Retro Television Review: The Love Boat 6.24 “So Help Me Hannah/The Maid Cleans Up/CPR IOU”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love …. exciting and new!

Episode 6.24 “So Help Me Hannah/The Maid Cleans Up/C.P.R, I.O.U.”

(Dir by Kim Friedman, originally aired on March 12th, 1983)

This episode features Gopher bringing a CPR dummy on board.  No one is that interested in learning how to perform CPR, at least not until one of the passengers, Dwaine Fenley (Steven Keats), has a heart attack.  Fortunately, because of his CPR training, Gopher is able to save Dwaine’s life.  Not only does this lead to Dwaine forging a stronger relationship with his father (Milton Berle) but it also leads to Gopher getting promoted to Head Purser.

(Erin doesn’t like to brag so I’ll brag for her and say that she is not only CPR-certified but she also saved someone’s life a few years ago.  CRP is a good thing to learn!)

While Gopher is trying to get everyone to learn CPR, there are other things happening on the boat and, to be honest, they’re all kind of annoying.  For instance, Hannah (Mary Martin) boards the boat and she’s immediately giving everyone advice and singing Cole Porter tunes.  I kind of knew that this story was going to be annoying from the minute Hannah first boarded the ship and the camera zoomed in for a close-up, which was usually a sign that a guest star was going to spend the entire cruise overacting.  That’s the case here, with Mary Martin delivering every line and playing every emotion as if she’s on Broadway as opposed to a television soundstage.  Hannah meets an ex-boyfriend named Jarvis (Max Showalter) and they sing It’s De-Lovely while standing against the ship’s railing and, for me, it was De-Cringey.  Maybe if I was of Mary Martin’s generation, it would have been less cringey.  But I have to admit that I listen to most of those old songs and I think to myself, “De-lovely is not a word.”  Hannah encourages Jarvis to allow his son (Timothy Patrick Murphy) to play piano instead of becoming a real estate agent.

Finally, a maid (Judy Landers) boards the boat because she knows that her employer (Caren Kaye) is cheating on her boyfriend (Ben Murphy).  It’s actually a bit of a complex storyline, at least by the typical standards of The Love Boat.  Personally, I like Judy Landers and Ben Murphy was appropriately rugged and handsome.  Unfortunately, Landers and Murphy didn’t have much chemistry.

A mixed review for this episode, I’d say.  I appreciated the CPR subplot because that was The Love Boat at its most well-intentioned.  The whole thing with Mary Martin singing old songs was cringe city.  And the maid subplot was just kind of boring.  This was not a great cruise but it wasn’t a terrible one either.  At least, after six seasons, Gopher finally got his promotion.

 

 

Retro Television Review: Fantasy Island 7.4 “God Child/Curtain Call”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, the curse of Lawrence continues.

Episode 7.4 “God Child/Curtain Call”

(Dir by Ted Lange, originally aired on October 29th, 1983)

Tori Spelling is in this episode.  She was only ten years old at the time but she was already a terrible actress.   In the role of Laurie, a poor little rich girl whose fantasy is to ask God why her parents died in a crash, Spelling gives a performance that is overly cutesy.  There’s nothing authentic about her or her delivery.  Her role on the show was obviously a result of her father being the producer.

Laurie doesn’t find God.  (At first, she assumes Roarke is God but he assures her that he is not, despite the fact that he has God-like powers.  Ricardo Montalban, for his part, said that he always felt that Roarke was a fallen angel who was doing penance on Fantasy Island.)  Laurie does however find Adam Cobb (George Kennedy), a former circus clown-turned-alcoholic who briefly pretends to be God.  At first, Laurie hates Adam for lying about being God.  Then Mr. Roarke explains that Adam’s wife died in a circus fire and that his own daughter was adopted by another family.  Laurie feels sorry for him and invites Adam to come live in her mansion with her aunt.  Adam considers it but ultimately decides that he needs to instead search for his own daughter.  In a rather bizarre turn of events, he dances with Laurie while singing Funny Face to her.

As for Laurie meeting God, Adam suggests that maybe there’s a bit of God in everyone and therefore, we’re all God.  Whatever, you hippie.

