Made-For-TV Horror: The Initiation of Sarah (dir by Robert Day)


Oh, poor Sarah.

Sarah (Kay Lenz) is attending college with her sister, Patty (Morgan Brittany).  Patty is pretty and popular and everyone wants to be her friend.  Sarah is withdrawn and a bit moody and people seem to go out of their way to avoid her.  Sarah, however, has a secret.  She can move and break things with her mind.  When a guy on the beach tries to force himself on Patty, Sarah uses her powers to push him away.  Later, when Sarah’s upset, she stares at a mirror until it cracks.

When Patty and Sarah visit their mother’s old sorority, Patty is a hit but Sarah is less popular.  The bitchy president of the Sorority, Jennifer Lawrence (Morgan Fairchild), is happy to invite Patty to join but she doesn’t want Sarah to be anywhere near her.  Sarah ends up joining the outcast PDE sorority.  Jennifer, however, remains obsessed with humiliating and destroying Sarah.  And Sarah, when she gets angry, has a tendency to cause things to happen….

This film, which aired in 1978, probably sounds like a rip-off of Carrie and, in many ways, it is.  For whatever reason, Sarah’s bullies seem to be obsessed with making her as miserable as possible.  In Carrie, one reason you hated the bullies was because Sissy Spacek gave such a heart-breaking, vulnerable and empathetic performance as Carrie White.  The bullies were terrible to begin with but then to pick on someone as fragile as Carrie?  It sucked William Katt had to die but there’s still a reason why the prom inferno makes as many people applaud as scream.  In The Initiation of Sarah, Kay Lenz is not particularly sympathetic as Sarah.  Even before the bullies start picking on her, Sarah comes across as being angry and bitter about …. well, everything.  Patty goes out of her way to take care of her sister but Sarah never seems to appreciate it.  Bullies still suck, of course.  There’s no excuse for being a bully and Jennifer really does go overboard when it comes to going after Sarah.  But Sarah herself still doesn’t necessarily come across as being someone you would want to join your sorority.

What sets The Initiation of Sarah apart from other Carrie rip-offs is the character of Mrs. Hunter (Shelley Winters).  Mrs. Hunter founded PDE when she was a student and now, as the school’s resident expert on paganism, she’s the housemother of PDE.  As soon as Sarah joins, Mrs. Hunter starts to talk about how Sarah is destined to lead PDE to glory.  When another member of PDE, Mouse (Tisa Farrow), takes a look in Mrs. Hunter’s room, she discovers a Satanic altar that is guarded by a fierce looking dog….

That’s right!  This isn’t just a rip-off of Carrie.  It’s a rip-off of The Omen as well!

Kay Lenz might be a bit on the dull side as Sarah but this film is worth watching for the performance of Morgan Fairchild and, especially, Shelley Winters.  As played by Fairchild, Jennifer is more than just a bitch.  She’s a sociopath with great hair.  Meanwhile, Shelley Winters — especially once the 70s started — was never a particularly low-key or subtle actress.  When you cast her as an overbearing housemother who happens to be the high priestess of a cult, you know that you’re going to get something worth watching.  Winters attacks the role with a ferocity that is occasionally over-the-top and almost funny but always entertaining.

The Initiation of Sarah is an enjoyable made-for-TV movie.  Watch it the next time you’re feeling nostalgic for college life.

Made For TV Horror: Death Car On The Freeway (dir by Hal Needham)


I, for one, am tired of the stereotype that women cannot drive.

I’m a woman and I can tell you right now that I am an above average driver.  I’ve only had one major accident.  Admittedly, I did smash into a parked car but it was raining and I really couldn’t see that well because I was driving convertible and the window was fogged up.  Plus, whoever parked that car must have done a bad job and left it sitting out in the middle of the street.  For the record, my convertible flipped over on impact so the parked car did far more damage than I did.

Other than that, I usually manage to stop in time for red lights.  I’ve only driven through a few stop signs and that was just because I didn’t notice them. I’ve very rarely been given a speeding ticket.  Instead, the police have always been very polite about just giving me a warning.  And yes, it is true that I have trouble with curbs and turns and going in reverse and all that but I’ve seen plenty of men do the same thing.

