Guilty Pleasure #100: Ski Patrol (dir by Rich Correll)


First released in 1990, Ski Patrol is the story of a …. well, a ski patrol.

They’re not a very good ski patrol, not really.  Their martinet leader is short and annoying and he’s played by Leslie Jordan.  A young George Lopez is a member of the ski patrol and he keeps trying to do stuff that I assume was from his 1990 stand-up act.  Future director Paul Feig plays Stanley, who is nerdy but can dance and is willing to dress up like Tina Turner when the Ski Patrol needs to raise some fast money.  T.K. Cater is Iceman, who sings at every party and is a part of every prank.  Suicide (Sean Sullivan) wears a crazy mask and an evil mask as he debates which dangerous thing he should do.  And then there’s Jerry Cramer (Roger Rose), who is handsome and a great skier.  He’s technically the hero of the film but he’s kind of smarmy.  He does own a cute bulldog, though.

Eccentric or not, the ski patrol is dedicated to Pops (Ray Waltson), the fair-minded and kind-hearted owner of a mountain ski lodge.  Unfortunately, an evil developed named Maris (Martin Mull) wants Pops’s land so he and Lance (Corbin Timbrook) and Lance’s evil friends conspire to cause the lodge to fail its annual inspection.  Before you know it, mice are running loose, George Lopez is getting thrown in jail, and an avalanche causes a hot dog stands to careen out of control.  Since this movie was made in 1990, the solution to all of these problems is to party, party, and party some more!

This is not exactly a good movie.  It has its share of cringey moments and jokes that have not aged particularly well.  Roger Rose tries to pull off the whole charming smartass routine but he doesn’t really have the screen presence to do it.  One gets the feeling that filmmakers may have noticed that while filming because it’s hard not to notice that, despite being the film’s nominal star, Rose doesn’t really do much.  And yet, there’s enough odd little moments that the film itself is often more likable than it has any right to be.  These scenes might not add up to much but it’s hard not to smile when Paul Feig starts dancing or when Suicide starts arguing with himself.  There’s a lot of lovely scenery (the ski lodge really does look like a nice place to visit) and even the bulldog is genuinely cute.

As for T.K. Carter (whose passing earlier this month really didn’t get the attention that it deserved), this film was typical of the majority of the films in which he appeared and, as was often the case, he’s brings a lot of life to material that probably wouldn’t have worked without his energy.  Of course, it’s always interesting to see Carter in a silly comedy like this and then to consider his performances in The Thing and Southern Comfort, two excellent films that definitely were not comedies.  Indeed, after The Thing, it’s hard not to feel that Carter had earned a chance to appear in a film featuring snow in which everyone survives.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder
  74. Van Helsing
  75. The Night Comes for Us
  76. Code of Silence
  77. Captain Ron
  78. Armageddon
  79. Kate’s Secret
  80. Point Break
  81. The Replacements
  82. The Shadow
  83. Meteor
  84. Last Action Hero
  85. Attack of the Killer Tomatoes
  86. The Horror at 37,000 Feet
  87. The ‘Burbs
  88. Lifeforce
  89. Highschool of the Dead
  90. Ice Station Zebra
  91. No One Lives
  92. Brewster’s Millions
  93. Porky’s
  94. Revenge of the Nerds
  95. The Delta Force
  96. The Hidden
  97. Roller Boogie
  98. Raw Deal
  99. Death Merchant Series

Song of the Day: Raindrops Keep Fallin’ On My Head, performed by BJ Thomas


Because today is Paul Newman’s birthday, I figured today’s song of the day should come from one of his films.  There’s a tendency amongst some critics to be dismissive of the use of Raindrops Keep Fallin’ On My Head in Butch Cassidy and the Sundance Kid and it’s true that it’s not really the type of song that brings to mind robbing trains and dying in South America.

(Though we all know that Butch Cassidy — and maybe the Sundance Kid, too — actually survived and eventually returned to America.  We all know that, right?)