This storyline was ugh.  Like seriously, just ugh.  Laurie didn’t get her fantasy.  She just met some old alcoholic who spouted a bunch of a Unitarian mumbo jumbo at her.  As for Adam leaving the Island to find his own daughter …. well, did he?  This episode doesn’t tell us.  How exactly is he going to find her?  Does she want anything to do with him?  How was the penniless Adam able to afford a trip to Fantasy Island in the first place?

AND WHERE THE HELL IS TATTOO!?

Meanwhile, Milton Berle played an old comedian who wanted his former partners (Imogene Coca and Howard Morris) to forgive him so that they could perform together one last time.  This storyline felt very familiar and it featured a lot of singing.  Even Mr. Roarke sang a song.  It’s actually kind of strange how many songs were sung in this episode because this wasn’t a musical episode.  This wasn’t like that musical episode of The Love Boat where the songs were evenly distributed across the program.  Instead, towards the end of the episode, people just started singing.  It was weird.

Speaking of The Love Boat, this episode was directed by Isaac himself, Ted Lange.  Lange keeps the action movie but I just wish this episode had been better written.  This is another episode where it’s easy to imagine how much better it would have been with Tattoo than with Lawrence.  Tattoo would have definitely gotten emotionally involved with Laurie’s search for God.  Lawrence, on the other hand, is just a stiff upper lip butler whose main concern is making sure everyone gets their drink order.  It’s nothing against Christopher Hewett, who I have read was a good Catholic.  It’s just that he’s stuck playing a character who does not belong on the Island.

This was a pretty desultory trip to the Island.

 

Late Night Retro Television Review: CHiPs 4.5 and 4.6 “The Great 5K Star Race and Boulder Wrap Party”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, we have a two-hour episode of CHiPs!

Episodes 4.5 and 4.6 “The Great 5K Star Race and Boulder Wrap Party”

(Dir by Gordon Hessler, originally aired on December 7th, 1980)

There’s a big boulder sitting on a mountain and it’s threatening to roll down onto the highway, where it could not only damage cars but also destroy the home of comedian Milton Berle.  Berle calls the cops and generally gets annoyed with everyone who comes by his house.  They all want to make jokes while the boulder hangs over him like death from above.  I would be annoyed as well!

Ponch and Baker arrange for a demolition crew to come in and try to destroy the boulder.  As Ponch is also in charge of the annual CHP charity fundraiser, Ponch recruits Berle to be a part of it.  Ponch wants a bunch of celebs to take part in a bicycle race.  Berle motions with his cigar and says he’ll play touch football instead.

This two-part episode attempts to recapture the fun of the previous season’s Roller Disco.  A lot of celebrities show up for the fundraiser and Harlan provides a breathless commentary that basically amounts to continually repeating, “There’s George Peppard talking to Johnnie Ray!  Nancy Kulp’s standing in a doorway!  There’s Robert Mandan!  Conrad Bain’s wearing an ascot!  Look at Todd Bridges get down!”  It’s not as much fun this time because there’s no roller skating and there’s no disco music.  Instead, it’s celebs playing the type of dreary games that high schools and church youth groups have used for years to build up team work.  You know that terrible game where people try to move an orange down a line without using their hands?  They play that game.  (My speech and debate coach had us play the game at a sleepover and I’ll just say that having an orange fall into your cleavage is not as much fun as it sounds, especially when you’re the only girl standing in the line.)  An ascot-wearing Conrad Bain runs around in circles while balancing a wine bottle on a tray.  The crowd loves it but I think it would be kind of boring to watch.  There’s also a dunking booth so that the celebrities can send the members of the CHP into a tub of water.  Baker does not participate but Ponch does and you better believe he flashes the biggest smile in the world after he goes down.

There are some other storylines going on, of course.  Alex Rocco and Ken Berry are two racers who supplement their income by robbing homes and trucks.  There’s a freeway pileup that features some slow motion car jumps.  Hey, that truck has “EXPLOSIVES” written on it!  Do you think it will explode!?  Baker helps a kid who needs better parents.  It’s typical CHiPs stuff but the majority of the episode is just a collection of television actors participating in silly games.  “There’s Marcia Wallace talking to Chuck Woolery, having a good time!”  It needed more disco.

