Retro Television Reviews: The Love Boat 2.25 “Murder on the High Seas/Sounds of Silence/Cyrano de Bricker”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Sonny Bono shocks the squares!

Episode 2.25 “Murder on the High Seas/Sounds of Silence/Cyrano de Bricker”

(Dir by Richard Kinon, originally aired on March 17th, 1979)

Uh-oh!  The singer who Julie hired to perform on the cruise had to cancel!  Fortunately, Gopher has a connection at a talent agent and he is able to recruit a replacement.  Meet Dominic Dark!

He’s pretty fearsome!  When he arrives on the boat, he’s accompanied by his manager (Arte Johnson) and a living snake.  When he performs in the Acapulco Lounge, he destroys his instruments and sings about how much he loves rebelling against conventional society.  But underneath that KISS-inspired makeup and behind those sub-Alice Cooper-style lyrics …. wait a minute …. is that….

Yes, this is one of the four episode of The Love Boat to feature singer and future U.S. Rep. Sonny Bono as a passenger on The Love Boat.  (Fred “Gopher” Grandy would also go on to serve in the House as well.)  Not surprisingly, Mr. Dark turns out to actually be a rather mild-mannered gentleman named Phil Backstrom.  Phil wants to abandon all the gimmicks and just make a name for himself as a singer but his manager orders him to keep putting on the makeup and to keep upsetting the squares.  While on the cruise, Phil meets and falls in love with Sara (Sheila Lenham), who understands his love of music and who is also deaf.

It’s actually a pretty sweet story and Sonny Bono is so likable that it’s easy to see how he managed to go from singing to having a career in politics.  But the main appeal of this entire storyline, and indeed this entire episode, is the chance to see Sonny Bono playing a 70s-style shock rocker.  It’s one of those ideas that is so ludicrous that it’s actually kind of fun.  Bono looks so awkward in his makeup that it’s hard not to root for him.  I also liked the fact that the other largely middle-aged and obviously wealthy passengers all loved Phil’s act.  It seemed like Phil’s biggest fans were the same people who, in theory, were supposed to be shocked by his antics.

As for the other two stories, Jill St. John plays Mitzi, an old friend of Doc’s who boards the boat with her new husband, Vinnie (Charlie Callas).  It’s supposed to be their honeymoon cruise but Vinnie seems to be more interested in gambling than honeymooning.  At one point, he says that, after living with Mitzi for two years before getting married, the honeymoon just feels like another trip.  Needless to say, Mitzi leaves their cabin and decides to spend the cruise in Doc’s office.  Doc Bricker is able to bring Mitzi and Vinnie back together but it’s hard not to feel that Mitzi made the right decision when she left Vinnie the first time.  I mean, Vinnie’s a jerk!  And he seems to have a bit of a gambling problem….

Finally, Isaac thinks that he overhears two people (Peter Lawford and Dana Wynter) plotting to kill Captain Stubing.  This leads to Isaac and eventually the entire crew getting into a panic but it turns out that Lawford and Wynter are just two mystery novelists plotting out their latest book.  The main problem with this plot is that it hinged on a mistake that Isaac, at least based on what we’ve seen of him in previous episodes, normally wouldn’t make.  Misunderstanding a conversation seemed more like something that Gopher would do.  Isaac has always been the smart and down-to-Earth member of the crew and Ted Lange never looks quite as comfortable with slapstick antics of this episode as Fred Grandy probably would have.

In the end, this was fairly negligible episode that was occasionally amusing due to the efforts of future congressman Sonny Bono.

Retro Television Reviews: Fantasy Island 3.7 “The Wedding”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost entire show is currently streaming is on Youtube!

This week, Mr. Roarke gets married!

Episode 3.7 “The Wedding”

(Dir by Earl Bellamy, originally aired on November 3rd, 1979)

Helena Marsh (Samantha Eggar) and her son, Jamie (Paul John Balson), return to Fantasy Island!

The last time Helena visited the Island, she and Mr. Roarke ended up falling in love but Helena ended up leaving the Island so that she could return to the clinic that her late husband started in India.  However, Helena has now come back to the Island and she has only one fantasy.  She wants to marry Mr. Roarke!  Mr. Roarke is going to make her fantasy come true.  He’s so happy that he doesn’t even yell at Tattoo during this episode.

The entire Island is excited about the wedding.  However, Tattoo grows concerned when he hears Helena’s parents (played by Laraine Day and Joseph Cotten) talking about how unfair it is that Helena is dying and probably won’t even survive the honeymoon.  Tattoo goes to Mr. Roarke and discovers that Roarke knows that Helena is dying.  Mr. Roarke assures Tattoo that Helena has one of those television diseases where death comes with little to no suffering.  Unfortunately, Jamie does not yet know that his mother is ill.

