A Bonus-Sized Collection Of Trailers, Part One

Posted on December 12, 2010 by Lisa Marie Bowman

Since it’s the holiday season, I’m going to do a bonus-sized, two-part edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers this week. So, assuming that I’m not upset by who wins the Amazing Race and that Julia Stiles survives tonight’s episode of Dexter, I’ll put together and post part two sometime later tonight. And if I am upset, expect to see it sometime Monday.

Anyway, here’s the first part of our special, pre-holiday edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers. Just a quick note, three of these films are apparently not available on DVD or even on VHS! To be honest, I imagine their trailers are probably a lot more fun than the actual movie.

1) Wicked Wicked

What is Anomorphic Duovision? Well, I did some research last night and I’ll explain it all after the trailer.

Duovision, it turns out, is a fancy way of saying, “Split screen.” Like you remember in 24 whenever Keifer Sutherland would start purring in that sexy voice of his, “Dammit! CHLOE!” and Chloe would go, “Get off my ass, Bauer!” Well, more often than not, that was shown in Anomoprhic Duovision. Brian DePalma also used it in Carrie when Sissy Spacek sets the prom on fire. In other words, none of that would have been possible if not for Wicked Wicked. Apparently, in Wicked Wicked, one half of the screen featured Tiffany Bolling singing and the detective guy investigating and the other half featured the killer doing his thing.

2) Dr. Minx

I give this trailer mad props for resisting the temptation to be all like, “And she makes house calls…”

3) Zaat

Believe it or not, this is not, as I originally assumed, a parody trailer. I did actual research (yes, believe it or not, I do try to verify these things) and I discovered that this was a real movie from 1972 and apparently, it made a lot of money playing the drive-in circuit (a.k.a. the grindhouses of the South).

4) Angel, Angel, Down We Go

From 1969 — His name is Bogart Peter Stuyvesant and he’s hot!

5) The Body Beneath

This little “shocker” from 1970 was directed by Andy Milligan, who was infamous for making movies that were so bad that they often ended up being effective despite themselves.

6) A Night to Dismember

I’ve never actually seen this film but I’ve certainly heard about it. It has a reputation for being one of the worst horror films but I have to admit, I think the trailer has an oddly dream-like power. A Night To Dismember was the last film to be directed by Doris Wishman, who — when she first started making early “nudie” flicks (the best known of which was the Nude on the Moon) in the 50s — was one of the first women to ever actually direct a theatrically released film. After her husband died, Doris’s films changed from being rather innocent and campy stories about dorky guys trying to discreetly ogle nude women to being dark and puritanical tales of the sexually active being punished. A Night To Dismember was her final film and its troubled production has become legendary. I found it on DVD once and nearly bought it but, at the last minute, put it down and bought a copy of Larry Cohen’s God Told Me To instead. The next week, when I went back to buy A Night To Dismember, I discovered that the store had been shut down and permanently closed the day after I made my last purchase. That’s just freaking typical, isn’t it?

6 More Trailers Exploit The 70s

Posted on November 28, 2010 by Lisa Marie Bowman

Now that Thanksgiving has come and gone, it’s time for another installment of Lisa Marie’s Favorite Exploitation and Grindhouse Trailers. Today, all 6 of our trailers come from the 70s. That’s actually kind of a coincidence but it’s as close to a theme as I could find so let’s go with it.

1) Superchick

Let’s start things off on a positive, empowering note with the trailer for Superchick. This appears to be an only-in-the-70s type film. For one thing, the narrator says “stewardess” instead of “flight attendant.” What a pig. (Just kidding…I think stewardess has kind of a nice retro sound to it, to be honest…)

2) Satan’s Cheerleaders

“Are you kidding? I’m no maiden. I’ve been a cheerleader for three years…” Would I find this trailer as amusing if my older sister hadn’t been a cheerleader at the same time that I was going through my whole goth ballerina phase? Probably. I haven’t seen the actual film but, for whatever reason, I suspect it doesn’t quite live up to the trailer.

3) Countess Dracula

Ingrid Pitt, who died on the 23rd on the month, helped to bring Hammer films fully into the 20th Century with this film and the Vampire Lovers. Here she plays the infamous Elisabeth Bathory.

4) Don’t Answer The Phone

This is not a trailer to watch if you’re in a paranoid state-of-mind. This is a pretty bad movie but it does feature one of the best “psycho” performances of all time from the late character actor, Nicholas Worth.