But, you know what?  It’s a song that really gets stuck in your head and somehow, it just feels appropriate for Paul Newman, an actor whose life wasn’t always happy (his son overdosed in 1976) but who was still almost always described as being one of the nicest guys around.  Plus, look at Paul on that bicycle!  How can you dislike this song?

 

Brad reviews BUMP IN THE NIGHT (1991), starring Meredith Baxter Birney, Wings Hauser & Christopher Reeve!


My wife and I are iced and snowed in here in Central Arkansas this weekend, so we’re watching movies. I was browsing Tubi when I came across the 1991 made-for-TV movie BUMP IN THE NIGHT. Knowing nothing about the film other than the fact that Christopher Reeve is prominently featured on the poster, I hit play and got a movie I really wasn’t prepared for, emotionally or morally! 

The film opens with a young schoolboy named Jonathan (Corey Carrier) leaving his home, where his alcoholic mother Martha (Meredith Baxter Birney) is passed out on the couch. Jonathan is on his way to have breakfast with his dad Patrick (Wings Hauser). Rather than finding his dad, however, he’s met by the mysterious Lawrence Muller (Christopher Reeve) who claims he was sent by his dad to pick him up. When Patrick and Martha, divorced well before the opening of the film, discover that Jonathan is missing, the two must try to put aside their differences to find their son, who’s been targeted by both a pornographer and a pedophile.  

We’ve been watching a lot of made-for-TV thrillers around my house lately that deal with people with various psychological issues, but I was not expecting a film that dealt with child pornography and pedophilia. And I certainly wasn’t expecting that pedophile to be played by Christopher Reeve. Reeve gives an effective and chilling performance, as his character starts out as kind and soft spoken to the boy, before eventually showing himself to be violent and emotionally unstable as he’s rejected and the walls start closing in on him. Meredith Baxter Birney and Wings Hauser are also effective as the divorced couple who carry a lot of emotional baggage, but try to put that aside while they’re looking for their son. Birney is especially good as she’s an alcoholic, and we see her fighting her own personal demons throughout the search. Hauser, who’s always so good when he plays the psycho in his movies, gets the straight role as the concerned dad and he brings a needed calm and steadying presence to the explosive material. 

You have to give BUMP IN THE NIGHT some credit for tackling some very difficult material, whether it be alcoholism, pornography or pedohilia, and it takes them head on. Based on the 1988 novel of the same name from author Isabelle Holland, there are limits to how far this TV production can take the material, but in some ways those limits make the film even more disturbing. We see bedrooms with multiple cameras set up for recording illicit activities with children. We see grainy VHS tapes from pornographers that show young boys holding hands and walking down the street. We’re told things like, “just make sure he’s ready for filming! It begins at 10:00!” Director Karen Arthur uses these types of images and thoughts to manipulate our emotions, with our own minds filling in the blanks with the worst fears that we can imagine. This gave me a strong rooting interest for the local law enforcement and parents to rescue their son before he’s exploited and abused.

Even with its excellent cast, I may not have watched BUMP IN THE NIGHT if I had realized the sordid nature of the material. I’ll be honest, with its title, I was expecting a more straightforward thriller. However, having now seen the film, I will give it credit for its effective handling of the material and its fine performances. I won’t ever watch it again though. 

The Films of 2025: Song Sung Blue (dir by Craig Brewer)


Ever since the Oscar nominations were announced, there have been a lot of people on social media complaining about Kate Hudson’s nomination for Best Actress.  She was nominated for the musical biopic, Song Sung Blue, and the argument that I keep seeing, over and over again, is that the nomination should have gone to One Battle After Another‘s Chase Infiniti or maybe Eva Victor for Sorry, Baby.

To those people, I can only say, “Shut up and watch the damn movie.”

