Cleaning out the DVR: Anna to the Infinite Power (dir by Robert Wiemer)

Posted on October 30, 2022 by Lisa Marie Bowman

Curious film, this one.

In this 1983 film (which was based on a book), Anna Hart (played by Martha Byrne, a child actress who later grew up to star on a few soap operas) is a 12 year-old musical prodigy who has a hard time fitting in with normal children. She suffers from frequent headaches, especially whenever she’s near an open flame. She loses her temper quickly. She has disturbing nightmares about World War II, an event that occurred long before she was even born. Perhaps most alarmingly, she’s a compulsive shoplifter. (Admittedly, when I was in high school, it was rare that I paid for all of the makeup that I slipped into my purse whenever I skipped school at Target. But, then again, I was kind of a brat….) When a music teacher named Michaela DuPont (Donna Mitchell) moves in next door, she takes a curiously intense interest in Anna. She starts to give Anna lessons

Anna just happens to see a story on the news about another 12 year-old musical prodigy. She’s named Anna Smithson and, like Anna Hart, she’s the daughter of a musician and a scientist. Anna Smithson also just happens to look just like Anna Hart!

Can we say cloning?

It turns out that Anna Hart is one of five Annas, a part of an experiment to clone Anna Zimmerman. Anna Zimmerman was a musical prodigy who spent her childhood in a Nazi concentration camp and who died in a mysterious fire 20 years earlier. All five of the Annas are being raised by similar families and under similar circumstances, all in an attempt to bring Anna Zimmerman back to life. Shocked by the news, Anna struggles to figure out who she is — is she Anna Hart or is destined to grow up to be Anna Zimmerman? And, if she decides that she wants to live her own life, will she allowed to do so? How far will the scientist who cloned Anna go to protect their secrets? And why was Anna cloned to begin with?

Anna To The Infinite Power is an odd little film. It has got more than enough conspiracies and traumatic flashbacks to qualify as a hybrid of the horror and science fiction genres but it’s also a rather unconventional coming-of-age story. Anna has to decide whether or not she’s okay with the idea of her entire life having been plotted out for her. Can Anna escape destiny? Even if she can escape it, should she do it? It is an intriguing question and the film’s intelligent script quickly grabs your interest.

Unfortunately, the film’s direction is not as strong as the script. Visually, Anna to the Infinite Power has a bland and rather flat look. It would be easy to mistake it for a special, extended episode of an 80s television show. (In fact, I assumed that the movie was a pilot until I looked it up on the imdb.) Still, Martha Byrne is sympathetic as the multiple Annas while character actor Jack Gilford does a good job as the scientist responsible for the experiment. It’s an intriguing film and one to keep an eye out for.

October Positivity: Thin Ice (dir by Rick Garside)

Posted on October 29, 2022 by Lisa Marie Bowman

Thin Ice, a short film from 1988, tells the story of Vince (Jay Roberts, Jr.).

Vince is a college student. He likes to party and drink and basically do all of the stuff that, if we’re going to be honest, people are supposed to be doing in college. I mean, yes, it’s true. College is about getting you ready to enter the adult world. But it’s also that last chance that most students will have to truly enjoy all of the stuff that’s typically frowned upon by the adult world. College is supposed to be a time of experimentation and Vince has certainly been experimenting! Good for him!

His parents, of course, disagree. When Vince comes home the winter break, his parents insist that he go to church with them. Vince is all, “I’m too cool for church!” but he goes anyways because otherwise, he might have to stay at a hotel. He meets some other college students at the church and he ends up getting invited on a ski trip to Lake Tahoe. Vince loves to ski so, of course, he says yes.

Vince is stunned to discover that his new friends are actually being sincere when they say they’re Christians and he struggles to adjust to hanging out with them. However, he soon discovers that they’re not as a weird as he thought they were. Of course, Vince and everyone else is soon more concerned with Shawna (Amy Lyndon). Shawna is the type of bitter atheist who always shows up in movies like this. From the minute she first appears, she’s complaining about religion and accusing all of the members of the youth group of being hypocrites.

A good deal of the movie is literally this:

Youth Group Member: “Hey, Shawna, good morning.”

Shawna: “YOUR GOD HAS NOTHING TO DO WITH CREATING THE MORNING!”