The statistics show that, while women are involved in more accidents, the accidents are more likely to be fatal if a man is driving.  Men are also more prone to get upset and pull a gun during a road rage incident whereas women just give other drivers the finger.  Women are not inherently bad or dangerous drivers.  The one exception, at least down here in Texas, are middle-aged women who drive SUVs with faded Beto stickers.  You really don’t want to get stuck behind one of them in traffic.

I found myself thinking about the misogyny behind the “women-are-bad-drivers” stereotype as I watched 1979’s Death Car On The FreewayDeath Car On The Freeway features a madman who is so sick of women driving in Los Angeles that he starts using his Dodge van to cause them to have accidents.  We don’t actually see his face or really learn much about him.  What we do see are his black-gloved hands on his steering wheel, which is a nifty homage to the giallo genre.  (Giallo killers have a thing for black gloves.)  Whenever the driver does try to force a woman into a fatal accident, he pops in an 8-track of hyperactive fiddle music.  The fiddle has never sounded more menacing than it does in Death Car On The Freeway.  It’s almost like prog rock fiddling.  Imagine a country western fiddler who has just done a mountain of cocaine and you’ll get a feeling for this guy’s taste in music.

News reporter Shelley Hack thinks that the public has the right to know that there’s a man causing women to crash their cars.  Her ex-husband, played to smarmy perfection by George Hamilton, thinks that Shelley should quit her current job and come work with him.  Meanwhile, police inspector Peter Graves is concerned that the media going to start a panic and make it more difficult for him to track down the “Freeway Fiddler.”  (One gets the feeling that Graves feels this entire mess could have been avoided if women had never been allowed to drive in the first place.)  At one point, Hack meets with a defensive driver instructor and he’s played by the film’s director, Hal Needham.

Oh, how I love this film!  Seriously, it’s got car chases, car crashes, 70s outfits, George Hamilton, Peter Graves, and a genuinely frightening villain.  This is one of those films where you might be tempted to be dismissive.  Folks like Dinah Shore, Sid Haig, and Abe Vigoda show up in small roles, reminding you that this really is a 70s made-for-TV movie.  But then, that fiddling explodes on the soundtrack, that van starts tailgating someone, and Death Car On The Freeway suddenly becomes a cinematic nightmare.  It’s not a surprise that Hal Needham was able to stage some impressive driving stunts in Death Car On The Freeway.  That was Hal Needham’s thing.  But Needham also manages to craft a compelling and, at times, genuinely frightening film.  Anyone who has ever glanced into their rearview mirror and suddenly realized that another vehicle is following them will be able to relate to the fear of the Fiddler’s victims.

This is a great movie and a reminder that women are not the most dangerous drivers on the streets.  Unless, of course, they’re driving an SUV with a faded Beto sticker….

Retro Television Review: The Love Boat 6.5 “Hyde and Seek/Command Performance/Sketchy Love”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week’s cruise is brought to you by Bolivian Nose Candy.

Episode 6.5 “Hyde and Seek/Command Performance/Sketchy Love”

(Dir by Jerome Courtland, originally aired on October 30, 1982)

Gopher dates a 14 year-old!

WHAT!?

Of course, Gopher doesn’t realize that she’s fourteen.  I’m not really sure how Gopher doesn’t realize that because the girl is played by Kim Richards, who was 18 at the time but looked considerably younger.  It should also be noted that the girl is also pretending to be her own fictional older sister and she claims to be 18 but …. eh.  I have a hard time buying that Kim Richards could have convinced Gopher that she was two different people, just because that underbite was pretty hard to disguise.  Even if we give Gopher the benefit of the doubt, he’s still a guy in mid-thirties, dating a teenager while he’s supposed to be working.  I like Gopher but the Captain might have to find a new purser after this.  How to explain Gopher’s self-destructive behavior?  My theory is that he found Julia’s coke stash.

Fear not, though.  It all works out.  The truth comes out.  Kim Richards’s father (played by Dana Andrews) announces that he’s going to spank his daughter.  She’s fourteen, you’re not going to spank anyone, you old weirdo.