The Hawaiian-style wedding goes off without a hitch.  Mr. Roarke and Helena honeymoon on the other side of the island and, for the first time since this series began, Ricardo Montalban actually gets to wear something other than a white tuxedo.  While Jaimie helps Tattoo train Chester the Chimpanzee to stop stealing things, Helena enjoys her last few days with Mr. Roarke.  Unfortunately, the honeymoon is cut short as Helena grows ill.  From his grandfather, Jamie learns that his mother is dying.  “If life were fair,” Mr. Roarke says with tears in his eyes, “there would be no need for Fantasy Island.”

Awwwww!  Seriously, what a terrifically sweet and sad episode this turned out to be.  Ricardo Montalban and Samantha Eggar had fabulous chemistry together and Montalban, in particular, really seemed to be energized by the chance to do something other than act mysterious and enigmatic.  In this episode, Mr. Roarke finally gets to show his emotions and when he cries, you’ll want to cry too.  Helena dies peacefully on the island, in the arms of Mr. Roarke.  Her final fantasy has been granted.

As for Jamie, he decides that he can’t stay on the Island.  He has to go back to school so that, someday, he can become a doctor just like his mother.

Oh my God, I’m like seriously tearing up just writing this recap.

This episode was Fantasy Island at its sentimental and emotional best.  This was a great episode, featuring outstanding performances from Ricardo Montalban and Samantha Eggar.  Would you believe that an episode of Fantasy Island could make a reviewer cry?  Well, this episode did.

Retro Television Reviews: Hang Time 5.13 “Fighting For Your Dreams” and 5.14 “My Family”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000.  The entire show is currently streaming on YouTube!

This week, the fifth season comes to an end,

Episode 5.13 “Fighting For Your Dreams”

(Dir by Miguel Higuera, originally aired on January 8th, 2000)

The previous episode of Hang Time ended with Deering High’s season coming to an unexpected end.  It also featured Michael and Julie as an established couple and Mary Beth seemingly over Hammer.  That episode aired in December of 1999.

It would be over a month before the next episode of Hang Time aired.

That next episode, Fighting For Your Dreams, features the Tornadoes in the middle of their season, Michael still being rather shy about asking Julie if she wants to see a movie with him, and Mary Beth still hung up on Hammer.  Obviously, this episode was meant to air earlier in the season but, for whatever reason, it didn’t.

It’s actually not a bad episode.  The University of Kentucky is interested in recruiting Antonio for their basketball program but, after Antonio injures his knee during practice, it looks like his playing days might be over.  Antonio wants to spend all of his time feeling sorry for himself in his apartment but eventually both Kristy and Coach K convince him to stop feeling sorry for himself and start physical therapy.  There was one extremely dumb scene in which Kristy, Eugene and Silk hired an actor to pretend to be the recruiter and give Antonio a pep talk but otherwise, this was an effective story and Jay Hernandez, Amber Barretto, and Dick Butkus all gave heartfelt performances.

As for Mary Beth, she and Hammer eventually broke up over the phone because the long distance relationship just proved to be too difficult to maintain.  Awwwwwwww!  Poor Mary Beth.

Episode 5.14 “My Family”

(Dir by Miguel Higuera, originally aired on March 11th, 2000)

Two months after the Fighting For Your Dreams episode aired, Hang Time got around to finishing out season 5 with My Family.

The family in question is Coach K’s.  This episode finally reveals a little about Coach K’s past.  We are informed that he’s divorced, his ex-wife lives up in Canada, and he hasn’t seen his 17 year-old daughter, Kate (Amber Willenborg), in a while.  Coach K is super excited when Kate shows up in Indiana.  It’s a chance for the two of them to rebuild their relationship.  Coach K has an entire weekend in Chicago planned for the two of them.

What Coach K doesn’t know is that Kate has a baby.  Kate is scared to tell him so, instead of taking her child with her to Chicago, she instead gives him to Julie, Kristy, and Mary Beth, three people who she barely knows.  Needless to say, this leads to a whole lot of scenes of, “Ewww!  The baby needs to be changed” and “Oh my God, the baby has a fever!  Take him to the hospital!”  The baby’s cute but Kate’s decision to just abandon him with three people that she’s just met just doesn’t feel right.  Anyway, Kate tells Coach K about the baby in Chicago and they immediately head back to Indiana so that he can meet his grandson.  And, much as with the previous episode, Dick Butkus saves the episode by giving a surprisingly sensitive performance.  Coach K loves his grandson!  Awwwww!

The B-story features the boys selling pagers to raise money for ski trip.  Who cares?  It’s dumb.

Next week: the sixth and final season begins!  The end is in sight!

Retro Television Reviews: Murder In New Hampshire: The Pamela Smart Story (dir by Joyce Chopra)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1991’s Murder In New Hampshire: The Pamela Smart Story!  It  can be viewed on YouTube!

When Pamela Wojas (Helen Hunt) first became engaged to Gregg Smart (Hank Stratton), she thought that they would never get older or settle down to a conventional life.  She thought that Gregg would always have long hair and that they would spend the rest of their lives following Van Halen around the country.  But then Gregg got a job with a New Hampshire insurance company and he cut his hair.  And then Pam failed in her attempts to get hired by the local news station and instead, she ended up accepting a job as the part-time media director at a local high school.