Youth Group Member: “I think I’m going to get some skiing in, if you want to come.”

Shawna: “YOUR GOD ALLOWS TOO MANY PEOPLE TO DIE IN SKIING ACCIDENTS!”

Youth Group Member: “Okay, well, let me know if you change your mind….”

Shawna: “MY MIND BELONGS TO ME, YOU HOLLY ROLLER!”

Yes, Shawna is pretty spiteful and, most of the time, pretty annoying. But she’s ultimately so extremely hateful that it becomes oddly fascinating to listen to her. As a character, she really is the epitome of what most Christians think of when they think of an atheist. She’s intolerant, angry, condescending, and self-destructive. Admittedly, there’s quite a few atheists who are like that but there are others who simply don’t believe in God because they don’t and not because they’re angry at the world or consumed by self-loathing. Just as secular films always seem to struggle with the idea that a normal person can go to church, Christian films can never seem to accept that some people just don’t believe in God. Instead, the assumption is that everyone secretly believes in God but they’re just not willing to admit it.

Anyway, a character eventually falls through some thin ice (hence, the title) and nearly drowns. This leads to everyone having a religious epiphany so I guess the lesson here is that, if you’re confused about what you believe, just wait for a casual acquaintance to have a near death experience.

Anyway, Thin Ice is a pretty typical 80s Christian film. It’s not quite as slickly put together as the films of the Christiano Brothers but, at the same time, it also doesn’t have the mean streak that runs through a lot of the early Christiano films. Shawna may be an obnoxious atheist but she’s not threatened with Hell or anything like that. For the most part, though, this is a pretty low-key and forgettable film. It’s a bit of a time capsule of the time in which it was made but otherwise, Thin Ice is almost as forgettable as an ice cube melting in the summer.

Horror Film Review: Angel Heart (dir by Alan Parker)

Posted on October 29, 2022 by Lisa Marie Bowman

First released in 1987 and set in 1955, Angel Heart tells the story of Harry Angel (Mickey Rourke).

With a name like Harry Angel, it’s perhaps not surprising that Harry is a private investigator. Harry operates out of New York. He’s got a shabby apartment. He wears wrinkled clothes. He rarely shaves. He smokes almost constantly. (In a rare moment of comedy, the camera catches Harry blithely emptying a full ashtray in the middle of the street.) Harry looks like he reeks of tobacco, beer, sweat, and lost dreams. And yet, it’s difficult not to like Harry. He’s got a charming smile, even if his face is often bruised from his latest beating. He speaks in a low whisper and it’s hard not to get the feeling that Harry is actually kind of shy. He’s incredibly sleazy but there’s something about him that just makes the viewer want to take care of him.

Harry is hired by a mysterious man named Louis Cyphere (Robert De Niro, cheerfully overacting). Louis wants Harry to track down a singer named Johnny Favor. As Cyphere explains it, he did a favor for Johnny and Johnny has yet to pay Cyphere what he owes. Johnny has been suffering from PTSD ever since he served in World War II. When last seen, Johnny was receiving electroshock treatment in an upstate hospital.

Harry’s search for Johnny leads him into an increasingly complex and disturbing conspiracy. He meets a doctor who is addicted to morphine and, when the doctor turns up dead, Harry coolly uses the dead man’s shoe to light his match. Eventually, Harry’s investigation leads him to New Orleans, where he meets both Johnny’s wife (Charlotte Rampling) and Johnny’s unacknowledged daughter, Epiphany (Lisa Bonet). As Harry searches for Johnny, he deals with strange visions of his own mysterious past. He sees himself wandering around Times Square shortly after the attack on Pearl Harbor. Harry also finds himself having to deal with the fact that almost everyone that he talks to ends up being brutally murdered. Every time that Harry tries to quit the case, Cyphere offers him more money. (Cyphere tends to show up whenever Harry finds himself on the verge of abandoning his search.)