Meanwhile, a dude (Skip Stephenson) who looks like he’s been up a few nights on a cocaine binge falls in love with Morgan Brittany but …. uh oh!  He’s married!  Fortunately, his wife wants to divorce him, probably because of all the cocaine.  To me, the funniest thing about this story is that, as soon as he gets on the cruise, he starts spilling his guts to Isaac as if they’re old friends.  Dude, you don’t know Isaac.  It’s a big ship and Isaac’s the only bartender.  Isaac doesn’t have time to just stand there and listen to you whine.  But that’s the thing with cocaine.  It makes you a tad bit self-absorbed.  Trust me, I’ve seen Scarface.  I know about the yayo.

And finally, Dan Rowan plays a comedian who has been hired to perform on the ship.  His ex-wife (Marion Ross) and daughter (Eve Plumb) just happen to be on the boat as well.  Eve Plumb wants nothing to do with Dan Rowan, believing that he abandoned his family.  Dan Rowan uses his act to explain what really happened and to beg his daughter to forgive him.  I have to say that, if I was a passenger, I would be kind of ticked off.  You show up at the Acapulco Lounge, hoping to have a good laugh and suddenly the headliner is crying and delivering this really depressing monologue.  Thanks for ruining my cruise, jerk!  Seriously, how coked up do you have to be to sabotage your career like that?

This was not my favorite cruise but at least Julia’s hair looked better here than it did last week.  To be honest, the entire boat seemed to be coked up this week.  Hopefully, they’ll all go to rehab and next week will be a bit more pleasant.

 

Brad reviews SUNDOWN: THE VAMPIRE IN RETREAT (1989), starring David Carradine and Bruce Campbell!


In honor of Bruce Campbell’s 67th birthday, I decided to watch a movie he’s featured in that I’ve never seen before. I thought the horror-comedy SUNDOWN: THE VAMPIRE IN RETREAT looked like it might be fun so I went for it! 

In the desert town of Purgatory, a colony of vampires led by Count Mardulak (David Carradine) want to live in peace, abstaining from human blood, and instead, drinking a blood substitute called “Necktarine,” which is produced in a local factory. They also use high powered sunscreen that allows them to go out in the day time as long as they wear thick sunglasses, big hats or umbrellas, and gloves. Unfortunately, the blood factory begins experiencing production issues, so Mardulak asks David Harrison (Jim Metzler), the unsuspecting human who designed the production process, to come to town and fix their problems. Harrison brings his family with him, including his wife Sarah (Morgan Brittany), and their two daughters. The Harrison family soon find themselves in the middle of an other worldly war as Jefferson (John Ireland) and Shane (Maxwell Caulfied), rebellious local vampires, plot to overthrow Mardulak so they can return to their murderous ways. Meanwhile, Robert Van Helsing (Bruce Campbell), the great grandson of the famed vampire hunter, walks into town, ready to romance the local vampire beauty Sandy (Deborah Foreman) and drive stakes into the hearts of as many bloodsucking freaks as possible!

As far as I’m concerned, SUNDOWN is a blast as a completely absurd horror-comedy that puts an interesting spin on traditional vampire legend, with its endless sunscreen slathering and a growing local weariness over “Necktarine” adding to the good times. It’s campy and silly, with purposely terrible stop motion bat effects, over-the-top family drama, and lots of cheesy one-liners, but of course that’s all part of the charm. 

The B-movie dream cast is what I enjoyed the most about SUNDOWN. David Carradine plays it pretty straight as the town leader Count Mardulak, which is effective when you consider all of the craziness going on around him. Bruce Campbell, and his mustache, steals all of his scenes with his goofy charm and misguided heroics. And, of course, the inimitable M. Emmet Walsh is perfect as old man Mort, a vampire who loses his temper and beheads a disrespectful city slicker. He just can’t help himself. Throw in other veteran character actors like Bert Remsen and John Ireland and it’s easy to enjoy the movie no matter how silly it all gets.

On a personal note, I did want to point out a couple of performances in SUNDOWN that have Arkansas connections. First, Jim Metzler had a solid part a couple of years after this movie in the crime thriller ONE FALSE MOVE (1991), which was co-written by Billy Bob Thornton and partially filmed in Eastern Arkansas. It’s a great movie and Metzler is good in it. Second, Elizabeth Gracen has a small part in the film. Gracen, whose actual name is Elizabeth Ward, won the title of Miss Arkansas in 1981 and then went on to win Miss America in 1982. My uncle Billy was her hair stylist as she made her run to beauty pageant immortality. Other notable Gracen life events include her affair with Arkansas Governor Bill Clinton in 1983, her appearance in Steven Seagal’s MARKED FOR DEATH in 1990, and her Playboy spread in 1992. Interestingly, 18 years old at the time, I saw the layout when my girlfriend’s mom bought the issue and let me look at it! 