Pam spearheaded the school’s anti-drug campaign and ended up working closely with two students in particular, Billy Flynn (Chad Allen) and Cecelia Pierce (Riff Reagan).  Billy and Pam bonded over their shared love of Van Halen and soon, they were having an affair.  Was Pam just trying to relive her youth or was she already setting up Billy to murder her husband?

Based on the true story that also inspired Gus Van Sant’s To Die For, Murder In New Hampshire jumps back and forth through time.  The film opens with Gregg being shot and killed by Billy and one of his friends.  It then cuts to a courtroom, where a prosecutor (Howard Hesseman) tells the jury that Gregg was murdered on the orders of his own wife.  A very conservatively and modestly-dressed Pam sits in the courtroom and provides quite a contrast to the far more wild and hedonistic Pam who we see in the film’s frequent flashbacks.  While Gregg settles comfortably into life as a suburban insurance agent, Pam continually tries to hold onto her past.  While Gregg wins awards for selling the most insurance, Pam tells Billy that Gregg beats her and that he’s dangerous.

It’s difficult to watch Murder In New Hampshire without comparing it To Die For.  They both tell the same story and they even use the same flashback structure.  But if To Die For presented Nicole Kidman as being a soulless killer who was driven by her obsession with being a star, Murder In New Hampshire suggests that Pam’s main motivation was that she just couldn’t handle the idea of settling down and living a conventional, suburban life.  As well, To Die For presented Joaquin Phoenix’s gunman as being someone who was essentially incapable of thinking for himself.  In Murder In New Hampshire, Billy is far more active character.  Though he is undoubtedly manipulated by Pam, Billy is still portrayed as someone who made his own decision to get involved in Pam’s schemes.  If To Die For is a stylized satire of the true crime genre, Murder In New Hampshire is the epitome of what was being satirized.

That said, Murder In New Hampshire is a good example of the true crime genre, largely due to Helen Hunt’s wonderful performance as Pam Smart.  Hunt plays Pam as someone who has never grown up and who is so scared of being required to that she’ll even resort to murder to pull it off.  While Murder In New Hampshire never quite escapes the shadow of To Die For, it’s still an effective film when taken on its own terms.

Retro Television Reviews: Welcome Back Kotter 1.15 “The Sit-In”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, Gabe teaches the Sweathogs how to fight the man!

Episode 1.15 “The Sit-In”

(Dir by Bob LaHendro, originally aired on January 13th, 1976)

As this episode begins, Gabe is running late but he still takes the time to tell Julie about his Uncle Bernie.  Apparently, Uncle Bernie was always late because he was always fighting with his wife.  Aunt Helene always said Bernie was going to be late to his own funeral.  Bernie replied that he was going to be buried at sea.  I didn’t get it either but at least Gabe got to tell his joke.  That seems to be important to him.

You know what isn’t a joke?  Food fights at school!  Mr. Woodman shows up in Gabe’s classroom, wearing a raincoat and a hat because he says that he’s heard that the Sweathogs are going to start a food fight in the cafeteria.  Gabe argues that the Sweathogs would not start a food fight in the cafeteria without protecting themselves, just for the Sweathogs to all show up for class wearing costumes that range from a football helmet to a fireman’s uniform to a doctor’s mask to a garbage bag.  (Not surprisingly, Horshack is the one who went with the garbage bag.)

“They’re not people, Kotter, they’re not people!” Woodman announces.

“Why didn’t you tell me today was going to be dress-up day?” Gabe asks, “I could have spray-painted my suit and came as a subway train.”

It turns out that the Sweathogs are planning a food fight as a protest against the cafeteria serving liver for lunch.  Kotter encourages the Sweathogs to work through the system and put together a petition.  When he tells this to Woodman, Woodman replies, “What system, Kotter?  There’s only one system here!  You’re free to do as you’re told! …. We all have to eat this swill and if I die, I’m taking all of you with me.”

(Woodman, to my surprise, is quickly becoming my favorite character on this show.  John Sylvester White’s portrayal, with its suggestion that Woodman is slowly losing his mind, never fails to make me smile.)

Realizing that the petition isn’t going to do the job, Gabe encourages his students to stage a sit-in.  For some reason, they all sit down in the classroom instead of the cafeteria.  After several hours, Woodman steps into the classroom and discovers the sit-in.  Gabe tells Woodman that they’re committed.  “If you’re not committed, you should be,” Woodman says, before madly laughing.

Though the Sweathogs want to go home, Gabe demands that they stay in the room and protest.  (One gets the feeling that Gabe is once again forcing the Sweathogs to take part in his own midlife crisis.)  The Sweathogs agree to continue to the sit-in.

That night, Gabe and Epstein keep everyone amused by doing their imitations of Groucho and Chico Marx.

