4 Shots From 4 Films: Special James Stewart Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of one of the greatest American actors of all time, the wonderful James Stewart!  It’s time for….

4 Shots From 4 James Stewart Films

Mr. Smith Goes To Washington (1939, dir by Frank Capra, DP: Joseph Walker)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)

Rear Window (1954, dir by Alfred Hitchcock, DP: Robert Burks)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

May Positivity: New Hope (dir by Rodney Ray)


The 2012 film, New Hope, is narrated by Michael Evans (Samuel Davis).

Michael is a seventeen year-old preacher’s kid whose father, Alex (Will Schwab), has just gotten a job in the small town of New Hope.  As a result, Michael has to move in the middle of his senior year.  (Yikes, not fun!)  He’s not happy about that and, to make things even worse, Michael’s father has talked the high school basketball coach, Tom Miller (Reg Rob), into putting Michael on the team.

(Is it normal for coaches to put someone on a team without having them first try out?  The basketball team is in the playoffs, after all.)

Michael tries to explain to Coach Miller that he’s not that good of a basketball player.  Coach Miller replies that he doesn’t really care whether or not Michael is a good player.  Instead, he wants Michael on the team so that Michael can be a role model for the younger players.  Coach Miller assumes that, as a preacher’s kid, Michael will automatically be a good influence.

Uhmm …. has the coach ever met any preacher’s kids before?

Seriously, I live in Texas and, when I was growing up, my family moved all over the Southwest.  I have known a lot of preacher’s kids and, for the most part, almost all of them were wild.  Even the ones who were religious and planning on going into the family business were wild.  When you’re a teenager, your natural instinct is to rebel against whatever it is that your parents are about and, as a result, preacher’s kids usually have a lot to rebel against.  There’s a reason why everyone automatically understands what that Sweet Talkin’ Son Of A Preacher Man song is about.

And even if Michael isn’t wild (and, because this is a faith-based film, Michael is a surprisingly well-behaved high school student), how is it fair to tell anyone that they have to be a role model for a bunch of people that they barely know?  Michael’s only been a student at his new school for a day.

Michael quickly finds himself in conflict with the team’s star player, Lucas Green (Ben Davies, giving the closest thing that the film has to a good performance).  Lucas’s brother also played for the team until he committed suicide.  Lucas, with his unresolved issues of anger, feels that Michael tying to take his brother’s place.  Lucas gets even angrier when Michael starts to date his dead brother’s girlfriend, Jasmine (Perry Frost).  Meanwhile, Michael’s parents get upset when they discover a condom wrapper in his jacket.  Oh, you silly parents!  Michael isn’t a typical preacher’s kid.  The only reason he took the condom out of the wrapper was so he could throw it away.

(Seriously, Lucas seems more like a preacher’s kid than Michael.)

There’s a whole genre of faith-based films that use sports as a metaphor for having faith and not questioning authority figures and New Hope is definitely a part of that genre.  Michael has no real desire to be on the basketball team but both his father and his coach want him on the team so Michael goes with it.  It’s hard not to feel that Michael really needs to stand up for himself.  The film is all a bit too long (the film clocks in at over two hours) and unrealistic.  It’s a film that tries to tackle all of the important issues of growing up but it does so in far too ham-fisted a manner.  Personally, I think Michael should have quit the team, bought a beret and a pack of Clove cigarettes, and taken a creative writing class.  He would have been much happier and no one would have expected him to be a role model.  There’s nothing wrong with trying different things and making your own decisions.  There’s nothing wrong with being a rebel.  That’s what being a teenager is supposed to be all about.

The Films of 2024: Rebel Moon Part 2 — The Scargiver (dir by Zack Snyder)


In some other galaxy, a bunch of annoying farmers are living on the moon of Veldt.  The evil army of the Motherworld, led by Atticus Noble (Ed Skrein), wants to conquer the moon and steal all of the grain for themselves.  A bunch of rebels — including a long-winded former general named Titus (Djimon Hounsou) and painfully dull former solider of the evil empire named Kora (Sofia Boutella) — are on the moon and help the farmers prepare for battle.  And then the battle happens and the movie ends and somehow, it takes more than two hours to tell this extremely thin story.

