Rob Bowman | Through the Shattered Lens

1993’s Airborne is a guilty pleasure kind of film for me. It’s not a spectacular film by any means, but it has just about everything I adore from the 1990s.. Hockey, Rollerblades, Music, and a fun cast. Sometime last year, I was able to rent it off of Amazon, but it’s no longer available. I’m assuming it will eventually make the move over to HBO Max, but in the meantime, it’s available for rental on Youtube.

Airborne was Director Rob Bowman’s first feature after working on such shows as Star Trek: The Next Generation and Parker Lewis Can’t Lose. He’d later go on to become a producer/director on The X-Files before eventually directing the first motion picture for the series, X-Files: Fight the Future. He’s since directed Reign of Fire and produced the ABC detective comedy, Castle.

Airborne is the tale of Mitchell Goosen (Shane McDermott, Swan’s Crossing), a kid who loves surfing and rollerblading more than anything. When his parents win a trip to Australia for six months, they send Mitchell to live with his cousin in Cincinnati. Of course, he’s a little out of place, but his cousin Wiley (Seth Green, Without a Paddle) tries to make things a little easier for Mitch. Mitch’s laid back surfer attitude is a hit with the ladies, but the guys aren’t really liking his style. Jeff (Chris Conrad, The Next Karate Kid) has it out for Mitch, especially when Mitch meets Nikki (Brittany Powell, Fled) and costs Jeff’s hockey team a win against the annoying prep squad. Punishment for losing the hockey game is pretty messed up by high school standards, with the usual pranks laid out for both Mitch and Wiley. Will Mitch be able to adjust to Cincinnati life, make new friends and live without his surfboard? I enjoyed the way Mitch finds a solution to his problem that fit his style.

There’s not a lot to say about the casting here. Among the leads, there’s a lot of young talent that went on to greater work. Some other notable faces are Jack Black (Jumanji: The Next Level), Alanna Ubach (Bombshell), and Jacob Vargas (Devil). They round out the cast well, but you don’t get to know too much about them.

Being 1993, Airborne took place just as the Internet was getting really started. This meant that outside of playing a Super Nintendo or Sega Genesis after homework was done, you went outside and played something like Stickball, skateboarding, basketball, street hockey or rollerblading. I think the nostalgia of it all is what brings me back to Airborne over time (especially now with so many limits on going outside). The rollerblading scenes in the film are great for the time period, thanks in part to Team Rollerblade. We have close-ups of riding, along with action shots that capture all of the intensity of riding in traffic. Stunt skaters slide under trucks, down along stairs , leap over cars and make some great moves in the big race.

Airborne is not without some cheesy moments. The music, while fun, is very dated. It’s the same kind of music you’d expect from 1990’s Teenage Mutant Ninja Turtles or Cool as Ice. The film has a number of filler scenes where Mitch is lost in a musical montage. Some tracks include the classic Right Said Fred’s “I’m Too Sexy”. and Jeremy Jordan’s “My Love is Good Enough”. There’s not a whole lot to be said about it. It was the Nineties. Additionally, it would be cool to find out what happened to Mitch after the six months. Did he decide to stay in Ohio for a while? Did he return to his parents, but still keep in touch with everyone on the skate crew? I suppose Mitchell Goosen’s future is left somewhere in the fan fiction world.

Overall, Airborne is a time capsule of a film, focusing on a time just before the Internet captivated everyone and going outside to play was the norm. It’s a good watch if you have a few hours to burn.

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

If, around 2 in the morning on Saturday, you were having trouble getting to sleep, you could have turned over to Cinemax and watched the 2005 film, Elektra.

Elektra (Jennifer Garner) used to be dead but now she’s alive again. She was killed during the 2003 film, Daredevil, but, two years later, she was resurrected by a blind martial artist named Stick (Terence Stamp). Stick taught her how to not only fight but also how see into the future, which I guess is helpful if you have to decide whether or not to throw one of those little knife things at someone. (As you can tell, I’m definitely the expert when it comes to martial arts and ninja assassins.)

Elektra uses her training to become the world’s most deadly assassin, which is probably not what Stick had intended but what’s he gong to do, right? However, when Elektra is ordered to kill a totally hot guy and his 13 year-old daughter, she starts to have doubts about whether or not being a murderer-for-hire is really for her. And can you blame her? Not only do you not get to make many friends but I imagine that you’re also constantly having to buy new arrows for your crossbow and that has to get expensive at some point.

So, Elektra decides not to kill the hot guy or his daughter but it tuns out that an evil group of ninjas called The Hand are determined to kill the guy anyway and apparently his daughter is perhaps destined to maintain the balance between the forces of good and evil. (Don’t ask me, I didn’t write the script.) Elektra has to take it upon herself to defeat the Hand and hopefully ensure that the hot guy’s daughter gets to enjoy her adolescence without having to worry about balancing killing people with school work.

Elektra was released with a lot of fanfare back in 2005. It didn’t do particularly well at the box office, which apparently led to Marvel getting into their head that no one would pay money to see a comic book film with a female hero. (This belief was disproven 12 years later, with Wonder Woman.) Today, in the wake of the MCU and whatever DC calls their cinematic universe, Elektra feels almost like a relic. It’s a film that lacks of the self-awareness of the later comic book films but it also never matches them in their scope or their ability to make us feel as if we’ve entered into a separate, fully functioning universe. Elektra is from the age when comic book movie didn’t want to admit that they were comic book movies.

It’s a silly film but, at the same time, it can be kind of fun if you’re in a particularly undemanding mood. Watching it last night, I was shocked to be reminded of the fact that there was a time when Jennifer Garner actually kicked serious ass. The fight scenes are fun to watch, mostly because it’s a woman who gets to beat everyone up. The dialogue is fun to listen to because it’s all so terribly written. (All of the bad guys refer to the title character as being, “the female, Elektra!,” as if it was felt that there was some sort of danger of the audience forgetting who the star of the film was.) It’s an enjoyably dumb movie, which makes it perfect for insomnia-fueled viewing.