Unfortunately, it didn’t occur to anyone to bring food into the classroom and the Sweathogs, suffering from hunger pains, once again start to abandon the protest.  Gabe tells them that they can’t leave but the Sweathogs are starving!  Suddenly, Julie shows up with a picnic basket and announces that she has brought everyone “my famous tuna casserole.”  The Sweathogs decide to starve.  Gabe tells Julie that not even famine victims would eat her tuna casserole.  Ouch!  Honestly, if I was Julie, I would leave at that point and just let everyone starve but Julie announces that she used to organize sit-ins in college and she’s staying and she’s even brought pillows and blankets.

Gabe announces that it’s time for everyone to get some sleep for the night.  Barbarino tells Gabe that he always sleeps in the nude.  “Go ahead,” Gabe says and the audience goes crazy because seriously, young John Travolta was insanely hot.  Barbarino disappoints everyone by saying that it’s too cold for him to sleep in the nude.  Boooo!

Gabe turns out of the lights.  Horshack starts to cry because he doesn’t have his teddy.  “You can’t have your teddy,” Gabe replies.  “How about Mrs. Kotter?” Horshack asks.  “You can’t have my teddy either,” Gabe replies.  Meanwhile, Barbarino says his prayers and Epstein says, “Send my regards.”  This leads to the Sweathogs debating what God is like.  Epstein thinks he sounds like John Wayne.  Washington thinks that God has a jazz band.  Julie says that God is love and “that if God was here, he would love my tuna casserole.”

And you know what?  This is actually a surprisingly sweet scene but I still have no idea how doing a sleepover in a classroom, something that the Drama Club did on a nearly weekly basis when I was in high school, is going to get the liver out of the cafeteria.

The next morning, Woodman comes by the classroom and discovers that everyone spent the night.  Woodman says that it doesn’t make a difference because no one cares if the Sweathogs spent the night in the classroom but then a bunch of regular students show up and say they’re joining the sit-in.

“Down with liver!” everyone starts to chant.

Woodman announces that there will no longer be any liver in the cafeteria because “the real students don’t like it either.”  So, basically, the Sweathogs still don’t matter.  They got what they wanted but not because they wanted it.  That’s kind of sad really.

Back at the apartment, Gabe tells Julie a story about his Uncle Jack and how his wife fell out of an airplane.  Does it concern Julie that all of Gabe’s jokes are about husbands killing their wives?  I mean, I would be careful about bringing up the tuna casserole around him.

Anyway, this was actually a pretty likable episode and an example of what a talented cast can do with an otherwise middling story.  During the firsts season, at least, this show was very good about giving every member of the cast a chance to shine.

Next week, we have a two-part episode in which Vinnie Barbarino drops out of high school!

Retro Television Reviews: City Guys 5.15 “An SAT Carol” and 5.16 “Mock The Vote”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  Almost the entire show is currently streaming on YouTube!

It’s SAT time!

Episode 5.15 “An SAT Carol”

(Dir by Frank Bonner, originally aired on November 3rd, 2001)

It’s SAT time!  Cassidy is paranoid about getting into a good acting school.  Dawn declares that she will be a total failure if she doesn’t get into Harvard pre-med.  Dawn, do you know anyone at Harvard?  Do you have any family connections at Harvard?  Is your family secretly rich?  I’m just saying that, unless you have an inside track, it’s kind of silly to not have a second choice for when Harvard rejects you.

Everyone is cramming for their SATS but, after missing a few questions while attending study group at the Manhattan Diner, L-Train announces that he’s not going to take his SATs and he’s not going to go to college.  The audience groans in disappointment but the audience should not fear because this is a Peter Engel-produced show.  No one gets away with blowing off college as long as Peter Engel’s around!

That night, L-Train goes to bed but is woken up by the spirit of Ms. Noble, who is doing the Hustle in his bedroom.  Ms. Noble explains that L-Train is having a dream and that she’s come to his room to show him the paths that his life can take depending on whether or not he takes the SATs.

(Personally, I think it’s kind of creepy that L-Train is dreaming about his principal disco dancing….)

Ms. Noble takes L-Train to his 10-year high school reunion, which is, of course, taking place on the roof of Manny High.  Dawn, Ms. Noble explains, has become a doctor.  Cassidy is married to Chris and is an actress on the show V.E.R.  (“Veterinarian Emergency Room,” Ms. Noble explains.)  Al took his SATs, went to business school, and opened up a furniture store.  Chris is a DJ on New York radio, which, as we all know, is a job that is only given to people who have taken their SATs.  Jamal, meanwhile, has opened up a chain of successful Mexican restaurants.  And L-Train …. well, he took the SATS, went to college, studied music, and became a very successful record producer!  Future L-Train shows up at the reunion and gives his friends tickets to the Grammys.

“This is all because you took the SATs!” Ms. Noble announces before a disco ball descends from Heaven and transports her and L-Train back to his bedroom.  However, when Ms. Noble asks L-Train if he’s going to take the SATs, he says no because his mind always goes blank whenever he has to take a test.

“That’s just your fear talking,” Ms. Noble replies.

“I’m afraid of fear!” L-Train replies.