Admittedly, I have not seen the first Rebel Moon but I doubt it makes much of a difference.  I’ve seen enough science fiction movies and enough Zack Snyder films that I feel like I can follow this sequel without having seen the first film.  In fact, the only question that I have as a result of not seeing the first film is whether the absolutely ludicrous flashback to Kora’s past was lifted from the first film or was it specifically shot for the sequel?  The flashback reveals that Kora became a rebel after her mentor attempted to frame her for the murder of a good space emperor and his family. I have to admit that the overwrought, slow motion-heavy flashback did inspire a few chuckles on my part.  There was an orchestra playing in the background of the scene and they continued to play, even while the emperor and his family were being murdered.  You have to wonder just what exactly the musicians were thinking while all of that was going on.

As for Rebel Moon Part Two, it has some nice visuals but the story is a mess and there are some moments that simply leave you wondering whether to laugh or sigh with frustration.  There’s the fact that the fearsome imperial spaceships are apparently fueled by men shoveling coal into a furnace.  There’s the fact that fearsome imperial space laser gun takes forever to aim and fire, presumably to give the rebels time to sabotage the ship.  (That seems like a pretty big design flaw.)  There’s the fact that the evil empire turns out to be so inept that it’s hard to feel like the farmers really needed to spend as much time training as they did.  By the end of the film, I felt like I probably could have beaten up the evil empire single-handedly.  They just weren’t that impressive.

The main problem is that the farmers were kind of annoying and, even when they finally did fight the evil empire, it was still hard to feel that they still didn’t have any control over their own fate.  First, they were being ordered around the bad guys.  Then, they were being ordered around by Titus and the rebels.  Titus, himself, is one of those annoying characters who can’t ever say anything without turning it into a speech.  On the one hand, Titus insists that the farmers don’t have much time to get ready.  On the other hand, Titus continually wants to waste what little time they have by giving a monologue.  Kora, meanwhile, rarely speaks.  This has less to do with her being a strong, silent warrior and instead it’s all about her not really having much of a personality.

The majority of the film’s runtime is taken up with the battle and it’s hard not to notice that for all of the explosions and presumed death, most of the main characters somehow manage to survive.  It left me thinking about we were supposed to celebrate the survival of the Daily Planet staff at the end of Man of Steel, despite the fact that thousands of others undoubtedly died while Superman and General Zod were ripping apart Metropolis.

To be clear, there are quite a few Zack Snyder films that I really do like.  I am not, by any means, an anti-Snyder person.  I thought Sucker Punch was a masterpiece.  I admire and respect what he did with Watchmen.  I’m not a fan of his work with the DCEU but then again, with the exception of the first Wonder Woman, I’m not really a fan of anyone’s work with the DCEU.  The important thing is that I think that, with the right material, Zack Snyder can be brilliant and I love the fact that, even in his lesser films, he still goes all out to bring his vision to life.  As a director, Snyder is not scared to go over-the-top with sweeping, dramatic moments.  He’s someone who understands that movies — especially action films — should be big.  But Rebel Moon 2 never really works.  If anything, it sometimes feels like Snyder on auto pilot.  I’ll always be willing to take a chance of Zack Snyder but I hope that doesn’t mean having to watch Rebel Moon 3.

Retro Television Review: Broken Angel (dir by Richard T. Heffron)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1988’s Broken Angel!  It  can be viewed on YouTube.

Chuck Coburn (William Shatner) has a nice house in the suburbs, a nice job, a nice car, and a nice Bruins jacket.  He’s hoping that he can once against have a nice marriage with his wife (Susan Blakely), despite the fact that she cheated on him and she still thinks that he spends too much time at work.

Chuck is proud of his teenage daughter, Jaime (Erika Eleniak).  Jaime seems like the perfect suburban and angelic teenager.  But then Jaime goes to prom and her best friend, Jenny (Amy Lynne), is gunned down in front of her.  Jaime runs from the scene and vanishes.  As Chuck searches for his daughter, he is stunned discover that Jaime, Jenny, and their boyfriends were all a part of a gang!  His perfect daughter was smoking weed, doing cocaine, selling crack, and taking part in rumbles with a rival Asian gang.  Even worse, Jaime’s gang was called …. LFN!

LFN?  That stands for Live For Now.  The Live For Now Gang.  Whenever we see the members of the gang preparing to get into a fight with another gang, they all chant, “LFN!  LFN!”  LFN is a gang of white suburban teenagers and they look just as dorky as they sound.  I mean, I think it would be bad enough to discover that your child is in a gang but discovering they were in a dorky gang would probably make it even worse.