 

Retro Television Review: The Love Boat 5.11 “He’s My Brother/Zeke and Zelda/Teach Me Tonight”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

The Love Boat is back for a new year of reviews!

Episode 5.11 “He’s My Brother/Zeke and Zelda/Teach Me Tonight”

(Dir by Bruce Bilson, originally aired on December 5th, 1981)

This week, Doc Bricker’s brother boards the Love Boat and boy, does he turn out to be a jerk!  Fred Bricker (Jack Bannon) is bitter because their father paid for Doc to go to medical school while Fred had to stay behind on the farm.  Now, Fred is married to Nancy (Elaine Joyce) and worried about how he’s going to afford to send his own son to college.  Convinced that Doc is rich, Fred thinks that Doc should pay for his nephew’s college tuition.  Doc agrees.  Fred still acts like an ungrateful jackass but, when he learns that Doc has actually taken out a loan to pay the tuition, Fred realizes that Doc may not be rich but he is a good man.

The weird thing about this storyline is that Fred didn’t have enough money to send his kid to college but apparently, he did have enough money to take an expensive cruise on a luxury liner.  The other strange thing is that Fred didn’t know that Doc worked on the ship until he saw him in the lobby.  Fred just happened to buy a ticket for the same ship that his brother worked on.  Every episode of The Love Boat featured its share of implausible coincidences but this episode really pushes suspension of disbelief to its breaking point.  On a positive note, this story did allow us to see another side of Doc.  Bernie Kopell is always more believable when he gets to play Doc as being a nice guy as opposed to playing him as being an irredeemable lech.

Speaking of money, two old vaudevillians (played by Milton Berle and Martha Raye) haven’t had much of it ever since their style of performing went out of fashion.  Berle and Raye stowaway on the ship and then attempt to freeload their way through the cruise by pretending to be another set of passengers, Zeke and Zelda Van Buren (played by Herb Edelman and Elinor Donahue).  The captain is not amused when he finds out that someone is breaking the law on his boat but then Milton and Martha sing a duet of For Me And My Gal and all is forgiven.  The Captain arranges for them to get a job as entertainers on another ship.  I’ve noticed that the Captain never really seems to punish any of the many stowaways who have taken a trip on The Love Boat.  And you know what?  Good for him!  There’s a place for mercy in this cold world of ours.

Finally, romance novelist Michael Scott (Daryl Anderson) has a one night stand with teacher Emily Parker (Susan Richardson).  Michael — and yes, it’s impossible not to think of The Office whenever anyone mentions the character’s name — is stunned when Emily gets emotional after their night together.  “You’re acting like you’ve never done this before….” Michael says and, of course, it turns out that she hasn’t.  This was a pretty bleh storyline but it did lead to a funny scene where Michael attempts to have a conversation with Emily while two old ladies eavesdrop and freak out every time they hear the word “virgin.”

I enjoyed this cruise, mostly because it gave Bernie Kopell a chance to actually do some real acting for once.  I always like it when Doc turns out to be a nice guy.  Milton Berle and Martha Raye are, to put it lightly, an acquired taste but both of them give good performances in this episode and even manage to pull off their duet without making it too cringey.  As for the third storyline, it was defeated by the lack of chemistry between Daryl Anderson and Susan Richardson.  Still, two out of three is not bad.

Music Video of the Day: Round and Round by Ratt (1984, directed by ????)


How did Milton Berle come to appear in a music video with one of the bands that epitomized 80s hair metal?  It probably had something to do with Ratt being managed by his nephew, Marshall Berle.  Milton was not only helping out family but letting the 80s kids know that he knew where they coming from.  In this video, he appears as both the patriarch and the matriarch of a wealthy family, a call-back to his days on Texaco Star Theater.  Presumably Milton’s cameo in this video led to a better result than the Saturday Night Live hosting gig that led to Milton Berle becoming one of the first people to ever be banned from appearing on the show.

The woman who goes up to the attic is played by Lisa Dean, who later appeared in Michael Jackson’s video for Dirty Diana.