5) The House That Vanished

I have mixed feelings about including this one because it’s a TV spot as opposed to an actual theatrical trailer. But I’m including it anyway because it is the epitome of everything I love about 70s exploitation. The film is actually an English film that was entitled Scream and Die! which, in all honesty, sounds like a pretty good title to me. However, by the time it was released in the States, Wes Craven’s Last House On The Left was making a lot of money and every horror film was retitled with a House-themed title. Also, the “it’s only a movie…” chant is lifted directly from the advertising campaign for Last House On The Left.

6) Ruby

Finally, let’s end with Ruby. This is yet another one where I haven’t seen the actual movie but from the trailer, it appears to be a proud part of the grindhouse tradition in that it not only rips off Carrie but The Exorcist as well.

BONUS TRAILER:

Yes, I’m including a bonus trailer! Why? Because I love you, that’s why.

This is for Michael Almereyda’s haunting and odd vampire film, Nadja. Nadja was released in 1994 but it features Peter Fonda so it might as well be from the 70s.

And, since I have to end everything on an even number (it’s a long story), here’s another bonus trailer just so we end up with 8 trailers instead of 7. This is another unconventional, New York vampire tale — Vampire’s Kiss. This is also known as the movie where Nicolas Cage actually ate a live cockroach while being filmed. (Personally, I think of it as being the precursor to Mary Harron’s American Psycho.)

Shut up, Billy Dee Williams — It’s Time For Six More Trailers

Posted on November 14, 2010 by Lisa Marie Bowman

Here’s the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers. (I know, I know — worst intro paragraph evuh! Following the tradition of the Pieces trailer, which can be found below, I’m keeping things simple. I’ll be back to my usual complicated self next week.)

1) Fear City

Believe it or not, this was directed by Abel Ferrara, the same man who directed Ms. 45. Fear City is one of the few Ferrara films that I haven’t seen but the trailer just oozes sleaze doesn’t it? And speaking of sleaze, maybe that’s what all the men in this film were putting in their hair. Seriously, why not call it Gel City? And how about Billy Dee Williams there, sounding like the angel of the final judgment? Shut up, Billy Dee Williams!

2) A Cat In The Brain

This is one of Lucio Fulci’s final films and you’re either going to love it or you’re going to hate it. The film is surprisingly meta for an Italian horror film not directed by Michele Soavi. This is the one where Fulci plays himself and attempts to personally answer his critics. Anyway, the reason I love this trailer is because of the cat puppet that appears at the end. It’s so cute! (Ignore the quote from Clive Barker — he’s almost as much of a whore as Stephen King.)

3) Pieces

“It’s exactly what you think it is!” Anyone who wants to go into advertising should watch this and learn.

4) The Stud

I imagine this is another film that’s “exactly what you think it is.” I love trailers that show off what was considered to be chic and decadent in the past. This is one is from the 70s. (Surprised?)

5) Cannibal Apocalypse

While the rich people were partying in London, cannibals were apparently ruling the streets of Atlanta. According to actor John Saxon, starring in Cannibal Apocalypse made him suicidal. Cannibal Apocalypse is actually a pretty good film with an anti-war subtext and it features a great supporting performance from Giovanni Lombardo Radice so seriously — shut up, John Saxon! (Actually, Saxon gives a really great performance here — of course, his character is meant to be suicidal — and he’s the main reason that Cannibal Apocalypse works.)

6) Cannibal Man

Much like Cannibal Apocalypse, Cannibal Man is actually an allegory of alienation that’s disguised as a horror movie. Cannibal Man is a seriously strange movie and highly recommended.

6 Trailers In Rememberance of Lisa Marie’s Youth

Posted on November 6, 2010 by Lisa Marie Bowman

This edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers is a sentimental and sad occasion for me. I’m a Scorpio (and, seriously, who is shocked to hear that, right?). What that means is that I’ve got a birthday coming up this Tuesday. I’ll be turning 25. I’ll be a quarter of a century old. So, this will be my last installment of this series as a young woman. Next weekend, when I post the next installment, I’ll be an adult.

Unfortunately, I didn’t really think about this until I’d already selected my trailers for this installment. So, I wish I could say that there’s some sort of deep meaning behind why I picked any of these posts. But there’s not, with the exception of I Drink Your Blood. And my selection of I Drink Your Blood has less to do with my birthday and more with the fact that it’s the 17th greatest movie ever made.

