Retro Television Review: Miami Vice 3.12 “Down For The Count: Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Miami Vice says goodbye to a friend.

Episode 3.12 “Down For The Count: Part One”

(Dir by Richard Compton, originally aired on January 9th, 1987)

Larry Zito finally gets his own episode!

Played by John Diehl, Larry Zito was a part of the show from the very beginning.  Occasionally, it’s easy to forget that Diehl was a part of the ensemble because his character was rarely given anything to do and we rarely learned that much about Zito.  He was Switek’s partner and he seemed to have a quirky sense of humor.  Occasionally, he had long hair and a beard and he seemed to enjoy wearing elaborate disguises while working undercover.  That said, Zito was always a bit of an enigma.  Even the rare episodes that centered on the Switek/Zito partnership seemed to feature Zito mostly in the background.

In this episode, though, we finally learn a bit about Zito.  We learn that he has a background as a boxer and he’s good at training other fighters.  We learn that he takes it seriously whenever he hears about a crooked promoter manipulating a boxer.  We learn that Zito is a recovering alcoholic.  In this episode, we learn that Zito is more than just goofy comic relief.  He’s got a heart as gold.  When the Vice Squad investigates a crooked promoter named Guzman (Pepe Serna), Zito takes it upon himself to train an up-and-coming boxer named Bobby Sykes (Mark Breland).  Bobby’s previous trainer (played by Randall “Tex” Cobb) was a friend of Zito’s and was murdered by Guzman.  For Zito, this case is personal.  He even helps Bobby win a championship.  Yay, Zito!  That’s not bad for a supporting character!

Unfortunately, this also leads to Zito dying.  After the fight, Zito is confronted by Guzman and his men.  Switek later finds Zito’s body in the gym with a hypodermic needle sticking out of his arm.  Guzman gave Zito a fatal overdose of heroin.

This really depressed me!  I mean, Zito finally gets a chance to handle a serious case and, even more importantly, John Diehl finally gets a chance to show off the fact that he’s a very good actor and then, at the end of the episode, Zito’s dead!  Poor Zito!

(From what I’ve read, John Diehl wanted off the show because he felt his role was underwritten and he also preferred doing theater to weekly television.  That’s understandable.  At least he got one turn in the spotlight before he was written off the show.)

Needless to say, this episode is dominated by the death of Zito.  The scene with a tearful Switek cradling Zito’s dead body makes such an impression that it’s easy to forget that this episode also featured the odd spectacle of Don King playing Mr. Cash, an ex-con turned honest fight promoter who disapproves of Guzman’s tactics.  Somehow, Don King being the voice of integrity makes sense in the topsy-turvy world of Miami Vice.  King says that Guzman is in Miami because it’s a brand new territory and a place where anyone can make it rich.  That’s been one of the recurring themes of this show since it began.  Anything can happen in Miami.  Including Larry Zito dying….

Give me a moment to wipe away the tears.  Seriously, the end of this episode really depressed me!

Next week, Switek is out for revenge.  I hope he gets it!

MACON COUNTY LINE – Jethro goes mad!


Max Baer, Jr. co-wrote, co-produced and co-starred in this southern fried thriller about a couple of good ‘ole boys (brothers Alan & Jesse Vint) who break down in the wrong county. The sheriff (Baer), who’s somewhat suspicious of the boys, goes after them with fierce vengeance when his wife is murdered.

I’m a big fan of this classic drive-in film. For one, I think it’s cool that Max Baer Jr., so well known as Jethro Bodine in the classic sitcom THE BEVERLY HILLBILLIES, took on this role of the somewhat racist sheriff who goes mad with rage in this movie. I enjoyed his performance very much. I also like these ‘70’s drive-in films. You get exactly what you expect in this tale, and it’s very entertaining. Finally, I like the Vint Brothers. Alan had an important role a year after this film was made in the Charles Bronson film BREAKOUT.  And what can I say about Jesse. Over the last few years, he’s actually become a friend in real life. He’s such a great guy, and he’s very proud of this movie. He told me one day that Tarantino had said it was one of “the best stories in cinema!” In the first season of his Video Archives podcast, I’ve personally heard Tarantino really brag on Jesse’s performance in the movie THE FORBIDDEN WORLD. I love it when good things happen to good people.