This was one of Ratt’s biggest hits.  The band has broken up and re-formed many times over the years but, as of now, they appear to be on an indefinite hiatus.

Enjoy!

Retro Television Reviews: The Love Boat 3.15 “The Harder They Fall/The Spider Serenade/Next Door Wife”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Gopher falls in love.  Yes, Gopher.

Episode 3.15 “The Harder They Fall/The Spider Serenade/Next Door Wife”

(Dir by Richard Kinon, originally aired on December 8th, 1979)

After three seasons of being goofy comedic relief, Gopher finally got his heart broken in this episode.  He fell in love with a passenger named Claire Dalrymple (Jill St. John), who is on the boat by herself because she has recently separated from her husband, Nelson (Robert Sampson).  And Claire eventually fell in love with Gopher, especially after he dressed up like a mariachi singer and serenaded her with a song about the time that she asked him to kill a spider that was in her cabin.  This time, it was Gopher who ended up waking up in a cabin with a passenger.

(I’m sure some would say it was a bit unrealistic that Claire, upon seeing a spider in her cabin, would run out into the hallway, screaming while wearing only a towel.  I’ve done the exact same thing at a hotel because spiders are scary!)

But does Claire really love Gopher or if she just looking for someone to feel the void left by her separation.  When her husband shows up on the boat, he turns out to be a pretty reasonable and polite guy.  He tells Gopher that, while Gopher can give Claire anything she wants at sea, Nelson can give her everything she needs on land.  Is Nelson suggesting some sort of special arrangement here?  Well, if he is, it totally goes over Gopher’s head.  At the end of the cruise, Claire decides to leave with Nelson and Gopher can only sadly watch as she leaves.

Awwwwwww!  Poor Gopher!

It’s kind of weird to see Gopher in a sad story.  That’s not the fault of Fred Grandy, who always likable and did a pretty good job with the role.  Instead, it’s just that Gopher is such a goofy character that it takes a bit of adjustment to suddenly see him being sincere.  His storyline here worked well-enough, once you got used to the idea of Gopher being serious.  If anything, Gopher was so sad by the end of it that it suddenly made sense why he’s always telling jokes and trying to avoid any sort of emotional commitment.  He’s hurting inside!

The other two storylines were goofy enough to make up for Gopher’s serious turn.  Chet Hanson (James McArthur) is on the cruise with his girlfriend, Kim (Susan Buckner).  Chet’s wife, Carol, (Joanna Pettet) also shows up on the cruise and gives Chet the papers to sign for their divorce.  Chet and Carol are fairly friendly for a divorcing couple but Chet is still upset when Carol buys a ticket for the cruise and ends up staying in the cabin across the hall from him and Kim.  Soon, Carol is stopping by constantly and telling Chet about a man that she’s been flirting with.  Eventually, Chet realizes that he doesn’t want to get a divorce and he and Carol get back together.  That really sucks for Kim, who is surprisingly tolerant of being followed around by her boyfriend’s wife.  This storyline really did leave a sour aftertaste.  Chet was a jerk and Kim deserved better.

Finally, Ed “Flash” Taylor (Milton Berle) and Jack McTigue (Alan Hale, Jr.) were both boxers in their youth.  They fought one legendary fight, in which they not only beat the Hell out of each other but also knocked out the referee.  Now, they are both cruise line executives and they both end up on their boat at the same time.  As soon as they see each other, their rivalry reignites and they prepare for a rematch on the boat.  When Captain Stubing tries to stop the fight, he is accidentally knocked out by the two boxers.  Somehow, this leads to peace between Ed and Jack and not to Captain Stubing suing his bosses for punching him.  Seriously, the Love Boat is floating HR nightmare.

This was an okay episode, largely due to Gopher’s unexpectedly sad story.  The other two stories were just goofy but, when it comes to The Love Boat, the goofiness is the point.

Retro Television Reviews: The Brady Bunch Hour 1.3


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing The Brady Bunch Hour, which ran on ABC from 1976 to 1977.  All nine episodes can be found on YouTube!

Join me as I watched episode 3 of …. *shudder* …. The Brady Bunch Hour!