Angel Heart moves at its own deliberate pace. In fact, the first hour can feel a bit slow but that first hour definitely pays off during the second half of the film. By the time that Harry starts to truly uncover what has happened to Johnny, the audience actually cares about Harry and is actually worried about what’s going to happen to him when he reaches the end of the case. Mickey Rourke was (and is) an eccentric actor but he’s at his most effective in Angel Heart. A lesser actor would have just played Harry as being a typical hardboiled detective. Rourke plays Harry as being a lost soul, a vulnerable man who is often as confused and scared as the people that he’s looking for. By the end of the film, Harry realizes that the answer to the mystery was right in front of them and his look of despair is surprisingly powerful. If De Niro gives a good performance that is almost totally on the surface, Rourke gives the type of performance that allows the audience to explore what’s going on beneath the surface of a character who many would initially view as being a cliché. Mickey Rourke’s Harry Angel is right up there with Bogart’s Sam Spade and Jack Nicholson’s Jake Gittes. He’s a familiar character who also seems to be a human being.

Full of sex, violence, and increasingly disturbing imagery, Angel Heart is not for everyone. Alan Parker’s direction emphasizes the darkness of Harry’s world and the bleakness of his situation. The film ends with a twist that may not be totally unexpected but which is still undeniably disturbing. The more you think about it, the most disturbing it gets. Angel Heart is an atmospheric and intelligent chiller. It’s existential horror at its most nightmarish.

Lisa Marie’s Week In Television: 10/23/22 — 10/29/22

Posted on October 29, 2022 by Lisa Marie Bowman

I spent most of this week watching horror films. I’ll have a lot to catch up on, starting on November 1st.

Here’s some thoughts on what I did watch this week:

Abbott Elementary (Wednesday Night, ABC)

This week’s episode was a Halloween episode and it was a true classic, with Baby Thanos releasing candy to all the children in the middle of the school day and chaos breaking out as a result. Jacob dressing up as Wage Theft for Halloween made me laugh way too much, as did the competing Scarlet Witch costumes.

Atlanta (Thursday Night, FX)

This week’s episode was a mockumentary about Thomas Washington, a black animator who was briefly the CEO of Disney Studios when the board mixed him up with a white exceptive named Thompson Washington. Thomas Washington was obsessed with making “the blackest movie” ever. The end result was The Goofy Movie, though it’s explained that Disney’s Board of Directors interfered with Washington’s vision and cut the most powerful scenes out of the film. Thomas Washington, we’re told, died under mysterious circumstances.

I’ve never seen The Goofy Movie.

The Amazing Race (Wednesday Night, CBS)

I wrote about the latest episode of The Amazing Race here!

Full House (Sunday Evening, MeTV)

On the first of this week’s episode, Michelle was finally punished for being a brat. She nicknamed Jesse “Uncle Tattletale.” This episode was even more cingey than usual because it featured a scene with Michelle talking to “Angel Michelle” and “Devil Michelle.” The Olsen Twins weren’t even believable as one person, let along three. This was followed by an episode in which DJ learned how to drive. As usual, her stupid family screwed everything up.

Hell’s Kitchen (Thursday Night, Fox)

No one went home this week! Chef Ramsay decided to spare the nominated chefs because it was a good service overall. I would have sent home Vlad but Ramsay decided to show mercy. Good for him.

Highway to Heaven (YouTube)

My friend Mark recommended an episode of this show to me after reading my review of I Was A Teenage Werewolf. I’ll write more about this episode tomorrow.

It’s Always Sunny In Philadelphia (Hulu)

On Tuesday night, I rewatched the classic “The Gang Tries Desperately To Win An Award” episode. Sudz seems like a fun place.

Law & Order (Thursday Night, NBC)

This week’s episode featured a law professor who was being blackmailed after he was filmed using a slur. After the blackmailer turned up dead, the professor was put on trial. It turned out that the professor’s 14 year-old son was the guilty party. It was kind of boring. This season has been a dud so far.

The New Wave Theater (NightFlight+)

This was an old show from the 80s, which featured live performances from various up-and-coming bands. It was hosted by Peter Ivers, who co-wrote the classic “In Heaven, Everything Is Fine” for David Lynch’s Eraserhead. I watched an episode on Saturday morning. Elvira was the co-host. The music was cool and trippy. All of the performers were off in their own little world.

