Tag Archives: review

A Blast From The Past: The Fake Blood Simple Trailer Starring Bruce Campbell

Posted on by Lisa Marie Bowman

Way back in 1984, the Coen Brothers were trying to raise the $75,000 that they would need to produce and direct their first film, Blood Simple.  Sam Raimi, with whom the Coen Brothers had worked on Evil Dead, suggested that they put together a fake trailer to draw the interest of investors.

The Coens and their cinematographer, Barry Sonnenfeld (who would later go on to have his own directorial career), took Raimi’s advice and put together a trailer that, to be honest, has more in common with Evil Dead than with Blood Simple.  Then again, that was a smart move on their part.  Evil Dead made a lot of money.

Bruce Campbell appears in the trailer, playing the role that was later played by Dan Hedaya in the actual film.  (It’s hard to imagine Campbell playing that role, just because Hedaya gave such a perfect performance as Julian Marty.  That said, I could very well see Campbell in the role played by John Getz.)

Here is the fake Blood Simple Trailer, featuring Bruce Campbell!  (Admittedly, because of the way the trailer is shot, you don’t actually see Bruce’s face.  But you’ll recognize the hair immediately.)

And, for the sake of comparison, here’s the trailer for the actual film:

Late Night Retro Television Review: Check it Out! 3.19 “Losing It”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

This week, Howard and Leslie go into business together!

Episode 3.19 “Losing It”

(Dir by Alan Erlich, originally aired on January 30th, 1988)

After Howard refuses to give Leslie a raise and suggests that Leslie instead explore other ways to make extra money, Leslie ends up inviting Howard to a franchise convention.  Howard agrees and, one scene later, Howard and Leslie are in charge of a weight loss franchise!

Howard is thrilled, especially after a group of overweight individuals comes to the store for a meeting.  Howard can’t wait to start making money off of them but Leslie is concerned.  He’s worried that the diet and the dietary supplements that come with it are a sham.  He doesn’t want to cheat anyone.  Leslie shares a story about being sent to the “husky” department when he was a teenager looking for a jacket.  Howard comes to realize that he doesn’t have it in him to cheat the people who are coming to the store in hopes of losing weight.  At the next meeting, Howard announces that the product is a sham.  The group forgives him and they decide to continue meeting at the store in order to give one another moral support.

Awww!

Listen, when I saw that Check It Out! was going to do an episode about weight loss, I was expecting the worst.  Check It Out! has rarely dealt sensitively with body issues.  But I have to say that this was really a heartfelt and surprisingly sweet episode.  The jokes were not mean-spirited and the show’s message was one of acceptance and empowerment.  I was stunned!

A lot of the credit goes to Aaron Schwartz, who was often underused on this show but who always shined whenever he was given a chance.  The scene where Schwartz, as Leslie, talked about the insecurity that he felt over his teenage weight was beautifully acted.

This was a good episode.  As I’ve said before, as uneven as this series often is, the third season has been a marked improvement over the two that came before.  This episode was a perfect example of that.

Only three more episodes to go!

Retro Television Review: The American Short Story #3 “The Jolly Corner”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, we have an adaptation of a Henry James short story.

Episode #3 “The Jolly Corner”

(Dir by Arthur Barron, originally aired in 1975)

In 1906, Spencer Brydon (Fritz Weaver) returns to America from Europe, where he’s spent the majority of his adult life.  Brydon has specifically returned to oversee some properties that he has inherited, including his childhood home and an adjacent building that’s going to be turned into an apartment complex.  The middle-aged Brydon reconnects with his old friend, Alice Shaverton (Salome Jens), and finds himself wondering what type of man he would have come if he had stayed and worked in America as opposed to living a life of leisure in Europe.

