Lifetime Film Review: A Predator Returns: Stalker’s Prey 3 (dir by Colin Theys)


Bruce is back!

Played by Houston Stevenson, Bruce is the character at the center of Lifetime’s Stalker’s Prey trilogy.  Bruce is a handsome, charming young man who loves studying the ocean and who, even more importantly, loves studying sharks.  In fact, sharks tend to follow Bruce wherever he goes.  You have to understand that Bruce is one of those people who has to move around a lot.  He has a bad habit of becoming obsessed with teenage girls and then feeding his romantic rivals to his shark.  Poor Bruce.  If only he had more confidence in himself!  Anyway, you can usually find Bruce hanging out in the marina or near the bay.  Usually, he’ll be using an assumed name but you can always tell that it’s Bruce because he’s the guy who won’t stop talking about how much he loves the water.

A Predator Returns finds Bruce calling himself David and telling everyone that he’s an oceanography students.  He’s living in a deserted lighthouse and seems to be content to spend all of his time feeding his sharks.  However, when he spots a group of teenagers swimming near the lighthouse, everything pretty much goes downhill from there.  After he rescues the teenagers from his sharks, Bruce quickly becomes obsessed with Courtney (Leigha Sinotti).  Courtney is having trouble at home, largely because of her demanding mother and her overprotective father.  Soon, she’s running around with Bruce and staying out until five in the morning.  Courtney’s father takes an automatic dislike to Bruce.  Uh-oh, looks like someone’s about to become shark bait.

Bruce and Courtney’s relationship gets pretty serious.  How serious?  At one point, Bruce shouts, “BRUCE IS GOING TO BE A DADDY!”  Of course, by the time Bruce finds out about that, Courtney has already dumped him because he’s such an obvious psycho.  Bruce is determined to get Courtney back, even if it means framing her for murder.

Especially when compared to Stalker’s Prey and A Predator’s Obsession, there isn’t much shark action in A Predator Returns.  The shark’s do much an appearance, of course and they do eat a few unfortunate victims.  But, compared to the previous films, they still don’t play a huge role in the story.  That was a bit disappointing, as the sharks really were the main attractions in the previous two Stalker’s Prey films.  You really can’t introduce sharks and then just kind of push them to the side.  It’s the rule of Chekhov’s Shark.  If you introduce a shark during act one, it’s going to have to eat at least a dozen people by the end of act three.

That said, Huston Stevenson really dug into the role of crazy Bruce and he was well-matched by Leigha Sinotti as Courtney.  The film was full of winking references to Jaws and a host of other horror films and it’s impossible not to enjoy a film that’s so clearly in on the joke.  Director Colin Theys keeps the action moving quickly and the movie ends a nicely ambiguous note, one that suggests that the story may not be quite over.  If there’s anything that I’ve learned from watching these films, it’s that sharks have 9 lives and, for that matter, so does Bruce!

Lifetime Film Review: A Mother’s Lie (dir by Stefan Brogren)


Even the best of families have secrets.

Unfortunately, the family at the center of A Mother’s Lie is hardly one of the best.  Sure, they’re wealthy.  And sure, they’ve got several very nice and very big homes.  But matriarch Joyce (Sonja Smits) is a little bit …. well, unhinged.  She was shocked when her teenage daughter, Katherine (Alex Paxton-Beesley) got pregnant.  Joyce demanded that Katherine not tell her boyfriend, Chuck (Gabriel Venneri).  Instead, Katherine went into hiding for 9 months.  When Katherine gave birth, Joyce told her that the baby was stillborn.

Now, 20 years later, Katherine and Chuck are married and they’re raising a daughter, Haley ( Zoe Sarantakis). Katherine has never told Chuck about their first child and Katherine feels guilty about that.  When Haley is diagnosed with leukemia and her parents are told that she’ll die without a bone marrow transplant, Katherine can’t help but wish that their first daughter had lived.  After all, she would be the perfect donor!

Well, it turns out that Joyce wasn’t being honest when she said that the first baby was stillborn.  The baby was born alive and was put up for adoption, without Katherine’s knowledge.  Libby (Madelyn Keys) was adopted by a poor but good family.  She’s now attending college and dreaming of going to medical school.  But how will she be able to pay for it!?