Night Flight (NightFlight+)

I watched three episodes of this show on Friday. One episode was about “rock poets.” The second episode dealt with “villainous actors.” (Dennis Hopper, Henry Silva, Rutger Hauer, James Woods, and Robert De Niro were profiled.) The third episode featured Talking Heads. Good stuff!

The Real Love Boat (Wednesday Night, CBS)

I don’t know if I so much watched this show as I just sat through it because it aired in between Survivor and The Amazing Race. I didn’t pay much attention to it. The people on the boat are boring.

Survivor (Wednesday Night, CBS)

You can read my thoughts on Survivor here!

The TSL’s Horror Grindhouse: Teenage Caveman (dir by Roger Corman)

Posted on October 29, 2022 by Lisa Marie Bowman

Who is the Teenage Caveman?

Believe it or not, he’s Robert Vaughn. Vaughn, who would later go on to appear in The Magnificent Seven, The Man From UNCLE, Bullitt, The Towering Inferno, and Hustle, was 26 years old when he played a nameless caveman in Roger Corman’s 1958 film, Teenage Caveman. At the age of 26, Vaughn looked like he was closer to 35 and he certainly didn’t resemble a teenager. Despite wearing a loin cloth, he also didn’t appear to be a caveman. If he was a caveman than he was certainly a well-groomed caveman and perhaps the only caveman to understand how to use hairspray. Seriously, his hair is perfect in this film.

As for the film itself, it’s about a primitive tribe of people who live in a rocky wasteland. However, just across the river, there’s a land that’s full of plants and animals. It would obviously be a much better place to live and Vaughn’s teenage caveman is totally annoyed that the older folks on the tribe refuse to cross the river. They claim that a monster lives in the river and that it will kill anyone who tries to cross. Being a rebellious teenager, Vaughn decides to cross the river anyway. He convinces a group of friends to go with him. When they reach the river, they meet and fight the monster and they also discover that the monster was doing more than just guarding the river. It all leads to a plot twist that feels as if it was added at the last possible second.

In a later interview, Robert Vaughn referred to Teenage Caveman as being the worst film in which he ever appeared. He went on to suggest that it was the worst film ever made. Those are bold words coming from someone who appeared in as many bad films as Robert Vaughn did. That said, I do think that Vaughn was being a bit too hard on Teenage Caveman. For what it is — an extremely low-budget film that barely runs over an hour — Teenage Caveman is entertaining if you’re in the right mood for it. It’s hard not to smile at the cavepeople, with their modern haircuts and their very American accents. As well, the film features the same stock footage of dinosaurs fighting that appeared in countless other B-movies of the time and, again, it’s hard not to smile at the actors valiantly trying to pretend that there are dinosaurs fighting just a few feet away from them. And while that final plot twist may come out of nowhere, it’s just random enough to be interesting. Worst film of all time? With all respect to the teenage caveman, I have to disagree. It’s a B-movie and, if you enjoy B-movies, you’ll enjoy this one. And let’s give some credit to Robert Vaughn. He gives an earnest performance, even though he later said that he felt foolish every time he stepped out on the set. Add to that, his hair is perfect.

Retro Television Review: California Dreams 2.4 “Sleazy Rider” and 2.5 “The Sly Who Came To Dinner”

Posted on October 29, 2022 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996. The entire show is currently streaming on YouTube!

With Jenny gone and Samantha as the band’s new lead singer, it was time to once again update the opening credits of California Dreams. Unfortunately, I couldn’t find a separate video for just the revised season two credits. So, imagine the video below with Jennie Kwan instead of Heidi Noelle Lenhart.

Anyway, let’s get on to the surf dude with attitude….

Episode 2.4 “Sleazy Rider”

(Directed by Don Barnhart, originally aired on October 2nd, 1993)

Jake has spent months working on his motorcycle so that he can win the big bike race. Unfortunately, Jake has to go out of town so he leaves the bike with Matt. Because Matt is a wimp who is unable to handle even the least bit of responsibility, he is unable to keep Sly from jumping on the bike, starting the bike, running over Tony with the bike, and then crashing the bike.

While Tony recovers in the hospital, he becomes convinced that Tiffani is falling in love with him. Meanwhile, Sly tries to get everyone to forgive him for nearly killing Tony. Strangely, no one gets mad at Matt despite the fact that Matt’s only job was to keep Sly from getting on the bike.