Soon, Spencer comes to feel that his alternate “American” self is actually haunting his childhood home, his so-called “Jolly Corner.”  His American self haunts him like a ghost, a menacing shadow that continually forces him to ask “what if?”  He becomes obsessed with both his former home and his shadowy alter ego.  But is this American version of Spencer Brydon real?  And if it is real, what does it want from the Spencer Brydon who went to Europe?

This was a really well-done adaptation of a Henry James short story, one that was full of gothic atmosphere and which featured a compelling lead performance from Fritz Weaver.  As directed by Arthur Barron, this episode did a good job of portraying the story’s horror elements while also reminding us that James’s story, for all of its talk of ghosts and alternate realities, is ultimately a portrait of a really bad midlife crisis.  Spencer did what a lot of rich Americans do.  He went to Europe to escape the responsibilities of his home country.  And now, in middle-age, he’s asking himself, “Is this all there is?”

If nothing else, watching this episode might inspire the viewer to read more Henry James.  That’s a good thing.

 

Late Night Retro Television Review: Friday the 13th: The Series 3.16 “My Wife As A Dog”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, it’s all about a man and his dog.

Episode 3.16 “My Wife As A Dog”

(Dir by Armando Mastroianni, originally aired on February 19th, 1990)

I knew I was going to dislike this episode as soon as I saw the title.

While Johnny and Micki spend their time trying to get the store up to code so that it can pass a fire inspection (and good luck doing that when there’s a literal portal to Hell located in the basement), Jack searches for a cursed leash.  Jack has no idea what the leash does.  He just knows that it’s cursed.  However, the leash’s owner — fireman Aubry Ross (Denis Forest, making his fourth appearance on the show) — has figured out that, by using the leash to strangle people, he can transport the mind of his dying dog into the body of his estranged (but not dying) wife.

Or something like that.  To be honest, I had a hard time following the particulars of this curse.  Fortunately, so did Jack.  This is the first episode that I can think of where Jack admits that he has no idea how a cursed objects works.  Even when he retrieves the leash at the end of the episode, he admits that he’s still not sure what Aubry actually did with it.  Jack being confused made me feel a little bit less dumb so I was happy with that.  The episode ends with Aubry in jail, being visited his panting wife.  She brings him his slippers because she’s now a dog in a human body.

Ugh.  This was an attempt to do a light-hearted episode and I respect the show for trying to do something different.  At the same time, it also featured four murders and a woman, who simply wanted to get a divorce from her creepy husband, being transformed into a dog.  Our regulars were barely in this episode and, when they did appear, we had to suffer through some awkward flirting between Johnny and Micki.  Denis Forest did a good job as Aubry but otherwise, this was an episode that I could just as soon forget.

Retro Television Review: St. Elsewhere 2.3 “Newheart”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, things get dark.

Episode 2.3 “Newheart”

(Dir by Mark Tinker, originally aired on November 9th, 1983)

What a depressing episode!

It doesn’t start out on a particularly depressing note.  It opens with a bachelor part for Dr. Vijay Kochar, who is about marry a woman that he’s never actually met.  (It’s an arranged marriage.)  The bachelor party, which appears to have been held in Fiscus’s apartment, is a bust.  Dr. White shows up with a sex doll.  Victor Ehrlich shows up with a short film called “Sally Takes a Ride,” which turns out to be not the pornography he was expecting but instead, a short film about astronaut Sally Ride.  Vijay mentions that he’s a virgin and soon, with the help Dr. White and Nurse Daniels, the news is all over the hospital.  Kathy Martin decides to give Vijay an early wedding gift by having sex with him.

Since this episode aired in 1983, there’s a random aerobic class being held in the hospital, which leads to a lengthy scene of spandex and dancing.  It’s a bit of a silly scene for what was, for the first half hour, shaping up to be a silly episode.

Fran and Jerry Singleton finally check out of the hospital.  Fran has regained the ability to speak and can stiffly walk.  Jerry has learned to stop being such an overbearing jerk.  Dr. Morrison is not there to say goodbye to the Singletons because….

