One Battle After Another Emerges From The Ashes Of Phoenix


The Phoenix Critics Circle has announced their picks for the best of 2025!  The winners are listed in bold.

BEST PICTURE
HAMNET
IT WAS JUST AN ACCIDENT
ONE BATTLE AFTER ANOTHER
SENTIMENTAL VALUE
SINNERS

BEST COMEDY FILM
THE BALLAD OF WALLIS ISLAND
BUGONIA
FRIENDSHIP
THE NAKED GUN
RENTAL FAMILY

BEST SCIENCE FICTION FILM
BUGONIA
COMPANION
FRANKENSTEIN
MICKEY 17
THE RUNNING MAN

BEST HORROR FILM
28 YEARS LATER
BRING HER BACK
SINNERS
THE UGLY STEPSISTER
WEAPONS

BEST ANIMATED FILM
ELIO
KPOP DEMON HUNTERS
PREDATOR: KILLER OF KILLERS
ZOOTOPIA 2

BEST DOCUMENTARY
DEAF PRESIDENT NOW!
LILITH FAIR: BUILDING A MYSTERY
ORWELL: 2+2=5
PREDATORS
THE PERFECT NEIGHBOR

BEST FOREIGN LANGUAGE FILM
IT WAS JUST AN ACCIDENT
NO OTHER CHOICE
THE SECRET AGENT
SENTIMENTAL VALUE
SIRAT

BEST ACTOR IN A LEADING ROLE
TIMOTHEE CHALAMET, MARTY SUPREME
LEONARDO DICAPRIO, ONE BATTLE AFTER ANOTHER
JOEL EDGERTON, TRAIN DREAMS
OSCAR ISAAC, FRANKENSTEIN
MICHAEL B. JORDAN, SINNERS

BEST ACTRESS IN A LEADING ROLE
JESSIE BUCKLEY, HAMNET
ROSE BYRNE, IF I HAD LEGS I’D KICK YOU
CHASE INFINITI, ONE BATTLE AFTER ANOTHER
JENNIFER LAWRENCE, DIE MY LOVE
RENATE REINSVE, SENTIMENTAL VALUE

BEST ACTOR IN A SUPPORTING ROLE
BENICIO DEL TORO, ONE BATTLE AFTER ANOTHER
JACOB ELORDI, FRANKENSTEIN
DELROY LINDO, SINNERS
SEAN PENN, ONE BATTLE AFTER ANOTHER
STELLAN SKARSGARD, SENTIMENTAL VALUE

BEST ACTRESS IN A SUPPORTING ROLE
ODESSA A’ZION, MARTY SUPREME
INGA IBSDOTTER LILLEAAS, SENTIMENTAL VALUE
AMY MADIGAN, WEAPONS
WUNMI MOSAKU, SINNERS
TEYANA TAYLOR, ONE BATTLE AFTER ANOTHER

BEST DIRECTOR
PAUL THOMAS ANDERSON, ONE BATTLE AFTER ANOTHER
PARK CHAN-WOOK, NO OTHER CHOICE
RYAN COOGLER, SINNERS
JAFAR PANAHI, IT WAS JUST AN ACCIDENT
JOACHIM TRIER, SENTIMENTAL VALUE

BEST SCREENPLAY
PAUL THOMAS ANDERSON, ONE BATTLE AFTER ANOTHER
RYAN COOGLER, SINNERS
JAFAR PANAHI, IT WAS JUST AN ACCIDENT
JOACHIM TRIER & ESKIL VOGT, SENTIMENTAL VALUE
EVA VICTOR, SORRY, BABY

BEST CINEMATOGRAPHY
MICHAEL BAUMAN, ONE BATTLE AFTER ANOTHER
AUTUMN DURALD ARKAPAW, SINNERS
ADOLPHO VELOSO, TRAIN DREAMS
KIM WOO-HYUNG, NO OTHER CHOICE

BEST SCORE
ALEXANDRE DESPLAT, FRANKENSTEIN
JONNY GREENWOOD, ONE BATTLE AFTER ANOTHER
LUDWIG GORANSSON, SINNERS
KANGDING RAY, SIRAT

BEST STUNT COORDINATION
FRANKENSTEIN
MISSION: IMPOSSIBLE – THE FINAL RECKONING
ONE BATTLE AFTER ANOTHER
SINNERS
WEAPONS

Here Are The 2025 Nominations of The Phoenix Critics Circle


Here are the 2025 nominations of the Phoenix Critics Circle!