Episode 1.3

(Dir by Jack Regas, originally aired on February 27th, 1977)

As always, the episode opens with pictures of the Bradys being flashed across a screen as the announcer shouts out everyone’s names.  One thing I immediately notice is that Christopher Knight is now referred to as being “Chris Knight,” which sounds less like the name of the actor who played Peter Brady and more like the secret of identity of a cheesy super hero.  The crowd goes crazy for each Brady but they really go nuts when the announcer reveals that tonight’s special guest star will be Milton Berle.

That’s right, Milton Berle.  I honestly have to imagine that, even in the 70s, Milton Berle probably seemed like a rather quaint guest star.  The Bradys were hardly on the cutting edge of …. well, anything.  But, even for them, Milton Berle feels a little bit past his prime.

The Bradys come out and sing Hooray for Hollywood, which I’m sure was the song that all the kids were listening to in 1977.

Having finished singing, the Bradys banter.  Everyone gets super excited when Carol says that their special guest is the “one and only Milton Berle!”  And then it’s time for the family to once again sing Hooray for Hollywood.  Hollywood may be a great thing but another great thing is being able to carry a tune and, unfortunately, that’s something that half of the Bradys apparently never managed to master.

(It’s okay, I can’t sing either.)

Obviously looking to punish the viewers even further, Hooray for Hollywood is followed by Mike, Carol, Greg, Marcia, and Pete singing Make ‘Em Laugh.  Is tonight’s theme Broadway songs that are largely adored by people who have never actually seen a Broadway show?  Alice and Rip Taylor — who I guess is still playing the Bradys landlord, Jackie Merrill — come out on stage after the performance and sing their own version of Make ‘Em Laugh.  From the start of the performance, it’s pretty clear that Ann B. Davis would rather be anywhere other than sharing a stage with Rip Taylor.  It’s actually painful to watch as two mismatched performers, neither one of whom appears to like the other, sing a song about making the audience laugh.

Mercifully, we then cut to Peter Brady.  Because of the way the scene is lit, my first thought upon seeing Peter is that he’s going to confess to killing a bunch of co-eds.

Instead, Peter explains that it’s time for him to do a song but no one in his family wants to introduce him.  Wow, Peter!  Your family sucks!  Fortunately, a weird little puppet shows up and duets with Peter on Sing.  It’s weird, dude.

We cut to Bobby, who complains that his family doesn’t know what’s funny.  “This is funny,” Bobby says, before getting hit in the face with a pie.  The audience agrees.  Personally, I hate the whole pie-smashing thing because I know it’s probably a mess to clean up afterwards.

We go to the Brady House, where Alice is talking on a CB radio that has been set up in the kitchen.  Mr. Merrill is in the kitchen for some reason.  Carol, Mike, and Bobby come into the kitchen.  Bobby thinks that the show isn’t funny enough.  Mike and Carol think that Bobby is being a brat.  “Compared to us,” Bobby says, “Donnie and Marie are Cheech and Chong!”  Mike argues that they do more than comedy but he says that he’ll consider Bobby’s suggestions.  Who died and made Mike the producer of the show?

After Carol, Alice, and Mike leave, the CB radio comes to life.  It’s Milton Berle looking for someone to talk to!  Bobby and Mr. Merrill talk to Berle.  Berle insults Bobby, saying that he sounds like he belongs on Sesame Street.  Bobby tells Berle that he’s funny and asks him if he wants to be a on a TV show.  “A TV show?  WHERE!?  WHERE!?”  Berle shouts in reply and I’ll admit that I actually did kind of laugh at that.

We go to commercial and, when we return, Rip Taylor welcomes us to the second half of the show.  We then cut to Bobby and the Brady kids waiting for Milton Berle to show up at the house.  They wonder why he’s late.  “Maybe he’s watching The Partridge Family,” says Cindy.  “Maybe he saw our show!” Bobby replies.  When did Bobby become the smartest member of the family?

Anyway, Milton eventually rings the doorbell and enters the house, smoking a cigar.

It quickly becomes obvious that Milton Berle doesn’t know who the Bradys are and the Brady kids aren’t sure who Milton is.  Fortunately, Carol and Mike return home and Carol explains that Milton Berle is a television pioneer and “the funniest man in the world.”