One day, Libby receives an offer from a mysterious benefactor.  All Libby has to do is agree to donate some bone marrow to a young girl and Libby will receive more than enough money to pay for medical school!  She’ll even be allowed to recuperate in an isolated and mysterious mansion!  The only condition is that Libby has to remain anonymous and she can’t have contact with the girl’s family.  Of course, Libby agrees!

Yay!  Haley’ going to live!  Libby’s going to be rich!  And the family secrets are going to remain hidden!  Except …. well, as I said, Joyce is a little bit unhinged, to the extent that she’s willing to kill anyone who might reveal the secret of what happened the night that Katherine gave birth to Libby.  It quickly becomes obvious that Libby is going to be lucky to escape from the mansion with her life….

A Mother’s Lie is an enjoyably gothic Lifetime film, the movie equivalent of one of those old paperback books that always featured a nervous-looking woman standing in front of a shadowy mansion.  It even features a sinister housekeeper (played well by Louise Kerr), who will do anything to help Joyce keep her secrets!  It’s all appropriately melodramatic and the film is made with enough self-awareness that it never makes the mistake of taking itself too seriously.  It’s an entertaining Lifetime film, pure and simple.

It’s also a very Canadian film.  From the minute I saw Libby casually walking down a snow-covered path on her way to class, I knew that this was a film that made north of the border.  That’s not a complaint, of course.  Many of the best Lifetime film were made in Canada and I always enjoy spotting former Degrassi actors.  And while this film’s cast may not have featured any Degrassi grads, A Mother’s Life was directed by Stefan Brogren, who played Mr. Simpson on that venerable show.  He does a good job of keeping the action moving and maintaining a properly gothic atmosphere.  It’s an enjoyable 90 minutes.

Music Video of the Day: Jeff Goldblum by Mattiel (2021, dir by ????)


Who else could inspire such loyalty?

Actually, though, the song itself isn’t about Jeff Goldblum.  It’s about about someone who is a “little like a younger Jeff Goldblum.”  The video, however, is all about Jeff Goldblum and Geena Davis.

Enjoy!

Lisa Marie’s Week In Television: 11/14/21 — 11/20/21


It’s that time again.  Here’s some thoughts on what I watched over the past seven days:

Allo Allo (Sunday Night, PBS)

Finally!  It was time for the long-distance duck to fly from France to London, carrying with it the plans for the German invasion of England.  Unfortunately, the duck itself really didn’t feel like flying, which led to Rene and Edith having to chase it around the courtyard while Michelle and the two airmen watched from a balcony above.  Meanwhile, everyone was trying to figure out what to do with the forged money that Rene stole from the bank.  It was a funny episode.  I relate to Michelle.

Baywatch Hawaii (Prime)

I had a really tough day on Tuesday so I decided to unwind and calm myself down by continuing my binge of the first season of Baywatch Hawaii.  This, of course, was the sequel to Baywatch, in which the Hoff moved to Hawaii and helped to train a new group of lifeguards.

I started things off with watching the 9th episode of the series, which was called The Hunt.  It featured Jessie investigating a case of shark poaching and Jason trying to come to terms with his Hawaiian heritage.  In the end, the poaches were defeated, Jessie was rescued after her jet ski sank, and Jason proved himself to be worthy of the islands by having some sort of weird mind-meld with a shark.  “The shark is my brother,” Jason explained.  Yay!  Incidentally, the poacher’s boat was named “All She Rote,” which was kind of clever.  This was followed by a treasure hunt episode, where the lifeguards mistakenly believed that they had found a long-lost treasure.  I’m pretty sure this was a remake an old Baywatch episode, with gold instead of doubloons.

Cold Case (Weekday, Afternoons, Start TV)

On Tuesday’s episode, Lily and the gang investigated the 1967 murder of a brush salesman.  Speaking of brushes, Lily could have used one because her hair was a mess.  I will never understand why Lily never did anything about that.

Court Cam (Wednesday, A&E)

A&E always airs several episodes of Court Cam on Wednesday and they do tend to blend together.  For some reason, this week, there were a lot of clips of defendants cussing out their judges.  That’s never a good courtroom strategy.  One fellow got 360 days for contempt of court, though it was later reduced to 90 days.  Ironically, he only served 5 days for the crime that he was initially charged with.  Seriously, be polite when talking to a judge.