BEST PICTURE
HAMNET
IT WAS JUST AN ACCIDENT
ONE BATTLE AFTER ANOTHER
SENTIMENTAL VALUE
SINNERS

BEST COMEDY FILM
THE BALLAD OF WALLIS ISLAND
BUGONIA
FRIENDSHIP
THE NAKED GUN
RENTAL FAMILY

BEST SCIENCE FICTION FILM
BUGONIA
COMPANION
FRANKENSTEIN
MICKEY 17
THE RUNNING MAN

BEST HORROR FILM
28 YEARS LATER
BRING HER BACK
SINNERS
THE UGLY STEPSISTER
WEAPONS

BEST ANIMATED FILM
ELIO
KPOP DEMON HUNTERS
PREDATOR: KILLER OF KILLERS
ZOOTOPIA 2

BEST DOCUMENTARY
DEAF PRESIDENT NOW!
LILITH FAIR: BUILDING A MYSTERY
ORWELL: 2+2=5
PREDATORS
THE PERFECT NEIGHBOR

BEST FOREIGN LANGUAGE FILM
IT WAS JUST AN ACCIDENT
NO OTHER CHOICE
THE SECRET AGENT
SENTIMENTAL VALUE
SIRAT

BEST ACTOR IN A LEADING ROLE
TIMOTHEE CHALAMET, MARTY SUPREME
LEONARDO DICAPRIO, ONE BATTLE AFTER ANOTHER
JOEL EDGERTON, TRAIN DREAMS
OSCAR ISAAC, FRANKENSTEIN
MICHAEL B. JORDAN, SINNERS

BEST ACTRESS IN A LEADING ROLE
JESSIE BUCKLEY, HAMNET
ROSE BYRNE, IF I HAD LEGS I’D KICK YOU
CHASE INFINITI, ONE BATTLE AFTER ANOTHER
JENNIFER LAWRENCE, DIE MY LOVE
RENATE REINSVE, SENTIMENTAL VALUE

BEST ACTOR IN A SUPPORTING ROLE
BENICIO DEL TORO, ONE BATTLE AFTER ANOTHER
JACOB ELORDI, FRANKENSTEIN
DELROY LINDO, SINNERS
SEAN PENN, ONE BATTLE AFTER ANOTHER
STELLAN SKARSGARD, SENTIMENTAL VALUE

BEST ACTRESS IN A SUPPORTING ROLE
ODESSA A’ZION, MARTY SUPREME
INGA IBSDOTTER LILLEAAS, SENTIMENTAL VALUE
AMY MADIGAN, WEAPONS
WUNMI MOSAKU, SINNERS
TEYANA TAYLOR, ONE BATTLE AFTER ANOTHER

BEST DIRECTOR
PAUL THOMAS ANDERSON, ONE BATTLE AFTER ANOTHER
PARK CHAN-WOOK, NO OTHER CHOICE
RYAN COOGLER, SINNERS
JAFAR PANAHI, IT WAS JUST AN ACCIDENT
JOACHIM TRIER, SENTIMENTAL VALUE

BEST SCREENPLAY
PAUL THOMAS ANDERSON, ONE BATTLE AFTER ANOTHER
RYAN COOGLER, SINNERS
JAFAR PANAHI, IT WAS JUST AN ACCIDENT
JOACHIM TRIER & ESKIL VOGT, SENTIMENTAL VALUE
EVA VICTOR, SORRY, BABY

