Retro Television Review: T and T 3.5 “Decker’s Ex”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, Decker takes the ring.

Episode 3.5 “Decker’s Ex”

(Dir by Ken Girotti, originally aired on February 3rd, 1990)

One night, Beth Knightley (Wendy Lyon, who horror fans will immediately recognize from Prom Night II: Hello Mary Lou) comes home to discover two masked men tearing up her house.  They tell her that they are searching for a computer disk that was taken by her deceased husband.  They give her 24 hours to find the disk.  If she doesn’t comply, she dies.  If she goes to the police, she dies.  If she tries to leave town …. “you get the idea,” as the main bad guy says.

Having been ordered not to go to the police, Beth instead goes to her ex, who just happens to turn out to be gym owner Decker (David Nerman).  Decker asks T.S. to help them out but, when the men show up at the gym, it turns out that Decker doesn’t need any help.  Because Turner made the mistake of going to the police and ended up being interrogated by the FBI, it falls to Decker to beat up the bad guys.  Decker does just that and he does it rather easily.  The Canadian Mob is not sending their best.

(Actually, since this show obviously takes place in Canada, you have to wonder what the FBI was doing north of the border.)

The majority of this episode was taken up with Beth and Decker talking about why their marriage failed.  Beth had plans while Decker just had dreams.  It really wasn’t anything that I hadn’t heard in a hundred other shows and movies but David Nerman and Wendy Lyon had a likable chemistry and they were convincing as two people who would have once taken a chance on each other.  David Nerman was the only member of T and T‘s supporting cast to stick with the series through all three seasons and it’s nice that he was given an episode where he got to be the hero.

(Still, it’s interesting that T.S. apparently didn’t know that Decker was once married, considering that the show previously established them as being lifelong friends.)

Speaking of the show’s supporting cast, this was the second episode of T and T to feature just one T.  Again, Kristina Nicoll is featured in the opening credits but the character that she plays, Terri Taler, is neither seen nor mentioned during the show.  Just as with last week’s episode, I have to wonder if this was shot before Nicoll was actually hired for the show.

This episode also features no mention of why exactly Amy is no longer working with T.S.  The obvious reason for Amy’s absence is that Alex Amini didn’t return for the third season.  But, in-universe, it just seems strange that T.S. never mentions her.  I mean, T.S. would still be in prison if not for her.  Show some appreciation, Turner!

Late Night Retro Television Review: Highway to Heaven 2.6 “Birds of a Feather”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan becomes the Birdman!

Episode 2.6 “Birds of a Feather”

(Dir by Michael Landon, originally aired on November 6th, 1985)

While driving down the highway, Mark is ordered to stop by Jonathan.  Jonathan gets out of the car and walks over to a nearby reservoir, where he discovers a dying bird.  In fact, he discovers several dead birds and he wastes no time in deciding that the nearby chemical plant is to blame.  Despite the fact that they are on a tight schedule and have an assignment waiting for them in another town, Jonathan decides that it’s important that he and Mark first battle against the people who poisoned the reservoir.

How does Jonathan decide to do this?  First, he tells Mark to get a job at the plant.  Mark does so, though it’s never really clear what he was hired to do.  It’s funny how Mark always gets every job that he applies for, despite not having much work experience beyond being a cop.

Jonathan then decides that it would be a good idea for him to 1) dress up like a bird, 2) ride a bicycle around town, 3) decorate the bicycle with balloons, and 4) continually shout things like, “Caw!  Caw!”

Now, I’m not really sure what Jonathan thinks this will accomplish.  That said, just two days ago, a bunch of idiots thought they could bring peace to the Middle East by standing on the Golden Gate Bridge and blocking traffic.  And let’s not forget those Extinction Rebellion morons who keep damaging paintings and gluing themselves to floors.  Compared to today’s protestors, Jonathan’s methods seem brilliant.

What’s odd about Jonathan’s bird costume is that he never takes it off.  Even when he’s not protesting, he wears the costume.

Evil businessman Horton Drake (Philip Abbott) doesn’t care about the dead birds because he’s evil.  Even when the children of some of his employees get sick, Drake refuses to clean up the water.  This leads to Jonathan making an ominous declaration.

