad announcing that Roarke was looking for a new “assistant manager,” and Tattoo feared he was going to be fired. Mr. Roarke has a good laugh over that. Roarke enjoys anything that makes Tattoo’s life miserable.

As for the fantasies, this is another week where we get one silly fantasy and one serious fantasy.

The silly fantasy involves Marjorie Gibbs (Doris Roberts), who owns a truck stop in Arizona. A new highway is being put in and all of Marjorie is going to have to relocate her diner. Unfortunately, that is going to cost money that Marjorie does not have. All of Marjorie’s customers tipped in and raised enough money to send Marjorie to Fantasy Island so that she can compete in a cooking contest and win a huge cash prize.

Can Marjorie win the contest? It’s not going to be easy, as one of her competitors is a sneaky French chef (Vito Scotti) and the judge (Hans Conried) is one of those food snobs. Fortunately, Marjorie strikes up a friendship with another diner owner, Joe Lange (Abe Vigoda). Joe supports Marjorie and helps her to win, even after the French chef steals one of Marjorie’s recipes! They also fall in love and save a goose from becoming a meal. Awwwwww! This was a silly but sweet fantasy. Doris Roberts and Abe Vigoda made for a good comedic team.

As for the serious fantasy, it’s all about stunts. Retired stuntman Peter Rawlings (Dale Robertson) comes to the island with his wife, Norma (Dana Wynter). Norma thinks this is just a normal vacation but Peter actually wants to come to the island because his son, Bill (Grant Goodeve), is the stunt coordination for a film that is shooting there. Bill has lived his whole life in his father’s shadow and Peter fears that Bill’s desire to pull off the biggest stunt of all time will lead to his death. Peter also discovers that Bill’s insecurity has led to him becoming a tyrant on the set. In fact, as soon as Peter shows up, Bill is fired and Peter is named the new stunt coordinator. Can father and son set aside their differences and pull off a truly spectacular stunt?

Of course they can. This is Fantasy Island.

This was one of those episodes that pretty much succeeded on the charm of the cast alone. Neither one of the fantasies was particularly interesting. We were told that Marjorie and Joe’s food was the best but, since we couldn’t taste it, we had no way of knowing for sure. And the big stunt really didn’t look all that special. But Doris Roberts, Dale Robertson, and Abe Vigoda all gave charming performances so, in the end, I was happy everything worked out.

Next week: Tattoo gets a fantasy! Roarke better watch out!

City of Bad Men (1953, directed by Harmon Jones)

Posted on September 28, 2022 by Jedadiah Leland

In the year 1897, an outlaw gang led by brothers Brett (Dale Robertson) and Gar (Lloyd Bridges) ride into the frontier town of Carson City, Nevada. Brett and Gar remember Carson City as being a sleepy town where not much happens but, when they arrive, they discover that a carnival-like atmosphere has broken out in the streets. A heavyweight fight between “Gentleman Jim” Corbett and Bob Fitzsimmons is scheduled to take place in Carson City and the once sleepy little town has become the center of the old west.

Sheriff Bill Gifford (Hugh Sanders) already knows that he’s going to have his hands full with all of the people coming to town for the fight so he’s not happy to see that Brett and Gar have returned. When the notorious outlaw Johnny Ringo (Richard Boone) also shows up for the fight, Gifford realizes that he’s going to have to do something unheard of. He deputizes the three outlaws, assigning them to keep the peace.

Even as deputies, the outlaws scheme to steal the money that’s raised by the fight. However, Brett is actually more interested in getting back together with his former girlfriend, Linda (Jeanne Crain). When Gar and Ringo realize that Brett might be backing away from the plan, it leads to a climatic showdown in Carson City.

This B-western tells a semi-true story. Corbett and Fitzsimmons did fight a match in Carson City in 1897. The fight lasted for over 90 minutes and ended with an upset victory for Fitzsimmons. It was the first boxing match to be filmed and it was later released into cinemas as The Corbett-Fitzsimmons Fight. It was the first film to last over an hour and it is considered to be the first feature film. It’s also considered to be the first pay-per-view event because the film of the fight made the boxers more money than the fight itself. The rest of the film is pure fiction. (The infamous outlaw Johnny Ringo had been dead for five years by the time of the Corbett/Fitzsimmons fight.) But even if there wasn’t an attempt to rob the Corbett/Fitzsimmons Fight, the use of the actual fight and the publicity surrounding it serves to remind the audience that the modern world is coming to the frontier.

For most, the main appeal of this film will be to see Dale Robertson, Richard Boone, and Lloyd Bridges acting opposite each other. All three are well known to western fans. Boone would later star in Have Gun Will Travel while Robertson appeared in Tales of Wells Fargo, Iron Horse, and Death Valley Days. Lloyd Bridges previously played the resentful deputy in High Noon. The three of them are in top form in City of Bad Men, with Bridges especially making an impression as the less honest of the two outlaw brothers. The three of them play outlaws who know that the era of the lawless west is coming to an end and all three of them have to decide whether they want to go straight or if they want to go out with a bang (some more literally than others). With the fast-paced script and a dedicated cast, City of Bad Men is a film that will be appreciated by anyone who likes a good western tale.