BEST CINEMATOGRAPHY
MICHAEL BAUMAN, ONE BATTLE AFTER ANOTHER
AUTUMN DURALD ARKAPAW, SINNERS
ADOLPHO VELOSO, TRAIN DREAMS
KIM WOO-HYUNG, NO OTHER CHOICE

BEST SCORE
ALEXANDRE DESPLAT, FRANKENSTEIN
JONNY GREENWOOD, ONE BATTLE AFTER ANOTHER
LUDWIG GORANSSON, SINNERS
KANGDING RAY, SIRAT

BEST STUNT COORDINATION
FRANKENSTEIN
MISSION: IMPOSSIBLE – THE FINAL RECKONING
ONE BATTLE AFTER ANOTHER
SINNERS
WEAPONS

Here Are The 2025 Golden Globe Nominations


Does anyone care about the Golden Globes any more?  I remember that there was a feeling of relief when it looked like we would finally be free from having to worry about them.  Of course, the Globes are back and under new management.  They’re clawing their way back to relevancy, or at least they’re trying.

To be honest, I don’t trust the nominations below.  I think it’s all about getting people to watch their ceremony again.  Still, the Golden Globes are a thing and here are the film nominations for this year.  The winners will be revealed on January 11th.

BEST MOTION PICTURE, DRAMA
Frankenstein
Hamnet
It Was Just an Accident
The Secret Agent
Sentimental Value
Sinners

BEST MOTION PICTURE, MUSICAL OR COMEDY
Blue Moon
Bugonia
Marty Supreme
No Other Choice
Nouvelle Vague
One Battle After Another

BEST DIRECTOR, MOTION PICTURE
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Guillermo del Toro – Frankenstein
Jafar Panahi – It Was Just an Accident
Joachim Trier – Sentimental Value
Chloe Zhao – Hamnet

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, DRAMA
Jessie Buckley – Hamnet
Jennifer Lawrence – Die, My Love
Renate Reinsve – Sentimental Value
Julia Roberts – After the Hunt
Tessa Thompson – Hedda
Eva Victor – Sorry, Baby

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, MUSICAL, OR COMEDY
Rose Byrne – If I Had Legs I’d Kick You
Cynthia Erivo – Wicked: For Good
Kate Hudson – Song Sung Blue
Chase Infiniti – One Battle After Another
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Emily Blunt – The Smashing Machine
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Teyana Taylor – One Battle After Another

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, DRAMA
Joel Edgerton – Train Dreams
Oscar Isaac – Frankenstein
Dwayne Johnson – The Smashing Machine
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent
Jeremy Allen White – Springsteen: Deliver Me from Nowhere

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, MUSICAL, OR COMEDY
Lee Byung-hun – No Other Choice
Timothee Chalamet – Marty Supreme
George Clooney – Jay Kelly
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Jesse Plemons – Bugonia

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value

BEST SCREENPLAY, MOTION PICTURE
Hamnet
It Was Just an Accident
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

BEST ORIGINAL SCORE, MOTION PICTURE
F1: The Movie
Frankenstein
Hamnet
One Battle After Another
Sinners
Sirat

BEST ORIGINAL SONG, MOTION PICTURE
Avatar: Fire and Ash – “Dream as One”
KPop Demon Hunters – “Golden”
Sinners – “I Lied to You”
Train Dreams – “Train Dreams”
Wicked: For Good – “No Place Life Home”
Wicked: For Good – “The Girl in the Bubble”

BEST MOTION PICTURE, ANIMATED
Arco
Demon Slayer: Kimetsu No Yaiba The Movie
Elio
KPop Demon Hunters
Little Amelie or the Character of Rain
Zootopia 2

BEST MOTION PICTURE, FOREIGN LANGUAGE
It Was Just an Accident
No Other Choice
The Secret Agent
Sentimental Value
Sirat
The Voice of Hind Rajab

GOLDEN GLOBE FOR CINEMATIC & BOX OFFICE ACHIEVEMENT
Avatar: Fire and Ash
F1: The Movie
KPop Demon Hunters
Mission: Impossible — The Final Reckoning
Sinners
Weapons
Wicked: For Good
Zootopia 2

Horror Trailer: Frankenstein


The official trailer for Guillermo Del Toro’s take on the Mary Shelley’s classic gothic horror Frankenstein has finally been released.