Overall, SUNDOWN lets us know right off the bat the kind of absurd movie we’re dealing with, so you’ll either be into it or want to just move on. I was into it, mainly due to its strong cast. It’s not perfect, and it overstays its welcome by a good 15 minutes, but SUNDOWN is a fun watch for fans of silly horror-comedies and the excellent cast. I had a great time with it!

Retro Television Review: Fantasy Island 6.10 “Operation Breakout/Candy Kisses”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

And now, it’s time for …. wait?  What?  *sigh*  Okay.

Episode 6.10 “Operation Breakout/Candy Kisses”

(Dir by George W. Brooks, originally aired on January 15th, 1983)

My fantasy would be to be able to review this episode.

Ever since Fantasy Island was yanked down on all the streaming sites, I’ve been watching the show off of my DVR.  A few years ago, I recorded nearly every episode off of one of the retro stations.  (Sadly, the station also appears to no longer be broadcasting the show.)  Unfortunately, nearly is not all and this is one of the episodes that I did not record.  So, obviously, I can’t review it.

I can talk a little bit about it because I did watch this episode a few years ago.  When I read the plot description on the imdb — Wheelchair-bound Kentucky racehorse breeder Rowena Haversham wants one last chance to win a race; and self-professed failure Danny Clements of Boston wants to turn his life around by breaking an American agent out of a tough foreign prison. — a bit of it came back to me.  I remembered that Rowena (Ann Turkel) was given what she thought was a magic riding crop but that, at the end of the episode, Roarke revealed that the only magic was Rowena’s belief in herself.  I think Rowena was transformed into a younger version of herself and she befriended a young rider played by Jill Whelan and ended up falling in love with Whelan’s father, who played by John Beck and not Gavin MacLeod.  And I remember that Ben Murphy played the guy who entered the prison to save the American spy but it turned out that the prison was run totally by women and the spy was having the time of his life.  I remember bits and pieces but it’s been a few years and I still wouldn’t feel comfortable even trying to tell you whether or not the episode worked.

So, consider this to be a placeholder.  If I ever find Fantasy Island streaming somewhere or if someone is kind enough to reupload the show to YouTube, I’ll come back and review this episode.

Until then, my fantasy is for an official home video release of the entire series as opposed to just the first few seasons.  Seriously, this is a fun show and one that still has a lot of fans.  Yanking it off of Tubi to make room for the Fox reboot that only lasted for two seasons really doesn’t make a bit of sense.

This needs to be fixed!

 

Retro Television Review: The Love Boat 4.25 & 26: “This Year’s Model/The Model Marriage/Vogue Rogue/Too Clothes for Comfort/Original Sin”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s time for the fashion festival!

Episode 4.25 and 4.26 “This Year’s Model/The Model Marriage/Vogue Rogue/Too Clothes for Comfort/Original Sin”

(Dir by Roger Duchowny, originally aired on May 2nd, 1981)

This week, the Love Boat sails to Acapulco for the International Fashion Festival!  Vicki, who hopes to grow up to be a fashion designer, is excited about meeting her idols.  Doc, Gopher, and Isaac are excited about the models.  Captain Stubing starts the cruise by reminding everyone to do their job for once.  It’s about time Stubing told them that.  Does Doc even keep office hours anymore?

This one of those two-hour episodes of The Love Boat that gets chopped into two episodes for syndication.  As such, it’s double-sized, with twice as many guest stars and the boat actually sailing to Acapulco during filming.  That doesn’t mean that the storyline are any more complicated than usual on this episode.  Despite being longer then usual, the episode follows the usual Love Boat pattern.  The extra time is largely taken up with a travelogue of Mexico (watch as a limo very slowly drives to a luxury hotel!) and the fashion show.

