4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
117 years ago, on this date in Columbia, Canada, director Edward Dmytryk was born. Today, we honor this underrated filmmaker with….
4 Shots From 4 Edward Dmytryk Films
Murder, My Sweet (1944, dir by Edward Dmytryk, DP: Harry J. Wild)
Crossfire (1947, dir by Edward Dmytryk, DP: J. Roy Hunt)
The Caine Mutiny (1954, dir by Edward Dmytryk, DP: Franz Planer)
The Carpetbaggers (1964, dir by Edward Dmytryk, DP: Joseph MacDonald)
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
As a teenager of the late 80’s, I became a huge fan of Jean-Claude Van Damme when I watched movies like BLOODSPORT (1988), CYBORG (1989), KICKBOXER (1989), and DEATH WARRANT (1990). He really seemed to be going big-time with movies like UNIVERSAL SOLDIER (1992), HARD TARGET (1993) and especially TIMECOP (1994). Unfortunately, through a variety of problems, including a reportedly uncontrollable ego, a seemingly never ending supply of gratuitous butt shots for the ladies, and potential drug issues, his star would begin to wane in the mid-1990’s and he’d soon find his career heading the wrong direction. Through it all though, I’ve always loved Van Damme, and I still like to watch his movies (both new and old) to this day. One of the films that he made in his prime was LIONHEART (1990). I remember renting the movie as soon as it became available at our local video store, and even though I don’t hear it spoken of often these days, it’s always been one of my favorite films of the so-called “Muscles from Brussels!”
LIONHEART stars Van Damme as Lyon Gaultier, a French Foreign Legionnaire who deserts his post in North Africa after finding out that his drug addict brother, who lives in Los Angeles, has been set on fire and is barely clinging to life. Determined to help his brother’s family, Lyon goes AWOL and hops a boat to the United States of America. Unfortunately, Lyon finds himself stranded in New York with no money, until he stumbles across an underground street fight. With the connections of a hustler named Joshua (Harrison Page) and a sexy fight organizer named Cynthia (Deborah Rennard), Lyon’s talent in the ring allows him to make the money he needs to go to L.A. When he finally makes it to the west coast, his brother has passed away, leaving huge medical bills for his wife Helene (Lisa Pelikan) and young daughter, Nicole (Ashley Johnson). Continuing to fight in the underground market in L.A. to provide funds for his sister-in-law, Lyon takes on increasingly dangerous opponents, including the savage Attila (Abdel Qissi) in a high-stakes fight that could settle his family’s financial problems for good… if it doesn’t kill him.
I mentioned earlier that I’m a big fan of LIONHEART. With that said, I can certainly see some flaws in the film. The performances aren’t all great. For example, Deborah Rennard is somewhat ridiculous as the sexy, duplicitous Cynthia. Her character is as cliched as it gets, even if she does look good in her see-through stockings. It’s also too long. Clocking in at almost an hour and fifty minutes, the film is at least twenty minutes too long. There are definitely scenes that could have been trimmed down to make for a more efficient movie. Flaws acknowledged, I watched it again today, and I still love the movie. Directed by Sheldon Lettich (DOUBLE IMPACT), LIONHEART delivers the goods as a badass, fight film with a heart. The action sequences drew me in with Van Damme’s athletic spins and kicks, but it also reminded me of my favorite film of all time, HARD TIMES (1975) starring Charles Bronson. In HARD TIMES, Bronson takes out a cocky bastard with one punch to the face. In LIONHEART, Van Damme takes out a cocky bastard with one punch to the nuts. Both films deliver final showdowns against awesome opponents that deliver brutal and satisfying climaxes to the action. And both films go for real emotion. In HARD TIMES, those relationships are limited to the men in Bronson’s life, but in LIONHEART, Lyon’s relationships with his friend Joshua, as well as his love for his niece and widowed sister-in-law really set the film apart. Van Damme isn’t a great actor at this point in his career, but there’s just something really appealing about his unconditional love for his family. He won me over with his earnest performance, and I was all in when everything comes to a head at the end. It was also fun seeing producer Lawrence Bender (PULP FICTION, ANNA AND THE KING, KILL BILL) cameo in an early fight scene as a doofus with a pony tail who gets his ass handed to him by Van Damme. That’s just fun movie stuff.
Playing on Amazon Prime as I type, I easily recommend LIONHEART to any person who likes Van Damme or action films of the 80’s and 90’s. It may be as cheesy as hell, but in my opinion, it’s one of the star’s best films.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens celebrates what would have been the 96th birthday of Hal Ashby, one of the most important (and, sadly, one of the most overlooked) directors of the 1970s. It’s time for….
4 Shots From 4 Hal Ashby Films
Harold and Maude (1971, dir by Hal Ashby, DP: John A. Alonzo)
The Last Detail (1973, dir by Hal Ashby, DP: Michael Chapman)
Bound for Glory (1976, dir by Hal Ashby, DP: Haskell Wexler)
Being There (1979, dir by Hal Ashby, DP: Caleb Deschanel)
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Happy birthday to director James Nguyen! It’s time for….
4 Shots From 4 Films: Special James Nguyen Edition
Julie and Jack (2003, dir by James Nguyen)
Replica (2005, dir by James Nguyen)
Birdemic (2010, dir by James Nguyen)
Birdemic 2: The Resurrection (2013, dir James Nguyen)
As August comes to a close, the Oscar picture is clearing up a bit due to the festivals. The early word on some films is very strong. Meanwhile, films that were once seen as surefire contenders are falling to the wayside.