An earlier teaser was sent out months ago, but that was mostly played off like sizzle reel of what Del Toro had been up to with this latest adaptation. This official trailer gives us a much more closer look at the type of adaptation Del Toro decided to take with Shelley’s novel of the tortured scientist and his creation.

Even though it will be show up on Netflix on November 7, 2025, I do believe that this film needs to be seen on the big screen when a select cities get them on October 17, 2025.

Miniseries Review: Moon Knight (dir by Mohamed Diab and Aaron Moorhead & Justin Benson)


No sooner had Ryan posted his essay about whether or not comic book companies like Marvel or DC actually need readers anymore then I came over here to type up my review of Moon Knight.

Why is that relevant?  Well, Moon Knight is a 6-episode miniseries based on a character who made his debut in the pages of Marvel comics.  The character has a loyal following of readers but the Disney miniseries has introduced him to a whole new group of people, many of whom have never even held a comic book, let alone read one.  I’m one of those people.  If not for the miniseries, I wouldn’t have the slightest idea who Moon Knight is because, for the most part, I’ve never been a comic book reader.  I would have to imagine that if I was a comic book reader, it would bug the Hell out of me that people who have never read a comic book are now suddenly acting as if they’re experts on all of the various costumed characters who have been published by Marvel and DC over the past few decades.  I can remember how upset I was when everyone suddenly decided that they were an expert on Dario Argento and Italian horror just because they had read some lame article on the remake of SuspiriaNo, I wanted to say, you haven’t done the work!

Unfortunately, that’s the way of the world now.  With the current pop cultural dominance of the MCU and the DCEU, everyone’s a super hero fan regardless of whether or not they’ve ever read a comic book.  And, with the explosion of social media over the past decade, everyone is now in a position to present themselves as being an expert regardless of whether they’re tweeting their own thoughts or just plagiarizing what they’ve read on Wikipedia.  It doesn’t matter whether the topic is politics, television, history, science, religion, or comic books.  Everyone now claims to be an expert and, as the old saying goes, when everyone’s an expert, no one’s an expert.  Again, if that annoys the Hell out of you, I sympathize.

Perhaps you can take some consolation in the fact that, even though I watched all six episode of Moon Knight today, I hardly feel like an expert as far as the character is concerned.  For the most part, I enjoyed Moon Knight but I would be lying if I said that I was always able to follow what was going on.  Oscar Isaac plays Marc Spector, a mercenary who is mortally wounded in Egypt but who is revived by Khonshu (voiced by F. Murray Abraham), the Egyptian God of the Moon, who tasks Spector with protecting humanity from evil or something like that.  Sometimes, however, Spector becomes Steven Grant, a mild-mannered and neurotic Brit who works in a museum gift shop and who is haunted by strange dreams.  When Grant discovers that he’s actually Spector, this leads to him meeting Spector’s wife, Layla (May Calamawy) and also having to battle Arthur Harrow (Ethan Hawke), a fanatical cult leader who is trying to get his hands on ancient scarab that will …. let him do stuff, I guess.  Harrow’s evil, Moon Knight’s good, and I guess that’s all we really need to know.  Moon Knight is basically a typical MCU “let’s all fight over the artifact” story, with the main twist being that all of the Gods are Egyptian instead of Norse and the hero has dissociative identity disorder and might actually very well be a patient at psychiatric hospital.  

With all that in mind, Moon Knight is actually pretty entertaining.  It’s biggest strength, not surprisingly, is Oscar Isaac, who appears to be having a ball playing several different versions of the same character.  When he’s Marc Spector, he gets to play at being a grim and serious action hero.  When he’s Steve Grant, he gets to play a comedic bumbler who gets the chance to prove that he’s stronger and more capable than anyone gave him credit for.  Isaac does a good job with both roles and the show is at its best when it’s just Isaac arguing with himself.  Playing a villain in an MCU production is often a thankless task but Hawke’s brings the right edge of fanaticism to Arthur Harrow and F. Murray Abraham voices Khonshu with the just the right combination of righteous indignation and weary frustration.  The show makes good use of its Egyptian setting and the fourth and fifth episodes are enjoyably surreal as they delve into the corners of Spector’s mind.