Fashion designers Gloria Vanderbilt, Bob Mackie, Halston, and Geoffrey Beene all appear as themselves.  They’re listed as guest stars but they don’t actually do anything other than board the ship and then show off their designs.  They don’t find love on the boat, nor do they search for it.  (Well, Halston probably did….)  Interestingly enough, none of them — not even the famous Halston — has much of a screen presence and in the scene where they introduce themselves to the crew, they’re all so stiff that it is somewhat difficult to watch.  It’s obvious that none of them were actors but it’s also interesting to consider that there was a time when someone could be internationally famous without being a natural on camera.

There are also a few fictional designers on the cruise.  They’re the one who actually have storylines.  Harvey Blanchard (Dick Shawn) is not aware that his daughter, Mandy (Debra Clinger), has married his nerdy assistant, Alvin Beale (Richard Gilliand).  Mandy wants Alvin to tell her father that they re married during the cruise but first, Alvin is going to have to figure out what to do after he accidentally dumps some designer clothes down a laundry chute and they end up shrinking in the dryer.  (“Have you ever considered designing children’s clothing?” Alvin asks his boss.)

Benita James (Elke Sommer) is an “up-and-coming” fashion designer who falls in love with Sidney Sloan (Mike Connors), despite the fact that he’s an industrial spy who has been hired to steal her designs.  Sid falls in love with Benita as well and decides that he can’t betray her.  But when Sid’s partner (Steve Franken) ransacks Benita’s cabin, will Sid be able to convince her that he wasn’t involved?

Charles Paris (Robert Vaughn, looking somewhat embarrassed) is a cosmetics tycoon who boards the boat looking for the new Ms. Paris, the model who will be the face of his company.  Will he pick Liz(Morgan Brittany) the model with whom he is falling in love, or will he pick Joanne Atkins (Carmilla Sparv), the model who has been told that, since she’s now over 35, her career is over?

Speaking of Joanne, she falls in love with Captain Stubing and Stubing falls in love with her.  Meanwhile, the married heads of her modeling agency (Anne Baxter and McClean Stevenson, who looks almost as embarrassed as Robert Vaughn) argue over whether or not Joanne is too old to continue on as a model.

Julie is excited because her former sorority sister, Melissa (Cristina Ferrare), is a model on the cruise.  Julie can’t wait to spend the whole cruise with her but Melissa meets and falls in love with Larry (Chris Marlowe).  When Melissa and Larry run off to get married, Julie takes her friend’s place in the fashion show.

And really, the fashion show is what this episode is all about.  The stories aren’t particularly important.  We’re here for the clothes!

Bob Mackie starts things off with a really cute collection of lingerie and pajamas, which happen to be my favorite things to wear.  I loved his collection.

Gloria Vanderbilt follows with sporty summer fashion, and watching her collection, I found myself wanting to go play tennis with my neighbors.

Geoffrey Beene follows with a collection of plaid suits that will be familiar to anyone who has ever binged a 70s sitcom.

“Up and comer” Benita James presents a collection of truly hideous cocktail dresses.

And Halston closes things out with evening wear.  “Red is my favorite color,” Halston says, “It’s so fun.”  This redhead appreciates the sentiment, even if it was kind of obvious that Halston didn’t bring his top designs on the cruise with him.

As the highlight of the episode, the fashion show was definitely entertaining though. it was impossible not to smile at just how ugly Benita James’s designs actually were.  Seriously, someone went to the trouble to hire two industrial spies to steal those designs?

As for everything else, it all works out.  This is The Love Boat.  Everything always works out.  Charles Paris announces that the new Ms. Paris will be Joanne but then he asks Liz to be “Mrs. Paris.”  Sid and Benita decide to get married as well.  Captain Stubing gets to have sex for once.  I think that may be the first time that’s happened since this show started.  Julie enjoys modeling.  Everyone either finds love or decides not to get divorced.  That’s a successful cruise!

This cruise was fun in its silly way.  Bob Mackie definitely won the fashion show.  Though the designers may not have been comfortable on camera and McClean Stevenson looked like he was on the verge of jumping overboard from embarrassment, this was The Love Boat at its most entertaining.

 

 

Retro Television Reviews: Fantasy Island 4.9 “Sanctuary/My Late Lover”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

Smiles, everyone, smiles!

Episode 4.9 “Sanctuary/My Late Lover”

(Dir by Leslie H. Martinson, originally aired on January 3rd, 1981)

This week brings us two fantasies, neither one of which quite works.