Ms. Noble takes L-Train to a future where he didn’t take the SATs.  In this future, L-Train walks into Manhattan Diner and complains to Al and Jamal that his latest business, a car washing business, is going out of business.  He mentions that all of his other businesses have failed as well.  (So, in other words, L-Train didn’t take the SATs but still had enough money to go into business for himself.)  Later, on the night of his class reunion, L-Train stays in bed, watches TV, and laments that he doesn’t even have a girlfriend.  L-Train watches an episode of V.E.R, starring Cassidy and then a commercial for Al’s furniture store.  It’s all painfully unfunny so L-Train turns on the radio and hears Chris interviewing Jamal.

“I’m a loser, Ms. Noble!” L-Train says.  Ms. Noble agrees.  L-Train finally wakes up and realizes that he still has time to take the SATs!

This was an annoying episode.  The fact of the matter is that some people succeed without going to college and others go to college and end up going nowhere.  There are no guarantees in life.  Obviously, Dawn does need to go to college if she’s going to become a doctor and going to business school worked out for Al.  But Cassidy has already starred in commercials and appeared in several off-Broadway plays so is it really a good idea for her to put her career on hold for four years?  Jamal obviously inherited his restaurant business from his father and I imagine that would have happened whether Jamal went to college or not.  Chris, meanwhile, was first offered his own show as a New York DJ when he was in high school so did the SATs really have anything to do with his future career?  If anything, it sounds like Chris is in a career rut and that he basically peaked in high school.  In the real world, everyone follows their own path.  I went to college.  I loved it.  Sometimes, I wish I was still in college.  But just because that was right for me, that doesn’t mean that it’s right for everyone.

Anyway, let’s move on!

Episode 5.16 “Mock the Vote”

(Dir by Frank Bonner, originally aired on November 3rd, 2001)

This is another episode that is missing from YouTube so here’s the Wikipedia plot description:

Dawn is running for Senior Class President against a pompous and overconfident student named Thane Watkins. Jamal and Chris contribute to Dawn losing out on the position when they make a mockery of the whole election on their radio show which affects the voter turnout. In turn making Thane win by a landslide and unwittingly giving him the power to mess with many Manny High programs and to act on his distaste of their radio show by canceling it and dismantling the radio booth. Now Chris, Jamal, Al, and L-Train must work with Dawn to veto this decision. Meanwhile, Cassidy receives letters from a fan who has seen her in a commercial and he writes that he is flying to New York to visit her. She becomes a paranoid and nervous wreck when she believes that this fan and a crazed stalker that has escaped who are both from the same town is one and the same person.

Obviously, I can’t review this episode because it’s not streaming anywhere.  From the plot description, it sounds like a typical TNBC student council episode.  It’s always funny to me how big a deal the student council was in these old Peter Engel-produced shows.  When I was in high school, the student council was a joke and we made fun of anyone dumb enough to run for it.  I will say that it’s hard for me to believe that Thane Watkins could be that bad of a guy when he apparently doesn’t like Chris and Jamal’s radio show.  Seriously, I cringe anytime I hear those two going, “Good morning, Manny High!”  As for Cassidy getting a stalker, that’s really nothing to joke about.  I’m sure that everything turned out okay, though.  No serious lessons were ever learned from the B-plot.

Next week: L-Train becomes a poet and we get another clip show.

Retro Television Reviews: The Love Boat 2.24 “Ages of Man/Bo and Sam/Families”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the Captain needs a new watch but his crew is determined to give him a bunch of toothpicks instead.

Episode 2.24 “Ages of Man/Bo and Sam/Familes”

(Dir by Richard Kinon, originally aired on March 10th, 1979)

This week’s cruise gets off to a bizarre start with Captain Stubing reminding the members of the crew that he will soon be hitting his 5-year anniversary mark as their captain.  Doc, Julie, Gopher, and Isaac are planning to throw him a huge surprise party and they’ve even gotten him a gift, a replica of the Love Boat made out of toothpicks!

Now, it’s not just the gift that feels strange about this scenario.  There’s also the fact that Stubing claims that he’s been captain of the Pacific Princess for five years even though the show is only in its second season.  As you may remember, the very first episode of The Love Boat featured the crew still talking about how they couldn’t figure out the proper way to approach their new captain and how they didn’t know anything about his background.  So, unless three years passed without anyone noticing, the Captain has only been on the ship for two years.

Add to that, Captain Stubing keeps telling anyone who will listen that he needs a new watch.  So why is the crew dumb enough to give him a boat made out of toothpicks for his anniversary gift?  The toothpick boat itself is constructed by two close friends, Bo (Philip Charles MacKenzie) and Sam (Michael Tucci).  Of course, when Bo and Sam deliver the gift to the cruise, they end up breaking it in half.  As a result, they stowaway on the ship so that they can rebuild the toothpick boat.  And they do rebuild it!  But then they break it again so, with hours to go until the Captain’s party, they again have to rebuild it.  When they deliver the boat the captain’s party, they discover that every member of the crew has given Stubing some sort of miniature boat.  Stubing is not particularly excited about the toothpick boat until he hears the sound of something ticking inside of it.  Yes, that’s right, Sam’s watch fell off while they were rebuilding the boat.  Stubing smashes the toothpick boat and is overjoyed to discover a watch, one that is inscribed with a touching message about friendship.  Bo promises to get Sam a new watch.