Crossing Jordan (Weekday Afternoons, Start TV)

I watched two episodes on Tuesday.  Jordan was cranky while Bugs was again being targeted by bigots and Homeland Security.  That was pretty much the plot of every single episode of Crossing Jordan, yet somehow everyone on the show always acted as if the same thing didn’t keep happening over and over again.

Dexter: New Blood (Sunday Night, Showtime)

I wrote about the latest episode of Dexter here!

Fear The Walking Dead (Sunday Night, AMC)

I wrote about the latest episode of Fear the Walking Dead here!

Monty Python’s Flying Circus (Monday Morning, BBC America)

I watched two of my favorite episodes on Monday morning, Mr. Pither’s Cycling Tour and The Ministry of Silly Walks.  I especially love Mr. Pither, if just because Michael Palin did such a wonderful job playing the well-meaning but utterly clueless cyclist.  “My lack of God, it’s Trotsky!”

Open All Hours (Sunday Night, PBS)

Arkwright cheated his customers by pretending to be blind.  Granville took a heap of abuse.  They both attempted to provide better customer service at their little shop.  It didn’t go well.

Shipping Wars (Tuesday Morning, A&E)

It amazes me that everyone who ever appeared on this show — whether they were a regular or just a customer — was a complete and total jerk.  I watched several episodes of Tuesday morning and I can’t think of one episode that featured anyone who was the least bit likable.

Survivor (Wednesday Night, CBS)

I wrote about Survivor here!

Three’s Company (Weekday Afternoons, Antenna TV)

I watched two episodes on Tuesday.  Believe it or not, both of them revolved around simple misunderstandings that could have been solved in a matter of minutes if all of the characters on the show weren’t so stupid.

The Walking Dead: The World Beyond (Sunday Night, AMC)

I think what’s frustrating about this show is that it works best when it focuses on the teens growing up in a world where society has collapsed but, for some reason, the show keeps getting sidetracked with all of the adults.  I don’t care about the adults but sometimes, the majority of the show seems to be made up of scenes of them sitting around and having hushed conversations.  It gets boring!

Yes, Minister (PBS, Monday Morning)

I rewatched the episode where Jim becomes Prime Minister.  Yay, Jim!

TV Review: Fear the Walking Dead 7.5 “Til Death” (dir by Lennie James)


I can still remember when Fear the Walking Dead first started back in 2015.

The premise, as you may remember, was that the show was going to take place in the “world of The Walking Dead” but that it was going to deal with an entirely new group of characters and follow them through the early days of the zombie apocalypse.  Would there be crossovers with the main show?  While AMC refused to rule them out, it was also said that the world of the Walking Dead was so compelling and fully realized that there really was no real need to bring over Rick, Darryl, Morgan, or anyone else from the original show.  In fact, since Fear the Walking Dead was a prequel, it really wouldn’t make any sense to have any of the original show’s characters show up for anything more than a winking cameo.  Instead, audiences would be thrilled with the new cast of doctors, drug addicts, and city planners.

Well, that didn’t quite work out.  It turned out that audiences didn’t really respond to the entirely new cast and so almost all of them were killed off, Lennie James switched from the main show to the spinoff, and, from season 4 on, Fear the Walking Dead became the Morgan show.

And I’m really not complaining.  I tried to watch the early seasons of Fear The Walking Dead and I was so bored that I gave up on the show fairly quickly.  However, I’ve been mostly entertained by the seventh and final season of Fear The Walking Dead.  Yes, there have been a few pacing issues but, at this point, that’s something that anyone who has ever watched more than a handful of episodes of The Walking Dead and its spin-offs should be used to.  But still, I enjoy Fear the Walking Dead‘s rather surreal landscape.  Colman Domingo’s wonderfully weird performance is always entertaining to watch.  I’m even somewhat interested in discovering who Padre is, even though I know the character probably won’t live up to all the hype.  At this point, unless he turns out to be Rick, there’s no way Padre can meet the expectations that have been set for him.