Unfortunately, the show’s conclusion leaves a bit to be desired.  After all that build-up, it all pretty much leads to a standard MCU street battle and the possibility of more Moon Knight action in the future.  That said, I enjoyed the show for what it was.  Turn off your mind, relax, and float across the Duat, as the old saying goes.

Here’s The Trailer For Moon Knight


Here’s the trailer Moon Knight!

Oscar Isaac and Ethan Hawke both should have an Oscar by now.  Well, they won’t win any for Moon Knight because it’s a miniseries.  They might get some Emmy love but eventually, everyone wins an Emmy so it’s not as big of a deal.  I mean, I’ve got an Emmy somewhere around here.  It arrived in the mail and I was like, “Cool, I guess I won something.”

My point is, Oscar Issac and Ethan Hawke should both be in a lot of stuff.  Anyway, here’s the trailer:

Here Are The Nominations From The Detroit Film Critics Society


The Detroit Film Critics Society announced their nominations for the best of 2021 earlier today.  It’s an interesting group of nomination, though I would point out that Detroit is usually one of the quirkier of the critics groups.  Every awards season, they nominate something or someone unexpected, there’s a brief flurry of excitement, and then everyone moves on.

I guess that’s one reason why I love them.

Anyway, here’s their nominations:

BEST PICTURE
Belfast
CODA
Cyrano
Don’t Look Up
King Richard

BEST DIRECTOR
Sean Baker – Red Rocket
Kenneth Branagh – Belfast
David Lowery – The Green Knight
Adam McKay – Don’t Look Up
Lan-Manuel Miranda – Tick, Tick…Boom!

BEST ACTOR
Nicolas Cage – Pig
Peter Dinklage – Cyrano
Andrew Garfield – Tick, Tick…Boom!
Oscar Isaac – The Card Counter
Will Smith – King Richard

BEST ACTRESS
Jessica Chastain – The Eyes Of Tammy Faye
Alana Haim – Licorice Pizza
Jennifer Hudson – Respect
Nicole Kidman – Being The Ricardos
​Kristen Stewart – Spencer

BEST SUPPORTING ACTOR
Jon Bernthal – King Richard
Troy Kotsur – CODA
Jared Leto – House Of Gucci
Ray Liotta – The Many Saints Of Newark
Kodi Smit-McPhee – The Power Of The Dog

BEST SUPPORTING ACTRESS
Ariana DeBose – West Side Story
Kirsten Dunst – The Power Of The Dog
Aunjanue Ellis – King Richard
Rita Moreno – West Side Story
Diana Rigg – Last Night In Soho

BEST ENSEMBLE
CODA
Don’t Look Up
The French Dispatch
The Harder They Fall
House Of Gucci

BREAKTHROUGH
Alana Haim – Actress – Licorice Pizza
Emilia Jones – Actress – CODA
Woody Norman – Actor – C’mon C’mon
Agathe Rousselle – Actress – Titane
Emma Seligman – Writer/Director – Shiva Baby

BEST USE OF MUSIC/SOUND
Cyrano
In The Heights
Last Night In Soho
Tick, Tick…Boom!
West Side Story

BEST ORIGINAL SCREENPLAY
Don’t Look Up
The French Dispatch
The Harder They Fall
Licorice Pizza
Parallel Mothers

BEST ADAPTED SCREENPLAY
CODA
The Green Knight
In The Heights
The Power Of The Dog
Tick, Tick…Boom!

BEST ANIMATED FEATURE
Belle
Cryptozoo
Encanto
Flee
Luca
The Mitchells vs. The Machines

BEST DOCUMENTARY
Flee
Roadrunner: A Film About Anthony Bourdain
The Sparks Brothers
Street Gang: How We Got To Sesame Street
Summer Of Soul

Here Are The Gotham Winners!