“Mr. Berle,” Mike says, “why are you here?”

“Bad luck, I guess,” Berle replies and again, I will admit that I laughed because Berle obviously meant every word.

Bobby says that Milton can make the show funnier.  When Mike says that they don’t need the show to be funnier, Milton gets angry and says that he’s going to write for the show just to make Mike look bad.  I’m really starting to like Milton Berle.  Milton agrees to take over but he says that the family has to understand that they are to do everything that he says.  He’s in charge now, not Mike.  It’s about time!

Milton’s first act is to try to teach Peter how to enunciate.  When Peter struggles, Milton Berle SLAPS him.  Then he attempts to show Greg how to walk like a television star.

We cut to commercial.  When we return, the announcer tells us that we are now watching “The Milton Berle Brady Bunch Hour, created by Milton Berle, produced by Milton Berle, written by Milton Berle….” You get the idea.  The Bradys, who are now all wearing silly costumes, come out and sing Hooray for Hollywood again.  Mike is not happy with his outfit.

Milton comes out on stage and yells at the Bradys to “sell the comedy.”  The kids tells a few old vaudeville jokes.  Milton runs out on stage with a fake plant and refers to Carol as being “Mrs. Bunch.”  Mike complains about having to wear makeup.  “What do you do when you and your wife have a fight?” Milton asks.  “We make up,” Mike says, which leads to him being attacked by a makeup artist.  Realizing that things aren’t going well, Milton resigns and apologizes.  Okay, I guess that’s the end of that.  It’s typical of this show that the one successful skit ends on a totally random note.

We go to commercial and when we return, Greg and Peter are standing next to the pool.  Greg says that Peter is nervous because this is the part of the show where he always gets shoved into the pool.  Considering the fact that Peter could die if he hits the water the wrong way, he has every right to be nervous.  Greg says that, this week, he’ll let Peter push him in.  Peter doesn’t believe him and jumps in the pool to escape his cruel older brother.

This is followed by Tina Turner who …. wait.  What?  The stupid pool gag is followed by TINA TURNER!?  What a weird show!  Needless to say, Tina’s great but it’s still hard not to feel that the Bradys shouldn’t be allowed anywhere near her.  As a general rule, if you’re a singer who can’t carry a tune and who can’t dance and who is visibly uncomfortable performing on stage, don’t put yourself in a position to be compared directly to Tina Turner.

After Tina performs, we cut to more Brady nonsense as Carol, Mike, and Bobby inform Milton Berle that he’s been fired from the show.  Wait a minute?  What?  I thought Milton made a big deal about stepping down as producer?  I guess I must have misinterpreted that previous scene but honestly, I refuse to go back and rewatch it.  If the show’s writers and performers couldn’t make this stuff clear, that’s on them.

“You’re giving me the pink slip?” Milton asks.

“We’re giving you all the costumes back,” Bobby says.  The audiences goes nuts.

(By the way, I’m wearing a pink slip right now.)

With Milton gone (again), Carol comes out and sings Evergreen, the theme from A Star is Born.  It’s a good song for her voice and I actually enjoyed listening to her version.

It’s time for the big finale!  All the songs are about stars.  I can’t even begin to describe it.  Just watch, if you dare.

https://youtu.be/DnFbdXr_XoI

To my surprise, this episode was not terrible.  Milton Berle’s obvious disdain for the family generated some laughs and Tina Turner’s performance was a definite highlight.  Even Florence Henderson’s musical performance was effective.  It was hardly perfect and both the opening and the finale reminded me of how tone deaf most of the Bradys were but still, this episode was probably about as good as anyone could expect from The Brady Bunch Hour.

God knows what’s waiting for us next week.

Retro Television Review: The Love Boat 1.4 “Message for Maureen / Gotcha / Acapulco Connection”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Welcome aboard, it’s love!