Thomas Henshaw (Bobby Sherman) is a man who does not initially appear to be too happy to be on Fantasy Island.  That’s because someone has poisoned him and he only has a day or two to live.  His fantasy is to go the Sanctuary, an exclusive resort for killers, and track down his assassin.  Henshaw has got one clue, a strand of hair that he found on his clothing.  All has to do is find someone who has the same hair.  This would make perfect sense in a world where only one person had light brown hair.  It make less sense in the real world or, for that matter, even on Fantasy Island.

Mr. Roarke gives Thomas Henshaw a serum that will prolong his life for a few days.  Henshaw goes to the Sanctuary, where he immediately finds himself being menaced by Sid Haig!  Sid plays the bad guy’s henchman.  There’s a scene where Thomas attempts to grab a strand of Sid’s hair and instead pulls off his wig.  Sid does not look particularly amused by the whole thing.

Thomas meets and falls for Tessa (Morgan Brittany), who is basically owned by one of the assassins.  Thomas changes his fantasy, telling Mr. Roarke that he just wants Tessa to be free, even if that means that he loses his chance to track down the killer.  Mr. Roarke agrees to the change but no worries.  Thomas still manages to track down his assassin and learn the name of the poison.  (He also snatches a strand of hair off of the bad guy’s head and declares, “It’s the same!”  DNA testing used to be so simple!)  Mr. Roarke and the Fantasy Island cops show up and arrest the killer and also provide an antidote to Thomas.  Thomas lives and leaves the Island with Tessa.

The main problem with this fantasy is that Bobby Sherman was extremely miscast, giving a performance that was so mild that you never once believed he could be at the center of a murder-for-hire scheme.  Michael Cole, who plays one of the assassins, perhaps would have been believable as Thomas Henshaw.  For that matter, if the show’s producers and writers had really been willing to think outside the box, it would have been interesting to see Sid Haig play a sympathetic role on Fantasy Island.  But Bobby Sherman is just too bland for this type of story.

The other fantasy is also, sad to say, a bit bland.  Anastasia Decker (Eva Gabor) is a wealthy widow who is trying to choose between three suitors.  Complicating matters is the ghost of Anastasia’s husband, the charming Dex (Gene Barry).  Dex keeps popping up and pointing out all of the flaws in the men who want to replace him.  Anastasia cannot emotionally move on.  Finally, Anastasia decides she wants to be with Dex so she tries to drive her car over a cliff!  Luckily, Ghost Dex is able to magically stop the car in mid-air and return it to the road.  Anastasia realizes that, of her suitors, nerdy-but-nice Walter (Craig Stevens) is the one who truly loves her and that’s who she leaves the Island with.  Dex returns to the afterlife, happy in the knowledge that Anastasia will be able to move on.

I like it when Fantasy Island deals with the supernatural but this particular fantasy was so bland that not even a tap-dancing ghost could liven things up.  Eva Gabor tried her best but this fantasy was the type of story that the show had already done several times in the past.  Despite effective performances from Gabor, Barry, and Stevens, it was just a bit too familiar to be effective.

Well, this was a disappointing trip to the Island.  Hopefully, the plane will bring something more interesting next week!

 

Retro Television Reviews: Half Nelson Episodes 1 & 2 “The Pilot”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!

The year was 1985 and actor/singer Joe Pesci was at an interesting place in his film career.

In 1980, Joe Pesci was nominated for Best Supporting Actor for his performance as Robert De Niro’s brother in Raging BullRaging Bull was Pesci’s second film and he earned critical acclaim for his performance as the second most angry member of the LaMotta family.  In the years immediately following his first Oscar nomination, Pesci went on to play character roles in a handful of other films, including Dear Mr. Wonderful, Easy Money, Once Upon A Time In America, and Eureka.  While no one could deny Pesci’s talent or his unique screen presence, it was also obvious that Hollywood wasn’t quite sure what to do with him.  While Pesci was apparently high on everyone’s list when it came to playing gangsters with hair-trigger tempers, no one was willing to give Pesci a starring role.