Last Sunday, Dwight and Sherry joined the search for Padre.  Like Morgan, Dwight and Sherry were originally on The Walking Dead.  Dwight was one of Negan’s lieutenants.  Sherry was his wife.  Now, they’re “ethical outlaws,” riding across the radioactive landscape of Texas and protecting those in need.  During the latest episode, Strand tried to get Dwight and Sherry to join his organization and Dwight was certainly tempted.  But, in the end, they did the right thing and helped a woman named Mickey find and put down her reanimated husband.  They then teamed up with the Stalkers to continue their search for Padre …. okay, so the plot summary sounds a little absurd and, to be honest, the idea of Dwight and Sherry calling themselves the Dark Horses and fighting for the bullied is a little absurd.  But, and this is the secret as to why Fear the Walking Dead‘s final season has been so enjoyable, the show seems to be aware of how absurd it all is.  Whereas The Walking Dead would have taken the whole “ethical outlaw” thing way too seriously, Fear the Walking Dead is willing to have fun with it all.

And this Sunday’s episode was a fun one.  Apparently, with The Walking Dead and its two spin-offs coming to a close with the end of their current seasons, AMC is planning on keeping the franchie alive with an anthology series.  Hopefully, the Dark Horses will appear in more than a few episodes.  As much as I disliked them on The Walking Dead, Dwight and Sherry are a blast on Fear the Waling Dead.  Dark Horses forever!

TV Review: Dexter: New Blood 1.2 “Storm of Fuck” (dir by Marcos Siega)


The second episode of Dexter: New Blood had a title that I’m sure Deb would have appreciated.

Indeed, any Deb-centric episode of the first series of Dexter was always guaranteed to feature a storm of profanity and one of the the things that I always liked about Dexter is that everyone on the show was always as shocked by Deb’s language as the viewer was.  Ghost Deb tends to curse a lot as well.  Of course, Ghost Deb has her reasons.  Not only is she dead but she can’t get her stupid stepbrother to listen to her advice.  Ghost Deb told Dexter not to let Harrison stay in the cabin.  She told Dexter that everyone he gets close to dies.  And yet, over the course of Storm of Fuck, Dexter not only invited Harrison to live with him but he also took Harrison along with him while he covered up the previous episode’s murder of Matt Caldwell.  (Of course, he didn’t tell Harrison what he was actually doing.  Dexter is very good at keeping his secrets.)

A few thoughts on Storm of Fuck:

First off, it’s pretty obvious that the girl in the motel is going to be used as the target in some version of The Most Dangerous Game, right?  And it’s also pretty obvious that Edward Olsen is the one behind it.  It’s in no way a big surprise because Dexter has always been full of evil, rich serial killers.  It also seems fairly obvious that Audrey is eventually going to end up getting hunted by Olsen.

Secondly, I don’t think Matt’s father (played by Clancy Brown) is a serial killer but I do think that he’s going to eventually figure out what Dexter did to his son.  He’ll be the New Blood‘s equivalent of James Doakes, the man who knows the truth but can’t get anyone to listen to him.

Third, Harrison has totally murdered someone, right?  I mean, he may not be a serial killer.  And the events of Storm of Fuck would seem to indicate that he doesn’t have anything to do with any of the recent missing persons cases.  But, obviously, he’s got some secrets.  What did he do back when he was on drugs?  Was he even on drugs or was that just something he said?  Are those drawings of people who he knows or people he killed?  When he read Dexter’s letter about “dark tendencies,” was he upset because he discovered Dexter was alive or was it because he knew that he did have those dark tendencies?  My point is that Harrison is destined to follow in his father’s bloody footsteps eventually.

As for the rest of Storm of Fuck, it was an okay episode.  It didn’t exactly move the story forward by much but it did allow us a chance to get to know all of the new characters.  To me, this episode worked best as an example of the show’s often underrated use of dark humor.  As macabre as the subject matter often is, it’s hard not to laugh at the contrast between Michael C. Hall’s deadpan voice-over and the events happening on screen.  And, in grand Dexter tradition, the entire episode featured Dexter getting one lucky break after another until, during the final few minutes, everything fell apart.  Dexter had nearly gotten everyone away from his cabin when Kurt Caldwell showed up and gave a rousing speech.  On any other show, we would have cheered a community coming together and Kurt’s speech would have been a big hero moment.