In a scene that has to be seen to be believed, Jonathan lines up all the dead birds outside of Drake’s corporate headquarters.  And then Jonathan lies down, resting his head on the contaminated birds.  By the time everyone arrives for work, Jonathan’s dead!

Realizing that an autopsy will reveal that Jonathan died due to chemical exposure, Drake sends three of his men to steal Jonathan’s body from the morgue.  However, at the morgue, Jonathan is not only alive but he’s still wearing his bird costume.  “Caw!  Caw!” Jonathan shouts as the men flee.

The next morning, Drake holds a press conference and denies dumping toxic waste in the water.  Moved by Jonathan’s sacrifice, Drake’s former administrative assistant (Marianne McAndrew) reveals the truth about how Drake has been polluting the water and paying off the health inspectors.  Incidentally, the assistant’s son is played by a young Paul Walker.

Mark goes for a walk along the beach.  He looks up to Heaven and tells Jonathan that his plan worked.  Suddenly, Jonathan walks up to Mark and Mark realizes that Jonathan is still alive.  Of course, Jonathan’s an angel so it’s not like he could have really died in the first place.  As Jonathan has pointed out in previous episodes, he already died once.

This episode was about as heavy-handed as anything I’ve ever seen.  One can support a clean environment while also acknowledging that Drake was portrayed as being cartoonishly evil.  Michael Landon’s heart was in the right place but the episode still sometimes verged on unintentional self-parody.  This is the type of thing that AI would come up with if prompted to write a stereotypical episode of Highway to Heaven.

Myself, I’m just wondering where Jonathan found the bird costume.

Retro Television Review: Veronica’s Video 1.1 “Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Veronica’s Video, which was produced by UPN in 1998.  The entire show is currently streaming on YouTube!

I sacrificed my eyesight to review this show.

Episode 1.1 “Pilot”

(Dir by Don Scardino, originally aired on …. well, we’ll get to that.)

Aspiring filmmaker Gary Gluckin (Matt Champagne) needs a day job so he walks into a trashy, nearly deserted video store and tells the owner, Nick (Cobin Bernsen), that he wants to work for him.  Nick is an angry man who chain smokes and rolls around in a wheelchair because his wife ran him over while she was leaving him.  Nick is also Gary’s father.

Nick is only willing to hire on a Gary probationary basis and he explains that Gary will be competing for a full time job with Chandra (Shishir Kurup), a Sikh who is an expert on Indian films.  Gary and Nick make fun of Chandra’s ethnicity, religion, and name.  Chandra, meanwhile, enforces a strict policy of only allowing 21 year-olds into the porn section of the video store.  He kicks out a 51 year-old.  That’s the type of show this was.

Occasionally dropping by the video store is Mary Sue Henderson (Julie Benz) who works for her grandmother and who wears an Alice In Wonderland costume that Gary is constantly looking down.  Mary Sue is always bright and cheerful.  When she talks to Gary, Gary goes all mush-mouthed because Gary is a loser.  Gary also thinks that he may have seen Mary Sue’s picture on the cover of one of the porn videos that is in the store.

Nick eventually tortures Gary by forcing him to stand outside in 116-degree heat.  At one point, Greg gets beaten up by someone who is played by Greg Grunberg.  Frustrated, Gary announces that he doesn’t need the job and he’ll just move in with his mother.  Nick replies that Gary’s mother wants nothing to do with him.  Wow, what a fun comedy.

This is, without a doubt, one of the worst shows that I’ve ever watched.  This show was so bad that the pilot didn’t even get a pity showing.  UPN, which was famous for being the home for terrible and misguided shows, didn’t even want to mess with this thing.  Why is this show so bad?  The humor is not particularly funny, the laugh track in intrusive, and the video store itself is so dirty and ugly that it’s hard to believe that it has ever had a customer.  Corbin Bernsen, being a veteran actor, at least manages to suggest that there’s a heart underneath Nick’s rough exterior.  The rest of the cast is just bland.

I should also admit that I watched this on YouTube and the upload was one of the worst that I’ve ever seen.  I’m surprised I still have my eyesight after being confronted with this:

And this:

I had 20/60 eyesight when I started this show.  I’m worried about what it is now.