It’s a silly episode but I’ll give the show some credit for the title. At first, I thought the title (a play on Easy Rider) was kind of a dig at Jake and I was like, “What did Jake do?” But then I realized that Sly was meant to be the sleazy rider and it all made sense.

Episode 2.5 “The Sly Who Came To Dinner”

(Directed by Don Barnhart, originally aired on October 9th, 1993)

This episode opens with the Dreams playing at Sharkey’s and it’s our first chance to see the new line-up of Matt, Tony, Jake, Tiffany, and Sam. For once, they actually look like a real band and it’s understandable that an audience would actually pay money to see them. Of course, it helps that we only hear the end of that radio song from season 1 and then Sam’s “Hey Baby” song. As Matt would put it, those were two of their better “tunes.”

The Dreams may be hot but Sly is not. Sam says that she feels sorry for Sly as she watches him get slapped by every girl at Sharkey’s. Matt says that he feels sorry for Sly in the same way that he feels sorry for monkeys at the zoo. WHAT!? Sam dedicates a song to Sly so Sly decides that Sam is in love with him.

Meanwhile, Tiffani is getting cards and flowers from a mystery fan. Has she got a stalker!? Who cares? That’s just the B-plot. In the A-plot, Sly’s family is visiting his grandmother so Sly ends up staying at the Garrison house. Sly thinks that this will allow him to pursue Sam. Sam, however, has a big history paper due and she’s not interested. Sly offers to type up her paper but instead just steals a college term paper that Mr. Garrison is supposed to be grading. Somehow, that leads to Sam getting a D-. Apparently, the high school has very high standards when it comes to history reports.

These two episodes are mostly interesting because they’re the first ones to really take real advantage of Sly’s comedic potential and Michael Cade’s talent for physical comedy. As I watched these two episodes, I realized that the scheme-obsessed Sly basically was Zach Morris if Zach lived in the real world. On Saved By The Bell, Zach never had to deal with any consequences for his schemes. On California Dreams, Sly was constantly on the verge of losing his friends and was often running for his life. Zach ended up as governor of California. Sly probably lost all of his money in 2008. Poor Sly.

Will things look up for him next week? Probably not but we’ll see.

Book Review: Truth or Dare by R.L. Stine

Posted on October 29, 2022 by Lisa Marie Bowman

In this 1995 book from R.L. Stine, a group of wealthy teenagers decide to take a vacation from Fear Street and Shadyside High. They decide to spend the weekend skiing but, once they reach their mountain lodge, they end up getting hit by a blizzard. They’re going to be trapped inside for a day or two. Because the storm took out all the phone lines (and since this book is from the age when everyone was dependent on a landline), they are cut off from the world. If anything bad happens in the cabin, there will be no way to get help. If anyone is driven to kill someone else, there will be no way to call the police.

Now, if I was in that situation, I would probably try to pass the time in the safest and least dramatic way possible. I mean, if you’re going to be stuck with a group of people for a day or two, you should probably try not to do anything that could cause anyone to lose their temper. The best thing to do is try to have fun and not obsess on the situation. However, since this is an R.L. Stine book, everyone decides to play Truth or Dare.

Great idea! Nothing bad has ever happened as a result of playing Truth or Dare!

Though I played it a few times and I always managed to survive, Truth or Dare is still a strange game to me. First off, why wouldn’t you just automatically take the dare? But, beyond that, there’s this weird assumption that everyone is just automatically obligated to follow the rules of Truth or Dare, even if it means hurting someone. Inevitably, anyone playing Truth or Dare is going to have at least one deep dark secret that they are going to get asked about, something like: “Did you cheat on your partner?” And instead of just saying, “No,” even if the answer is “Yes,” they always reply, “I’ll take a dare instead.” Well, just the fact that you took a dare at that point is pretty much the same thing as answering yes. There’s really no way to win this game, other than to lie whenever you’re asked a question that could potentially lead to you being murdered. But that would mean breaking the rules of Truth or Dare! It would apparently be better to die. I guess it’s all about ethics.