Episode 1.4 “Message for Maureen / Gotcha / Acapulco Connection”

(Directed by Stuart Margolin, Richard Kinon, and Peter Baldwin, originally aired on October 15th, 1977)

Oh no!  It’s a stowaway!  I guess any television show that took place on a cruise ship would have to feature at least one storyline featuring a stowaway.  It’s a bit disconcerting that The Love Boat couldn’t make it for more than four episodes before using the most obvious plotline but then again, the show ended up running for 9 seasons and a movie.  So, apparently, audiences didn’t mind and I have a feeling that there will probably be many more stowaway stories to come.

The stowaway in this episode is April Lopez (played by Charo).  Apparently, April became a recurring character, one who appeared in almost every season.  In this, her first appearance, she sneaks onto the boat in Acapulco.  The captain is not happy when she’s discovered hiding in a laundry hamper but everyone else is charmed by just how loud and talkative she is.  Because there’s no available rooms, April is housed with Doc Bricker until she can be dropped off at the next port.  Of course, Doc falls in love because Doc fell in love with everyone who came into his exam room.  Seriously, Doc was an HR nightmare waiting to happen.

Of course, April is not the only exhausting person to be on the ship.  There’s also Cyril Wolfe (Milton Berle), a nonstop practical joker whose wife (Audra Lindley) is getting sick of dealing with him and really, who can blame her?  Cyril greets a total stranger with a joy buzzer.  He carries around a fake, detachable hand so that he can freak people out.  Cyril can’t even give it a rest during their vacation!  Pretty soon, not only his wife but the crew are pretty sick of him.  (Most of the people watching the show will be sick of him, too.)  Do they conspire to toss Cyril overboard?  They could probably get away with it, seeing as how all of the ship’s nominal authority figures are busy dealing with a stowaway who loves to sing.  Somehow, Cyril survives his trip and he and his wife end up more in love than ever.

Finally, Maureen Mitchell (Brenda Benet) is a former tennis player who is now in a wheelchair.  All she wants is a few days of vacation before she meets with a surgeon who might be able to help her walk again.  Unfortunately, she discovers that an arrogant sportswriter named John (Bill Bixby) is also on the cruise!  At first, she wants nothing to do with him but when John injures his knee and has to use a wheelchair for the rest of the cruise, the two of them fall in love….

Hold on.  You know what just occurred to me?  Last week’s episode featured Robert Reed and Loretta Swit as two people who don’t like each other but just happen to end up on the same cruise.  This episode featured Brenda Benet and Bill Bixby as two people who don’t like each other but just happen to end up on the same cruise …. how long did The Love Boat writers last before they said, “Okay, we’re out of stories.  Let’s start repeating ourselves?”

Anyway, this episode was a mixed bag.  Charo and Milton Berle were not particularly subtle performers and their storylines felt as if they were designed to invite them to indulge in their worst impulses as performers.  But Bill Bixby and Brenda Benet had a lot of chemistry as John and Maureen and their story actually worked as a result.  (Bixby and Benet were married at the time they appeared in this episode.)  Plus, the ship looked lovely.  So did the ocean.  That’s what really matters.

Seven in Darkness (1969, directed by Michael Caffey)


A group of blind people, led by teacher Alex Swain (Barry Nelson), are flying to a convention for the blind in Seattle.  When their flight is knocked off-course by an unexpected storm, the plane crashes into a remote forest.  The plane’s crew and the one sighted passenger are all killed in the crash, leaving the eight blind passengers to fend for themselves.  The plane is perched on the edge of a mountain, there are wolves all around, and no one can see the surrounding terrain.  And one of the passengers is pregnant and could give birth at any minute!  To Alex’s resentment, the group turns to Mark (Sean Garrison) to help them survive in the wilderness.  Mark was blinded while serving in Viet Nam and he’s still haunted by what happened during the war.  At first, he resists being thrust into a leadership role but finally, it becomes clear that he has no choice.  Under Mark’s leadership and despite Alex’s protestations, the eight survivors try to find their way back to civilization.

Filmed for television and based on a novel by Leonard Bishop, Seven in Darkness is a tense and well-acted movie.  It’s not easy to watch the survivors feeling around in the darkness, trying to find their way to safety.  That we can see what they don’t makes things all the more suspenseful.  Even more importantly, the film does a good job of presenting the survivors of being individuals.  Even though they all share a disability, they still have their own personality quirks, strengths, and flaws.  Surprisingly the stand-out amongst the cast is none other than Milton Berle, cast in a dramatic role and giving a nuanced performance as the angriest of the survivors.  Watching Seven in Darkness, you come to care about all of the survivors and you get very wrapped up in whether or not they’re going to be able to make it to safety.