Automotive Stardom: The California Kid (1974, directed by Richard T. Heffron)


In 1973, a customized 1934 Ford three-window coup appeared on the cover of the November issue of Custom Rod.  The car had been created by legendary customizer Pete Chapouris and it was called The California Kid.  The cover caught the attention of television producer Howie Horowitz, who thought that maybe the car could become a star.

A year later, the car starred in it’s own made-for-TV movie.  Naturally, that movie was called The California Kid.

The California Kid takes place in 1958 in the small town of Clarksberg.  Clarksberg is known for being a town that does not tolerate speeders.  Sheriff Roy Childress (Vic Morrow) lost his wife and daughter to a speeder and, ever since, he’s become a fanatic about making sure that people respect the speed limits.  He’ll give a ticket to anyone who he sees going too fast.  He’ll even impound your car.  And if you don’t learn your lesson or if you try to outrun him, he’ll get behind your car, give it a push, and send both you and your vehicle plunging over the side of a mountain.

That’s what happens to Don McCord (Joe Estevez), a Marine who was just trying to get back to back to his base on time.  After Don and his car go over the side of a cliff, the official ruling is that it was an accident.  However, Don’s brother, Michael (Martin Sheen, real-life brother of Joe Estevez), doesn’t buy that.  Determined to prove that his brother was murdered, Micheal rolls into town, behind the wheel of the California Kid.

The California Kid is a typical 70s car chase movie.  There’s not much going on other than the sheriff chasing the Michael and the California Kid.  Martin Sheen coasts through the movie, doing the James Dean impersonation that he perfected in the previous year’s Badlands and Vic Morrow plays his thousandth sadistic authority figure.  The supporting cast is full of familiar names who don’t get to do much.  Michelle Phillips plays the waitress who falls in love with Martin Sheen.  (It’s always a waitress.)  Stuart Margolin is Morrow’s deputy and keep an eye out for Nick Nolte, playing a mechanic.  Interestingly, The California Kid was written by Richard Compton who, a year later, would direct Notle in his first starring role in the 1975 car chase film, Return to Macon County.  Of course, the real star of the movie is the car and the California Kid earns its star billing.  The movie might not be anything special but there’s no way you can watch it and not want to drive that car.

This is a made-for-TV movie so you won’t hear any profanity and the characters are all as simple can be.  However, there are enough shots of cars going over cliffs to keep chase enthusiasts entertained.

Drive-In Saturday Night 3: MACON COUNTY LINE (AIP 1974)/RETURN TO MACON COUNTY (AIP 1975)


gary loggins's avatarcracked rear viewer


Yee-haw! Southern Fried Exploitation was box office gold during the 1970’s, a  genre that usually had one or more of the following elements: race cars, moonshine, redneck sheriffs, scantily clad country girls, shotguns, and/or Burt Reynolds .  One of the foremost practitioners of this art was Max Baer, namesake son of the heavyweight boxer and erstwhile Jethro Bodine of TV’s THE BEVERLY HILLBILLIES, who scored a surprise hit when he produced, wrote, and costarred in 1974’s MACON COUNTY LINE.

The story’s set in the 50’s, complete with some vintage tunes on the soundtrack (The Chords’ “Sh-Boom”, Laverne Baker’s “Jim Dandy”, Big Joe Turner’s “Corrine, Corrina”). “The story is true”, reads a pre-credits scrawl, “only the names have been changed” (Actually, the story was concocted by Baer and director Richard Compton, but what the hey…). Brothers Chris and Wayne Dixon (played by brothers Alan and Jesse Vint ) are a pair…

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