Anyway, let’s get to the trailers and try not to think about the fact that I’m getting old…

1) Food of the Gods

Two things I love about the trailer: the pompous opening 40 seconds (I loved it when Exploitation mocks the Mainstream through imitation) and the presence of Marjoe “Bad, not evil” Gortner.

2) Tintorera

This is the Mexican version of Jaws. Not only was it directed by the infamous Rene Cardona, Jr. but it stars the original HUGO STIGLITZ!

3) Prisoner of Paradise

Prisoner of Paradise (which I have never seen) is apparently a hardcore war film from the 70s that starred John C. Holmes’s cock. The star does not appear in this trailer. Instead, we get things blowing up followed by something else blowing up which is followed up by something — wait for it — blowing up. And then, suddenly, we’re on the beach.

4) Machine Gun McCain

Speaking of blowing things up…Machine Gun McCain is one of the many Italian crime thrillers that came out in the late 60s. They were not only far more violent than American thrillers but usually a lot more interesting too. Earlier on Saturday, I bought this movie on DVD. The guy working the register looked at it and said, “I’d watch this first because Britt Ekland’s in it.”

5) Hell’s Bloody Devils

While the Italians were exploiting the Mafia, Americans were exploiting motorcycle gangs. Hell’s Bloody Devils is a typical example with a typically 1970 political subtext. It was directed by Al Adamson who, years later, was apparently murdered and buried in cement.

6) I Drink Your Blood

I Drink Your Blood was released on a double bill with an old black-and-white zombie films called I Eat Your Skin. All the scenes in the trailer below are from I Drink Your Blood. I love the trailer because it is just classic grindhouse. However, I Drink Your Blood is also one of the best films ever made. The 18th best, to tell the truth. Seriously.

6 Trailers From The Valley of the Exploited

Posted on October 24, 2010 by Lisa Marie Bowman

No, the Valley of the Dolls is not one of the trailers included in the latest installment of Lisa Marie’s Grindhouse and Exploitation Trailers. It just happens to be the movie that I’m watching as I edit this post. Anyway, Valley of the Dolls was an exploitation film mostly because of human error. The trailers below are for films that came by their exploitation label honestly.

1) An American Hippie In Israel

There’s some debate as to whether or not this movie actually exists. I originally saw this trailer as an extra on the I Drink Your Blood DVD about three years ago. At that time, Grindhouse Releasing claimed that it would be releasing this film on DVD “soon.” Three years later, the DVD has yet to be released. Perhaps it’s for the best. I doubt that actual film could live up to lunacy and silliness of the trailer.

2) Best Friends

This is a good example of a movie that, if it was released today, would probably be marketed as an indie art film. However, since it came out in the 70s, it played in grindhouses and drive-in movie theaters. It’s actually a surprisingly well-made and well-acted film.

3) Chappaqua

Much like Best Friends, Chappaqua is proof that art and exploitation often go hand-in-hand. The film was produced and directed by Conrad Rooks and features William S. Burroughs at his cynical best.

4) The Hellcats

This is another one of those trailers that proves that, in the late 60s, liberated women were actually more menacing than murderous biker gangs.

5) Hell’s Belles

This movie, I suppose, could also have been called The Hellcat. Adam Roarke, the star of this one, appeared in every biker film released in 1970.

6) Savage Sisters

This is another one of those films that, frustratingly enough, is not yet available on DVD. That’s a shame. The world needs more movies about women kicking ass.

Banned in Vermont: 6 More Shocking Trailers

Posted on October 18, 2010 by Lisa Marie Bowman

The latest installment of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers features trailers that are too intense, too shocking, and too controversial for the new age hippies of Vermont.

1) Axe

This film was originally titled Lisa, Lisa. Isn’t that just a great title? Seriously, how can you go wrong with a title like Lisa, Lisa? Just say it a few times. Lisa, Lisa. What a great name.

Anyway, this trailer is just pure exploitation and the narrator really loves saying “Axe” repeatedly. Still, I think he would have been happier saying, “Lisa, Lisa…”

2) Snuff

“The film that could only be made in South America…where life is cheap!” I’ve never actually seen Snuff though I’ve read a lot about it. Apparently, this was originally a film called Slaughter. It was made by pornographic pioneers Roberta and Mike Findlay. Anyway, the film was bought by another distributor who tacked on some footage of one of the actresses supposedly being killed on camera. Snuff was then advertised as being an actual snuff movie and, of course, a bunch of dumbfugs believed that it actually was.