Anyway, needless to say, only one episode of Veronica’s Video was produced.  And that episode probably should have been left in a landfill somewhere, rather than uploaded to YouTube.

Late Night Retro Television Review: Monsters 2.4 “Rerun”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, we learn about the dark side of celebrity.

Episode 2.4 “Rerun”

(Dir by John Auerbach, originally aired October 22nd, 1989)

Allison (Rachel Jones) and Max (Mitchell Whitfield) are anthropology students and roommates.  Max would like to be even more but Allison is hopelessly in love with a man who she has not only never met but who is dead!

Tony Sterling (Max Nassar) was an actor who starred on a show where he drove a motorcycle across America.  Tony recently died but Allison keeps a big poster of him hanging in her bedroom.  Allison says she isn’t worried about studying for her upcoming exam because she’s been praying to the poster.  Uhmm …. okay …. I mean, I had a huge crush on James Franco back in the day but I never prayed to him….

Suddenly, Tony appears in the bedroom and declares his love for Allison.  Allison is so overjoyed that she doesn’t care that he’s dead and that he keeps biting her neck.  Max, however, is a bit more concerned so he goes to see Tony’s agent (Kaye Ballard), who explains that Tony was a Satanist who couldn’t even ride a motorcycle!  In fact, Tony couldn’t even talk to people.  He had to have his small talk written out for him by a crack team of publicists.

Max returns to the apartment to confront Tony with proof that he’s both a talentless hack and a lamprey-in-human-form.  (Earlier, Max talked about a tribe that believed that everyone’s soul was an animal.  Apparently, Tony has the soul of a lamprey.)  Realizing the truth about Tony, Allison rejects him.  Tony attacks Max.  Can Allison flush a ring that Tony gave her down a toilet quickly enough to send Tony’s soul back to Hell?

Fear not — she can!  This is one of the few episodes of Monsters to have a straight-up happy ending and I’m glad that I did.  Allison and Max were a cute couple and it would have been unbearably cruel to not allow them to be together or to have one of them turn out to be a demon.  You want them to get together and if it takes dealing with an incubus for them to come together, so be it.

Actually, this episode is probably more relevant today than it was when it was first release.  There’s not much difference between Allison praying to her poster of Tony and the people who spend all day searching social media for any heretics who fail to worship at the altar of their favorite performers.  If this episode were made today, Allison would be praying to Timothee Chalamet and Taylor Swift.  That’s not to say that Timothee and Taylor are lampreys, of course.  It’s just that people have always worshipped those who have accomplished some sort of celebrity.  Anyone who is anyway famous has at least a few people who have devoted their lives to them.  It’s creepy but it’s the way of the world.

Retro Television Review: The Love Boat 4.12 “Doc’s Dismissal/A Frugal Pair/The Girl Next Door”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Doc’s in trouble!

Episode 4.12 “Doc’s Dismissal/A Frugal Pair/The Girl Next Door”

(Dir by Richard Kinon, originally aired on January 3rd, 1981)

Carl (Lew Ayres) and his wife, Violet (Janet Gaynor), board the boat in a good mood.  Carl has just retired from the post office and they’re about to celebrate their 50th wedding anniversary.  Awwwww!  Carl and Violet are the sweetest couple ever, frequently referring to each other by pet names.  They’re also very frugal.  Violet brings her own tea bag on board.  Carl turns down a bottle of champagne.  They are a nice old couple who know the value of pinching a penny.

But, on the morning of their anniversary, Violet tells Carl a secret and everything changes.  It turns out that Violet has been buying stock for years.  She based her purchases on whatever pet name Carl used for her that day.  If the name started with a G, she bought General Motors.  If it started with an S, she bought Standard Oil.  Once, Carl used a name that started with a “Z,” and she bought stock in Xerox.  She explains that she didn’t know how Xerox was spelled at the time.  (So, how did she buy the stock?)  Anyway, the important thing is that Carl and Violet are rich and they have been for several decades.

Carl is upset by this news.  If he had known he was rich, he wouldn’t have spent years at the post office!  I see his point though, to be honest, they’re not that rich.  The total stock portfolio is only worth $200,000.  Still, Carl and Violet stop speaking to each other.  Julie, Isaac, and Gopher jump into action and throw them an anniversary party, which causes Carl and Violet to remember how much they love each other.