On Dexter, though, it’s just a storm of fuck.

Cleaning Out The DVR: The Mauritanian (dir by Kevin Macdonald)


Last night, I finally watched The Mauritanian.

The Mauritanian is a film that was released earlier this year.  The Golden Globes gave it some unexpected love.  The Oscars ignored it.  It won some awards in the UK.  It’s based on the true story of Mohamedou Ould Salahi, who was detained at Gitmo without charge for 15 years.  The U.S. government claimed that Salahi was one of the men responsible for recruiting the 9-11 hijackers.  Salahi claimed innocence and wrote and published his memoirs while he was still a prisoner.  Salahi was regularly tortured and sexually abused while detained.  His interrogators regularly threatened to bring his mother to Gitmo, where she would be gang-raped, unless Salahi told them what they wanted to hear.

It’s a horrifying story and an important one, especially nowadays when so many people have forgotten that everyone is meant to have rights under the law.  Unfortunately, The Mauritanian doesn’t really do the story justice.  Instead of simply focusing on Salahi (played, in a charismatic performance, by Tahar Rahim) and what he went through after being detained, the film divides its time between Salahi, his lawyers, and the man assigned to prosecute his case.  As the representatives of the legal system, Jodie Foster, Shailene Woodley, and Benedict Cumberbatch all give one-note performances.  Foster somehow won a Golden Globe for her role but there’s not much to the performance or the character, beyond the fact that she’s pissed off and she’s played by a respected performer who came out of semi-retirement because she agreed with the film’s message.  Shailene Woodley is not particularly believable as someone who could have passed a bar exam.  Meanwhile, the film uses Benedict Cumberbatch’s likable screen presence to try to disguise the fact that it tells its story with a counter-productively heavy hand.  The film wants us to think its nuanced, just because the normally heroic Cumberbatch is playing one of the government’s representatives.

The Mauritanian is a film that wants to shock and outrage us.  It’s also a film that wants to move us and make the audience celebrate the activism of the attorneys played by Foster and Woodley.  Unfortunately, director Kevin Macdonald takes a rather generic approach to telling this story.  There’s no complexity.  There’s no surprises.  One need only look at a film like The Report to see how a film like this could have been effective.  Instead, The Mauritanian often threatens to become as self-congratulatory as The Trial of the Chicago 7.  At its weakest, it’s like an Aaron Sorkin film, without the snappy dialogue.  There is a harrowingly effective sequence in which Salahi is psychologically tortured but Macdonald lessens the impact by continually cutting to Foster and Cumberbatch reading a report about the torture.  It takes a moment that should have been about what Salahi was put through and instead makes it about how his attorney reacts to it.  It’s as if Macdonald didn’t have faith in his audience and felt that we would need two stars to let us know that the torture we’re viewing with our own eyes was wrong.

Though The Mauritanian was only released a few month ago, it already feel like a relic from another era.  One gets the feeling that a flawed but politically outspoken film like this would have gotten a lot more attention from the Academy if it had been released in 2006 or 2007 or even during the first two years of the Obama administration, back when people still believed that Obama was serious about closing Gitmo.  Today, however, we take the excesses of the war on terror for granted.  People are no longer shocked by them.  As I watched The Mauritanian, I found myself thinking about the fact that, just two-and-a-half months ago, the U.S. blew up an innocent aide worker and his family, bragged about it, and then tried to cover it up.  At one time, this would have been a national scandal.  In 2021, however, it’s the sort of thing that gets shrugged off.  One gets the feeling that a movie will never be made about that man or his family.

 

Lisa Marie’s Week In Television: 11/7/21 — 11/13/21


This was my birthday week and I’m happy to say that I spent a lot more time celebrating than watching television.  Here’s what little — I do mean very little — I did watch.

Allo Allo (Sunday Night, PBS)

With the colonels now free from the Communist Resistance, it was up to Rene and the café residents to figure out what to do with all of the stolen money.  Of course, in typical Allo Allo fashion, it turned out that hiding money was much more complicated than stealing it, especially with Herr Flick determined to catch the culprits.  Officer Crabtree showed up to show everyone a picture of the, “sispoocts,” which turned out to be his way of saying, “suspects.”