Fortunately, television always has room for an Oscar nominee and, in 1985, Half Nelson came calling.  Created by veteran television producers Glen A. Larson and Lou Shaw, Half Nelson was a detective show.  Joe Pesci starred as Rocky Nelson, a tough New York cop who relocated to Los Angeles to pursue his acting career.  While waiting for his big break, Rocky worked for Beverly Hills Security and lived in Dean Martin’s guest room.  And when I say that Rocky was living in Dean Martin’s guest house, what I mean is that Dean Martin actually appeared on the show, playing himself.

NBC liked the idea enough to air the pilot film and then schedule the show as a mid-season replacement.  Audiences were a bit less interested in the show and Half Nelson was canceled after only 8 weeks.  Pesci went on to win an Oscar for Goodfellas and he never starred in another television show.  Half Nelson would probably be forgotten if not for the fact that someone recently came across the opening credits on YouTube.  When shared on Twitter, this video went viral as “the most 80s thing” ever created.

After I watched that video, I knew I simply had to review Half Nelson as soon as I finished up The Brady Bunch Hour.  Fortunately, almost all of the episodes have been uploaded to YouTube so, for the next few weeks, I’ll be taking a look at Half Nelson, starring Joe Pesci!

Episodes 1 & 2 “The Pilot”

(Dir by Bruce Bilson, originally aired on March 24th, 1985)

Half Nelson begins in New York City, with NYPD’s finest, Detective Rocky Nelson (Joe Pesci), disguising himself as a waiter and sneaking into a mafia-owned restaurant.  After punching out two guards, Rocky enters a backroom and discovers a group of guys with a lot of heroin.  Rocky arrests them and becomes a hero.  As Rocky explains in a voice-over, it’s the biggest drug bust in history.  When Hollywood asks for the rights to the story, Rocky insists that he be allowed to audition for the lead role.  Rocky quits the NYPD and heads out to Los Angeles.  Rocky’s going to be a star!

And, at first, it seems like Rocky’s dream might actually come true.  The film’s director (played by the veteran TV character actor, George Wyner) watches Rocky’s audition and announces that Rocky has the screen presence and talent of Al Pacino.  Unfortunately, Rocky is also only 5’3.  “You’re too short to play Rocky Nelson,” the director explains.

“But I am Rocky Nelson!” Rocky exclaims.

Despite the fact that Rocky’s telling the truth, it doesn’t matter.  A tall British actor is cast in the film.  As a dejected Rocky leaves the audition, he’s approached by a security guard who offers Rocky a job with Beverly Hills Patrol, a private security firm.  Rocky’s skeptical until the security guard mentions that Rocky will get to live in Dean Martin’s guest house.

We jump forward six months.  Rocky is now a trusted employee of Beverly Hills Patrol.  When he’s not working as a bodyguard, he’s auditioning for roles.  At the office, his boss is Chester (Fred Williamson) and the office manager is Annie O’Hara (Victoria Jackson).  Chester is cool and all-business.  Annie is flighty and has an obvious crush on Rocky.  She also gives Rocky a pit bull named Hunk.  Hunk is very loyal but also very quick to attack anyone who isn’t Rocky.  I don’t know if a show could get away with a comic relief pit bull today but whatever.  Hunk is a cute dog with a ferocious bark.

In just six months, Rocky has become surprisingly well-known in L.A.  Some of that might be because he lives with Dean Martin.  Martin appears in three scenes of the pilot and, to be honest, he definitely looks and sounds a bit worse for wear.  Half Nelson was Dean’s final acting role.  (He died ten years after the show was canceled.)  But even though Dean was clearly not in the best shape when he appeared in the pilot, his natural charisma still shines through and there’s a lot of pleasure to be found in his scenes with Joe Pesci.  For one thing, Pesci himself seems to be genuinely excited about acting opposite Martin.

Along with becoming friends with Dean Martin, Rocky has also befriended Parsons (George Kennedy), a Los Angeles police chief who is eager for Rocky to quit the Beverly Hills Patrol and to join the LAPD.  Rocky turns down the offer, however.  Rocky is done with police work.  He’s going to be a star!

Of course, he’ll also find time to solve some crimes along the way.

For instance, in the pilot, Rocky investigates the death of his best friend and co-worker, Jerry (Nicholas Surovy).  Parsons insists that all the evidence shows that Jerry murdered his girlfriend, Monika (Morgan Brittany), and then shot himself.  However, Rocky doesn’t think Jerry would do something like that.  When Jerry’s father (veteran screen actor Rory Calhoun) asks Rocky to find the people who killed his son, Rocky doesn’t have to be asked twice.