Anyway, not surprisingly, the game of Truth or Dare does lead to someone being murdered. They get a hatchet in the back and the killer leaves it there to be discovered by the rest of the group. AGCK! This killer isn’t messing around. Anyway, you can probably guess where all this leads. The initial suspect looks guilty but is actually innocent. The killer is the person that most people would least expect. Stine mentions that chair lift enough times that you just know it’s going to be the setting for the climax of the story. It’s a typical R.L. Stine novel but it is one that teaches an important lesson. For the love of all things good and decent, do not play Truth or Dare!

Book Review: Spooky Texas by S.E. Schlosser

Posted on October 29, 2022 by Lisa Marie Bowman

If you’re going to be in Texas this Halloween and you want to spend the holiday at a location that might be haunted …. well, as I’ve said many times on this site, I don’t believe in ghosts, werewolves, vampires, or anything else so I won’t be of much help there. Probably the best recommendation that I can make is that you drive out to Marfa, set up a lawn chair in the desert, and wait for the Marfa Lights to appear. The Marfa Lights have been appearing for decades, hovering over the town of Marfa. Boring, reality-based people claim that it’s just an atmospheric phenomena. Others claim that it’s either ghosts or maybe a UFO visitation.

Marfa itself is in the desert of west Texas. (Giant was filmed in Marfa.) As of late, it’s become as well-known for being an artists colony as for its paranormal reputation. A few years ago, 60 Minutes did a breathless story on all the artists who were moving to Marfa and not once were the Marfa Lights mentioned. Several minutes were devoted to Prada Marfa but not a single second to the Marfa Lights. Don’t get me wrong, of course. I would much rather the town be known for its artists than its UFOs but still, you have to wonder how a show could spend twelve minutes talking about Marfa without mentioning the lights. Am I suggesting that there’s some sort of government cover-up going on? No, I’m not. That would be dumb. I’m just suggesting that 60 Minutes, which is apparently a show that only exists so that elderly reporters have something to do after they lose their nightly news gig, might be out-of-touch.

Fortunately, the book Spooky Texas has chapters on the Marfa Lights and twenty-four other paranormal stories that take place in Texas. Admittedly, some of the detail mentioned in the stories did seem a bit odd to me. (For some reason, the author of this book seems to be under the impression that it snows a lot in west Texas.) But, despite that, it’s a fun read and it’s full of inspiration for both the aspiring horror writer and the Texan who is just looking for some place creepy to hang out on Halloween. If you can’t go to Marfa and if you can’t find any of the ghosts that are rumored to haunt the Alamo, I would suggest going to Fort Worth and searching for the Gray Lady. Or, if you really want to live dangerously, go down to Laredo and listen for a crying woman. Just don’t get too close!

International Horror Review: The Werewolf and the Yeti (dir by Miguel Iglesias Bonns)

Posted on October 29, 2022 by Lisa Marie Bowman

This 1975 Spanish film is known by several titles. In Spain, it was called La Maldicion De La Bestia. In some other European countries, it was released as either Night of the Howling Beast or Hall of the Mountain King. In the United States, it was released under the title The Werewolf and the Yeti.

Regardless of which title you see the film under, this is the eighth of 12 films in which Paul Naschy starred as Waldemar Danisky. Waldemar was a Polish nobleman who, in film after film, transformed into a werewolf so that he could battle some other monster. What set the Danisky films apart from other horror franchises is that each film was totally unrelated to the one that came before it. Every film featured Danisky getting transformed into a werewolf for the first time and the majority of them ended with Danisky dying. Even though Naschy was playing the same character, each film seemed to take place in a separate universe. Apparently, regardless of the reality that he found himself in, Danisky was always destined to become a werewolf. Talk about rotten luck!

Despite their bizarre lack of continuity, Naschy’s werewolf films were popular across Europe and, to a lesser extent the United States. Of course, in America and the UK, they were only released in badly dubbed versions. Indeed, the plot was often changed during dubbing depending on where the film was set to be released. As a result, it’s difficult to fairly judge both Naschy and his films. Paul Naschy had a definite physical presence but it’s rare that anyone ever heard his real voice. In most of the Danisky films that I’ve seen, Naschy seems to play Danisky as if he is in a permanently bad mood. But, I guess if your entire existence revolved around getting turned into a werewolf every year or so, you’d be in a bad mood too.