3) Olga’s Girls

This is a movie I’ve been meaning on reviewing for a while. Olga’s Girls is from 1964 and the trailer — like all good grindhouse trailers — makes the film seem a lot more sordid and explicit than it actually is. The actual film is almost quaint.

4) The Syndicate: A Death In The Family

“The Underworld touches everyone…even you.” I love the shameless melodrama of this trailer and the serious tone of the narrator. I also love the swinging crime music. This Italian film is apparently not available on DVD.

5) The Weird World of LSD

“To fly a giant bird!” MK-Ultra much? This is another film I haven’t actually seen and I’ve had next to no success in tracking down a copy. Why is LSD always so much more fun in the movies than in real life? Seriously.

6) Possession

As I said in an earlier post, Europe’s art films are often repackaged as America’s grindhouse and exploitation films. 1981’s Possession is a perfect example of that. People either love or hate this film. It gave me nightmares but I still think its one of the best (and most important) films ever made. Everyday, when faced with adversity, I ask myself — “What would Isabelle Adjani do?”

6 Trailers From 1981

Posted on September 28, 2010 by Lisa Marie Bowman

Hi and welcome to the latest installment of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers. I apologize for being a few days late with this installment.

This week, I’m highlighting trailers from the year 1981. 1981 not only saw the release of Lucio Fulci’s twin classics The Beyond and The House By The Cemetary, it was also the year that my sister Melissa was born. (Happy birthday, Melissa Anne!)

You may notice that, despite citing them above, I did not include the trailer for either one of Fulci’s films in this post. I’m saving them for a future edition. Instead, let’s start with Alien Contamination and end with Christiane F. and see what waits in the middle.

1) Alien Contamination

Earlier in this series, I featured the trailer for Luigi Cozzi’s Star Wars rip-off, Starcrash. This is the trailer for Cozzi’s attempt to rip-off both Alien and Lucio Fulci’s classic Zombi 2. The film is pretty dull but I have to give the trailer mad props for actually making this movie look like it might be kinda fun.

2) Scanners

In this trailer, David Cronenberg proves that nothing sells a film like an exploding head.

3) Dead & Buried

I haven’t seen this film but I’ve read several favorable reviews of it. While the trailer isn’t nearly as graphic as some of the other trailers that I’ve featured in this series, I still like it. With the ominous narrator and all, it has a nice retro feel to it.

4) The Evil Dead

Speaking of retro, here’s the trailer to the original Evil Dead.

5) Copkiller a.k.a. Order of Death

I recently ordered this Italian film off of Amazon but I have yet to sit down and watch it. The trailer, for me, is memorable just because it’s a chance to see both Harvey Keitel and Johnny Rotten (who were both quite the sexy beast back in 1981) occupying the same space.

6) Christiane F.

Some people, I know, would disagree with me referring to Christiane F. as being an exploitation film. I’m sure that the film’s award-winning director — Uli Edel — would disagree with me. However, Europe’s art films were often sold as America’s grindhouse movies and, just from anecdotal evidence, that was often the case with Christiane F. Besides, I love this trailer if just for the music alone.

6 More Trailers: The I Am Woman Hear Me Roar Edition

Posted on September 19, 2010 by Lisa Marie Bowman

It’s the weekend and that can only mean that it’s time for another installment of my favorite grindhouse and exploitation trailers. This installment is devoted to films about women kicking ass.

1) Faster Pussycat! Kill! Kill!

From infamous director Russ Meyer comes this classic drive-in feature. I just love that title, don’t you? This was the original cinematic celebration of women kicking ass. As the lead killer, Tura Satana has to be seen to be believed. Whenever I find myself struggling with insecurity or fear, I just call on my inner Tura Satana. (All women have an inner Tura Satana. Remember that before you do anything you might regret later…)

2) Vixen

This is another one of Russ Meyer’s films. Released in 1968, Vixen is best remembered for Erica Gavin’s ferocious lead performance. For me, the crazed narration makes the entire trailer.

3) Coffy

I love this movie! Pam Grier battles the drug trade and kills a lot of people. When we talk about how a film can be both exploitive and empowering at the same time, Coffy is the type of movie that we’re talking about.

