We continue the Shattered Lens’ celebration of Clint Eastwood with 1985’s Pale Rider, one of my favorites. This was a film my long time friend Jay shared with me many years ago, as he owns most of Eastwood’s library of films. I like to think of it as a softer version of Eastwood’s own High Plains Drifter, which my father loved, but I couldn’t really get. It’s a tale of vengeance, but wrapped more in miracles.
You should first know that Westerns aren’t really my genre when it comes to film types I often watch. I don’t have a lot of historical background when it comes to Westerns overall. If you asked for a short list of my favorites, I’d give up Rustler’s Rhapsody (it’s a fun comedy), The Good, The Bad & The Ugly (my Dad watched it often), Blazing Saddles, and in terms of books, the first few books of Stephen King’s The Dark Tower. I only recently watched Shaneafter Logan was first released, and I love the Red Dead Redemption games.
Pale Rider takes place in California around the time of the gold rush. Outside the town of LaHood, named after the wicked Coy LaHood (Richard Dysart, The Thing), we have a group of miners settled in that are hoping to strike it rich. It’s somewhat difficult with LaHood’s henchmen trying to drive them out at every turn, to steal the land. Hull Barrett (Michael Moriarty, Q The Winged Serpent) hopes to be successful, living with his fiancé Sarah (Carrie Snodgress, The Fury) and her daughter, Meghan (Sydney Penny, The Wife He Met Online). The most recent attack from LaHood’s men has shattered the miners’ morale and few are spared. Even Meghan’s dog is killed, causing her to wish for a miracle.
When LaHood’s son, Josh (Chris Penn, True Romance) and some other baddies (including The Thing‘s Charles Callahan, reuniting with Dysart) confront Hull, a stranger steps in. He handles them all easily with an axe handle, and as thanks, Hull welcomes him to the Miners area for room and board. Of course, having a stranger brings up all sorts of questions from the townsfolk, who don’t appear to be too trusting. Is he an outlaw, possibly? Even Meghan’s a little apprehensive at first, with her quote from Revelations 6:8 forshadowing the Pale Rider’s presence. Everyone is put at ease when they find our stranger is actually a Preacher, though Hull is still a bit curious about the six bullet sized scars on the man’s back. Can the Preacher help the Miners keep their land and stop LaHood?
From a casting standpoint, Pale Rider is damn near perfect. Although Eastwood is the main star in his own film, he comes across more as an accessory for everyone else in scenes. Moriarty does most of the heavy lifting, as does Snodgress and Penny. Their characters are all easily likable and the supporting cast (particularly Doug McGrath’s Spider) shine in their parts. Dysart’s LaHood is a dark character and there’s a wonderful verbal conflict between him and Eastwood in one scene that’s just sweet to watch to see who loses their cool first.
Pale Rider is both pretty simple and well executed from a story standpoint. It bears some similarities to Eastwood’s other film, High Plains Drifter. Though the town isn’t painted in red, there are allusions to the idea that the Preacher may be something of.a specter or ghost of vengeance. We’re not given any kind of full story as to why the Preacher’s here. We are shown that both The Preacher and LaHood’s Marshall, Stockburn (John Russell, The Outlaw Josey Wales) share a history, but that’s it. The story, like the Preacher and the events around him, moves in mysterious ways.
What I love the most about Pale Rider is the way the Preacher changes the minds (and hearts) of those around him. The miners learn to fend for themselves. His enemies are often in shock over what he does (and at least one flips from bad to good). It kind of reminds me of Wild West version of John Wick or Nobody, with a character whose reputation precedes him.
Bruce Surtees was the Cinematographer for Pale Rider, who also worked on a number of Eastwood’s earlier films, including The Outlaw Josey Wales and Play Misty for Me. Pale Rider has some beautiful landscape shots of the West (as the film was filmed in Idaho). Despite all the well lit shots, there are still moments where faces are obscured by the brim of a hat or the contrasts in a candlelit room.
The story isn’t without some dark areas or some odd moments. A dog is killed, and there’s a scene where Meghan is nearly raped, but there’s some intervention before things can get out of hand. Both instances help to show how dark the villains are in the overall tale. Both Sarah and Meghan seem to take their own shine to The Preacher, one already in a relationship and the other too young for what she’s asking for, but I took it to just be that their both a bit mesmerized by the Preacher’s presence in different ways.
Overall, Pale Rider is a wonderful offering by Eastwood, with fine performances by everyone involved. The Preacher does what he can to make things better around him with a peaceful approach. When push comes to shove, however, the guns come out blazing.
Everyone knows who Al Capone was but few people remember Frank Nitti. Nicknamed “The Enforcer,” Nitti was Capone’s right-hand man. When Big Al was sent to federal prison for not paying his taxes, Nitti was the one who kept things going in Chicago. While Al was losing his mind in Florida, Nitti was the one who moved the Chicago Outfit away from prostitution and into the labor racket. Today, if anyone remembers Frank Nitti, it is probably because of the scene in Brian DePalma’s The Untouchables where Eliot Ness tosses him off of a building. In real life, Nitti survived the Untouchable era just to become one of the few crime bosses to die by his own hand. In 1943, With the feds closing in on him, Nitti shot himself in a Chicago rail yard.
Through the Shattered Lens 