This storyline was …. well, to say it was frustrating is perhaps putting it a little bit too lightly.  Seriously, it never made any sense.  Why, if the Captain keeps telling you that he desperately needs a new watch, would you buy him a toothpick boat instead?  And why, with something that fragile, would you not wrap it up or find some other way to protect it before trying to carry it onto the cruise?  Every time that fake boat got destroyed, I wanted to throw something at the TV.

As for the other storylines….

Julie develops a crush on an older passenger named Walter (Paul Burke) while a younger passenger named Bobby Trymon (Patrick Labyorteaux) develops a crush on Julie.  Julie wants to spend all of her time dancing with Walter but she also has to try to let teenage Bobby down gently.  Eventually, Julie tells Bobby that he’s too young for her and then Walter explains that he’s too old for Julie.  So, everyone ends up miserable.

While that’s going on, publisher Hank Hardaway (Leslie Nielsen) is shocked to discover that his arch nemesis, union leader Monica Cross (Arlene Dahl) is on the cruise!  Hank’s daughter, Diana (Ellen Bry), thinks that Monica has a point about protecting the working man while Monica’s son, Jeff (Mark Shera), thinks that Hank has a point about working hard and pulling yourself up by your own bootstraps.  Eventually, Diana falls for Jeff and Hank falls for Monica and the four of them prove that you can love someone even if you disagree with their politics.  This storyline was simple and silly but, to be honest, kind of charming.  Nielsen, who still in the “serious actor” phase of his career when he did this episode, seemed a bit more relaxed than usual and Ellen Bry and Mark Shera had a likable chemistry.  Simple as this story may have been, it was kind of what the episode needed to counterbalance all the toothpick boat nonsense.

This cruise was a mixed bag.  At least the Captain got a watch.

Retro Television Reviews: Fantasy Island 3.6 “The Red Baron/Young At Heart”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost entire show is currently streaming is on Youtube!

This week, Tattoo gets bullied and Mr. Roarke gets psychedelic!

Episode 3.6 “The Red Baron/Young At Heart”

(Dir by Earl Bellamy, originally aired on October 27th, 1979)

This week, Tattoo greets Mr. Roarke while disguised as Frankenstein’s Monster.

Tattoo explains to Mr. Roarke that he’s trying to look scary because there’s a bully that’s picking on him “because of my size.”  OH MY GOD, POOR TATTOO!  Seriously, my heart broke for him when he explained the reason behind his disguise.  As usual, Mr. Roarke was far less sympathetic and ordered Tattoo to put on his usual white tux so that they could greet their guests.

This week’s fantasies ….. well, let’s just get straight to the point.  Neither one is particularly memorable.  In the first one, Cornelius Wiselfarber (Don Adams) is an expert on World War I whose fantasy is to experience the real thing.  From the start, this storyline has two huge flaws.  Number one, it makes the mistake of assuming that a character is automatically funny just because he has a silly name.  Secondly, what expert on World War I would seriously want to experience it firsthand?  There’s a reason why World War I was called the Great War.  It was one of the most destructive and wasteful conflicts ever fought, one that will be forever identified with the horrors of trench warfare and mustard gas.  Thousands died, many more were wounded both physically and psychologically.  Even those who survived with their bodies and their minds intact still ran the risk of catching the Spanish Flu.  This is one of those fantasies that just doesn’t make any sense.

That said, Cornelius gets his chance to experience what it was like to be a World War I flying ace.  He even meets the Red Baron (Ron Ely)!  The majority of the fantasy is played for laughs, with Mr. Roarke continually mispronouncing Cornelius’s last name and Cornelius himself getting recruited, by the Resistance, to pretend to be a German officer behind enemy lines.  It falls flat, mostly because Don Adams himself doesn’t seem to know whether he wants to play his character straight or as a variation of his bumbling secret agent, Maxwell Smart.  By the end of the fantasy, Cornelius says that he now understands how terrible World War I truly was but, seeing as how he didn’t see much combat and spent most of his fantasy trading one liners with Monique of the Resistance (Martine Beswick), you have to wonder how that could be.

As for the second fantasy, Helen Phillips (Diana Canova) is a 40-something nurse who wants to be young again.  Mr. Roarke gives her a magic potion to drink.  Drinking the potion leads to Helen having a psychedelic vision of Mr. Roarke explaining that that the potion wears off after 12 hours so she’ll have to keep drinking it if she’s going to remain young.