…. and here’s where things start to get dark….

….his wife is in another hospital!  Jack Morrison’s wife has an offscreen cerebral hemorrhage and, as evidenced by Morrison’s tears at the end of the episode, she does not survive.  At the same time that she’s dying, Dr. Craig gets a call telling him that there is finally a heart available for the transplant.  And, though it wasn’t explicitly stated, it seems pretty obvious that the heart in question belonged to Morrison’s wife.

AGCK!

Seriously, how much more depressing can one episode get?  And for all this to happen to Jack Morrison, who is probably the most decent character on the show, it’s just not fair!  I mean, he was literally the only married intern who had a happy marriage.  He has a newborn son.  And now, he’s going to have to balance being a single father with being a resident.

Poor guy!  I hope next week finds some sort of relief for him.

A Book For The Weekend (6/20/25)

Posted on by Lisa Marie Bowman

Wow, I thought as I read Howard Hughes: The Secret Life, was there anyone Howard Hughes didn’t have sex with?

Actually, I  imagine there was.  Charles Higham’s 1993 biography, which I found in a used bookstore in Pensacola, is full of all sorts of “scandalous” details about Howard Hughes’s life and the decadent Golden Age of Hollywood but it’s not always convincing.  Hughes, who was the subject of Martin Scorsese’s The Aviator, was undoubtedly an eccentric and I have no doubt that he treated a lot people badly but the book itself tends put a lot of faith in gossip and rumors.  As such, we get the established stories of Hughes bringing his control freak tendencies to Hollywood and having affairs with Katharine Hepburn and Ava Gardner mixed with stories about Hughes’s being involved with the Watergate break-in and also carrying on clandestine affairs with everyone from Errol Flynn to Tyrone Power, Jr.  The book goes as far as to suggest Hughes died of AIDs, using an evidence the word of a doctor who didn’t examine Hughes but who did apparently read a list of symptoms that Hughes was rumored to have during his final days.  That’s really the way that Higham approaches the majority of Hughes’s life.  The established facts are mixed with rumor and speculation on the part of the author.  It’s not always convincing but then again, since when does gossip have to be believable?

In short, the book is trashy but readable.  It’s one of those books that one should probably read with a healthy sense of skepticism but, at the same time, one can appreciate the sheer number of personalities that Higham manages to weave into his narrative.  Hughes goes from aviation to Hollywood to politics and he meets everyone who was anyone.  It’s a history nerd’s dream.

Retro Television Review: Malibu CA 2.15 “Goin’ Up In Smoke”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

This week, Jason’s smoking!  And Dick Butkus shows up.

Episode 2.15 “Goin’ Up In Smoke”

(Dir by Gary Shimokawa, originally aired on February 12th, 2000)

Okay, can we just agree that Lisa is the absolute worst?

No, not me!  I’m talking about the show’s Lisa, the premed student played by Marquita Terry.  In this episode, she somehow gets a job writing theater reviews for the local newspaper.  When Traycee puts on her own version of Romeo and Juliet (an “urban” version that she calls Rom-e-yo and Juliet), Lisa has to review it.  Lisa doesn’t like the play so she writes a negative review in which she says that Traycee is a terrible actress.  Traycee reads the review and gets offended.  Lisa says that she didn’t have a choice.  She had to be honest.

Actually, Lisa did have a choice and it wouldn’t have been involved any sort of dishonesty.  Lisa could have simply said, “I can’t review this show because I have a conflict of interest.”  The show was adapted, directed, and produced by Lisa’s roommate!  That’s all Lisa had to say to get out of writing the review.   The newspaper could have sent someone else to write the review and Lisa would have been off the hook.  Instead, Lisa went to the show, trashed her roommate in the newspaper, and then acted like somehow she was the one being inconvenienced.

Seriously, Lisa is the worst and it doesn’t help that Marquita Terry’s performance on this show was so incredibly bad that she made the cast of One World look Emmy-worthy.  Seriously, you have to be really bad to make Cray from One World look good by comparison.