Seven in Darkness was the first film to be shown as a part of ABC Movie of the Week.  It can be found on YouTube.

 

An Offer You Can Refuse #5: The Happening (dir by Elliot Silverstein)


https://www.youtube.com/watch?v=lAupa3dICGs

The 1967 film, The Happening, opens with two “young” people — Sureshot (Michael Parks) and Sandy (Faye Dunaway) — waking up on a Florida beach.  The previous night, they attended a party so wild that the beach is full of passed out people, one of whom apparently fell asleep while standing on his head.  (It’s a happening!)  From the dialogue, we discover that, despite their impeccably clean-cut appearances, both Sureshot and Sandy are meant to be hippies.

After trying to remember whether or not they “made love” the previous night (wow, how edgy!), Sandy and Sureshot attempt to find their way off of the beach.  As they walk along, they’re joined by two other partygoers.  Taurus is played by George Maharis, who was 38 when this film was shot and looked about ten years older.  Taurus is a tough guy who carries a gun and dreams of being a revolutionary and who says stuff like, “Bam!  Et cetera!”  Herbie is eccentric, thin, and neurotic and, presumably because Roddy McDowall wanted too much money, he’s played by Robert Walker, Jr.

Anyway, the four of them end up stealing a boat and talking about how life is a drag, man.  Eventually, they end up breaking into a mansion and threatening the owner and his wife.  Since this movie was made before the Manson murders, this is all played for laughs.  The owner of the mansion is Roc Delmonico (Anthony Quinn).  Roc used to be a gangster but now he’s a legitimate businessman.  The “hippies” decide to kidnap Roc because they assume they’ll be able to get a lot of money for him.

The only problem is that no one is willing to pay the ransom!

Not Roc’s wife (Martha Hyer)!

Not Roc’s best friend (Milton Berle), who happens to be sleeping with Roc’s wife!

Not Roc’s former mob boss (Oscar Homolka)!

Roc gets so angry when he find out that no one wants to pay that he decides to take control of the kidnapping,  He announces that he knows secrets about everyone who refused to pay any money for him and unless they do pay the ransom, he’s going to reveal them.  We’ve gone from kidnapping to blackmail.

Along the way, Roc bonds with his kidnappers.  He teaches them how to commit crimes and they teach him how to be anti-establishment or something.  Actually, I’m not sure what they were supposed to have taught him.  The Happening is a comedy that I guess was trying to say something about the divide between the young and the middle-aged but it doesn’t really have much of a message beyond that the middle-aged could stand to laugh a little more and that the young are just silly and kind of useless.  Of course, the whole young/old divide would probably work better if all of the young hippies weren’t played by actors who were all either in their 30 or close enough to 30 to make their dorm room angst seem a bit silly.

It’s an odd film.  The tone is all over the place and everyone seems to be acting in a different movie.  Anthony Quinn actually gives a pretty good dramatic performance but his good performance only serves to highlight how miscast almost everyone else in the film is.  Michael Parks comes across like he would rather be beating up hippies than hanging out with them while Faye Dunaway seems to be bored with the entire film.  George Maharis, meanwhile, goes overboard on the Brando impersonation while Robert Walker, Jr. seems like he just needs someone to tell him to calm down.

But even beyond the weird mix of acting style, the film’s message is a mess.  On the one hand, the “hippies” are presented as being right about the establishment being full of hypocritical phonies.  On the other hand, the establishment is proven to be correct about the “hippies” being a bunch of easily distracted idiots.  This is one of those films that wants to have it both ways, kind of like an old episode of Saved By The Bell where Mr. Belding learns to loosen up while Zack learns to respect authority.  This is an offer that you can refuse.

And that’s what’s happening!

Previous Offers You Can’t (or Can) Refuse:

  1. The Public Enemy
  2. Scarface
  3. The Purple Gang
  4. The Gang That Could’t Shoot Straight