Meanwhile, Charley Cole (Sal Viscuso) tells Pam Madison (Lynda Goodfriend) that he’s with the CIA so that she’ll let him stay in her cabin so that he can spy on his girlfriend (Denise DuBarry) and the guy (Stephen Shortridge) with whom she is cheating.  Got all that?  This storyline was incredibly dumb but it was saved by the frantic performance of Sal Viscuso, who managed to make even the lamest of lines seem funny.

Finally, Sally (Jessica Walter) boards the ship with her lout of a husband, Hank (Alex Cord).  Hank is the type of jerk who looks at other women while his wife is sitting right next to him.  Complaining of a headache, Sally goes to Doc Bricker’s cabin for some aspirin.  Doc, who has witnessed Hank’s bad behavior, is sympathetic to Sally.  Later, Sally tries to make Hank jealous by saying that Doc hit on her when she went to see him.

Angered, Hank calls the captain and accuses Doc of sexually harassing his wife.  The Captain is forced to suspend Doc from his duties until an investigation can be launched.  The crew is shocked.  Doc would never hit on a patient, they all say.  Except, of course, Doc does exactly that every single episode!  Seriously, Doc is a walking HR nightmare.  (Fortunately, for Doc, he was played by the always likable Bernie Kopell.)  When the captain makes it clear that Doc could be fired and lose his medical license, Sally admits that he never hit on her.  Doc keeps his job and somehow, all of this fixes Sally and Hank’s marriage.  Later, Gopher and Isaac joke about how Doc got in trouble for the one time he “didn’t hit on a passenger.”  Gopher and Isaac aren’t blind to what’s happening.

This was a surprisingly effective episode.  Lew Ayres and Janet Gaynor were adorable and Jessica Walter’s intense, method performance as a desperately unhappy wife provided a good change-of-pace from all of the usual Love Boat goofiness.  Even with all of the CIA nonsense, this was an entertaining cruise.

Music Video of the Day: Lose You Now by Lindsey Stirling and Mako (2021, dir by Lindsey Stirling and Stephen Wayne Mallett)


Today’s music video of the days comes from one of my favorite musical artists, the great Lindsey Stirling.  This otherworldly video has a wonderfully dream-like feel to it.  Lindsey has said that the video is meant to serve as a tribute to the memory of her father.

Enjoy!

Late Night Retro Television Review: Baywatch Nights 1.22 “Heat Rays”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on You tube!

This week, season one comes to a close.

Episode 1.22 “Heat Rays”

(Dir by Peter Roger Hunt, originally aired on May 18th, 1996)

The first season wraps up with an episode that doesn’t really add up too much.

As was typical of the latter half of this show’s first season, this episode actually tells two separate stories.  In the first one, Donna is stopped while driving at night by three panicked people on a bridge.  They say that their friend is in the water below.  Donna jumps into the ocean, just to discover that it was all a trick to steal her car.

Donna floats around for a while.  She passes the time by talking to herself.  To be honest, she holds up surprisingly well for someone who is stranded in the middle of the ocean.  Eventually, a boat stops to help her.  Unfortunately, the two men on the boat are drug dealers and, when they’re both shot by a bunch of guys on a bigger boat, it’s up to Donna to save them and get them to dry land.

That may sound like an intriguing storyline but, oddly enough, it gets abandoned fairly quickly.  I kept waiting for Donna’s storyline to somehow intersect with the other storyline but it never did.  No one even thought to say, “Hey, where’s Donna?”  If I was Donna, I would be pretty mad about that.

As for the other storyline, it features Mitch, Garner, and Ryan investigating a series of murders and attempted murders that all involve the members of an old surf band called The Heat Rays.  It ultimately turns out that they’re being targeted by the daughter (Christa Sauls) of a woman (played by Judy Geeson) who was raped by several members of the band.

Again, that may sound like a storyline that has the potential to be intriguing.  And there is an interesting subtext to the story, as Mitch and Garner are forced to admit that their favorite band wasn’t as innocent and wholesome as they chose to remember.  But, in typical Baywatch Nights fashion, the story was a bit too predictable to really work.  It was easy to figure out who the murderer was because there was really only one suspect from the start.