That was the B-plot.  The A-plot found Dick Butkus returning as Uncle Charlie, just in time for Jason to start smoking …. just like his favorite uncle!  Peter freaks out.  His son is smoking!  Hey, Peter …. your son is 19 years old and legally an adult.  If he wants to smoke, he can smoke.  He’s a musician in Malibu so you should really be thankful that smoking cigarettes is all he’s doing.

Uncle Charlie is a smoker too.  He and Jason try to quit together but, after one hour without a cigarette, they’re both ready to kill someone.  Uhmmm …. okay.  I don’t smoke but I know plenty of smokers and most of them can last for more than an hour without a cigarette.  Anyway, Uncle Charlie gets lung cancer because this is a Peter Engel sitcom and, therefore, every point has to be made with the subtlety of a sledgehammer.

This episode felt familiar, mostly because every single Peter Engel sitcom had at least one insane anti-smoking episode.  Having Dick Butkus show up just reminded me of how much better Hang Time handled smoking.  This episode annoyed me beyond all belief.

Thank God it’s the final season.

Late Night Retro Television Review: Monsters 3.21 “Talk Nice To Me”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, someone won’t stop calling!

Episode 3.21 “Talk Nice To Me”

(Dir by Ernest Farino, originally aired on February 17th, 1991)

A sexist newspaper columnist named Martin (Ed Marinaro) starts receiving phone calls from a woman (Tina Louise) with a sultry voice.  She continually calls him, leaving message after message.  She refuses to reveal her name or how she got Martin’s unlisted “private” number.  (This episode aired during the landline era, before you could block numbers.)  Martin tries everything to get her to stop calling.  He disconnects his phone for two days but, as soon as he reconnects, she calls again.  Martin can’t work.  He can’t write.  When he invites Linda (Teri Ann Lind) over to his apartment, his paranoia prove to be a real turn-off.  He becomes convinced that the stalker has somehow entered his apartment.  The truth is even more twisted….

This episode had potential but it was let down by a rather cartoonish performance by Ed Marinaro.  I could buy Marinaro as a misogynist.  I could even buy Marinaro as a womanizer.  I couldn’t buy him as a successful newspaper columnist and, as a result, the whole “you’re going to lose your column!” subplot fell flat for me.  That said, Martin’s apartment was an appropriately claustrophobic location and the idea of the nonstop caller was suitably creepy.  This was not necessarily bad episode.  It’s just an episode that could have been better than it was.

Only three more episode to go and we will have finished up with Monsters.  Though uneven, the third season has still been a marked improvement over the first two.  Even the third season episodes that don’t work quite as well as they should, like this one, are watchable.

Brad reviews 10 TO MIDNIGHT (1983), starring Charles Bronson!

Posted on by Bradley Crain

Charles Bronson is Leo Kessler, a veteran detective who’s seen it all and has grown sick of a system of justice that he thinks favors criminals over their victims. When girls start getting murdered, he immediately suspects the arrogant Warren Stacy, played by Gene Davis in the best role of his career. When Kessler and his partner Paul McCann (Andrew Stevens) start putting the pressure on Stacy, the killer responds by going after Kessler’s daughter Laurie (Lisa Eilbacher). Needless to say, our hero will do anything to stop the madman, ANYTHING!

10 TO MIDNIGHT is a special movie in my house because it’s my wife’s favorite Charles Bronson film, even when she didn’t have any overall appreciation for Bronson as an actor. Luckily for her, she had me to introduce her to the rest of the iconic actor’s voluminous catalog of movies. I saw 10 TO MIDNIGHT myself when I was pretty young, probably 13 or so. I remember being scared that first night after I watched the movie when I was trying to go to sleep. My wife and I watched it today on my old VHS tape that I’ve owned going back to the late 1980’s. 

