Late Night Retro Television Review: Pacific Blue 4.4 “Users”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Jamie goes undercover …. again!

Episode 4.4 “Users”

(Dir by Michael Levine, originally aired on August 16th, 1998)

 Pacific Blue started out as a show about bicycle cops.  I always thought that was a stupid premise but, regardless of my opinion, the first two seasons pretty much focused on keeping the cops on the bikes.  However, with the third and now the fourth season, the bikes have started to feel superfluous.  Now, the bike cops are suddenly working murders and going undercover.  This all seems like stuff that actual detective should be doing as opposed to a bunch of glorified traffic cops.

For instance, this episode features Jamie being sent undercover to befriend a teenage drug dealer named Brandon Jeter (future choreographer and Michael Jackson-accuser Wade Robson).  Brandon, who has witnessed a murder, is being used as an informant by an intense narcotics detective named Perry Marcus (Roger Floyd).  TC and Cory make a big deal about how they don’t like Perry’s tactics but why would Perry care?  He’s not a bike cop and they’re not detectives.

This is only Jamie’s fourth episode as a regular character but it feels like the 100th time that she’s been told to work undercover.  The problem is that we don’t know much about who Jamie is so there’s not really any emotional pay-off to seeing her pretending to be someone else.  Jamie is upset when she sees how everyone — from Detective Marcus to drug lord Nick Lambros (Corey Pearson) — is manipulating Brandon but we don’t really know why.  We know nothing about Jamie’s homelife.  We know nothing about her past.  We don’t know why she became a cop.  She’s a character with no inner life.  It’s not the fault of actress Amy Hunter that Jamie comes across as being boring.  The scripts, so far, have given her nothing to work with.

Meanwhile, Moncia is having an affair with the recently promoted Commander McKinnon (Jeffrey Meek).  The affair is often physically abusive but, when Bobby confronts McKinnon, McKinnon claims that Monica enjoys the pain.  Eventually, Monica and Bobby get McKinnon being abusive on tape.  The episode ends with Monica lustfully spying on TC in a neighboring apartment.  Ugh.  This show really annoys me with the way it portrays Monica.  She’s literally the only character on the show who has a positive and largely guilt-free attitude about sex and the show always seems to be determined to either punish or villainize her for it.  (What makes this especially annoying is that the show both judges and leers at Monica at the same time.)

As usual, this episode could have worked if the characters were more interesting.  The idea that everyone on the show was using someone else had potential but the execution fell flat.

Late Night Retro Television Review: Highway to Heaven 2.16 “Keep Smiling”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week’s episode made me cry.

Episode 2.16 “Keep Smiling”

(Dir by Michael Landon, originally aired on February 5th, 1986)

One night, seven year-old me asked my mom, “After someone dies, will they be able to come back to visit us?”

My mom told me that they would but that we wouldn’t be able to see them.  But we would know that they were there.  We would feel it in our hearts.  And maybe we would see them in our dreams.

I relate this anecdote because I think it’s important to understand my current state of mind as I watch and review this show.  My mom passed away nearly 16 years ago.  My Dad passed away nearly a month ago.  I’m still very much in mourning right now.  My logical side can look at an episode of Highway to Heaven and say that it was an extremely sentimental and, at times, rather manipulative show.  But my emotional side,  the side that leads with my heart and that hopes to see my mom and dad every night in my dreams, that side watches this show in tears.

And there’s nothing wrong with that.  Sometimes, it’s important to cry.  For someone like me, who tends to put up walls whenever I’m upset, watching a show like this can actually be very helpful.

This week’s episode features Jonathan and Mark helping out Jane Thompson (Dorothy McGuire), a lonely widow who has never really gotten over the death of her husband, Arthur.  Arthur died of lung cancer nearly forty years ago.  Now, Jane lives alon in their house.  It’s been a while since even her daughter has come to visit.  Jonathan and Mark stop by the house, looking to rent out Jane’s spare room.  Jane says she would prefer a woman to be her roommate.  Jonathan says he understands and then tells her, “Keep smiling.”  Hearing the phrase causes Jane to change her mind about renting the room to Jonathan and Mark.  “Keep smiling,” was something that Arthur always used to say.

That’s because, before he became an angel, Jonathan was Arthur Thompson!  (Jonathan explains to Mark that angels come back in a “different form” than how they appeared when they died.)  While Jonathan tries to cheer up the depressed Jane and get her to embrace life, Mark tries to convince Jane’s daughter to pay her a visit.  When Mark doesn’t have any luck, Jonathan throws on a white jacket and a pair of ray-bans and, pretending to be a gigolo, he tells his daughter that he’s going to marry Jane for her money.  That may sound a little extreme but hey, it works!

This episode made me cry.  What can I say?  Right now, emotionally, I’m just at a point where anything that is sentimental and well-acted will bring tears to my eyes.  This show may be a tad manipulative but, at its best, there’s an aching sincerity to this show that simply cannot be dismissed.  Sometimes, that type of sincerity is exactly what is needed.