No longer having to wear glasses and without a touch of gray in her hair, Helen meets and falls for a handsome young named David Hanks (David Ladd) but she worries about what will happen when she runs out of the potion and he discovers that she’s old enough to be his mother.  Fear not!  It turns out that David has been drinking the potion as well!  He’s actually in his 50s and his fantasy was to be reunited with the nurse who looked after him when he injured himself as a young man!  To be honest, the twist felt a little bit too convenient and the old-age makeup worn by both Canova and Ladd was not particularly convincing.  There was also an oddly played scene in which Helen’s ex-fiancé (played by Dave Madden) came to the Island searching for her but then promptly left when he discovered that Helen and David were in love.  On the plus side, I did like the psychedelic Mr. Roarke scene.

As for Tattoo, he resorts to disguising himself as a vampire in his attempt to scare off his bully.

Later, when it is time to bid farewell to this week’s guests, Tattoo shows up wearing dark glasses because his bully gave him a black eye.  Mr. Roarke finally shows some concern about the fact that someone is harassing his assistant manager.  However, when Tattoo reveals that his bully is a chimpanzee wearing boxing gloves, Mr. Roarke laughs and laughs.

Seriously, Mr. Roarke really hates his second-in-command.

Retro Television Reviews: Hang Time 5.11 “Finals Fury” and 5.12 “The Upset”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000.  The entire show is currently streaming on YouTube!

The Tornadoes are going to the championship tournament …. again!

Episode 5.11 “Finals Fury”

(Dir by Miguel Higuera, originally aired on November 27th, 1999)

The Tornadoes are once again in the championship tournament, which means that it is once again time for Hang Time to make use of its University of Indiana set.  As Coach K. explains, the team cannot afford to lose one game if they want to be the state champions.  Unfortunately, Michael is currently playing like crap, missing easy shots, getting distracted, and even getting so angry over a call that he gets thrown out of a game.

What’s the problem?  Michael’s lifelong but never previously mentioned rival is also at the championship and he is continually taunting Michael, whether from the stands or on the court.  Michael gets so upset that he can’t concentrate.  Coach K. decides that the best way to solve this problem would be to get kicked out of the game.  So, Coach K yells at a ref until he’s sent to the locker room.  At half-time, Coach K. tells Michael that now he knows what it’s like to be abandoned in the middle of a big game.  I’m not really sure that I follow Coach K’s logic here but the important thing is that it somehow causes Michael to play better and Deering once again wins by one basket.  They won despite not having a coach on the floor so maybe the real point of this episode was that Coach K really wasn’t that important.

Meanwhile, Antonio runs into an old friend from Texas and attends a frat party.  Even though Kristy trusts Antonio, she still gets jealous when one too many sorority girls say hi to her man.  At the next fraternity party, Kristy and Mary Beth sneak in, wearing fake beards and pretending to be frat pledges.  Yes, it’s another wacky disguise plot!  I usually hate wacky disguise plots but I’ll make an exception here because Jay Hernandez is just so unbelievably likable an Antonio.  In a Hang Time first, Antonio doesn’t overreact to Kristy and Mary Beth spying on him but instead gives them a fraternity paddle as a gift.  It was kind of sweet.

Still, you have to wonder how Coach K would have felt about Antonio going to a party on the night before a big game.  Remember when Coach K made the team sign that stupid contract, promising not to party, skateboard, or do anything that could possibly make them less effective on the court?  If you do, congrats.  The show appears to have forgotten about it.

Episode 5.12 “The Upset”

(Dir by Miguel Higuera, originally aired on December 4th, 1999)

As the Tornadoes prepare for their next game in the championship tournament, Kristy and Mary Beth notice a familiar face setting up a video camera to record the action.  Why, it’s Ronald!  Who is Ronald?  As Kristy and Mary Beth explain it, Ronald was a kid who they tormented when they were younger, forcing him to wear makeup and totally embarrassing him when he wanted to try out for Little League.  Not realizing that Ronald (played by Micgael Cornacchia) has been permanently traumatized by their actions, Kristy and Mary Beth decide to go say hi.  They’re shocked when Ronald says that he wants nothing to do with them.  They decide to make it their mission to convince Ronald that they’re not as bad as he thinks they are.

I had mixed feelings about this plotline.  On the one hand, I could relate to both Kristy and Mary Beth because it’s always been hard for me to understand how anyone could actually be angry about anything that I’ve ever done.  When Kristy and Mary Beth learned that what they remembered as childhood fun was actually Ronald’s nightmare, I could relate to how confused and guilty they felt and also their desire to fix things with Ronald.  At the same time, Ronald was himself such a jerk that I couldn’t help but feel that he deserved to be miserable.  Ronald gets his revenge by casting Kristy and Mary Beth in a commercial that he’s making for the student union.  (Seeing as how he was a childhood friend of Mary Beth and Kristy’s, I’m assuming he’s a freshman at the University of Indiana.  Are freshmen film students often hired to direct commercials?)  He films Kristy and Mary Beth eating ice cream and then, in the commercial, he transposes their faces on two pigs.  Not cool, Ronald!  Seriously, what a jerk.