This episode had a violent streak just felt out of place.  Baywatch Nights, in both its first season and its supernatural-themed second season, was essentially a goofy detective show starring David Hasselhoff.  Having multiple people die over the course of one episode just didn’t feel right for such a lightweight show.  Some shows are meant to be violent.  Some shows are at their best when they embrace their inherent silliness.  Baywatch Nights is the latter type of show.

So much for the first season.  Unfortunately, the show never really found a consistent identity or style during the first season.  However, that would change with the second season.

We’ll find out how next week!

Retro Television Review: Fantasy Island 4.21 “Basin Street/The Devil’s Triangle”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Almost the entire show is currently streaming on Daily Motion.

This week is a bit uneven.  Let’s dive into it!

Episode 4.21 “Basin Street/The Devil’s Triangle”

(Dir by George W. Brooks, originally aired on May 2nd, 1981)

Pilot Clay Garrett (Joe Namath — yes, the goofy football player) and cameraman Tom Spencer (Christopher Connelly) have come to Fantasy Island with Kerry Dawson (Trish Stewart).  Kerry is the host of a show where she explores isolated locations of the world.  Clay flies her where she’s going.  Tom films her.  Throughout the episode, it is suggested that — much like the characters at the center of Cannibal Holocaust — they’ve occasionally been guilty of staging the footage that has made them famous.

Kerry wants to search for the remains of an airplane that disappeared over 40 years ago.  The plane was flown by the famed aviatrix Wilma Deitrich.  Why they don’t just admit that Wilma is a stand-in for Amelia Earhart, I have no idea.  Mr. Roarke warns Kerry that the fantasy could be dangerous but he does not stop Clay, Tom, and Kerry from boarding a plane and then flying out across the ocean.

The plane ends up in the Devil’s Triangle, which I guess is this show’s version of the Bermuda Triangle.  The plane crashes on an uncharted island.  Kerry gets bitten by a snake and Clay sucks out the poison before he and Tom set off to look for the remains of Wilma’s plane.  Clay and Tom, incidentally, are both in love with Wilma.  Will Wilma select the boring cameraman or the boring pilot who sucked snake venom out of her body?

It’s a question that would perhaps be more compelling if Kerry had the slightest bit of chemistry with either man.  But she doesn’t.  Joe Namath is as stiff here as he was in C.C. and Company.  Christopher Connelly looks bored.  Kerry does eventually pick Clay so hopefully, they’ll be happy together.

(And yes, they do get off the island.  They find the wreckage of Wilma’s plane and use it to repair their own plane.  Amazingly, Wilma’s plan is still full of operational parts despite having spent over 40 years sitting on a deserted island.)

As for the other fantasy, Charlie Raines (Cleavon Little) wants to go to turn of the century New Orleans and meet his hero, jazzman Camptown Dodd (Raymond St. Jacques).  Roarke and Tattoo give him a magic clarinet and send him to New Orleans, where he immediately finds himself auditioning for Camptown.  Camptown wants Charlie to not only join his band but also lead it after his death.

DEATH!?

Yes, death.  Camptown refuses to sell Opium in his club and, as a result, he has been targeted for assassination by a corrupt police officer.  Charlie is so upset about this that Roarke himself steps into the fantasy to let Charlie know that he can’t change the past.

Okay, so Charlie can’t save Camptown but surely, he can bring Billie Joe (Berlinda Tolbert) into the present with him, right?  Afterall, Charlie has fallen in love with her.  No, Roarke says, that’s not how it works.

Fear not, though!  Once he’s in the present, Charlie discovers that Billie Joe was actually a guest at the Island and that Roarke combined two fantasies into one.  Yay!

The jazz fantasy was predictable but it was still better than the other fantasy.  Cleavon Little, Raymond St. Jacques, and Berlinda Tolbert all actually seemed to be invested in their characters, which made them a lot more fun to watch than the stiffs on the deserted island.

This week’s trip to the Island was a bit uneven.  The jazz fantasy was occasionally entertaining.  The other fantasy was forgettable.  I don’t hold that against, Mr. Roarke.  That’s just the way it goes sometimes.