It turns out that Jerry and Monika were taking money from a tabloid magazine publisher (Terry Kiser).  They had a video tape that would have been very embarrassing to some prominent Angelinos, including a businessman (Rod Taylor), a restauranter (Tony Curtis), a general (Mills Watson), an astronaut (Gary Lockwood), and a television executive (Bernie Kopell).  Rocky assumes that the people on the tape ordered the murders but then he learns that, while the general did send two government agents to find the tape, he also made clear that no one was supposed to be killed.  Instead, someone else who wanted the tapes committed the murders on his own.

Searching for the killer means that Rocky will have to assume many disguises and show off his acting skills.  As an actor, he’s able to wander into the local movie studio and not only raid their wardrobe department but also borrow their cars.  Over the course of the film, Rocky disguses himself as both a cowboy and a traffic cop.  He also drives a Ferrari, a Cadillac, a jeep, a motorcycle, and KITT, the talking car from Knight Rider.  (KITT, unfortunately, does not talk in Half Nelson.)  On the one hand, the use of disguises is a little bit silly because Joe Pesci is always going to be Joe Pesci regardless of what costume he is wearing.  The pilot’s silliest scene involves Rocky dressed up like a cop to confront two men who have been following him.  Somehow, they fail to pick up on the fact that the 5’3 cop with the New York accent is the same 5’3 New Yorker who they’ve been tailing for the last few days.  And yet, it’s one of those things that’s so ludicrous that you can’t help but think that the show was showing a bit of self-awareness and commenting on just how ludicrous most television shows tend to be.

Eventually, Rocky figures out that the killer is …. SPOILER ALERT …. Parsons!  That’s right.  The same police chief who kept offering Rocky a job with the LAPD turned out to be the murderer for whom Rocky was looking.  What’s interesting is that, after realizing that Parsons is the killers, Rocky doesn’t arrest Parsons or attack him or do any of the other things that a typical TV detective might.  And Parsons doesn’t try to flee or fight.  Instead, the two men take a leisurely drive and talk about life, morality, and regret.  Parsons talks about how he was once an honest cop but Los Angeles corrupted him.  Rocky expresses some sympathy and says that he hates that he discovered that Parsons was the murderer.  It’s a well-acted and surprisingly well-written scene.  When Rocky asks Parsons about the murders, Parsons replies, “I had to empty my gun, just to drown out their screams.”  (Yikes!)  Parsons lets Rocky out of the car and tells him, “Don’t let them get to you, kid.”  Parsons then drives the car over a cliff as Roberta and Chester (who have been tailing Parsons) run up to Rocky.

“Hard to believe that a man like that would kill himself!” Roberta says.

“That’s just the funeral,” Rocky replies as Parsons car explodes, “He died a long time ago.”

Wow, that’s dark!  Fortunately, the mood is lightened during the show’s final scene, in which Rocky’s pit bull attacks boxer Larry Holmes.

The pilot for Half Nelson was nicely done.  It set up the series and it gave us an introduction to the characters, which is exactly what a pilot is supposed to do.  The cast showed off their chemistry and the final scene between Parsons and Rocky indicated that the show had the potential to be something more than just another mid-80s detective show.  The pilot’s greatest strength, not surprisingly, was Joe Pesci.  Pesci has played so many mobsters and crooked lawyers that it’s easy to forget what a likable actor he can be.  The pilot featured Pesci at his most amiable and it also gave him a chance to show off his comedic timing.  All-in-all, the pilot was a success and I could understand why NBC would have ordered more episodes after watching it.

But what about the series?  Would the series live up to the promise of the pilot or would it just become another generic detective show?  We’ll find out over the next 8 weeks!

Horror on TV: Twilight Zone 5.28 “Caesar and Me”


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Tonight’s episode of The Twilight Zone might remind you of a previous episode entitled The Dummy. Once again, we have a story about a ventriloquist (Jackie Cooper) and a dummy who appears to have a mind of his own. (In fact, the same prop dummy was used in both episodes.) However, Caesar and Me is an even darker take on the conflict between puppet and puppeteer.


Seriously, don’t mess with Caesar.


This episode originally aired on April 10th, 1964.