There are several elements that elevate 10 TO MIDNIGHT above the average cop / slasher thrillers of the 1980’s. First, it’s Charles Bronson in the lead role. Bronson has such a strong presence on screen that his presence alone elevates almost any material. He looks great in the film, and the role gives him some good opportunities, as both a mentor to the young cop, and even more importantly, as a dad who wants to do better for his daughter. It’s a solid role that seems to fit Bronson like a glove. Second, we know from the very beginning of the movie that Warren Stacy is in fact the killer. We also know that the law seems to be working in his favor. And because of that, we’re on Kessler’s side as he goes to extreme lengths to stop his reign of terror. Finally, the script and director J. Lee Thompson go all in on the sex and violence. Examples include Stacy killing his often naked victims while he himself is in the nude. There is much talk in the film about items of a sexual nature and Stacy even has a sexual release device that almost has to be seen to be believed. It definitely adds a decadent and voyeuristic feel to the proceedings. And I haven’t even mentioned yet that it has one of the very best endings of any Bronson film, second only to THE MECHANIC, in my humble opinion.

I highly recommend 10 TO MIDNIGHT!

For a more detailed review of 10 TO MIDNIGHT, check out Lisa’s review from a couple of years back below:

Film Review: 10 to Midnight (dir by J. Lee Thompson)

Retro Television Review: The Love Boat 6.3 “The Anniversary Gift/Honey Bee Mine/Bewigged, Bothered and Bewildered”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time so set sail for adventure, your mind on a new romance….

Episode 6.3 “The Anniversary Gift/Honey Bee Mine/Bewigged, Bothered and Bewildered”

(Dir by Ted Lange, originally aired on October 16th, 1982)

Oh my God, what did Julie do to her hair!?  I mean, I understand that it was the 80s and everything but Julie’s short, spiky look in this episode is not a good decision.  No wonder she’s so worried that she’s going to lose her boyfriend (Richard Bergman) to her old college friend, Honey Bee Harknest (Randi Oakes, taking a break from appearing on CHiPs to do The Love Boat).  Honey Bee has always stolen Julie’s boyfriends so, for this cruise, Julie lies and says that she’s dating Gopher.  Normally, Gopher would be happy about this but he’s already got a girlfriend to whom he’s trying to stay loyal.

(I’m going to guess that we’ll never see Julie’s boyfriend or Gopher’s girlfriend again after this episode.)

In other cruise news, Lynn Redgrave and Robert Mandan are taking a vacation to celebrate 20 years of wedded bliss.  Mandan is looking forward to traveling.  Redgrave wants to have another child.  You’ve probably already guessed where this storyline is heading.  Lynn Redgrave and Robert Mandan made for a surprisingly believable couple.  Redgrave was, of course, an Oscar nominee while Mandan was the best of the celebrity skaters to appear on the Roller Disco episode of CHiPs.

(There’s our second CHiPs reference of the review!  Woo hoo!)

Finally, Phyllis Diller plays an old classmate of Captain Stubing’s.  When Diller compliments Stubing on still looking young, Stubing starts to worry about how she’ll react when he removes his captain’s cap and reveals that he’s bald.  So, he starts wearing a toupee.  Oh, Captain Stubing!  To be honest, I do like episodes that allow Stubing to be emotionally vulnerable.  Gavin MacLeod always did a good job of suggesting the insecurity that lay underneath the commanding presence and that’s certainly the case with this episode.  That said, Stubing could take a lesson from Sgt. Getraer, who still manages to run things on CHiPs despite his thinning hair.

(Boom!  Three references to CHiPs in one review of The Love Boat.  That’s got to be a record.)

This was a pleasant cruise and it was directed by Isaac himself, Ted Lange!  Lange keeps the action moving and, as a director, he obviously knew how to get good performances out of his castmates.  Julia’s terrible hairstyle aside, this was a good trip on The Love Boat.