In 1989, having already won an Oscar for recreating his Vietnam experiences in Platoon, director Oliver Stone returned to the war with Born On The Fourth Of July.

Based on the memoir of anti-war activist Ron Kovic, Born on the Fourth of July stars Tom Cruise as Kovic.  When we first meet Kovic, he’s growing up on Long Island in the 50s and 60s.  He’s a clean-cut kid from a nice family.  He’s on the school wrestling team and he’s got a lot of friends.  When he was just 15, he heard John F. Kennedy telling people to ask what they can do for their country and he was inspired.  He decided he wanted to join the Marines, despite the fact that his father (Raymond J. Barry) was still haunted by the combat that he saw in World War II.  (In one of the film’s better scenes, a young Kovic notices that the elderly veterans marching in the Independence Day parade still flinch whenever they hear a firecracker.)  He enlists in the Marines after listening to a patriotic speech from a recruiter (played by Tom Berenger).  Ron runs through the rain to attend his prom and has one dance with Donna (Kyra Sedgwick), on whom he’s always had a crush.  There’s nothing subtle about the way that Stone portrays Kovic’s childhood.  In fact, one might argue that it’s a bit too idealized.  But Stone knows what he’s doing.  The wholesomenss of Kovic’s childhood leaves neither him nor the viewer prepared for what’s going to happen in Vietnam.

Vietnam turns out not to be the grand and patriotic adventure that Kovic thought it would be.  After Sgt. Kovic accidentally shoots one of his own men in a firefight, he is ordered to keep quiet about the incident.  After he is wounded and paralyzed in another firefight, Kovic ends up in a Hellish VA hospital, surrounded by men who will never fully recover from their mental and physical wounds.  Kovic is eventually returns home in wheelchair.  The film then follows Kovic as he goes from defending the war in Vietnam to eventually turning against both the war and the government.  At one point, he ends up with a group of disabled vets in Mexico and there’s a memorable scene where he and another paraplegic (Willem Dafoe) attempt to fight despite having fallen out of their chairs.  Eventually, Kovic returns to America and turns his anger into activism.

There’s nothing subtle about Born On The Fourth Of July.  It’s a loud and angry film and Oliver Stone directs with a heavy-hand.  Like a lot of Stone’s films, it overwhelms the viewer on a first viewing and it’s only during subsequent viewings that one becomes aware of just how manipulative the film is.  Tom Cruise gives a good performance as Ron Kovic but his transformation into a long-haired, profane drunk still feels as if it happens a bit too abruptly.  A good deal of the film centers on Kovic’s guilt about accidentally killing one of his men but the scene where he goes to the soldier’s family and asks them for forgiveness didn’t quite work for me.  If anything, Kovic came across as being rather self-centered as he robs the man’s mother and father of the belief that their son had at least died heroically in combat as opposed to having been shot by his own sergeant.  Did Kovic’s need to absolve himself really give him the right to cause this family more pain?  Born on the Fourth Of July is an effective work of agitprop.  On the first viewing, you’ll want to join Kovic in denouncing the military and demanding peace.  On the second viewing, you’ll still sympathize with Kovic while also realizing that he really owes both his mother and father an apology for taking out his anger on them.  By the third viewing, you’ll be kind of like, “Wow, I feel bad for this guy but he’s still kind of a jerk.”  That said, when it comes to making an effective political film, Adam McKay could definitely take some lessons from Oliver Stone.  Born On The Fourth of July is at its best when it simply captures the feeling of living in turmoil and discovering that the world is not as simple a place as you once believed.  As idealized as the film’s presentation of Kovic’s childhood may be, anyone who has ever felt nostalgia for an earlier and simpler world will be able to relate.

Oliver Stone won his second Best Director Oscar for Born On The Fourth Of July.  The film itself lost Best Picture to far more genteel version of the past, Driving Miss Daisy.