The majority of Broken Angel is made up of scenes of Chuck searching the mean streets of Los Angeles.  He partners with a social worker (Roxann Dawson) who is herself a former gang member.  Chuck discovers that his daughter’s street name was — *snicker* — Shadow.  He also befriend a member of the LFN’s rival Asian gang and tries to encourage her to go straight.  This leads to scene in which he is attacked by Al Leong.  Somehow, middle-aged William Shatner manages to beat up Al Leong.  That, in itself, is worth the cost of admission.

Broken Angel deals with a serious issue but it does so in such an overwrought and melodramatic fashion that most viewers will be moved not to tears but to laughter.  In Broken Angel, William Shatner gave the type of overly dramatic and self-serious performance that he routinely pokes fun at today.  If you’re one of those people who enjoys listening as Shatner emphasize random syllables and takes meaningly pauses, this movie will give you a lot to enjoy.  In every scene, Shatner seems to be saying, “Notice me, Emmy voters!  Notice me!”  Of course, it wouldn’t be until Shatner learned how to laugh at himself that the Emmy voters would finally notice him.

The film ends on an abrupt note but with the promise of better days ahead.  Just remember — keep an eye out for the LFN!

Scenes That I Love: Pete Townshend and The Who at Woodstock


Today is Pete Townshend’s 79th birthday and today’s scene that I love features Pete Townshend (as a member of The Who) performing at Woodstock in 1969.

Roger Daltrey later said that this was the worst gig that they ever played and The Who did end up going on stage early in the morning, with the sun rising as they performed See Me, Feel Me.  The majority of The Who’s performance was not included in the initial release of the Woodstock documentary but the noticeably grainy footage would later be included in various rereleases.

Unfortunately, no cameras recorded the moment when Pete Townshend became the hero that 1969 needed by kicking a ranting Abbie Hoffman off of the stage.  But, audio of the incident survived.

Here is The Who at Woodstock:

4 Shots From 4 Films: Special Albert Pyun Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 71st birthday, we celebrate filmmaker Albert Pyun!

It’s time for….

4 Shots From 4 Albert Pyun Films

The Sword and the Sorcerer (1982, dir by Albert Pyun, DP: Joseph Margine)

Cyborg (1989, dir by Albert Pyun, DP: Philip Alan Waters)

Captain America (1990, dir by Albert Pyun, DP: Philp Alan Waters)

Kickboxer 2 (1991, dir by Albert Pyun, DP: George Mooradian)

The Films of 2024: Scars (dir by Shaun Kosta)


A young man named Eric (Allen Williamson) enlists as a combat medic and is sent to Afghanistan.  Eric truly thinks that he’s going to help to make the world a better place but, what he sees and experiences in Afghanistan, leaves him shaken and haunted by memories of the dead and wounded.

Upon returning home, Eric tries to keep himself busy helping his family’s winery recover from the latest round of California wildfires but he still finds himself tormented by his experiences.  Suffering from PTSD, Eric discovers that his country is more than willing to send young men overseas to fight but it’s less willing to provide them with the support that they need when they return.  With the help of his mother (Elizabeth Gast), his girlfriend (Cayla Black), and a fellow veteran (Stephen Wesley Green), Eric tries to find his place in the world.

Scars is an undeniably low-budget film.  If you’re looking for a war film that is full of epic battle scenes and which will leave you feeling as if you actually are in the middle of Afghanistan, Scars is not the film to go with.  Indeed, it took me a while to realize that Eric was in Afghanistan because Afghanistan looked exactly like California.  As well, towards the end of the film, there’s a few moments of clumsy melodrama that feel as if they were added solely so that this rather talky film could be sold as a thriller.

But you know what?  In the end, those flaws don’t matter.  Scars is a heartfelt film, featuring an excellent lead performance from Allen Williamson, playing a man who is burdened by guilt but who never lets go of hope.  Scars is a film about the pain that people carry with them and the struggle that men like Eric have when it comes to opening up about that pain.  (Not all of the scars in the film are physical.)  It’s an indictment of a society that, far too often, pushes the needs of veterans to the side.  That’s especially true if that veteran served in an unpopular war, like the ones in Vietnam, Iraq, and Afghanistan.  Considering that we still don’t know how many people were left behind when we left Afghanistan, Scars is a film that feels all too relevant.