The Gotham Awards were held last night and the big winners were CODA and Maggie Gyllenhaal’s The Lost Daughter.  The Gothams aren’t exactly the biggest or most influential of the Oscar precursors but they were are one of the first so a victory can only help!

The winners are listed in bold:

Best Feature
“The Green Knight”
“The Lost Daughter”
“Passing”
“Pig”
“Test Pattern”

Best Documentary Feature
“Ascension”
“Faya Dayi”
Flee”
“President”
“Summer Of Soul (…Or, When The Revolution Could Not Be Televised)”

Best International Feature
“Azor”
“Drive My Car”
“The Souvenir Part II”
Titane
“What Do We See When We Look at the Sky?”
“The Worst Person In The World”

Bingham Ray Breakthrough Director Award
Maggie Gyllenhaal for “The Lost Daughter”
Edson Oda for “Nine Days”
Rebecca Hall for “Passing”
Emma Seligman for “Shiva Baby”
Shatara Michelle Ford for “Test Pattern”

Best Screenplay
“The Card Counter,” Paul Schrader
“El Planeta,” Amalia Ulman
“The Green Knight,” David Lowery
“The Lost Daughter,” Maggie Gyllenhaal
“Passing,” Rebecca Hall
“Red Rocket,” Sean Baker & Chris Bergoch

Outstanding Lead Performance
Olivia Colman in “The Lost Daughter”
Frankie Faison in “The Killing of Kenneth Chamberlain”
Michael Greyeyes in “Wild Indian”
Brittany S. Hall in “Test Pattern”
Oscar Isaac in “The Card Counter”
Taylour Paige in “Zola”
Joaquin Phoenix in “C’mon C’mon”
Simon Rex in “Red Rocket”
Lili Taylor in “Paper Spiders”
Tessa Thompson in “Passing”

Outstanding Supporting Performance
Reed Birney in “Mass”
Jessie Buckley in “The Lost Daughter”
Colman Domingo in “Zola”
Gaby Hoffmann in “C’mon C’mon”
Troy Kotsur in “CODA”
Marlee Matlin in “CODA”
Ruth Negga in “Passing”

Breakthrough Performer
Emilia Jones in “CODA”
Natalie Morales in “Language Lessons”
Rachel Sennott in Shiva Baby”
Suzanna Son in “Red Rocket”
Amalia Ulman in “El Planeta”

Breakthrough Series – Long Format (over 40 minutes)
“The Good Lord Bird”
“It’s A Sin”
“Small Axe”
“Squid Game”
“The Underground Railroad”
“The White Lotus”

Breakthrough Series – Short Format (under 40 minutes)
“Blindspotting”
“Hacks”
“Reservation Dogs”
“Run the World”
“We Are Lady Parts”

Breakthrough Nonfiction Series
“City So Real”
“Exterminate All the Brutes”
“How To with John Wilson”
“Philly D.A.”
“Pride”

Outstanding Performance in a New Series
Jennifer Coolidge in “The White Lotus”
Michael Greyeyes in “Rutherford Falls”
Ethan Hawke in “The Good Lord Bird”
Devery Jacobs in “Reservation Dogs”
Lee Jung-jae in “Squid Game”
Thuso Mbedu in “The Underground Railroad”
Jean Smart in “Hacks”
Omar Sy in “Lupin”
Anya Taylor-Joy in “The Queen’s Gambit”
Anjana Vasan in “We Are Lady Parts”

(Incidentally, I’m probably the only person not involved with the show to have noticed the victory for Philly D.A.  I’m just going to be honest and say that is one of my least favorite results ever.  Philly D.A. was a pure propaganda, nothing more.)

What If Oscar Season Started And No One Noticed, Part 2: Here Are The Gotham Award Nominations


As a sign of how wrapped up I am in this year’s Horrorthon, consider this: the 2021 Gotham Nominations — the first precursor of Awards Season! — were announced on Thursday and I totally missed them!  This is actually not the first year that this has happened.  October is a busy month for me and sometimes, the Gotham noms get missed.