Dexter: New Blood (Sunday Night, Showtime)

I wrote about the first episode of Dexter: New Blood here!

Fear The Walking Dead (Sunday Night, AMC)

I reviewed the latest episode of Fear The Walking Dead here.

The Office (Comedy Central)

On Saturday morning, I watched the “Did I Stutter” episode of The Office, which features not only one of Steve Carrel’s best performances from Michael but also great work from Leslie David Baker as Stanley.  I also related to Pam and her total blindness without her contacts or her glasses.

Survivor (Wednesday Night, CBS)

You can read my thoughts on the latest episode here!

The Walking Dead: World Beyond (Sunday Night, AMC)

Apparently, I was just not in a Walking Dead mood this week.  I didn’t care much for Fear The Walking Dead‘s latest episode and the latest episode of The Walking Dead: World Beyond was boring as well.  I may just be bored with zombies, who knows?

TV Review: Dexter New Blood 1.1 “Cold Snap” (dir by Marcos Siega)


When last we saw erstwhile serial killer Dexter Morgan, he had faked his death, fled Miami, and was apparently working as a lumberjack in Oregon.

That was how Showtime’s Dexter originally ended, back in 2013.  It was not a popular ending and yet, I don’t think anyone was expecting to be satisfied by Dexter’s finale.  In retrospect, the highpoint of Dexter came during season 4, during the arc involving John Lithgow at the Trinity Killer.  The four seasons that came after the conclusion of that storyline could never quite escape the shadow of the battle of wills between Lithgow and Michael C. Hall.  Seasons 5, 6, and 7 all felt somewhat superfluous while season 8 seemed to go off the rails entirely.  As a result, I think everyone was mentally prepared to be let down by however the show ended but still, people were hoping for a little more than Dexter in Oregon.

Fortunately, Dexter Morgan is back!  Dexter: New Blood, which premiered last Sunday on Sunday, picks up ten years after the conclusion of Dexter.  Dexter (played by Michael C. Hall, of course) is no longer living in Oregon.  In fact, in the first episode, Oregon was never even mentioned. Instead, Dexter is now living in upstate New York.  He’s using the name Jim Lindsay.  He works at a sporting goods store.  He’s dating the local chief of police, Angela Bishop (Julia Jones).  He’s a popular citizen.  Everyone like Jim.  Everyone thinks that they know Jim.  Of course, what they don’t know is that Jim is actually Dexter, a serial killer who once specialized in killing other murderers.  They also don’t know that Dexter spends a good deal of his spare time talking to the ghost of his dead stepsister, Deb (Jennifer Carpenter, taking on the mentor role that James Remar played in the original series).  Deb continually tells Dexter that he can’t get close to anyone.  Anyone to whom Dexter gets close dies.  Of course, even in death, Deb doesn’t seem to understand that Dexter isn’t capable of being genuinely close with anyone.

When Cold Snap, the first episode, begins, it’s been ten years since Dexter killed anyone, though it’s obvious that he still has the urge.  Dexter’s ten-year break comes to an end when he meets Matt Caldwell (Steve M. Robertson), a spoiled rich kid who, several years earlier, was involved in a boating accident that killed five people.  When Dexter learns that Matt intentionally smashed into the other boat and then when Matt later shoots a rare albino stag that Dexter had spent days tracking, Dexter’s Dark Passenger returns.  Interestingly enough, it turns out that, despite being inactive for ten years, Dexter still has a perfect murderer’s lair inside his cabin’s shed.  Before Dexter ritualistically kills Matt, Matt says that his father is going to kill Dexter.  Who is Matt’s father?  I’m sure we’ll find out soon.  A part of me suspects that it might be Edward Olsen (Fredric Lehne), a billionaire who is planning on doing business in the town.  I also suspect that Olsen is probably connected to the disappearances of several young women in the area.  Wealthy businessmen often turned out to be serial killers on Dexter.