And yes, Eric Roberts is in Scars.  Playing a sympathetic doctor, he has about a minute of screentime towards the end of the film.  It’s always a good idea to put your Eric Roberts cameo at the end of your movie, just to make sure that audiences stick around for the entire film.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Blood Red (1989)
  3. The Ambulance (1990)
  4. The Lost Capone (1990)
  5. Love, Cheat, & Steal (1993)
  6. Love Is A Gun (1994)
  7. Sensation (1994)
  8. Dark Angel (1996)
  9. Doctor Who (1996)
  10. Most Wanted (1997)
  11. Mr. Brightside (2004)
  12. Six: The Mark Unleased (2004)
  13. Hey You (2006)
  14. In The Blink of an Eye (2009)
  15. Enemies Among Us (2010)
  16. The Expendables (2010) 
  17. Sharktopus (2010)
  18. The Dead Want Women (2012)
  19. Deadline (2012)
  20. The Mark (2012)
  21. Miss Atomic Bomb (2012)
  22. Lovelace (2013)
  23. The Mark: Redemption (2013)
  24. Self-Storage (2013)
  25. This Is Our Time (2013)
  26. Inherent Vice (2014)
  27. Road to the Open (2014)
  28. Rumors of War (2014)
  29. Amityville Death House (2015)
  30. A Fatal Obsession (2015)
  31. Stalked By My Doctor (2015)
  32. Joker’s Poltergeist (2016)
  33. Prayer Never Fails (2016)
  34. Stalked By My Doctor: The Return (2016)
  35. The Wrong Roommate (2016)
  36. Dark Image (2017)
  37. Black Wake (2018)
  38. Stalked By My Doctor: Patient’s Revenge (2018)
  39. Clinton Island (2019)
  40. Monster Island (2019)
  41. The Savant (2019)
  42. Seven Deadly Sins (2019)
  43. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  44. The Wrong Mommy (2019)
  45. Exodus of a Prodigal Son (2020)
  46. Free Lunch Express (2020)
  47. Her Deadly Groom (2020)
  48. Top Gunner (2020)
  49. Deadly Nightshade (2021)
  50. Just What The Doctor Ordered (2021)
  51. Killer Advice (2021)
  52. The Poltergeist Diaries (2021)
  53. The Rebels of PT 218 (2021)
  54. A Town Called Parable (2021)
  55. Bleach (2022)
  56. My Dinner With Eric (2022)
  57. Aftermath (2024)

Scenes That I Love: The Muppets Meet Dabney Coleman In The Muppets Take Manhattan


Yesterday, the world learned the sad news that the great Texas character actor, Dabney Coleman, had passed away at the age of 93.

Today’s scene that I love comes from 1984’s The Muppets Take Manhattan.  In this scene, the Muppets try to sell Coleman on their idea for a musical.  Coleman, meanwhile, does his best to cheat the Muppets out of all of their money.  It takes a truly great actor to give a convincing performance while acting opposite a very large group of puppets.

(I mean, we all know Kermit’s real but I’m pretty sure that the rest of them are puppets….)

Live Tweet Alert: Join #ScarySocial for Tell Me A Creepy Story!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial!  The movie?  2023’s Tell Me A Creepy Story!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Tell Me A Creepy Story is available on Prime and Tubi!

See you there!

4 Shots From 4 Films: Special Frank Capra Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

127 years ago, on this date, Frank Capra was born in Sicily.  Capra was six years old when his family immigrated to the United States and, for the rest of his long life, he would often talk about seeing the Statue of Liberty from the deck of a boat sailing to Ellis Island.  Capra went on to become a director whose work celebrated the ideals and the promise of America.  He not only gave us the holiday classic, It’s A Wonderful Life, but he also directed one of the few political films that matteed, Mr. Smith Goes To Washington.  And let us not forget that the first two comedies to win the Oscar for Best Picture were directed by Capra, It Happened One Night and You Can’t Take It With You.

In honor of a great career and legacy, here are….

4 Shots From 4 Frank Capra Films

It Happened One Night (1934, dir by Frank Capra, DP: Joseph Walker)

You Can’t Take It With You (1938, dir by Frank Capra, DP: Joseph Walker)

Mr. Smith Goes To Washington (1939, dir by Frank Capra, DP: Joseph Walker)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)