In Song Sung Blue, Kate Hudson plays Claire, a hairdresser and part-time Patsy Cline imitator who meets and marries Mike Sardina (Hugh Jackman), an auto mechanic who loves to sing and perform.  (When they first meet, Mike has been hired to pretend to be Don Ho at a county fair.)  Claire and Mike start performing as Thunder and Lightning, performing covers of Neil Diamond songs and eventually becoming something of a pop cultural institution in Wisconsin.  (At their height, they open for Pearl Jam.  The actor who played Eddie Vedder looks nothing like Eddie Vedder but you do have to appreciate a celebrity impersonation in the middle of a movie about celebrity impersonators.)  Eventually, tragedy strikes.  A car accident leaves Claire struggling with pills and her own mental health.  Mike, who is 20 years sober when the movie begins, struggles with his sobriety.  There are laughs and there are tears.  In fact, there’s a lot of tears.  I knew the details of the story before I saw the film but, having recently lost both my father and my aunt, I was still sobbing by the end of the movie.

As for Kate Hudson, she’s wonderful in the film and more than deserving of her nomination.  Both she and Hugh Jackman give empathetic and sincere performances as the type of people who other movies would probably hold up to ridicule.  They’re both eccentric and they both have their demons.  Mike is haunted by his experiences in Vietnam and his daughter points out that Mike has essentially switched addictions, from alcohol to music.  Claire struggles with depression even before the car accident that changes her life.  They’re not flawless.  They’re not perfect.  But they’re beautiful when they’re performing together.  As played by Hudson, Claire goes from being somewhat insecure to being someone who has definitely found her voice and when it appears that she might never perform again, it’s heartbreaking because the viewer understands exactly how much being on stage means to Claire.

As a film, Song Sung Blue runs a bit long but in the end, I was charmed by its unashamed celebration of Americana.  Song Sung Blue allows us to enter a world where a bus driver can also be a talent booker and a dentist can double as an agent.  It’s a world where anyone with the courage to take the stage and perform from the heart can be a star, if just for one night.  It’s a crowd-pleasing film, one that says it’s okay to sometimes sing the popular song that everyone loves.  “He has other songs!” Mike says whenever anyone demands that he start his show with Sweet Caroline but, in the end, everyone is really happy when he sings it.  How could they not be?  He and Claire sing it really well.

One final note about Kate Hudson.  I’ve always felt that a lot of her films, for better or worse, were versions of the type of films that her mom could have starred in during the 1970s and 80s.  And I do have to say that it’s easy to imagine younger versions of Goldie Hawn and Kurt Russell playing Claire and Mike.  However, Kate Hudson and Hugh Jackman make both the film and the characters their own.  By the end of the movie, you’ve forgotten that you’re watching Kate Hudson and Hugh Jackman.  You’re watching Thunder and Lightning!

Music Video of the Day: Whenever I’m Away From You by John Travolta (1977, dir by ????)


John Travolta sings!

Actually, I guess that’s not a surprise.  He did co-star in Grease and all that.  Still, it’s kind of interesting to see Travolta doing the sensitive singing teen idol routine.  Why is he dressed like Prince Valiant?  It was the 70s, I guess.

Enjoy!

Music Video of the Day: Profane Prophecy by The Black Crowes (2026, dir by Dagger Polyester)


Today’s music video of the day is the latest from the Black Crowes.  Enjoy it and spare a thought for those of us at the North Texas branch of Through the Shattered Lens because we are about to get hit by snow and 8 degree weather.

The last time we had weather this bad, we had rolling black-outs and were actually off-line for a few days.  So, if you don’t see me or Erin or Jeff around for a while, don’t worry.  We’re just waiting for the sun to come out!

Enjoy!

Music Video of the Day: A Real Indication by Thought Gang (1992, dir by David Lynch)


Thought Gang was a musical collaboration between two much-missed artists, David Lynch and Angelo Badalamenti.  This video was directed by Lynch and it starred none other than Angelo Badalamenti himself!

Enjoy!