The Gothams, of course, only honor independent films and they have pretty strict rules as far as what they consider to be independent.  The budget has to come in at a certain relatively low amount, for one thing.  So, as a result, a lot of Oscar nominees are not Gotham eligible.  But, at the same time, those Gotham rules also allow some films that otherwise might get overlooked a chance to get some precursor love.  Being nominated for a Gotham is hardly a guarantee that the Academy will remember you.  But it certainly doesn’t hurt.

Better late than never, here are the 2021 Gotham Nominations!  As you’ll notice, the Gotham’s performance awards are gender neutral.  This is the first year that the Gothams have done this.  They also added categories for supporting performances and best performance in a series.

Anyway, here are the nominees:

Best Feature
“The Green Knight”
“The Lost Daughter”
“Passing”
“Pig”
“Test Pattern”

Best Documentary Feature
“Ascension”
“Faya Dayi”
“Flee”
“President”
“Summer Of Soul (…Or, When The Revolution Could Not Be Televised)”

Best International Feature
“Azor”
“Drive My Car”
“The Souvenir Part II”
Titane
“What Do We See When We Look at the Sky?”
“The Worst Person In The World”

Bingham Ray Breakthrough Director Award
Maggie Gyllenhaal for “The Lost Daughter”
Edson Oda for “Nine Days”
Rebecca Hall for “Passing”
Emma Seligman for “Shiva Baby”
Shatara Michelle Ford for “Test Pattern”

Best Screenplay
“The Card Counter,” Paul Schrader
“El Planeta,” Amalia Ulman
“The Green Knight,” David Lowery
“The Lost Daughter,” Maggie Gyllenhaal
“Passing,” Rebecca Hall
“Red Rocket,” Sean Baker & Chris Bergoch

Outstanding Lead Performance
Olivia Colman in “The Lost Daughter”
Frankie Faison in “The Killing of Kenneth Chamberlain”
Michael Greyeyes in “Wild Indian”
Brittany S. Hall in “Test Pattern”
Oscar Isaac in “The Card Counter”
Taylour Paige in “Zola”
Joaquin Phoenix in “C’mon C’mon”
Simon Rex in “Red Rocket”
Lili Taylor in “Paper Spiders”
Tessa Thompson in “Passing”

Outstanding Supporting Performance
Reed Birney in “Mass”
Jessie Buckley in “The Lost Daughter”
Colman Domingo in “Zola”
Gaby Hoffmann in “C’mon C’mon”
Troy Kotsur in “CODA”
Marlee Matlin in “CODA”
Ruth Negga in “Passing”

Breakthrough Performer
Emilia Jones in “CODA”
Natalie Morales in “Language Lessons”
Rachel Sennott in Shiva Baby”
Suzanna Son in “Red Rocket”
Amalia Ulman in “El Planeta”

Breakthrough Series – Long Format (over 40 minutes)
“The Good Lord Bird”
“It’s A Sin”
“Small Axe”
“Squid Game”
“The Underground Railroad”
“The White Lotus”

Breakthrough Series – Short Format (under 40 minutes)
“Blindspotting”
“Hacks”
“Reservation Dogs”
“Run the World”
“We Are Lady Parts”

Breakthrough Nonfiction Series
“City So Real”
“Exterminate All the Brutes”
“How To with John Wilson”
“Philly D.A.”
“Pride”

Outstanding Performance in a New Series
Jennifer Coolidge in “The White Lotus”
Michael Greyeyes in “Rutherford Falls”
Ethan Hawke in “The Good Lord Bird”
Devery Jacobs in “Reservation Dogs”
Lee Jung-jae in “Squid Game”
Thuso Mbedu in “The Underground Railroad”
Jean Smart in “Hacks”
Omar Sy in “Lupin”
Anya Taylor-Joy in “The Queen’s Gambit”
Anjana Vasan in “We Are Lady Parts”