4) Kansas City Bomber

Before there was Ellen Page, there was Racquel Welch. Playing her boyfriend/manager in this film is Kevin McCarthy who was the lead in the original Invasion of the Body Snatchers. My mom used to love this movie.

5) Shock

This was the last film that Mario Bava ever directed and it’s one of my personal favorites. In the lead role, Daria Nicolodi gives one of the best performances in the history of Italian horror.

6) Let’s Scare Jessica To Death

This is one of the greatest horror movies ever made and it reamins sadly neglected. You must see this film before you die (which, hopefully, will not be for a very long while).

Here’s 6 More Trailers. Why? Because Lisa Loves You.

Posted on September 9, 2010 by Lisa Marie Bowman

Because I’m not real certain that I’ll be online this weekend (well, that plus the fact that I love you), I’m posting the latest installment of Lisa Marie’s favorite grindhouse and exploitation trailers a few days early. Enjoy!

1) Scream and Scream Again — This is actually a pretty good British horror film from 1970. It even has a political subtext for those of you who need your horror to mean something. I love the whole “swinging” vibe of the trailer.

2) The Spook Who Sat By The Door — This 1973 film apparently used to be something of a legend because it was extremely difficult to see. It was sold, obviously, as a blaxploitation film but quite a few people apparently saw it as being a blueprint for an actual revolution. I’ve never seen this movie though, believe it or not, I did find a copy of the novel it was based on at Half-Priced books shortly after I first saw this trailer. I bought the book but I haven’t read it yet.

3) The Black Gestapo — This is another one of those old school blaxploitation trailers that, to modern eyes, just seems so wrong. I’ve actually seen this film. It’s surprisingly dull, to be honest.

4) Sunset Cove — This one of the many trailers that I first came across on one of Synapse’s 42nd Street Forever compilations. I’ve never seen the actual film and probably never will as apparently it’s like the uncut version of Greed — lost to the ages. That’s okay because the film really does look really, really bad. However, the trailer fascinates me because it has got such an oddly somber tone to it. Just from the narration and one or two of the clips shown, you get the feeling that this movie ends with the National Guard gunning down a lot of teenagers while the tide comes in. However, I think that might just be my own overactive imagination. The film was apparently directed by Al Adamson who, in the mid-90s, was apparently murdered and buried in wet cement.

5) Autopsy — This 1975 Italian classic is one of my favorite examples of the giallo genre. I can’t recommend it enough. This is one of the most intense and disturbing films ever made. The trailer’s pretty good too.

6) Visiting Hours — I don’t know much about this movie, other than it appears to be a slasher film from the early 80s. I’m posting it here for one reason and one reason only — the skull.

6 Exploitation Film Trailers That I Love

Posted on May 19, 2010 by Lisa Marie Bowman

The only thing I love more than a good exploitation film is a good exploitation film trailer. I’ve been known to buy Anchor Bay DVDs of films that I hate just to see what trailers will be included in the extras. Often times, when I find myself suffering from writer’s block, I cure it by watching 42nd Street Forever.

Below are 6 exploitation film trailers. They are six of my personal favorites though I could easily list 666.

Enjoy!

1) Teenage Mother (1967) — This trailer (if not the actual film, which is pretty dull) is pure exploitation perfection.

2) They Call Her One Eye (1974) — They Call Her One Eye is the American title for a Sweedish film called Thriller, A Cruel Picture. It’s an appropriate title but its also one of the best movies ever made in the history of cinema.

3) Ms. 45 (1981) — I love this movie. Whenever I break up with a boyfriend or just find myself annoyed with men in general, this is the movie that I end up popping into my DVD player. Consider yourself warned. 🙂

4) The House With The Laughing Windows (1976) — This giallo, directed by Pupi Avati, is probably one of the best films ever to come out of Italy period. The trailer only begins to hint just how girm, dark, depressing, disturbing, and downright odd this little gem really is.

5) Starcrash (1979) — Starcrash was Luigi Cozzi’s attempt to cash in on Star Wars. For what its worth, Starcrash is actually a lot more fun and, as played by Caroline Munro, intergalactic priate Stella Starr is actually one of the few truly strong women to appear in Italian exploitation cinema. (The next Halloween party I’m invited to, I’m going to go as Caroline Munro in Starcrash.) The special effects pretty much define the whole concept of “That’s a great movie when you’re stoned.”