Speaking of fathers, Dexter is also a father.  He abandoned his son, Harrison, in Miami ten years ago.  Now, the teenage Harrison (Jack Alcott) has tracked Dexter down.  At first, Dexter pretended not to know who Harrison was and he gave Harrison money to buy a ticket on the next bus out of town.  However, at the end of the episode, Dexter, fresh from murdering Matt, showed up at the bus station, sat down next to Harrison, and said, “I am Dexter Morgan.”

It was an interesting ending and a bit frightening considering everything that we know about Dexter.  Ghost Deb is right.  People who get close to Dexter do end up dying.  That said, we really don’t know much about Harrison.  In the books, Dexter was often concerned that Rita’s stepchildren, Cody and Astor, had their own dark passengers.  To the best of my memory, that wasn’t really explored on the television show with Harrison but what if Harrison does turn out to be a serial killer?  Even worse, what if Harrison turns out to be a serial killer who, like his father, only targets other serial killers?  Would Dexter have to kill Harrison or would Harrison have to kill Dexter?  But perhaps I’m getting ahead of myself.  As of the first episode, the only thing we know for sure is that Harrison managed to track his father down.

I was intrigued by the first episode of Dexter: New Blood, though I have to admit that most of that was due to the hints of what could happen in the future as opposed to what actually did happen in the episode.  As I said at the start of this review, the first four seasons of Dexter were brilliant.  The final four seasons were increasingly uneven.  Just as it’s hard for Dexter to run the risk of getting close to anyone, it’s also hard for us viewers to run the risk of fully embracing this revival because we’ve all seen first hand that there are limits to how far Dexter‘s concept can be taken without things falling apart.  It’s probably not surprising that the reviews for this episode were mixed.  Variety liked it.  The AV Club and Rolling Stone complained that it was too violent.  The generic online reviewer of today often seems more concerned with hitting the right talking points and satisfying the online mob than with actually giving thought to such quaint considerations at to whether or not a show is entertaining or if it actually holds your interest.  Dexter: New Blood held my interest and it was entertaining enough for me to set the DVR to record next week’s episode.  To me, that qualifies as a successful episode.

So far, Dexter: New Blood feels like it could be a return to the Dexter of those first four seasons.  Michael C. Hall remains a compelling presence.  I’m interested to see how things develop with Harrison.  I’m glad Dexter got the Hell out of Oregon.  I’ll be watching.

TV Review: Fear The Walking Dead 7.4 “Breathe With Me” (dir Tara Nicole Weyr)


The latest episode of Fear The Walking Dead really didn’t do much for me.

That’s not necessarily the show’s fault, or at least not entirely.  As I’ve said from my first review, I didn’t start regularly watching this show until the start of the current (and final) season.  As a result, I’m still learning who many of these characters are.  Perhaps if I had watched the earlier seasons, I would have been more emotionally connected to Sarah’s search for her brother, Wendell.  And perhaps I would have been more concerned with Josiah’s need to get revenge on Morgan.

But, even with all that in mind, last Sunday’s episode was punishingly slow.  It felt like a throwback to one of those old episodes of The Walking Dead where some minor character would randomly run into someone and then we’d have to spend 40 minutes listening to them have a conversation about nothing before some random Walkers finally showed up.  For lack of a better term, it was kind of boring.  For all of the trouble that the episode put the viewer through, it needed a better pay off than “Wendell’s here but I’m not going to let you see him.”

Josiah carrying around his brother’s disembodied heard was visually interesting but, from a narrative point of view, it was pretty stupid and it kind of made me wonder how someone who could be dumb enough to carry around a zombie head could possibly manage to survive in the world of the walking dead.  The fact that it all led to Josiah having to euthanize an adorable dog did not help matters.  I get that the whole idea behind The Walking Dead and its spin-offs is that the world is a terrible place where terrible things happen but honestly, Josiah was just an idiot.  He was probably an idiot before the zombie apocalypse and he’s apparently still an idiot afterwards.  My hope is that we’ve seen the last of Josiah because I really don’t want to have to spend another episode listening to him whine about his dead brother.  Instead, I hope future episodes will take us back into The Tower and the world of Strand.  Colman Domingo only appeared for a few minutes in the latest episode but he owned every one of them.

Finally, it appears that there are still some atomic warheads that were not set off during the previous season.  And I guess the Stalkers now have one of them.  That’s probably not a good thing.