And, with that inspiring introduction out of the way, here are my predictions for August.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we honor director William Friedkin on what would have been his birthday.
4 Shots From 4 William Friedkin Films
The French Connection (1971, dir by William Friedkin, DP: Owen Roizman)
The Exorcist (1973, dir by William Friedkin, DP: Owen Roizman)
Sorcerer (1977, dir by William Friedkin, DP: Dick Bush and John M. Stephens)
To Live And Die In L.A. (1985, dir by William Friedkin, DP: M. Scott Smith)
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy 63rd birthday to David Fincher! It’s time for….
4 Shots from 4 David Fincher Films
Seven (1995, dir by David Fincher. DP: Darius Khondji)
Fight Club (1999, dir by David Fincher, DP: Jeff Croneweth)
Zodiac (2007, dir by David Fincher, DP: Harris Savides)
Mank (2020, dir by David Fincher, DP: Erik Messerschmidt)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, TSL wishes a happy birthday to cinematographer Robert Richardson. It’s time for….
4 Shots From 4 Robert Richardson Films
JFK (1991, dir by Oliver Stone, DP: Robert Richardson)
The Horse Whisperer (1998. dir by Robert Redford, DP: Robert Richardson)
Inglourious Basterds (2009, dir by Quentin Tarantino, DP: Robert Richardson)
Hugo (2011, dir by Martin Scorsese, DP: Robert Richardson)
Today I’m starting a series about my favorite actors and their most important work in a particular decade, completely from my limited perspective. What a better actor for me to start with than Charles Bronson, my all time favorite. I hope to share some historical context as well as some tidbits about his film and TV appearances at the time. I know I’ll miss some good stuff, and I welcome your comments on that. We’ll see how this goes!
Charles Bronson entered the world of acting using the name Charles Buchinsky. His very first role is in the film YOU’RE IN THE NAVY NOW (1951) with Gary Cooper! This also happens to be the film debuts of actors Lee Marvin and Jack Warden! Bronson himself has said that he got the role because he could “belch on cue!”
You’re in the Navy Now (1951)
Bronson worked with the best actors on earth from the very beginning of his career. Still billed as Buchinsky, Bronson would share the screen with Spencer Tracy and Katharine Hepburn in 1952’s PAT AND MIKE!
Pat and Mike (1952)
I was lucky enough to catch HOUSE OF WAX (1953) on the big screen last summer. Bronson, still billed as Buchinsky at the time, co-starred as Igor in the 3-D, Vincent Price box office smash. He had some amazingly creepy scenes in the film!
House of Wax (1953) Me in 2024!!
For the first time in his career, he would be credited as Charles Bronson in the Alan Ladd western DRUM BEAT (1954). He changed his name during the McCarthy era to avoid the negative scrutiny and suspicion that a Slavic surname might bring, fearing it could damage his budding acting career during the strong anti-Communist sentiment in America. Under his new name, Bronson steals the film right out from under Ladd in the role of the rebellious Indian leader Captain Jack! This film should have catapulted Bronson into leading roles, but Hollywood didn’t really know what to do with him at this point.
Drum Beat (1954)
A couple of years later, Bronson would appear in a supporting role in the Glenn Ford western, JUBAL (1956). Also co-starring Ernest Borgnine and Rod Steiger, Bronson’s part is small but pivotal. I love the film and its Grand Tetons setting.
Jubal (1956)My family in 2023!
1958 would be a year where Charles Bronson would get his first leading film roles, as well as his own TV series. First up was the B-western SHOWDOWN AT BOOT HILL (1958), directed by Gene Fowler, Jr. I’m a big fan of this short, simple oater. I think Bronson gives an excellent performance as the gunslinger with a chip on his shoulder, who really just wants a girl he can settle down with and a place he can call home. I recommend it to any person who likes 1950’s westerns and Bronson.
Showdown at Boot Hill (1958)
Next, the legendary Roger Corman would direct Bronson in the biopic MACHINE GUN KELLY (1958). This is an important film in Bronson’s career. French star Alain Delon would request Bronson as his co-star in the 1968 film FAREWELL, FRIEND based on his performance in MACHINE GUN KELLY, and that film would help turn Bronson into one of the biggest male movie stars in the world. It’s another good film that draws another strong performance from Bronson as the infamous gangster who was tough as long as he had his machine gun. Quentin Tarantino is a big fan of the movie calling it the “best film Corman ever directed.” A poster for MACHINE GUN KELLY can be seen at Jack Rabbit Slims in Tarantino’s sensational PULP FICTION (1994).
Machine Gun Kelly (1958)
After appearing on countless TV shows during the 50’s, Bronson got his own beginning in 1958. The show, MAN WITH A CAMERA, would run for two seasons and produce a total of 29 episodes, with such excellent guest stars as Tom Laughlin, Angie Dickinson and Lawrence Tierney. A young Bronson is very good in the series, easily handling the action and the dialogue. He’s so good in fact, that it really is hard to believe that mainstream stardom would continue to elude him for another decade. In his characteristically sarcastic way, Bronson would joke that he played second fiddle to a light bulb, or something along those lines, but it’s a series I definitely recommend.
Man with a Camera (1958-1960)
I hope you’ve enjoyed a trip through the 50’s with the legendary Charles Bronson. There is so much more I could have covered, but I chose the appearances that have affected my life the most! The 1960’s would prove to be a successful, frustrating and ultimately rewarding decade for Charles Bronson. We’ll get to that next time on “Famous Actors Throughout the Decades: Charles Bronson!”