In this film, Waldemar Danisky is an explorer who is romantically involved with the daughter of Professor Lacombe (Josep Castillo Escalona). Lacombe is planning on leading an expedition into the Himalayas, despite the presence of pirates, warlords, and Yeti! Danisky warns Lacombe against attempting it but, in the end, he still agrees to serve as the expedition’s guide. Unfortunately, this film’s version of Waldemar Danisky isn’t very good at his job and he soon gets separated from the expedition. The professor and his daughter are captured by a group of mountain pirates who torture them and make plans to sell them into slavery. Meanwhile, Danisky stumbles across a cave that is inhabited by two women who also happen to be …. WEREWOLVES! It’s not long before Danisky gets bitten and finds himself transformed into a werewolf. He uses his new werewolf powers to kill the women in the cave and then he heads off to rescue the professor. It’s a good thing that Waldemar’s a werewolf because it turns out that the pirates have a …. YETI!

Yes, this is a weird and incoherent film. Of course, that’s the main reason why it’s hard not to enjoy this silly little film. It’s quickly paced and, like many of Naschy’s film, it operates on its own strain of dream logic. The most interesting thing about the film is that no one is particularly shocked to discover that Waldemar Danisky has been transformed into a werewolf and Danisky himself seems to accept it as having been inevitable. One gets the feeling that the expedition watched a few Paul Naschy films before heading to the Himalayas and, as a result, they knew exactly what to expect. As I mentioned above, it’s hard to judge Naschy as an actor because his films were so poorly dubbed. But, you can judge him as a werewolf and he really puts his heart into fighting that Yeti. Waldemar Danisky is the werewolf that you want on your side.

¡Viva Naschy!

Horror Film Review: Attack of the Puppet People (dir by Bert I. Gordon)

Posted on October 29, 2022 by Lisa Marie Bowman

At the start of the 1958 film, Attack of the Puppet People, Sally Reynolds (June Kenney) is looking for a job. Fortunately, Dolls, Inc. is hiring! Dolls, Inc. is owned by Prof. Franz (John Hoyt), who is the world’s greatest dollmaker. In fact, he’s got an entire display case full of very lifelike dolls. Why, the dolls are so authentic that it almost seems as if they could be alive. Is it possible that Franz had been shrinking people and then sticking them in his display case?

It’s not only possible but it’s also exactly what Franz has been doing.

Soon, Sally and her boyfriend, Bob (John Agar), have been shrunk down to dollsize and are living with the other dolls in the display case. It turns out that Prof. Franz’s motives aren’t really malicious. He just tends to get lonely and he’s decided that they best way to keep people around is to shrink them and then imprison them. Fortunately, getting shrunk doesn’t seem to lead to any health complications or anything like that. It just means that you’re now very small and vulnerable to dogs and cats.

Franz even allows the dolls to come out of the display case at night. Much like the toys from Toy Story, the Doll People throw a party every night and pretend to just be inanimate objects whenever anyone steps into the store. That said, the puppet people don’t necessarily want to spend the rest of their lives on display. Can they figure out how to escape from the store and how to reverse the shrinking process?

It’s a pretty silly film but then again, what else would you expect from something called Attack of the Puppet People? There are a few amusing scenes where the puppet people have to deal with maneuvering around and dealing with giant furniture and, at one point, a really big door knob. And, of course, there’s the inevitable scene in which a curious dog spots two of the puppet people trying to make their escape. It’s a 50 B-movie, dumb but undeniably fun. John Hoyt appears to be having a lot of fun as the doll-loving mad scientist and John Agar is his usual stolid but oddly likable self.

Attack of the Puppet People was directed by Bert I. Gordon, who also did The Amazing Colossal Man and War of the Colossal Beast. (At one point, Bob and Sally got to a drive-in that’s show The Amazing Colossal Man and Gordon shares a few minutes of his previous film.) Gordon specialized in films about giant lizards, giant insects, giant ants and sometimes even giant people. In fact, his nickname was “Mr. Big,” both because of his initials and the subject matter of his films. Attack of the Puppet People is a unique Gordon film in that it deals with shrinking instead of growing. It’s also one of his more entertaining films. Bert I. Gordon, incidentally, is still with us. He turned 100 years old on September 24th.