While Mary Beth and Kristy are potentially putting their lives in danger by spending time with the obviously sociopathic Ronald, the Tornadoes are looking forward to playing their next game.  Their opponent is from Muncie, Indiana and no one expects the Tornadoes to lose.  Despite Coach K’s warning about getting cocky, the Tornadoes do just that.  Coach K even invites a pro basketball player to come to practice and tell the Tornadoes to never take victory for granted.  Judging by how awkward and stiff the guy was while delivering his lines, I’m assuming he was a real-life player.

Of course, Coach K has a point.  The Tornadoes have gotten extremely cocky, especially when you consider that they rarely seem to win a game by more than one point.  When a local paper refers to them as being “the team of the decade,” the Tornadoes let it go to their head.  (Really, shouldn’t the team of the decade occasionally win by more than a handful of points?)  The game against Muncie is close but — well, you already know that this episode is entitled The Upset.  Do I need to tell you that, this time, it’s Muncie that wins by one basket?

Humbled, The Tornadoes return home and are shocked to discover all of their fans waiting and cheering for them.  Coach K says that he’s proud of the team.  Michael gives a speech in which he promises to bring home the championship next season.  Next season!?  Are any of these people ever planning on graduating!?

I had mixed feelings about this episode.  I liked the fact that the Tornadoes lost the big game because even a good team is going to lose a game or two.  I thought that part of the episode was really well-directed, acted, and written.  But all of the stuff with Ronald was just icky and it made me never want to apologize to anyone.  Still, on the whole, this was a good episode with which to end the season.

Except, of course, there’s two more episodes to go in this season.  We’ll look at them next week!

Retro Television Reviews: Can Ellen Be Saved (dir by Harvey Hart)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s Can Ellen Be Saved!  It  can be viewed on YouTube!

Ellen Lindsey (Katharine Cannon) is an intelligent but depressed teenager who feels that she just doesn’t belong anywhere in the world.  She’s not interested in the money and class-obsessed lifestyle of her parents, Arnold (Leslie Nielsen, back in his serious actor days) and Bea (Louise Fletcher).  At the same time, she’s also not interested in the silly lives of her friends, who spend all of their time chasing boys and talking about celebrities.  Ellen is looking for something deeper and she thinks that she may have found it when she attends a religious retreat led by a charismatic man named Joseph (Michaele Parks).

Everyone at the retreat is very friendly and very dedicated and very concerned with finding more to life than just surface pleasures.  They spend hours listening to sermons.  They spend even longer singing hymns.  The leaders of the retreat emphasize that anyone can leave whenever they want but, if they do, they’ll still be making the biggest mistake of their life.  Ellen is happy because she’s finally found a group of friends who seem to feel the same way that she does about society and materialism.  Joseph is happy because he’s brainwashed another member of his cult who he can now send out to panhandle for him and the compound.

Arnold and Bea are not happy when Ellen runs away to join Joseph’s commune.  When Arnold visits the commune, he discovers a secretive world where outsiders are not welcome.  He also discover that Ellen no longer seems to be capable of thinking for herself.  With the police unwilling to help, Arnold and Bea turn to an enigmatic deprogrammer named James Hallbeck (John Saxon).  Hallbeck specializes in grabbing kids that have joined cults and bringing them back to their parents.  Of course, it’s hard not to notice that neither Joseph nor Arnold seems to be giving much thought to what Ellen actually wants from her life.

Can Ellen Be Saved? is a well-made TV movie that has a lot in common with later films like Split Image and Ticket To Heaven.  As in both those movies, the first half of the film details how cults initially brainwash their members while the second half deals with the sometimes harsh process of reversing that brainwashing.  And, just as in those two later films, Can Ellen Be Saved? features parents who mistakenly assume that their child can be returned to them exactly as she was before.  Though all three of the films feature cults that are definitely sinister, they also feature main characters who were lost before they joined the cult and all three of them end on an ambiguous note, leaving us to wonder if the characters have regained their free will or if they’ve just traded one brainwashing for another.

Along with being a well-written and well-acted film, Can Ellen Be Saved features one of those once-in-a-lifetime casts.  Popping up in small roles are familiar faces like William Katt, Rutanya Alda, and Kathleen Quinlan.  Michael Parks and John Saxon are both convincing as two morally ambiguous characters whose own motives are left enigmatic.  Katherine Cannon is sympathetic as Ellen, whose need to be a part of something leaves her vulnerable to manipulation.  Finally, it must be said that Leslie Nielsen — despite his reputation for having been a dull dramatic actor — is actually very effective as Ellen’s confused but well-meaning father.  Usually, when I watch Neilsen in a dramatic film, I find myself expecting him to wink at the camera or deliver a silly line in a deliberately flat and unemotional tone.  But, in this film, I actually forgot I was watching Leslie Nielsen.  Instead, he just become a suburban dad, trying to understand why his daughter was so dissatisfied with the life that he had worked so hard to give her.

I wasn’t expecting much from Can Ellen Be Saved? but it turned out to be surprisingly effective.